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With Walt Whitman in Camden vol. 5 (1964)
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WITH WALT WHITMAN IN CAMDEN
April 8 - September 14, 1889
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WITH WALT WHITMAN IN CAMDEN
April 8 - September 14, 1889
By HORACE TRAUBEL Edited by Gertrude Traubel
SOUTHERN ILLINOIS UNIVERSITY PRESS
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Copyright © 1964, by Gertrude Traubel
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Library of Congress Catalog Card Number 8-5603
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Printed in the United States of America
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EDITOR'S PREFACE
This fifth volume of Horace Traubel's "With Walt Whitman in Camden" is the first to appear in print without the benefit of a final reading by the author. I have corrected only obvious slips and unnecessary repetitions, checking references that seemed unclear. While the manuscript was sometimes difficult to decipher, it was never in disjointed notes, but always a continuous narrative.
Here is my mother's description of H.T.'s procedure (as quoted by Sculley Bradley in his Introduction to Volume 4): "The notes of the visits to Whitman were written on small bits of paper to fit into the pocket of his jacket and were written in what he called 'condensed longhand,' in the dim light of Whitman's room. Within the hour of the words spoken, the material was put into the complete form with which you are familiar in the three published volumes. There was no vacuum of time or emotion, thus preserving the vitality of the original conversation."
Vitality, contemporaneity--these Whitman characteristics--bring him to you not just an old man reliving a memorable career, but--like most seers--looking at the events before him with flashes of prophetic insight.
GERTRUDE TRAUBEL
Germantown, Philadelphia May, 1963
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ACKNOWLEDGMENTS
First to my mother, Anne Montgomerie Traubel, whose unfaltering faith in the value of this work was responsible for the devoted preservation of the original manuscript.
Then to Charles E. Feinberg, who, with a belief in this record second only to hers, has, with encouragement and assistance made the publication possible.
Also to Arthur W. L. Bray for his translation of the letter from Gabriel Sarrazin.
Also to the men and women of the Free Library of Philadelphia and the Historical Society of Pennsylvania, who so readily met with patience and cooperation my numerous requests for assistance and information.
And to Mildred Bruning who made a labor of love out of the typing.
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CONTENTS
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EDITORS' PREFACE
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v
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ACKNOWLEDGMENTS
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vii
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ILLUSTRATIONS CONTAINED IN THIS VOLUME
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xi
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LETTERS CONTAINED IN THIS VOLUME
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xiii
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CONVERSATIONS
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April 8-30, 1889
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1
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May 1-31, 1889
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110
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June 1-30, 1889
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251
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July 1-31, 1889
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333
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August 1-31, 1889
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403
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September 1-14, 1889
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474
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INDEX
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513
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ILLUSTRATIONS CONTAINED IN THIS VOLUME
[
Frontispiece
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Walt Whitman from Life, Aug. 6, 1889
From the collection of Charles E. Feinberg
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Between pages 242-243
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A Letter from Walt Whitman to Oldach (Binder)
From the collection of Charles E. Feinberg
Entry from the First Page of Walt Whitman's Commonplace Book, Second Volume
From the collection of Charles E. Feinberg
Walt Whitman with Jeanette and Nigel Cholmelly-Jones, Niece and Nephew of Jeanette Gilder
From the collection of Charles E. Feinberg
Horace Traubel's Ticket for the Walt Whitman Testimonial Banquet
Courtesy of Gertrude Traubel
Gabriel Sarrazin
Courtesy of Bernard Sarrazin
Hamlin Garland
From the collection of Charles E. Feinberg
Trial Make-up Page (Unused) for Frontispiece of "Camden's Compliment to Walt Whitman"
From the collection of Charles E. Feinberg
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Whitman's Revised Autobiographic Note and His Copy for Advertisements: Both to Be Used in "Camden's Compliment to Walt Whitman"
From the collection of Charles E. Feinberg
Directions by Walt Whitman to Oldach (Binder), on Wrapper of Package
From the collection of Charles E. Feinberg
Manuscript Page in Richard Maurice Bucke's Copy of
Leaves of Grass
, Pocket-Book Edition
From the collection of Charles E. Feinberg
Walt Whitman, April 15, 1887
From the collection of Charles E. Feinberg
Partial Draft and Trial Lines for the Poem "Death Valley"
From the collection of Charles E. Feinberg
Richard Maurice Bucke Among His Books
From the collection of Charles E. Feinberg
Harrison S. Morris and Horace Traubel, Sept. 1, 1890
Courtesy of Gertrude Traubel
Mary Whitall Smith, 1884
From the collection of Charles E. Feinberg
Alice (Alys) Smith
Courtesy of Mrs. Barbara Halpern
Robert Pearsall Smith
From the collection of Charles E. Feinberg
Edward Wilkins
Courtesy of Gertrude Traubel
Geoffrey Buckwalter
Courtesy of Mrs. Ruth S. Evans
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LETTERS CONTAINED IN THIS VOLUME
(Including Other Manuscripts of Walt Whitman)
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Bertz, Edward, 330
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Brinton, Daniel G., 85, 397
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Bucke, Richard Maurice, 84, 136, 138, 181, 218
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Burroughs, John, 179, 212, 334
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Carey, William, 305, 312
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Carpenter, Edward, 256
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Clifford, John Herbert, 44, 459
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Corning, J. Leonard, 321
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Gilder, Richard Watson, 229, 239, 388, 414
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Kennedy, William Sloane, 221
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Longfellow, Henry Wadsworth, 211
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O'Connor, Ellen M., 458
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Rhys, Ernest, 316
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Sarrazin, Gabriel, 318
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Stedman, Edmund Clarence, 68
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Symonds, John Addington, 511
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Whitman, Walt, 10, 83, 161, 190, 304, 316, 343, 345, 371, 397, 412, 418, 435, 482
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Whittier, John Greenleaf, 231
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Monday, April 8, 1889
10:45 A.M. W. sitting up, reading papers, but not looking well, which I remarked to Ed, who said, however, W. had made no remarks confessing any bad sensations. W. talked only briefly—somewhat about the morning's news, the books, the weather, &c. He expressed some regret that no mail at all had for several days again come from Washington. Gave me advice as to work in town. Then I left.
Evening 7:00. The room darkened—sun just fully down—the night clear beyond description, and calm at last, after the tempestuous forenoon. W. on his bed—laying out flat—his cane beside him—he covered and tucked in by his knee-blanket. Ed sat on foot of bed. They had been talking. We had a fairly good talk, Ed retiring. W. kept his position, his hands folded across his stomach, his voice very clear, and head not seemingly troubled. I said on taking a seat, "I hope this does not mean that you are sick?" It has been rarely of late that I have found him on his back of an evening. He responded: "No—nor does it: but I have had a bad day: in fact, all my days of late have been pretty bad." Then half-reflectively: "But we get along, at a slow pace, it is sure—but get there!"
It is very curious how quickly if I have a bundle in my hand he will ask like a child "What have you got there?" and how soon after my coming, if he expects anything, he will inquire "What have you got with you? What have you got for
me?
" This last he asked tonight the first thing after the talk of his
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health. I had seen Myrick and brought back a second proof of title-page with me. He reached forth his hand in the dark. I felt for it and gave him the proof—along with this, the receipt for the three dollars which I had got from Brown today. Of the last he said: "Oh! It is sad! sad! to see anyone in such a condition!"
