May 31, '82.1
From to-day I enter upon my 64th year. The paralysis that first affected me nearly
ten years ago, has since remain'd, with varying course—seems to have settled
quietly down, and will probably continue. I easily tire, am very clumsy, cannot walk
far; but my spirits are first-rate. I go around in public almost every day—now
and then take long trips, by railroad or boat, hundreds of miles—live largely
in the open air—am sunburnt and stout, (weigh 190)—keep up my activity
and interest in life, people, progress, and the questions of the day. About
two-thirds of the time I am quite comfortable. What mentality I ever had remains
entirely unaffected; though physically I am a half-paralytic; and likely to be so,
long as I live. But the principal object of my life seems to have been
accomplish'd—I have the most devoted and ardent of friends, and affectionate
relatives—and of enemies I really make no account.2
Notes
- 1. No entry in Whitman's
Commonplace Book (Charles E. Feinberg Collection of the Papers of Walt Whitman,
1839–1919, Library of Congress, Washington, D.C.) provides a clue to the
identification of this person whom Whitman called in Specimen
Days "a German Friend." However, in his letter of November 15, 1882, Whitman called the letter to
Knortz's attention. Knortz (1841–1918) was born in Prussia and came to the
U. S. in 1863. He was the author of many books and articles on German-American
affairs and was superintendent of German instruction in Evansville, Ind., from
1892 to 1905. See The American-German Review, 8
(December, 1946), 27–30. Knortz's first published criticism of Whitman
appeared in the New York Staats-Zeitung Sonntagsblatt on
December 17, 1882. In 1883, Knortz was living in New York City. In his letters
to Whitman that year Knortz frequently included "German renderings" of poems in
Leaves of Grass. Later he assisted Thomas W. H.
Rolleston in Grashalme (Zurich, 1889), which "marks the
real beginning of Whitman's influence" in Germany (Walt
Whitman Abroad, ed. Gay Wilson Allen [Syracuse: Syracuse University
Press, 1955], 17). [back]
- 2. Whitman could never
resist the pose of the benign poet indifferent to his enemies. His publicity
campaign after the banning of the Osgood edition hardly confirms the
pose. [back]