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Sarony Portraits
37 Union Square,
New
York1
Aug 3 18782
Walt Whitman Esq
Dear Sir—
Mr Sarony3 desires me to acknowledge the receipt of the
books, with thanks—and if I may impose on your generosity I should be please to have a lett for my wife—
Very truly yours
Benj Gurney
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Notes
- 1. Whitman crossed this letter
out and composed a draft letter on the back. See the draft letter from Whitman
to Alfred Lord Tennyson of August 9, 1878. [back]
- 2. Benjamin Gurney (1833–1899)
was the son of Jeremiah Gurney (1812–1886), one of the founding figures of
American photography. Together, they ran the Gurney & Son photographic
studio in New York and took several pictures of Whitman in the early 1870s (see
John Rietz, "Another Whitman Photograph: The Gurney and Rockwood Sessions
Reconsidered," Walt Whitman Quarterly Review 9 [Summer
1991] 24–25). After the end of the firm in 1874 and with Jeremiah in
Europe, Benjamin Gurney seemed to have started working for his former
competitor, Napoleon Sarony. For more on Gurney & Son, see Christian A.
Peterson, Chaining the Sun: Portraits by Jeremiah Gurney
(Minneapolis: Minneapolis Institute of Arts, 2000). [back]
- 3. Napoleon Sarony (1821–1896)
was an eccentric lithographer and photographer who took at least nine pictures
of the grey-bearded Whitman in 1878. Besides Whitman, Sarony's clients included
well-known literary figures like Mark Twain and Oscar Wilde. One of the
trailblazers of modern celebrity culture, Sarony invited public figures to sit
for him and be included in his catalogues. Whitman enjoyed the experience,
writing Harry Stafford that he "had a real pleasant time" and calling the studio
a "great photographic establishment" (see his letter to Stafford of July 6–7, 1878). For more on Sarony, see Ed
Folsom, "Nineteenth-century Visual Culture," A Companion to
Walt Whitman, ed. Donald D. Kummings (Malden, MA: Wiley Blackwell,
2009), 272–288. [back]