W.'s knowledge of the positions and names of stars is rather wide. Knowing from what I said that the night was remarkably clear he asked—"And what of the moon? How big has she got, and where now lays?" I spoke of a lustrous—to me problematic star off towards the N.W., and W. asked: "Tell me how low—and how she impresses you?" Then proceeding along a list of names to my more ignorant ear musical but irrepeatable. Always spoke of his "envy" of me in a pleasant sort of way, that I can so regale myself "with the sights of seasons and sounds of out-door things." And on my often-repeated protest—"I wish you could get out to see them for yourself—but don't forget, you saw them all and 'full measure' before I was born!"—he will laugh thoughtfully and say "True again—true again, boy!" W. spoke of good hours for reading—I of midnight hours, at times: especially for L. of G.—the deeper passages. He questioning and commending me, father-like, that I "can read anywhere" after all.
W. discussed again McKay's singular explanation over Bryant's letter Saturday. W. laughed heartily at remembrance of it. But he spoke in best terms of McKay. I repeated to him the main points of a debate I one day had with Bucke while here. I contending that I had more than merely business feelings for McKay and his espousal of W., and Bucke contraverting with statement that he had not, since with McKay it was only a matter of business which others—perhaps many
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—would have embraced if he had not. Said W. to all this: "I myself would not at all endorse such exceptions, assertions: I think it is just as you say, that Dave has proved himself genuinely my friend. I know he is a business man—that he is sharp, quick, as a man has to be who is in business, or thinks he has; but that is the worst that can be said of him." Dave was "fallible," of course—but "evidence of tricksiness," of which even W. had been warned of in him, had never been forthcoming.
I had a long talk with Ferguson today, who gave me in a general way the story of the growth of his business. W. was greatly interested in my repetition of this. This interest—when he feels it—is always evinced in his questioning me, which was here quite marked. Among other things Ferguson had said: "There is money in the newspaper business let me tell you: make a hit and you come out way on top!" Instanced the difficulties with Curtis at the start with The Ladies Home Journal of which Ferguson is to print 700,000 copies next number. W. commented: "I should think George W. Childs and Bill Singerly would say so. Yes, even the Press folks, I suppose. Isn't it Wells who owns the Press?" The Press is a sore point with W., and this reference to it drew forth the usual caustic criticism. "It seems to me that in the whole range of journals pretending to anything, the Press is the greatest mess—gives most evidence of being shovelled together. It is made up as if the head man at the eleventh (or 50th) minute had come in and said: 'Here boys, all get your shovels, set to work, shovel in and shovel out—now we must get the paper up!'—and they would set to, and the thing would get done, and what result we know. And yet somehow I read the Press—read it straight along—probably because there is nothing else to do while it is here: read even the witty paragraphs, or what they put in as witty, though I must say I always come to them with a scowling and sour temper." W. alluded to Walsh's departure for New York, "wondering much," he said, "how Walsh gets along there?—how the paper was last Sunday" explaining—"I have not seen the Herald at all since the copy
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you brought me." That had been a "disappointment" to him—the fiction symposium "dull beyond precedent."
Ed came in for mail—W. directed him to a couple of postals over on the floor in the darkness, which he found. I was on my way to Philadelphia to hear Tom Davidson's lecture on Aquinas. W. inquisitive—greatly "tempted" by my description of D.'s reading of Scotch poetry: "I should like to hear
them
without a doubt." Then said: "By the way Horace—I see the Camden papers have been giving Moorhouse a big lift—his sermon is there in one of them at great length." W. never reads sermons and I knew it, but I asked him with a laugh—"Well, what did you think of it? You read it, of course?" His enjoyment great—"Well—well—well—I can't say that I did! I saw that it was there!"
Further along W. said: "Now tell me, Horace—how did the Emerson speech come off that night last week. You don't tell me anything about it." My details few, but he evidently a good listener. He was amused with my account of nervousness preceding. Had he ever experienced nausea before speech-making? He said quietly: "I don't know what it is. I have heard of stage fright—a sort of tremor—sometimes momentary, sometimes fatal—have even heard of this—this sickness at the stomach as you call it—but as to personal knowledge of it, or participation—that is not in the line of experience for me—never has been." It is easy to believe this is the case. His serenity surpasses that of any person I have known—is much like what he says was the "necessary atmosphere" of Emerson. I sat down this morning and wrote up a brief account of Saturday night's stroll up Second Street. W. had me tell him much of its substance.
Tuesday, April 9, 1889
10.30 A.M. W. writing on "Epilogue." Looked rather ill—not as much in color as is best. But cheery. We talked some
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few minutes together. He gave me proof on which he had written "this pleases better" and made one of two minor alterations. Had signed sheet to see how it looked complete, name and all: then marked name out. "Now I am satisfied," he said. "I am surprised, knowing Myrick's good taste as I do, that he ever consented to pass such a page as that other." He had some of the sheet of "Epilogue" pinned to proof, but withdrew them. "I think I'll hold these—copy them, perhaps—give them to you tomorrow."
"By the close of this week—at latest the beginning of next, I want to have things in such shape that they can go right along with them." The "Epilogue" comes hard out of his indisposition of the past week. As his digestion has seemed right favorable, his present cloudiness must be from the paralysis. He is inclined so to place it. I gave him a letter I received from Clifford this noon. This he read and on passing it back said: "It does me good to get a glimpse of him that way. How great is the joy of letters!" Having application for more tickets for Friday's Club meeting than I have, W. gave me his two.
Alluded to his "personal" in yesterday's Press stating that the latest reports of Tennyson's sickness are but false repetition of older ones. W. then spoke of Walford's letter in Critic in which he quotes F. W. H. Myers' saying, that Tennyson has "passed out of the poet into the thinker" and that his "face expresses not delicacy, but power." W. had taken careful note of it. "But I don't think Myers hits the mark. Not that Tennyson lacks power of anything signifying power—but that power is the dominant factor. It seems to me—I should say—that Tennyson rather expresses elegance—such elegance as at least our age has nowhere else displayed—workedness, sublime care." And he went on reflectively, "And so it is, I think, while Tennyson does a good deal of good—oh! incalculable good!—he does harm too—often much harm: his mellifluosity—one may call it: it is great, overwhelming, everything in his imitators is sacrificed to accomplish that."
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5.30 P.M. W. eating his dinner. It seems he has had a rather poor day of it, though eating quite a breakfast of buckwheat cakes and honey and now a supper of, for him, considerable proportions. But he complains of his head, says: "I look forward to a bad night"—and has by no means done the work he had desired to do today. When I asked if the "Epilogue" was finished, he replied: "Sort o' finished—yet not finished"—for he would not give it to me now, but he rather "must keep it till tomorrow, anyhow." I brought him now the third proof of the title page and he said the instant he looked at it: "That is good—that seems all right now." As to a change still of some figures from Italic to Roman which Myrick suggested, he remarked: "I am not bent on it: if he had put them that way I don't think I should have changed them. If he thinks best let him do it still."
Commented on the still "rather ominous absence" of word from Washington.
Talked explanatorily of a Truebner pamphlet I picked up from the floor. "I have a friend over there in the Truebner establishment" [he pronounced it Trubner with diphthong, and bore with my correction with a laugh and an attempt to correct himself]—"a man named Childs—Josiah Childs—I imagine him old and a Quaker: there have been letters from him. I picture him as a man of the confidential clerk kind which Dickens so delighted to talk about—the invaluable men in the big houses." The reference to Dickens reminded me of the discussion at Clifford's table between his daughter Charlotte and Dr. Bucke as to the visit of Dickens, the former stoutly defending him against the Doctor's severe disposition to brush him aside as of no importance. W.'s amusement extreme at the "audacity" of the "youngster." His own feelings towards Dickens "more kind" than the Doctor's.
