Title: Walt Whitman to William Sloane Kennedy, 16 May 
Date: May 16, 1887
Source: The transcription presented here is derived from Walt Whitman, The Correspondence, ed. Edwin Haviland Miller (New York: New York University Press, 1961–1977), 4:92. For a description of the editorial rationale behind our treatment of the correspondence, see our statement of editorial policy.
Location: Trent Collection of Whitmaniana, David M. Rubenstein Rare Book & Manuscript Library, Duke University
Whitman Archive ID: duk.00846
Contributors to digital file: Ryan Furlong, Stefan Schöberlein, Kevin McMullen, and Stephanie Blalock
Camden May 16 Evn'g1
Nothing different or new—I am so-so—up and around—Sidney Morse2 from your way is here sculping me—(full length, seated in big chair—goes on well so far)—Fine weather here—I am seated near the open window writing this—Shall probably go out for a drive of an hour or two after supper—
William Sloane Kennedy (1850–1929) was on the staff of the Philadelphia American and later published biographies of Longfellow and Whittier (Dictionary of American Biography). Apparently Kennedy had called on the poet for the first time on November 21, 1880 (William Sloane Kennedy, Reminiscences of Walt Whitman , 1). Though Kennedy was to become a fierce defender of Whitman, in his first published article he admitted reservations about the "coarse indecencies of language" and protested that Whitman's ideal of democracy was "too coarse and crude"; see The Californian, 3 (February 1881), 149–158. For more about Kennedy, see Katherine Reagan, "Kennedy, William Sloane (1850–1929)," Walt Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York: Garland Publishing, 1998).
1. Kennedy endorsed this letter as follows: "87." [back]
2. Sidney H. Morse (1832–1903) was a self-taught sculptor as well as a Unitarian minister and, from 1866 to 1872, editor of The Radical. He visited Whitman in Camden many times and made various busts of him. Whitman had commented on an earlier bust by Morse that it was "wretchedly bad." For more on this, see Ruth L. Bohan, Looking into Walt Whitman: American Art, 1850–1920 (University Park: Pennsylvania State University Press, 2006), 57–84; and David Reynolds, Walt Whitman's America: A Cultural Biography (New York: Vintage Books, 1996), 546–590. [back]