Camden
April 25 towards noon1
A pleasant day out & I am feeling better than for two weeks
past—Drove down yesterday three or four miles to Gloucester, on the
Delaware below here, to a fine old public house close to the river, where I
had four hours & a good dinner of planked shad & champagne2—had a
good view of the picturesque sight of the great boat, 20 black men rowing
rhythmically, paying out the big seine—making a circuit in the river,
(here quite a bay)—enjoyed all & was driven back to Camden ab't
sundown—So you see I get out & have fun yet—but it is a dwindling business—
I enclose an old note from Kennedy.3 Mrs Louise C Moulton4 was here
day before yesterday—two English travelers a couple of hours later—Did
I acknowledge & thank you for your good letter of a week ago?—Last
evn'g came a little eng: from one of J.F. Millet's5 pictures—a present from
Felix Adler6 of N Y—Best love & remembrances to you both—
Walt Whitman
Correspondent:
William Douglas O'Connor
(1832–1889) was the author of the grand and grandiloquent Whitman pamphlet
The Good Gray Poet: A Vindication, published in 1866.
For more on Whitman's relationship with O'Connor, see Deshae E. Lott, "O'Connor, William Douglas (1832–1889)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998).
Notes
- 1. This letter is endorsed:
"Answ'd May 16/88." It is addressed: Wm D. O'Connor | 1015 O Street | Washington
| D.C. It is postmarked: Camden, N.J. | Apr 25 | 4 30 PM | 88; Washington, Rec'd
| Apr | 25 | 11 PM | 1888 | 5. [back]
- 2. William J. "Billy" Thompson
(1848–1911), known as "The Duke of Gloucester" and "The Statesman," was a
friend of Whitman's who operated a hotel, race track, and amusement park on the
beach overlooking the Delaware River at Gloucester, New Jersey. His shad and
champagne dinners for Whitman were something of a tradition. See William Sloane
Kennedy, Reminiscences of Walt Whitman (1896),
15–16. [back]
- 3. William Sloane Kennedy
(1850–1929) was on the staff of the Philadelphia American and the Boston Transcript; he also
published biographies of Longfellow, Holmes, and Whittier (Dictionary of American Biography [New York: Charles Scribner's Sons, 1933], 336–337). Apparently Kennedy called on
the poet for the first time on November 21, 1880 (William Sloane Kennedy, Reminiscences of Walt Whitman [London: Alexander
Gardener, 1896], 1). Though Kennedy was to become a fierce defender of Whitman,
in his first published article he admitted reservations about the "coarse
indecencies of language" and protested that Whitman's ideal of democracy was
"too coarse and crude"; see The Californian, 3 (February
1881), 149–158. For more about Kennedy, see Katherine Reagan, "Kennedy, William Sloane (1850–1929)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 4. Ellen Louise Chandler Moulton
(1835–1908) was an American poet and critic who published several
collections of verse and prose, as well as regular contributions to the New York Tribune and Boston
Herald. [back]
- 5. Jean-François Millet
(1814–1875) was a French realist painter and founder of the Barbizon
School. He is noted for his depictions of peasant farmers. [back]
- 6. Felix Adler
(1851–1933) was a German American professor of political and social
ethics. During his tenure at Cornell University and later Columbia, he founded
the New York Society of Ethical Culture (1877) and the National Child Labor
Committee (1904). His philosophy sought to unite theists, atheists, agnostics,
and deists under the same moral social actions, and argued that morality should
be considered independently from religion. For more on Adler, see Horace Friess,
Felix Adler and Ethical Culture: Memories and
Studies, ed. Fannia Weingartner (New York: Columbia University Press,
1981). See also Adler's and Whitman's conversation at a dinner on April 1, 1888,
when Whitman told Adler that the poems in Leaves of Grass "are really only
Millet in another form—they are the Millet that Walt Whitman has succeeded
in putting into words" (Horace Traubel, With Walt Whitman in
Camden, April 1, 1888). [back]