He ate slowly as he talked—toast, preserves, coffee (or tea). My enthusiastic description of the day aroused him so that he
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flung the window sash all the way up. "I suppose Chestnut Street—Market Street—are alive—a breathing mess!"
"And the way down and down—and then the river, too!" His manner rather pensive, if not sad. I asked him, "You remember Tommy?" He responded with a question: "Tommy? Tommy Logan? The great, big hearty Irishman? Oh yes!"
"Well, Tommy is now an engineer—seems to be in the engine house most of the time if not all."
"Is that so? Oh! I know Tommy well. I used to count him one of my best friends on the river." Then he asked: "Do you know Eugene Crosby? He was up in the wheelhouse—was a night pilot. He was a very noble fellow—always very good, affectionate to me!" So we talked. He spoke of "the old days—the boys—the rides to and fro." Then questioned slowly: "The Beverly, the Wenonah—what is the other boat? they have a third?"
"The Pennsylvania."
"The old Pennsylvania!" Then asked after Lindell—the time of the men, Foxy, several others by name. "You know them all," he said, when I shook my head over some names he mentioned. But I did not know the
names.
I had said to Tommy as I sat there in the engine room on the return trip and talked, that he should not be surprised to see W. wheeled down on the boat some day "when the spring is really here." Tommy then pathetic in his homely description of the old days with W.—hearty greetings, talks, sights: of W.'s generosities—"he'd give the boys money—the boys up there on the street—and never a word about what they would spend it for!" But W. himself when I mentioned the wheeling matter was more dubious than I have known him in a long time about getting out again.
Just a word with Tom Davidson last night after the lecture, about W. "I do not know him but I know many of his friends—his brother Tom, for one, out there in St. Louis." But W. had never heard reference to Davidson from that source. I advised with Ed, whether it would not be well to have Dr. Walsh come in and report on W. Probably will do so. W.
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looked grand in his place there at the window, in the waning light—the flitting paleness at times, the lengthened hair, often the faraway look as with folded hands he faced the west.
Wednesday, April 10, 1889
10.45 A.M. W. reading the Record. Appearance not well, indeed, though he reports himself "about as well" as he "has been"—which is not very well, of course. Ate very little breakfast. Speaks of taking powders again—significantly showing he must feel very bad: volunteer doctoring only the resort of his extremity. "Epilogue" not yet done. "I am very dilatory. You'll pronounce me as bad as Oldach after awhile. But I shall try my best to let you have it for tomorrow." Title-page he now wholly approved. As to Myrick's suggestions there-with: "I approve of the change if he thinks it advisable to make it." Not only "no mail from O'Connor" this morning, but "no mail at all," his report. Is anxious again as to O'Connor, but tries "to wait patiently." I asked him for a Sarrazin sheet for Mr. Coates, but he said: "Won't it do this evening? The bundle has got spirited away into some corner. I have plenty of them. I wanted one for Tom the other day, but could not find it."
The day out-of-doors is exceedingly mild. He sat there with his window closed and a blazing wood-fire, which he stirred from time to time, seeming unconscious that it was too warm, whereas the room was stifling. As to getting out-of-doors he is doubtful. "Oh! If only I could!" But just now, "impossible." W. asked me about the Thomas Symphony concert I attended last evening. "I read of the death of his wife. And so he was there? And everything went off well from beginning to end?" They had played Raff's "Lenore" Symphony among other things.
Evening, 8:00. W. just being helped to chair by Ed as I entered and light put on. Had lain a long while on the bed,
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hoping to better himself of bad symptoms. Greeted me cordially. Said: "It seems to have been a wonderful beautiful perfect day out-of-doors!" And after Ed had left: "I received a letter from Kennedy, but felt so bad, I hardly looked to see what was in it—if anything, and what: did not finish it at all. I have had a dreadful bad day all through—my constipation and my cold have been the two beans in the pod. It seems to go worse than commons with me nowadays."
Excused himself then as to preface. "I have nothing final on it: my head got so bad I put aside, resigned, everything." This is "great misfortune." Our time so limited—"the days, even weeks, passing" and "I still tarrying, doing nothing." Of course not to be helped. I stayed only a few minutes. Our work is blocked by the infelicity of this attack. Though breakfasting but slightly, W. ate quite improved his late dinner between 4 and 5.
Still "no word at all from Nellie." I kissed him good-bye as I left, and said—"You must not let it slip you, Walt, how much we all think of you." And he answered as he fervently kept my hand—"I shall not, my boy—no—no—not for a minute"—and then "Goodbye! but only for a while: You'll come again—come in the morning?" Talked a little with Mrs. Davis on my way out. Ed had gone for his music lesson. While I was with Walt he opened a letter Ed brought him, which proved to be an elegant request for an autograph, immediately (except for return stamp) consigned to the woodbox.
Thursday, April 11, 1889
10 A.M. W. sitting with the Record on his lap. Had just finished breakfast. Looked rather better than yesterday, but evidently felt utterly miserable, for he said—"I don't feel myself changed, and yesterday afternoon I felt as dreadful as a fellow well could feel and stand up at all." Asked me "Did you ever see Mrs. Gilchrist's 2nd piece—her 'Confession of Faith'
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as she calls it? I have laid a copy here aside for you." Scraping his chair across the floor to the east table where he had folded up a copy of To-day. It was a curious little way he had of preserving this for me. The article itself fine, with certain paragraphs in red ink by his own hand.
"And something more," he said, after giving me the package, proceeding then among the papers under the table. "But I suppose it is still hopeless. I had hoped to hit upon the Sarrazin sheets before this—but you know things have been put to rights, which means buried, lost! I think there used to be a prize offered in the Philadelphia Press for the man who will put the Jersey news where nobody can find it—and their prize man must have been let loose here, working through our women. There was a time when I could go into the other room there, and, with a little difficulty, get anything I wanted. But now nothing is in its place, or near its place, and I am utterly at sea!"
"About here"—motioning toward the several confused but overflowing baskets—"everything is indiscriminately mixed with everything: there has been no taste, no tact, no selection, no nothing!" He was considerably aroused—has been much searching for this bundle, which was large enough, it would seem, not to have been hidden far. "I shall set Ed to work to-day—see what he can do towards finding what we want."
He had his window thrown up—the air outside was mellow—the fire crackling in the stove. He spoke hopelessly of the thought of getting out. "But give my love to all the ferry boys—to Ed Lindell, to Tommy—Tommy Logan—to Foxy, to Eugene Crosby." I took him a copy of fine photo-engraving from photo of Gruetzner's painting "The Connoisseurs"—I think the finest specimen of process-work of that kind I have ever seen. W. put on his spectacles and studied it a great while, with great and manifest enjoyment. "Everything is impossible—till it is possible!" he said. And yet, "nothing seems impossible to the human critter," once his mind is fairly on the track
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of an idea. I left the picture with W., who had "no doubt" a "few more looks" would be an enjoyment.
