N.Y.
Monday May 14, '60
My dear Walt: I spent much time yesterday reading your poems, and am more charmed with them than ever. I think you would have done well to follow Mr. Emerson's advice, but you may have done better as it is. At any rate, the book is bound to sell, if money enough is spent circulating the Reprints and advertising it generally. It is a fundamental principle in political economy that everything succeeds if money enough is spent on it. If I could spend five hundred dollars in one week on the Saturday Press I would make five thousand dollars by the operation. Ditto you with the L. of G.
You should send copies at once to Vanity Fair, Momus, The Albion, The Day Book, The Journal of Commerce, Crayon—also to Mrs. Juliette H. Beach, Albion, N.Y.,1 who will do you great justice in the S.P. (for we shall have a series of articles)—to Charles D. Gardette Esq,2 No 910 Walnut Street, Philadelphia, to Evening Journal, Philadelphia, and also some dozen copies to me to be distributed at discretion. Do not hereafter ask the editors to notice at any particular time or at all: for the effect is bad.
I want to do great things for you with the book, and as soon as I get over my immediate troubles will do so. But just now I am in a state of despair even in respect to getting out another issue of the S.P. and all for want of a paltry two or three hundred dollars which would take the thing to a paying point, and make it worth ten thousand dollars as a transferable piece of property.
Yours in haste,
Henry Clapp, Jr.
Correspondent:
Henry Clapp, Jr. (1814–1875)
was a journalist, editor and reformer. Whitman and Clapp most likely met in
Charles Pfaff's beer cellar, located in lower Manhattan. Clapp, who founded the
literary weekly the Saturday Press in 1858, was
instrumental in promoting Whitman's poetry and celebrity: over twenty items on
Whitman appeared in the Press before the periodical
folded (for the first time) in 1860. Of Clapp Whitman told Horace Traubel, "You
will have to know something about Henry Clapp if you want to know all about me."
For more about Whitman's thoughts on Clapp, see Horace Traubel, With Walt Whitman in
Camden, Sunday, May 27, 1888. For more information on Clapp, see Christine
Stansell, "Clapp, Henry (1814–1875)," Walt Whitman: An
Encyclopedia, J.R. LeMaster and Donald D. Kummings, eds., (New York: Garland Publishing, 1998).
Notes
- 1. The review of Leaves of Grass that appeared in the New–York Saturday Press on June 2, 1860, was signed "Juliette H.
Beach," but it had really been written by her husband, Calvin Beach. Expecting a
favorable response, the editor of the Saturday Press,
Henry Clapp, Jr., had forwarded a copy of Whitman's book to Juliette Beach for
review. Her husband, however, angered that Clapp had sent the book to his wife,
appropriated it and wrote a scathing review, which was published in his wife's
name. In a letter to Clapp dated June 7, 1860, Juliette Beach explained the
nature of the mistake and expressed her regret at not having had the opportunity
to publish her own favorable opinion of Leaves of Grass.
In an attempt to undo some of the damage, Clapp printed a notice titled
"Correction" in the subsequent issue of his newspaper, alongside three positive
commentaries on Leaves of Grass by women. (For Calvin
Beach's review of the 1860 Leaves of Grass see "Leaves of Grass.") Ellen O'Connor contributed her bit to the theory
that Beach and Walt Whitman had a love affair when she asserted that "Out of the
Rolling Ocean, the Crowd," published in Drum-Taps, was
composed for "a certain lady" who had angered her husband because of her
correspondence with the poet (Emory Holloway, ed., The
Uncollected Poetry and Prose of Walt Whitman, [Garden City, New York:
Doubleday, Page and Company, 1921], 1:lviii). "Mrs. Beach's notes" may be the
letters to Walt Whitman, which later Burroughs vainly asked Mrs. Beach to print;
see Clara Barrus, The Life and Letters of John Burroughs
(Boston: Houghton Mifflin Company, 1925), 1:120. If these were love letters,
Walt Whitman hardly treated Mrs. Beach's heart-stirrings discreetly. See also
Gay Wilson Allen, The Solitary Singer: A Critical Biography of
Walt Whitman (New York: Macmillan, 1955; rev. ed., New York University
Press, 1967), 340–342. [back]
- 2. Charles Desmarais Gardette
was a former reporter for the New York Evening Post who
now wrote for the Philadelphia Evening Journal and also
contributed frequently to the Saturday Press—and
whenever in New York joined Clapp, Whitman, and the others at the Bohemian table
at Pfaff's. An accomplished parodist, Gardette achieved his greatest fame when
challenged by his friends to create a perfect imitation of Poe. His homage,
published in the November 19, 1859, issue of the Saturday
Press, was so convincing that it continued to surface in volumes of
Poe's collected works into the twentieth century, even after Gardette published
detailed accounts of its composition. Under the pen-name "Saerasmid" (an anagram
of "Desmarais"), Gardette published several parodies of Whitman in the Saturday Press in 1860: "Yourn and Mine, and Any-Day (A
Yawp, After Walt Whitman)" (January 21), "Poemet—(After Walt Whitman)"
(February 11), and "Saerasmid to Walt Whitman, A Greeting" (June 16). See George
Pierce Clark, "'Saerasmid,' An Early Promoter of Walt Whitman," American Literature (1955): 259–62. [back]