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Staten Island
"Kaywood"
Nov. 20th, 1880
Dear Mr. Whitman,
We were so delighted at receiving your books1—& from you. We have always intended owning them & were only waiting to return to our little house in town. As we have now a volume belonging to
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Mr. Burroughs2—Your poems have a great hold on us—& grow more & more to us in value.
In London last winter we saw the Gilchrists3 several times & of course talked of you. Mrs. Gilchrist spoke most enthusiastically & affectionately of you & Mme. Modjeska4
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who was acting there wanted us to remind you of her having had the pleasure of meeting you—She is making a great success.
We read some of your poems to a group of people—artists etc., in London who were all intensely interested & impressed—One, Alfred Hunt,5 the landscape painter, was much moved over some of the descriptions
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of nature. The mocking bird & the pine trees especially. Richard talked about you with William M. Rossetti,6 your good friend, & others who all were anxious to hear of you. Richard is very desirous to know whether you got some of your poems, done into Provençal, by W.C. Bonaparte Wyse.7 Would you write a line
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of acknowledgement to the latter, to be forwarded through Richard. Mr. Wyse would value it very greatly.
Mr. Burroughs & Richard were camping out in September & there was a great deal of talk of W.W. under the pines beside the little Ulster Co. lake—
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I know you love children and I wish I could show you my little boy, of whom I am very proud.
In February we will be again in our house & hope to see you there once more.
With renewed thanks I am dear Mr Whitman one of your sincerest admirers
Helena de Kay Gilder
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We are both most obliged to you & I endorse the foregoing.
R.W.G.8
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from Mr & Mrs Gilder New York (Gilder you know is a sort of chief literary man now in Scribner's)
see notes Aug 9 1888 also 10th Aug.
Notes
- 1. Helena de Kay Gilder
(1846–1916), the wife of poet and editor Richard Watson Gilder, was a
painter as well as the founder of the Society of American Artists and the Art
Student's League. She worked closely with her husband, designing the text
illustrations for all of his books of poetry. [back]
- 2. The naturalist John Burroughs
(1837–1921) met Whitman on the streets of Washington, D.C., in 1864. After
returning to Brooklyn in 1864, Whitman commenced what was to become a decades-long
correspondence with Burroughs. Burroughs was magnetically drawn to Whitman.
However, the correspondence between the two men is, as Burroughs acknowledged,
curiously "matter-of-fact." Burroughs would write several books involving or
devoted to Whitman's work: Notes on Walt Whitman, as Poet and
Person (1867), Birds and Poets (1877), Whitman, A Study (1896), and Accepting
the Universe (1924). For more on Whitman's relationship with Burroughs,
see Carmine Sarracino, "Burroughs, John [1837–1921] and Ursula [1836–1917]," Walt Whitman: An Encyclopedia, ed. J.R. LeMaster and
Donald D. Kummings (New York: Garland Publishing, 1998). [back]
- 3. Anne Burrows Gilchrist
(1828–1885), widow to Alexander Gilchrist, and her four children Beatrice,
Grace, Percy and Herbert. Anne Gilchrist wrote one of the first significant
pieces of criticism on Leaves of Grass, titled "A Woman's
Estimate of Walt Whitman (From Late Letters by an English Lady to W. M.
Rossetti)," Radical 7 (May 1870), 345–59.
Gilchrist's long correspondence with Whitman indicates that she had fallen in
love with the poet after reading his work; when the pair met in 1876 when she
visited Philadelphia, Whitman never fully returned her affection, although their
friendship deepened after that meeting. Anne's son Herbert (1857–1914) was
a painter and shared his mother's fascination for Whitman. For more on Whitman
and the Gilchrists, see Marion Walker Alcaro, "Gilchrist, Anne Burrows," Walt Whitman: An
Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York:
Garland Publishing, 1998). [back]
- 4. Helena Modjeska (1840–1909)
was a well-known Polish actress, particularly famous for playing Shakespearean
heroines. In 1878, Whitman met Modjeska while visiting with writer and editor
Richard Watson Gilder (1844–1909). The poet later said of the actress,
"She is a fascinating, bright woman. I have never seen her act—saw her at
Gilder's, in New York—handsome, agreeable, magnetic" (Horace Traubel, With Walt Whitman in Camden, August 28, 1889). [back]
- 5. Alfred William Hunt
(1830–1896) was an artist and the son of Andrew Hunt, an English landscape
painter. Andrew attempted to push his son away from painting, but with the
encouragement of John Ruskin, Alfred continued to exhibit his landscape
paintings throughout his life and became known for his eye for details. [back]
- 6. William Michael Rossetti (1829–1915), brother
of Dante Gabriel and Christina Rossetti, was an English editor and a champion of
Whitman's work. In 1868, Rossetti edited Whitman's Poems,
selected from the 1867 Leaves of Grass. Whitman referred
to Rossetti's edition as a "horrible dismemberment of my book" in his August 12, 1871, letter to Frederick S. Ellis. Nonetheless,
the edition provided a major boost to Whitman's reputation, and Rossetti would
remain a staunch supporter for the rest of Whitman's life, drawing in
subscribers to the 1876 Leaves of Grass and fundraising
for Whitman in England. For more on Whitman's relationship with Rossetti, see
Sherwood Smith, "Rossetti, William Michael (1829–1915)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 7. See the letter from Richard
W. Gilder to Whitman of October 1, 1879. William
Charles Bonaparte-Wyse (1826–1892) was an Irish poet living in France. He
had translated Whitman's "I Heard You Solemn-Sweet Pipes of the Organ" and
"Reconciliation" into Provençal, a minority dialect of southern France. His
parents were Sir Thomas Wyse, an Irish politician, and Marie Bonaparte, a French
author. Bonaparte-Wyse was a great-nephew of Napoleon Bonaparte. He was married
to Ellen Linzee Prout (1842–1925). For more about Wyse and his Whitman
translations, see Thomas Donaldson, Walt Whitman the Man
(New York: Francis P. Harper, 1896), 215–220. [back]
- 8. Richard Watson Gilder
(1844–1909) was the assistant editor of Scribner's
Monthly from 1870 to 1881 and editor of its successor, The Century, from 1881 until his death. Whitman had met
Gilder for the first time in 1877 at John H. Johnston's (Gay Wilson Allen, The Solitary Singer [New York: New York University Press,
1955], 482). Whitman attended a reception and tea given by Gilder after William
Cullen Bryant's funeral on June 14; see "A Poet's Recreation" in the New York Tribune, July 4, 1878. Whitman considered Gilder
one of the "always sane men in the general madness" of "that New York art
delirium" (Horace Traubel, With Walt Whitman in Camden,
Sunday, August 5, 1888). For more about Gilder, see Susan L.
Roberson, "Gilder, Richard Watson (1844–1909)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]