Evening, 7.35. Saw on approaching the house a light in W.'s room, and concluded he was better, as indeed proved to be the case. Once in the room, I found him looking much improved, and willing to talk. Higher color, clearer eye. But the room fearfully and wonderfully hot. Last night he took one of his powders. Had it acted yet? "No—I don't think it has." When I asked him if he was not relieved, he said "I don't dare to say I am, for fear I may fall back again—get shame of all my boasting." Had at last finished "preface," which he sends along without a headline, with simply date and "Camden, New Jersey, U.S. America." It is to immediately precede "A Backward Glance." Enclosed with it a sheet of instruction for general make-up of the book, (all but a few lines of this written in pencil) and then wrote in ink on an envelope enclosing
best respects to
Mr. Ferguson
15 North 7th Street
to Mr. Myrick
& to the proof readers
& printers
Phila: ——
arranged just in that way. "This," he said "gets us all under way again. Now we ought to be able to go right ahead: a week done before the hour is better than a week
after:
and this is a special book, occasion, which should not be achieved when the hour is struck." But the pictures had not yet turned up, nor the Sarrazin sheets—"though Eddy looked about here today some." When I spoke favorably of pictures,—"I like them, too," he exclaimed—"and all the more unfortunate then if they don't appear!"
I had this afternoon called on Jo Fels at their soap-factory on North 3rd Street, and had been taken by him through the
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large establishment and had its mysteries more or less (some of them greatly
less
) cleared. He insisted among other things that I should take a box of soap "for Walt Whitman," which I did, much to W.'s enjoyment. He slowly unfolded one of the cakes. "It is quite providential," he exclaimed—"quite in the nick of time—hits the nail square on the head. Look here" uncovering a corner of the table, on which some change had been laid out—"Just last night I put that there for Eddy—told him I wanted soap: and somehow, providence made the rascal forget to go for it today!" He kept the cake a long time at his nose—then laid it down—then took it up again—then once more laid it down. At this last Ed came in with a letter which W. took. "See here Ed," he called out, as E. was about to go (E. thereupon coming back near W.'s chair) "What do you think of that?—a present of soap!" And as Ed said—"The room is full of it—I smelt it the minute I opened the door"—W. laughingly followed—"Now when you go out to the store, you'll only have to get the matches—the rest is provided for. And do you see how fine it is?—the color of it—the odor!" W. took up his knife—Ed said he would "bet" it was an autograph letter—and this it proved to be, W. retaining stamp and destroying the rest at once. W. first said—"I have no letters at all today"—then corrected himself: "Yes, I have two—a letter from Bucke—but inconsequential—nothing new whatever there with him."
I referred in rather warm words to Mrs. Gilchrist's article which I had read today. W. reflected: "It is indeed very fine: it certainly ought to go with the other—the two be always and everywhere associated. I think it in many respects the most subtle & far-reaching of all discussions of Leaves of Grass—a wonderful bit of analysis." I asked him if he thought any of her literary power had descended to Herbert. "No—not at all—none of it whatever. Mrs. Gilchrist was a great woman—a woman who, I am fond of saying, goes the whole distance of justifying
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woman—of proving her power, her equality, her consummate possibilities—actualities, in fact. There is a vast gap between such a personality as hers and another's—one like Herbert's—a vast gap. Herbert is not strong—put no resisting front to the conventionalities of the time—but
she
—oh! she was
all
courage, bravery, power—yet all
womanly
, too—not a jot of the womanly abated for all the force. She was never conventional, unless she chose to be—unless she thought it was as well to be conventional as not." All the time during the rest of my stay he had the soap at his nose. "It is the odor of roses," he explained—it seemed to appeal to him.
He asked me about our Club meeting tomorrow night—Ely's address on Socialism, whether I expected a discussion or not, what would probably be "the drift of things." Then by natural transition he spoke of having read an account of a reception to Wanamaker at the house of the Manufacturer's Club. "It is very easy for those glorious fellows to have their splurge in 250,000 dollar Club houses, but after a while will arise the question—why is it so easy for those fellows to have their 250,000 dollar Club houses and 20,000 dollar dinners?—and then will come the fun. As they said in the play I used to go and hear when I was a young fellow there in New York—'let these fellows go on—let 'em keep on sinning—let 'em keep on believing there is no hell! but by and bye a day'" Retribution he looked for as surely as for to-morrow's sun. But did he think through revolution? "No—there will be a wrench—a pretty severe wrench, maybe—but not revolution. The vast area—varied interests—the fact that revolution would be weakened by being so spread out—no power at any one point—would defend against violence—at least, concerted violence." But the "wrench he "certainly" foresaw—and what shape that would take had yet to be determined. "This whole protection of working men—this whole business of building handsome club houses—luxurious displays—for the good of the working man—it will have its day, but will be exposed at
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last!" He asked me about Fels' views on the tariff, which I thought were rather liberal. I asked Fels once if Free Trade would ruin his business, and he said
not
. Today he told me he even exported a great deal of soap to England.
Friday, April 12, 1889
7.30 P.M. I was down this forenoon, stopping in just long enough to find that W. was improved. Then to town, taking copy in at Ferguson's and receiving proof later in the day. Which proof I now delivered W. It made just a short page. He had written on margin of copy that if more was required to fairly fill the 2 pages he would "eke it out." F. said now that he would have to "eke it out." Asked me again for Francis Larned's name. Said of his health: "I seem relieved—I seem to have shaken off the torments." Whether "for good" or even "for any time" he "dared not say." Word from friends very scarce. "Nothing at all from Washington—in fact, nothing since last Saturday. Bucke writes again, but his letter has no significance whatever." Speaking of Mrs. Gilchrist's article again—"Yes, that is where 'Going Somewhere' came from. I thought you knew it."
Asked me—"You folks are to settle the labor question tonight?" This is Contemporary Club Night. "Yet I suppose ever since time was known, or man, this labor question has been agitated, stirring. Probably now it is more on top—is more palpable—than ever before—more palpable as the prevalence of disease is more palpable, in the first place because there are more people—and in the second, because every one people knows what is happening to every other people." Yet he did not discredit it. "I am in favor of agitation—agitation—agitation and agitation: without the questioner, the agitator, the disturber, to hit away at our complacency, we'd get into a pretty pass indeed." We spoke of Henry George's great tour now through England. I said: "The George men are free
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traders." W. added: "But a free trader is not necessarily a George man. Did you read the speech delivered by Mills in the West somewhere a few days ago? The
Record
had a good stripe of it—more than a column: I read it all—read it and liked it. I notice that The
Press
, in its own way—in its own great littleness—in its utterly indescribably witless way,—tries to dispose of it by witty paragraphs. But what a display and a failure!" W. had drawn up today a plan for insertion of plates in the new edition—using fully half a dozen. But it was only a "preliminary design"—one he may possibly deflect from.
Advised me: "Give my best love to all friends, known and unknown—I mean rather,
unknowing
, whom you meet tonight." We talked of Dr. Brinton. W. asked: "Is he still in Europe?" Then spoke of his scientific attainments and mental probity, W. denominating this—"the absolute exercise of it"—"extremely rare indeed."
Another moment: "I suppose that under whatever conditions, we would have botherations—the race would have its struggles, trials, growls, doubts, horrors: all it now asked for achieved, it would then solicit more—more and more: the human critter is just that sort of a being—and best so, no doubt." I hurried off to the meeting to-night. He was affectionate and awake.
Saturday, April 13, 1889
10 A.M. W. had been reading the papers. Was mending a little pasteboard box when I entered. Said as to my inquiries: "I am bad again, very bad—somehow start into a new siege: it is my head, my constipation: it hits me severely." As to proof—"I have done nothing with it—you must excuse it: I shall try to-day and to-morrow to do it up as it should be done—'eke it out,' as I have said." Referred to portraits for book. I argued for new portraits as far as possible. "I can see the
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force of that," W. assented, though the world is in no danger of being overburdened with Whitman pictures." At my mention of the 3/4 length—"Ah! yes! that I take to be my right bower!" The missing photos not yet found. "I have engaged with Mary to come up and make search today. She is very good at such things—has a good scent." But when Mary came up at the time appointed, he felt bad and advised her, "an hour later: let us wait a while!" To me again—"I certainly had several hundred of those heads: in fact, I remember them, as though they must have been in packages like that in your hands—a hundred in each." It would be a sore point to have them missed now and turn up when too late.
