Title: Fred Vaughan to Walt Whitman, 9 April 1860
Date: April 9, 1860
Source: The transcription presented here is derived from Calamus Lovers: Walt Whitman's Working-Class Camerados, ed. Charley Shively (San Francisco: Gay Sunshine Press, 1987), 46. For a description of the editorial rationale behind our treatment of the correspondence, see our statement of editorial policy.
Location: Charles E. Feinberg Collection of the Papers of Walt Whitman, 1839–1919, Library of Congress, Washington, D.C.
Whitman Archive ID: loc.00570
Contributors to digital file: Elizabeth Lorang, Kathryn Kruger, Blake Bronson-Bartlett, Heidi Bean, and Nick Krauter
How is this, Walt? I1 have written to you twice since I heard from you.2 Why don't you answer? How about them proof sheets?3 I have not seen any of them yet. Come, Walt, remember I take a deep interest in all that concerns you and must naturally be anxious to hear from you. Mrs Cooper4 and Robert5 keep asking me every evening "if I have heard from Walt yet." and if you do not write to me soon I am afraid I shall be under the painful necessity of telling a lie to keep up your reputation.—
There is nothing new here.—The weather was disgusting both yesterday and today wet, muddy and chilly.—Did you see the Sunday Courier of April first? It contains an article on "Yankee Bards and New York Critics."—Get it if you can there, if not let me know & I will send it to you. It gives a good description of the Bohemian Club at Pfaffs6 in which you are set down as the grand master of ceremonies. Our folks have shifted me once more. I am now back again in my old position at 168 Broadway, behind the desk.—So please address me here.—Mrs. Cooper and Robert send their love and best wishes.—Write soon and do not forget those sheets. Your friend, "Fred."
1. Fred Vaughan was a young Irish stage driver with whom Whitman had an intense relationship during the late 1850s. For discussion of Vaughan's relationship with Whitman, see Jonathan Ned Katz, Love Stories: Sex between Men before Homosexuality (Chicago: University of Chicago Press, 2001), 123–132; Charley Shively, Calamus Lovers: Walt Whitman's Working-Class Camerados (San Francisco: Gay Sunshine Press, 1987), 36–50; Ed Folsom and Kenneth M. Price, Re-Scripting Walt Whitman: An Introduction to His Life and Work, "Chapter 4: Intimate Script and the New American Bible: "Calamus" and the Making of the 1860 Leaves of Grass." [back]
3. Shively writes that "Whitman went to Boston in the spring of 1860 to proofread and put the final touches on the third edition of Leaves of Grass." See Calamus Lovers: Walt Whitman's Working-Class Camerados (San Francisco: Gay Sunshine Press, 1987), 40. [back]