upa.00047.001_large.jpg
5 Mount Vernon
Hampstead.
June 15/80
My dearest Friend,
Many tokens have you sent me.1 I love the "riddle song"2 & ponder it over &
over, Am at once
tantalized & pleased. If it were not for the "two little breaths of words" I
should be content with a vague yet none the less real answering thought—but
those words set me seeking something more definite.
William Rossetti3 and I were talking of it. He & his wife & all his children
including the last comer—as pretty & sweet tempered a baby as ever
I saw—all came up & dined with us a Sunday or two ago—& then we
sauntered away the afternoon on our pleasant upa.00047.002_large.jpg heath—Rossetti stretching
himself onto grass with his pipe (he says he has a good spice of
Italian laziness in him, though practically the most industrious of men. The
children scampering about, the baby placidly enjoying. Often dear Friend do I
picture you sitting on one of the benches (may my dream come true!) enjoying the
fresh breeze that almost always blows there, watching the throngs of Londoners of all
degrees but chiefly the poor & the hardworking, who come up to breathe it on
Saturday & Sunday afternoons—or musing there quiet & alone as upa.00047.003_large.jpgone may do other
days, with green & fertile Middlesex & Hertfordshire spread out at ones feet
& a few blue hills beyond. Your post card received yesterday contained welcome
news indeed. Putting together that & the paper that came a day or two before, I
infer that you are not only going to Dr. Bucke's4 but are travelling with him. (And
by the bye I feel very grateful to him for that letter to the paper, for putting an
extinguisher on those smouldering lies.) So I know you have a good friends arm to
lean on when you want it, and are going to have a very jolly time indeed—a
great time, wandering over the great and splendid land. Next year upa.00047.004_large.jpgit must be little
England—the mighty mother. Herby5 is working very hard at the Academy just
now—the advantage being unlimited models—incessant nature (a too
costly business in one's own studio) and also sometimes valuable hints from our best
painters. He leaves here before 9 a.m & does not get back till near 9 p.m. Bee6 is at Edinburgh helping one of our best woman doctors who
is bent on persuading her to reconsider her decision & not be so diffident of
her own powers. How it will end I cannot say. Giddy7 sings a good deal, I think her
voice is developing with a really sweet full toned contralto. I still busy with the
proof &c. of the new edition of my Husbands book.8 upa.00047.005_large.jpgThere cannot be finer work of its
kind than the Scribner woodcuts from Blakes designs of which they have lent us the
blocks It is delightful to have this help & enrichment of the book from
America.—We are having a dripping June but it is what the crops want. We
shall get into our new house which stands in a pleasant nook looking out on gardens
back & front & close to the heath the end of August or beginning of
September. We often talk of the Staffords who have sent Herby many affectionate
words & tokens. Your friends upa.00047.006_large.jpghere are increasing in number & the old ones are very staunch:
indeed dearest friend your Poems have found in places here & specially in the
north, the soil that suits them.
You will like to see this letter of Carpenter's.9
Love from us all.
Please give a friendly greeting to Dr & Mrs Bucke. Who
should come to see us a week or two ago but Mr.
Bary.
Goodbye dearest Friend
Anne Gilchrist
Notes
- 1. Anne Burrows Gilchrist
(1828–1885) was the author of one of the first significant pieces of
criticism on Leaves of Grass, titled "A Woman's Estimate
of Walt Whitman (From Late Letters by an English Lady to W. M. Rossetti)," The Radical 7 (May 1870), 345–59. Gilchrist's long
correspondence with Whitman indicates that she had fallen in love with the poet
after reading his work; when the pair met in 1876 when she moved to
Philadelphia, Whitman never fully returned her affection, although their
friendship deepened after that meeting. For more information on their
relationship, see Marion Walker Alcaro, "Gilchrist, Anne Burrows (1828–1885)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 2. "A Riddle Song" appeared
in the Tarrytown Sunnyside Press on April 3. [back]
- 3. William Michael Rossetti (1829–1915), brother
of Dante Gabriel and Christina Rossetti, was an English editor and a champion of
Whitman's work. In 1868, Rossetti edited Whitman's Poems,
selected from the 1867 Leaves of Grass. Whitman referred
to Rossetti's edition as a "horrible dismemberment of my book" in his August 12, 1871, letter to Frederick S. Ellis. Nonetheless,
the edition provided a major boost to Whitman's reputation, and Rossetti would
remain a staunch supporter for the rest of Whitman's life, drawing in
subscribers to the 1876 Leaves of Grass and fundraising
for Whitman in England. For more on Whitman's relationship with Rossetti, see
Sherwood Smith, "Rossetti, William Michael (1829–1915)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 4. Richard Maurice Bucke (1837–1902) was a
Canadian physician and psychiatrist who grew close to Whitman after reading Leaves of Grass in 1867 (and later memorizing it) and
meeting the poet in Camden a decade later. Even before meeting Whitman, Bucke
claimed in 1872 that a reading of Leaves of Grass led him
to experience "cosmic consciousness" and an overwhelming sense of epiphany.
Bucke became the poet's first biographer with Walt
Whitman (Philadelphia: David McKay, 1883), and he later served as one
of his medical advisors and literary executors. For more on the relationship of
Bucke and Whitman, see Howard Nelson, "Bucke, Richard Maurice," Walt Whitman: An
Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York:
Garland Publishing, 1998). [back]
- 5. Herbert Harlakenden Gilchrist
(1857–1914), son of Alexander and Anne Gilchrist, was an English painter
and editor of Anne Gilchrist: Her Life and Writings
(London: T. Fisher Unwin, 1887). For more information, see Marion Walker Alcaro,
"Gilchrist, Herbert Harlakenden (1857–1914)," Walt Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D.
Kummings (New York: Garland Publishing, 1998). [back]
- 6. Beatrice Carwardine Gilchrist (1854–1881) was
the second child (and first daughter) of Alexander and Anne Gilchrist. An
aspiring physician, Beatrice took the needed preparatory classes but was barred
(as were all women) from becoming a medical student in England. As a result, she
attended the Women's Medical College in Philadelphia. She held positions as a
physician in Berne, Switzerland, and later Edinburgh before committing suicide
by fatally ingesting hydrocyanic acid in 1881. [back]
- 7. Grace Gilchrist Frend
(1859–1947) was one of Anne Gilchrist's four children and Herbert's
sister. She became a contralto. She was the author of "Walt Whitman as I
Remember Him" (Bookman 72 [July 1927],
203–205). [back]
- 8. The second edition of
Alexander Gilchrist's The Life of William Blake (London:
Macmillan and Co., 1880). [back]
- 9. Edward Carpenter (1844–1929) was an English
writer and Whitman disciple. Like many other young disillusioned Englishmen, he
deemed Whitman a prophetic spokesman of an ideal state cemented in the bonds of
brotherhood. Carpenter—a socialist philosopher who in his book Civilisation, Its Cause and Cure posited civilization as
a "disease" with a lifespan of approximately one thousand years before human
society cured itself—became an advocate for same-sex love and a
contributing early founder of Britain's Labour Party. On July 12, 1874, he wrote for the first time to Whitman: "Because you
have, as it were, given me a ground for the love of men I thank you continually
in my heart . . . . For you have made men to be not ashamed of the noblest
instinct of their nature." For further discussion of Carpenter, see Arnie
Kantrowitz, "Carpenter, Edward [1844–1929]," Walt Whitman:
An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York:
Garland Publishing, 1998). [back]