W. had been much stirred by long accounts in morning papers of the Danmark, abandoned at sea, and come upon by the City of Chester—no life on board, sinking—yet had sailed out with 700, passengers and crew. It was among W.'s first questions: "What of it? What do you think of it?" adding: "It is dreadful—dreadful: yet I cannot think them lost: perhaps 5 or 6 hours will tell a fuller tale—explain."
"No word from Washington," he said—"but probably nothing had turned up there: if there had been anything, it surely would have been communicated."
Asked me of the Club meeting—how had it gone off? I told him of something somebody had heard from Gilchrist—that the speakers were "all duffers" and would not have been listened to in England. W. highly amused. "What did he mean—sure enough! That is more than I could tell." The last speaker of the evening—some French clergyman, whose name I did not catch—saw no resort for social sin but in the "man of Nazareth"—the labor problem to be solved through such efficacy. But "come to Jesus!" seemed to W. a "decidedly novel" nostrum. "It occurs this way to me: that question of questions is this—to give some men who now have no work, work; to give others adequate return for work done: Now, to give that work and that return, such a specific as the man does not have
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any pertinency." Besides "the prayer and Jesus business" had always been in our days "overdone." The great prayers were little doers. "The damnable psalming, praying, deaconizing of our day is made too much the liberal cover for all sorts of sins, iniquities." Reference hereabouts to Stonewall Jackson. W. impatiently said: "Jackson? Oh! he was a bad egg,—a bad egg! I know the cuss—know him as few others have had means of knowing him." Continuing: "Take a man who goes off by himself, into the woods, prays,—as Jackson did—as indeed was too often the case with fellows South—and they will bear watching." He instanced again the story of "the Western boy—the poor, sick, wearied, worn out, Western boy," whom Jackson questioned, "how much of an army had the North here and here, and what its purposes"—who (a prisoner) had "refused to divulge" and who "for the very courage for which he should have been honored and commended—would have been by any true soldier, any soldier with the high, heroic, chivalric instincts of the big souls in the soldier class" was doomed "to a walk of 90 miles or so," while lesser men or stronger, "were conveyed in wagons and cared for." W. said to my remark that such was a "damned spot,"—"it was indeed—a damned spot indeed—and all the prayers under heaven could not wipe it out." Adding: "It was not a hastily or eagerly accepted story with me—I did not wish it true: you know me well—know I am not a grabber of conclusions: even way back at the start, you know the phrenologists gave me caution—large caution—what they denominated a great wariness. Well, when I first heard this story, though I knew the young fellow well—he was so affectionate, so noble, so honorable, so reserved—I did not wholly credit it—allowed for possible exaggeration, extreme feeling—investigated it for myself. Everything he had told me was confirmed—everything: I found he had told a straight story—not a break in it. I shall never forgive Stonewall Jackson this. No matter what the magazines, the papers, North here may say in his high honor. I know better—I know
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his true measure." So it was well not to let "the prayers matter" make up judgment entirely. "You know, all the banditti rob between their prayers! Besides,"—again touching the labor question—"Jesus was himself socialist, communist, what-not—without property or belongings material."
We are at a standstill in our work again but I am hopeful it may not be for long.
7.30 P.M. W.'s room dark on my entrance, he on bed, and alone in my room. He talked well and at some length with me, though saying—"I am not very well—in fact, none of my days any more seem to be good days." But inquired of the clear beautiful night and the lustrous stars, and appeared eager for every word I said thereof. Said: "I have finished the preface, Horace, and you can take it to-day or to-morrow if you wish." Asked me: "Some time when you are about somewhere in town, I wish you would look into—I think the last volume of Appleton's 'Biographical Dictionary'—I think it is called that: look in the 'W's' and see there what is said of me. Kennedy said in a note to me that there was mention of me there—and with it a portrait." I asked: "Whose work is it—Hunter's?" He was dubious—"in fact, I know nothing whatever about it."
In some way we got into a discussion of portraits. I said at one point: "It is queer, how the passion for steels seems to have gone out." W. explained, "They have gone out because they are not good—because they are not worth staying. Have you seen the steels in Stedman's books? In each volume there are two—and then the others—the wood—these always better than the steels. I think I have been particularly fortunate in my own case—that picture of men inserted there." I expressed myself: "That is because of something in the original," meaning the Linton engraving. W. mistook me and protested "I don't think so—that does not sufficiently—at all explain it: there was a factor present—the potent factor too—beyond or below that altogether—something in the manipulation—something in the engraving itself." I at once exclaimed—"That's
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just exactly what I meant—something in Linton's cut!" He laughed heartily: "Oh! I thought you meant me—I took that to myself! Of course that explains it." Then we further discussed the Stedman portraits. Thoreau's pictures there among "very few." W. then went on: "I have a picture somewhere about here—somewhere among my stuff—a German picture, of a sailor—which I think the finest bit of work of the kind I have ever seen—a gem indeed. In such directions I am sure the French and Germans are at the top. I used to think the French altogether so, would swear to it—but now I think is the German. The picture I speak of, for line and effect, complexity, marvellous certainty and power, is the finest I have ever seen." Then after a slight thoughtful pause: "Though after all it may not be the wise thing to say any nation of any class is at the top—only that individuals are farthest forward, that it is purely an individual matter. I want to see this German picture again and have you get it: you could take it for your father, who would surely be interested. You have seen the picture again and have you get it: you could take it for your father, who would surely be interested. You have seen the picture of Scott downstairs? It is a German production—it was brought me here by Johnston's daughter—my New York friend, you know: a sweet, dear girl, whom I love much, who loves me too I think—Kitty her name." Had she brought it from Germany herself? "Yes, indeed—there are several sisters of them, they were over there together. Only a year or two or more ago, the brother, Johnston's son (have you met him? No?) went over and brought them home. That picture below is a reminiscence of the visit—the girl, Kitty, was very cute—she knew I had a soft spot for Sir Walter, so she quite patly brought me that head. And fine the head is, too! It is one of the best specimens of German art work!" Thence discussion of tariff on art—its disgraceful narrowness when compared with generosity of French schools toward American students. W. was vehement. "Ah! All you say on that point, Horace, is true—every word of it—every word, however severe. The only thing one might say in comment would be this—that it is consistent.
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My standpoint is so utterly foreign, I would wipe out not only this but all tariffs,—all bars whatsoever to freedom—everything, the last stone, or wave of any sea, that would serve as bar, impediment, to intercourse, concord of people. And this tariff an act not repealed yet? I suppose not! This is one of the precious bits of work we have to thank our friend Tom Donaldson for: he was the fellow who pushed it. You know, that is one of Tom's lines of business—to lobby bills through Congress—this he did for others—some bodies, persons, interests, backing him up." Then a vehement outcry against "men who stand against foreign musicians, foreign ministers, foreign laborers, foreign anything, just because it is foreign." In Philadelphia a case just a propos of Wannemacher's band chosen to discourse the music at Sunday concerts in Fairmount Park the coming summer—protests thereat from members of a native born band, that though the band chosen is local in one sense, it is still made up of foreign born members etc. Encourage American labor, the cry. W., between laughing at the absurdity of this, and denouncing its bigotry, seemed not at all to lose power by his recumbent position there in bed. In fact stayed on bed all through time of my stay.
As to the missing pictures: "I did not look for them to-day;—we did not have our search—but I expect to have it to-morrow. I suppose, after we have given up the search, had the book printed, bound, all that, they will turn up. That will about follow the usual order." His anxiety in regard to the great missing steamer is manifest. Asked me: "What is the latest in regard to it? have you heard anything? anything at all? There is a dreadful maybe about the story—a mystery, an air of dark probability—which I cannot shake off." But when I expressed faith that the great mass of people had somehow been rescued, he said with a fervent deep voice: "I hope it is as you say—I hope it will be found all right, safe, in the end." Had hoped before this the mystery would be cleared. W.
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mentioned William Swinton, and asked: "Do you know him?" Adding after my negative response—"He is a good friend of mine, of Leaves of Grass. Swinton has often said to me that one of the most impressive passages in the book—in Leaves of Grass—is the ten or twelve lines in which I describe the loss of the Artic: the sonnet, it may be called—and it is hardly a description. I don't quite agree with him—at least, it never impressed me as containing as much as he sees in it. So much in such impressions depends upon, hangs upon, a man's mood—the hour in which he reads it—color, tone, odor, of that hour." We discussed thereupon the part suggestiveness plays in art and literature anyway. W. agreeing to the immensity of its power. Realf's "Indirection" quoted but W. did not remember having at any time read it. Asked me: "Have you ever read much of Harte—Bret Harte? There is a pretty little poem he writes—calls it 'Mignonette,' I think—it is a poemet. In this he describes what odors,—odors of poor, faded, crushed flowers—suggested to him, rather to her"—and perhaps it was by this same power—the mind thrown back upon its memories—"a suggestion, a hint, a line,"—that effect was often produced.
We mentioned Tennyson. W. quoted a sentiment—then said: "I see by the papers indication that Tennyson is at work again, will probably soon have another volume ready. I suppose Tennyson is like Whittier—will work on and on, finally die in harness." I spoke of some of Tennyson's later poems "The Revery," "The Defense of Lucknow"—enthusiastically—said they were "strong" and W. agreed thereto. He then inquired: "Did you read 'Queen Mary'? I think that quite a work—at least, that was my impression at the time." Added: "And I see, too, that Swinburne is publishing again—there was something from him—some poem—in yesterday's Press." He said his capacity for work was about gone. He could do nothing at all any more but "by making a deadly effort." Adding: "Have you read Dombey and Son? Do you remember the fellow there who was always making an effort? It is hard for
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me to do anything even when I do make an effort. He referred laughingly to Bucke's debate with Charlotte Clifford—and as to Doctor's extreme non-reception of Dickens—"I do not tally with him in that, Oh! I think Dombey and Son a fine, almost a great, book!" Ed here entered. W. asked: "Well, did you find anything?"
"One letter, sir."
"Let me have it here." Ed asked if W. wished a light? And after considerable hesitation, W. said, "Yes, let us have it!" But W. did not get up. As soon as the light was on he did however examine postmark of letter with a child's eagerness.
I referred to item in The Critic that Linton was about to publish volumes of poems. W. said of him warmly: "He is a man of unusual power—of unusual weight—a man of power, weight, even to us—indeed, would be our man: a thoroughly full, workmanlike man, too—and sturdy: sturdy from the toes up. Who is to publish him? in England?" Truly, in England. W. afterwards added: "My quarrel with Linton would be that he is too much of a Socialist, Anarchist, what not—you know I have no soft spot for the Anarchists, the Socialists. Somehow, they seem to take me in (as I do them, of course)—think I am one of them: but it appears to me, that is where they get fooled: because I have divergent views altogether—in fact think our point of view entirely different." He spoke of his faith as "finally resting on the social unit—the unit of a home—say of one, 2 or 3 thousand a year—three thousand at highest—always within that, that as the individual. With it, individual liberty—not land, or anything whatever, in common—but homestead, fee simple, moderate possession, assured every man. That is where the politics of the time is all wrong—the stake of the manufacturer, millionaire, aristocrat, corporation on one hand, their men on the other." He looked forward to vastly other relations between each than existed now. W. has but vague notions of what the Socialistic parties aim for—his discrimination not therefore keen. He said in one breath, "Why do they make such a noise? The world anyhow is about
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as good as it can be"—then turns about and denounces its sins. I explained to him Anarchism as philosophically considered. His idea of it dim indeed. Asked me then: "Is that then an authoritative explanation?" Then added that he at any rate "felt that what is called individualism deservedly carries the day." As to prohibition—"take whiskey from a man as he is constituted now, and he will take absinthe, hasheesh."
Sunday, April 14, 1889
7.45 P.M. The room dark. I feared something wrong. Not positively wrong, however, though W. had spent a bad day again. He lay on bed—cried—"Oh! is that you, Ed?" When finding it was me he held out his hand in the dark and cordially invited me to take a seat, which I fumbled for and secured. Asked of the weather, of the great night. "It has been a very bad day with me, all through—a very bad day." Said he had been able to do little—had read some, "wrote a note to O'Connor—one to Doctor"—but that was "about all."
"Yet," he said, "it seems to have been a marvelous day out in the sun. What have you been doing with yourself?" This evening I seem to have done most of the talking, as is apt to be the case when something I have seen arouses his hunger for detail, of which he is always a sharp questioner. Among other sights on the way was the photographic exhibition at the Academy. He asked of it: "So you think we have won the sceptre back?"—reference herein to his rather shattered faith that Americans in photography led the world. Most of all was he attracted by the sea-pieces of which I spoke. "You say, active—the very movement of the water itself? Oh! it must be
fine, fine
—it must utter for one, new great thoughts!" Greatly interested by the fact of Sunday freedom of Academy. "It is one of the best things I hear." Would know of those who went—how they seemed to regard time, place, pictures. "The advance great" in liberty.
"No more," he said regretfully—"no more about the Danmark.
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What the deep anxiety of it!" But of the recent Samoan disaster, the papers were full. "Today I read the Press—the great detail there. And the more you learn of it, the worse the disaster seems." How the elements had scattered the schemes of the nations! Remarked having read poems "more of them"—from Swinburne in The Press to-day: "A Word with the Wind," "The Witch Mother," "Neap-tide"—but made no criticism or comment.
I told him I had come for proof and manuscript, and proposed getting it for myself from the table, but after a little hesitation he said, "I will get it for you—I should get up anyhow"—going then first to the chair with my assistance. He leaned very heavily on me—more heavily than I have ever known before—rather by his manner emphasizing my fear that the last month has been pulling hard upon his strength. But of his own trembling self he closed the blinds of the windows and lighted the gas. He had added a goodly paragraph starting with "To-day completing three-score and ten years"—and ending "Probably that is about all,"—and directed on margin "make the above the first paragraph" etc. It is three-quarters in one sentence, yet accurately counted, demonstrating how clear after all are his mental processes, beyond strain as they are. He said to me: "There it is done. Let Myrick put them into pages before sending proof again." On a sheet accompanying he had diagrammed the two pages to precede the
Backward Glance
preface—the first with title only, the second with copyright announcement. These together he had carefully folded and enclosed in an envelope addressed to Ferguson. "No we should be able to proceed—all but with the pictures." He had again today not felt well enough to attempt with Mrs. Davis a search for these.
Said he had had no visitors. "Harned—Tom—was here—at least at the door: left me the Tribune." Tom and "little Tommy" here last evening. W. so glad again to see "little Tommy"—"the children always welcome—cheery." I said I
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thought Tom and Mrs. Harned had the baby with them on an outing today. W. said quickly: "Is that so? and did not bring him in? I feel slighted—I take that as a slight!" But I explained laughing—"The baby was asleep—they thought he might be out of temper if disturbed." W. thereupon: "True—true: I take it back—I am myself again! We must wait for another time!" His references to this child have been singularly frequent, as if its coming bore reference even to his departing and "soon-to-be-utterly-departed" powers, as he puts it. We talked of prohibition excitement in Philadelphia—a special election now approaching. But W. not swerving at all from his usual views.
I examined the Scott portrait downstairs. It seemed to be a photographic reproduction of a steel engraving, but nobly and softly done. But on reverse of little gilt frame was an English imprint. W. said: "I don't remember that—I must look at it again." Really an exquisite print. But no date or name of maker thereon. Nor could W. "guess" at what age it represented Sir Walter. Said he had seen by the papers that Burroughs had been writing something for Wide Awake—"some account of his early life"—"but from John himself, it is now getting a long while again since I have heard. And you hear nothing?" W.'s continued bad condition raises some fears in me. A palpably growing weakness, too. But this may all right itself with the continued fine spring days.
Monday, April 15, 1889
10 A.M. W. stirring up fire. The day fair but rather more chilly. W. had arisen, not at all well, the "torment" of his recent days fully upon him still. We talked little. I had stopped, more to see how he was than for any other purpose. He spoke somewhat disappointedly of continued absence of word from Washington. Referred to a letter from Bucke, "but one without anything particular." I took him down a copy of the
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Register, in which I had marked for him a passage in one of Augusta Larned's Venetian articles. Also pointed out to him therein article by Brooke Herford on John Bright. W. said: "Someone has sent me a copy of a Manchester paper containing a full report of the funeral." Said: "I suppose to-day will give us final proof of the preface?" He had hoped things would progress much more quickly than seemed the case, but he was still not despairing but that we would come out in time.
Referred to Walsh's review of "November Boughs" in March Lippincott's. "If I ever saw it," W. said "(and I suppose I did) it did not impress me, for now even the remembrance of it has flown. I don't know what I did with the magazine: it certainly is not about here now. Lippincott's is one of the affairs I bundle up each month and send out to the Blackwoodtown insane asylum. Perhaps this time I sent it to Doctor—come to think of it, it should have gone to the Doctor anyhow!" Had read papers. Absence of news still of Danmark passengers and crew a painful fact to him. His allusions brief but pathetic.
Evening, 7:10. W. sitting composedly at the middle window, his face towards the west. It was decidedly chill out of doors. The western sky a cold bronze and grey. W.'s hands linked, his eyes subdued, his whole manner grand and at peace. His head was proudly held and grandly outlined. Ed had told me already downstairs that W. was still as he had been—not at all bettered—yet not complainful. W. is wonderfully candid with himself at all times. Said to me, after his cordial welcome, "I am not having good times any more," then turned the talk by asking, "How is the night out? Chilly, isn't it?" As I have said before, always when W. feels particularly ill, he seems to face the probability of serious issue and is eager to push his work. When better again will say, "let us keep a leisurely pace." Tonight urgent: asked after proof anxiously—seemed disappointed when he found I had only brought him a part of it. "Not the preface?" Well, "waiting in content"—
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herein his task—"and often a very hard task, too!" I met Clifford in town today—made arrangement by which, if weather is good, he will be over to see W. next Monday, with Hilda along. Had sent his remembrances to W., who said: "Oh the good fellow! the good fellow! thank him for me!"
I told him I had seen good news of Morse. He "must have it at once." Therefore I went over toward the window, stood in front of him, and in the waning light read aloud this from Unity:
Chicago.—The Unity Club of All Souls Church had a peculiarly delightful evening when Sidney Morse talked and worked before it. It was the Kenyon evening in the Marble Faun studies, and the sculptor molded a Miriam so full of beauty, power and poise, that when he proposed to change the features into those of a Hilda, the large audience protested, and it is hoped that it will soon find its way into plaster, that others may enjoy it. Mr. Morse has almost completed a bust of Theodore Parker, heroic size, for this church, and has orders for the heads of Channing and Martineau, also, uniform in size with the Emersons and Parker. It is hoped that these heads of the Four Great Masters will find their way eventually into hundred of churches, to add dignity, honesty, liberality and ideality to the worship within.
When I reached the point at which Kenyon is mentioned W. asked, "Who's that?" and when I explained, said he had never read the Marble Faun. Was greatly happy over Morse's seeming good condition. Several times as I went along he exclaimed: "Good for Sidney!"
"The best news yet!" Afterwards adding more fully: "If those fellows out there—enough of them—throw their panoply over him, I don't know but that's the place for him to stay." Then tenderly dwelt upon Morse's long ambition to get West, and its "seeming fruition at last"—his longing to look at the new heads, the enjoyment he would have if he could sit there in an audience and "see Sidney at work." He did not wonder that "Sidney was liked and is"—for it inhered to the man "to make people affect him."
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A little talk of Blake—then a drift into other matters.
Tonight another lecture from Davidson. W. asked, "What about this time?" and when I said "Bonaventura," he asked again: "Is that sometimes used geographically? Isn't it a phrase somehow signifying, good luck?" Of the man Bonaventura "he knew nothing." Developed then discussion of common terms of greeting and farewell. W. mentioned
So long!
What did he think as to its origin? He said: "It was very prevalent when I was a boy among the lower orders, so-called, in New York—the laborers on the wharves, stevedores, boatmen, the street boys, particularly the sailors:
So long! So long! So long!
It was prevalent, too—and this would rather detract from it for some—among the prostitutes, the loose women, of the town." Whether strictly English or not—what its derivation, if any,—he had no idea. "It seems to be the equivalent of the French-Italian exclamation, au revoir!—and very tender and beautiful it is, too!
So long!
I like it very much—whether from old uses, what, I do not know—but like it.
So long!
It is full and full!" W. spoke of "its great beauty"—and said more fully: "The significance of
au revoir
seems to be,
till we meet again
." I repeated, "Auf wiedersehen," which W. endeavored to and did pronounce correctly after me, he inquiring then: "In your reading, have you ever come upon a poem from Mrs. Barbauld—it is a poem of her effusion—something with that thought uppermost, the thought like this, (I know these are not her words): we will not say
farewell
, we will only say, good night, and will meet in the morning again. It seems very excellent. There appears to be in the intrinsic man a disposition to turn the back on phrases which signify absolute partings, deaths: he will not yield the whole case—he always feels there is more to be told, more to come, beyond the little he can put his hands, eyes upon!" And then he said again, his face still to
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the west, his hands still reposefully interlinked, "So long! so long! I like it much! It is a memory! it is also more than a memory!"
Then said as to Davidson: "Give him my best regards—tell him, if you get the chance (for me particularly) that I think things are as good as they can be—all right as they are"—here he paused and exclaimed—
"including the agitation, including the agitation!
especially including the agitation!" He always qualifies his criticisms of the too-eager reformers with a phrase at last that encourages and sustains them, as above. "Indeed, I might think agitation the most important factor of all—the most deeply important: to stir, to question, to suspect, to examine, to denounce!" It is the docta of the universe, he considered. I told the story of Ingersoll's visitor and his everlasting "yes, yes"—and after W. had ceased his laugh over it, he said, "But I guess we have plenty of the 'noes,' too—plenty—under whatever circumstances."
Rosendale today gave me some interesting account of meetings with Ingersoll—depicting his modesty, brilliancy, fullness of information, scholarship. This I repeated to W., who was greatly interested. Then away, with promise to stop in tomorrow forenoon on my way to Philadelphia.
Tuesday, April 16, 1889
10 A.M. Stopped in on my way to town. W. reading the Record. He spoke of feeling better. "There is a lull in the torment—yet not much of a lull, either." But looked and talked as if more at east than yesterday.
Tidings of Kossuth's bad health in papers today. Had he seen K? "Oh yes! And sure enough, he must be a very old man now." Thereupon reference to Lafayette. I asked if he had any vivid remembrance of his contact with the great Frenchman. He replied: "I don't know that you would call it vivid—yet it is quite clear, has quite well persisted all these years. My father
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was a great admirer of Lafayette—and Lafayette was indeed a grand man. We went together—I don't know but my brother was with me. I counted up—years six at the time. Hardly the brother. W. said: "That is so—none of my present brothers—but the older, he may have been there." Described Lafayette. "His was a fine appearance—not the appearance of beauty, but of expression. His face was fine as Jefferson's was fine, for what it told, what it held—fine as trees, waters, the deep seas, are fine: the genuine magnificence of elements. They were both of them homely, as facial judgments go—not ugly, to be sure—not even like Lincoln, who came as near being an ugly cuss as could be—but plain, depending wholly on the inner man for their attraction. Jefferson I think anyhow a much larger man than he is usually supposed to have been—not stout, thick—but rather tall, and slender." W. asked me if I had ever seen some "unusually fine" portrait of Lafayette "on exhibition in Philadelphia some years ago." And on learning I had not: "It was the best of him I had ever seen. I saw it somewhere, in one of the tony Chestnut Street galleries. The whole thing was so well done, it hit me as gem-like. It was as fine as the bronze of Jefferson there at Washington—the bronze by David, the French artist. Oh! this was always a deep delight to me. These works had the exquisite aesthetic taste—the faultless power—which so distinguished the old artists—which none or very few of our fellows have at all—which Herbert Gilchrist, for instance, has not—the deep deference to truth which will make a portrait a portrait—absolutely accurate at all hazards, whatever beauty may suffer by it." Touched then somehow upon simplicity of demeanor in great men. Was it not always characteristic? W. said: "Perhaps not always, but often—even mostly." Of Grant then. "I have seen him often in Washington in his little gig—his strong, but light rig—driving along, as if in deep joy of the pastime. I think Grant enjoyed getting away alone—absolutely alone: taking horse, and with it alone covering three or four hours of country.
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He would sit so—oh! I can see him still, as so often in those days." W. sitting forward, his hands as if with reins—"he would be easy, but not back against the seat." Grant's simplicity always to be valued. "The soldiers used to tell me that at his work, on the field, he delighted in a blouse—would go about camp, easily attired, possessed, calm, unostentatiously, never with arrogant mien or stride. He would wear the stars, the three on the shoulder. I don't know but that was necessary—perhaps an absolute regulation. At any rate it was advisable." I mentioned Appomattox as giving great contrast, Lee and Grant for instance there. W. said "It is a pity no one with a vivid pen—a graphic pen—never takes that up. It is a picture that yet remains to be accomplished." So far but "glimpses, glints." As to Lee, he said: "I am very loth to talk of Lee—my tongue, (I do not know but my pen, too) is slow to touch him, even to mention him: perhaps in part from thought that we must show respect to the dead." But to tell truth, "Lee appears to me as not at all a first-rater, as you put it, not at all typifying our characteristic life—without, in fact, one elemental quality, so to speak." Struck off the difference between Scott and Grant on the side of system and display, and while saying nothing harsh of Scott, paying higher deference to the quiet qualities of his successor. The men of Jefferson-Lafeyette type, "get their beauty as the old houses theirs—beauty of color, time, history, association." We spoke of the fine old houses in the Park. He said, "They exceed on general points the best we can do in building; but that has natural reasons for being—deep reasons: time has trailed its exquisite colors across threshold and wall—the trees envelop it—the vines climb up its sides. Only age can impart that."
Twisted his chair about. "Among my letters this morning," he explained, taking up a note from a chair, "was this" adding, "To judge from what is said there, something was reported of us in Sunday's World." The letter was from someone called Edminster. It was fulsome. In one place the writer spoke of
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himself as suffering with Whitman the penalty of being ahead of his time. W. amused. "I did not read the note carefully—just looked close enough to find out what he said of the World. Tell me Horace—does it strike you there are any indications of insanity—an insane streak—in this letter?" He evidently had a strong suspicion. "But I want you to get me a copy of the paper—I want to see what it is all about." He leaned towards me again, took up a copy of The Camden Post, and pointed out an editorial paragraph therein—extract, it said, from The Herald of Saturday. W. said: "Look at that? What does it all mean?"
Took up proof of bastard title from table. "I don't like it," he said. Then reached and put his writing pad on his knee, but stopped again. "No, I shall not. I was going to write out what I think about it, but that is not necessary. It is enough that I don't like it." Would not say how to change it, only change. "I leave it mainly to his taste—to Myrick's: what he may think the best thing, let him do." Had prepared the little note herewith, and now while I sat, he wrote steadily this by way of instruction on foot of same brown sheet:
*As there are now several editions of
L. of G., different texts and dates,
I wish to say that I prefer and recommend
the present one, 422 pages complete, for
further printing, if there should be any
___________________________________________
Put this in small type for a note at bottom
with a rule over it) on 2d page of the
Backward Glance—I will mark the * on
the proof when I receive it tonight
Thought also: "It is almost time we are having our pictures printed." Of the several new notes going with the pocket edition he was ready I should have manuscript if I liked. Did not now have them together. One sheet we found was in pencil. W.
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explained: "It seems to me I had a better copy than that—that I transcribed it carefully. I must look it up."
Papers much occupied with invasion of Lower California by American raiders who try to annex it. W. was dubious. "I consider that least of least things among things in the paper." Gave me the Gutekunst picture of the old Emperor William: "Take it along: left here, it will surely get spotted and you might care to save it." With it the Register in which he had read the Larned extract and the Bright piece entire. Said of the last: "I found it quite interesting; it repaid reading." Alluded still to "the quiet at Washington," not a word. Offered me the 5 cents for paper (World) and when I hesitated: "Oh! take it—I should prefer it so!" Added: "I have another mission for you—a mission to Dave's. You remember I have been gunning after two copies of them. I should like three now—Will you stop in and secure them?"
7 P.M. W. sitting at middle window, much as last evening when I came. We entered at once into an animated talk. I had secured a copy of The World as he had advised, and with it a copy of The Herald (Sunday). In this last found a column of so-called "odd fancies," written up as direct from W. W.'s lips, by that arch-fool Sadakichi Hartmann. They had proved of such a mean stupid, ignorant nature,—bad English, worse thought, unuterrably sad taste—that the idea of having them thrown out as W.'s raised my ire. W. realized at once that I was mad,—asked, "What is it about?" I had said when I shook hands with him: "I am glad to get near the
real
Walt Whitman again." He asked: "What do you mean?" I said: "It is the Herald there—Sunday's Herald." Then his query: "What is it about?" I described Hartmann's deliverance. To satisfy W. I went across near and in front of him, stood by the table there in the waning light, and read here and there of the "odd fancies" attributed to him by this man. At first he was inclined to laugh—then to condemn. The passage which most
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