Commentary

Interviews and Reminiscences

About this Item

Title: The Poet's Livery

Creator: Anonymous

Date: September 15, 1885

Publication information: The Pittsburg Dispatch 15 September 1885.

Source: Our transcription is based on a digital image of a microfilm copy of an original issue.

Whitman Archive ID: med.00622

Contributors to digital file: Brett Barney, Nic Swiercek, and Shea Montgomerey




image 1

THE POET'S LIVERY.

———

Walt Whitman the Recipient of a
Fine Chestnut and Phaeton,


———

A GIFT OF LEADING LITERARY MEN.


———

The Honored, Gray-Haired Bard Gladly Sur-
prised in His Cabin Home.


———

RELEASED FROM A PARALYTIC'S BONDS


———

By the Grateful Remembrance of Generous and
Distinguished Friends.


———

THE GIFT PRECEDED BY GLITTERING GOLD.


———

Special Telegram to the Dispatch.]
PHILADELPHIA, September 15

—The last sunbeams were shining through the rustling leaves of the elm trees that almost conceal Walt Whitman's little frame house on the quiet, old-fashioned side street in Camden this evening, and the last honey bee hovered over the fragrant blossoms that were heaped in the open window, almost concealing the bowed head of the aged poet. It was very quiet in that neighborhood, and no sound distracted the old man or diverted his thought from the heap of manuscripts that littered the work table drawn up to the window. The arring rattle of wheels startled the old man, and a smart chestnut horse drew a natty phaeton to the gate. The poet glanced over his flowers at the turnout and nodded kindly to the little chap who held the reins, for he was a favorite, the son of his old friend Tom Donaldson.

The boy carefully tied the animal, and handed up with a mysterious air a portentous envelope, big and fat, and started to walk away, but was called back and induced to enter the cozy workshop.

"What's all this about, my boy?" inquired Walt Whitman, turning over the massive document and handling it very much as if he feared it might contain dynamite.

"Them's the documents," piped the little fellow in a childish treble.

"What documents? A commission from some foreign court?" returned the old gentleman, playfully, as he held the envelope up to the light and fruitlessly attempted to peer through the cover into the contents.

"Is it a patent of nobility, or is it an address from a lot of my young friends?"

YOUNG AMERICA'S SUGGESTION.

"Why don't you open it," suggested the somewhat matter-of-fact emissary, who was on pins and needles through the consciousness of the possession of a huge secret, many sized to big for so small a custodian.

It seemed a long time that the poet consumed in adjusting his glasses and scanning the chirography of the superscription, and whole eras winged their way into eternity while he deliberately and nicely cut open the end and extracted the contents. Several large sheets of paper were folded up within. On them were scrawled the names of a number of prominent men in the various walks of life, but not a line to explain their significance, save: "Walt Whitman, with compliments of," which was written at the top of the first page. The old poet turned the sheets upside down and looked on the back of them, while his forehead wrinkled with perplexity. He took off his glasses and polished them with his silk handkerchief, but their increased translucence did not augment their power of unraveling the mystery.

In utter astonishment, he turned to the boy, whom he began to suspect of joking with him, but that young man, who had been writhing under the effects of volcanic emotions sprang to his feet, dashed out of the door, yelling wildly: "It's yours—all yours—yours for keeps," and disappeared.

"God bless us, Mary!" gasped the old gentleman, as his good housekeeper appeared with consternation written all over her features, "there's something the matter with the boy."

At this moment Mr. Donaldson walked in and grasped his old friend by the hand.

"What does it mean?" he demanded.

"The horse and phaeton are a present from your friends, whose names are on the paper," was the laughing reply; but Walt Whitman could not grasp the idea that he was the recipient of so valuable a present. "Don't joke me," he pleaded, "I never owned such a thing in my life."

REJOICING TO RECOGNIZE IT.

It took a good while to convince him that the present was for him, and then he put on his wide-brimmed sombrero and insisted upon getting into the phaeton and dashing out into the green lanes. Mr. Donaldson accompanied him, and after a three-mile drive, the poet let him out and drove to his old friend, Henry S. Scovel, and insisted that Mrs. Scovel ride out behind the wonderful animal. It was long after dark before the poet consented to return to his home, and when a reporter called at 9 o'clock, the old gentleman was fagged. He was sitting in his great arm chair, beside the window, with the lights turned down. The floor and table were still littered with books and papers, and the evening mail was still unopened.

"You don't know how many good friends I have," said the bard, as he half rose to extend his hand. Then, running his fingers through his silver locks and rolling back his wide collar still further from his throat, he continued: "I have, before now, been made to feel in many touching ways how kind and thoughtful my loving friends are; but this present is so handsome and valuable, came so opportunely and was so thorough a surprise, that I can hardly realize it. My paralysis has made me so lame lately that I had to give up even my walks for health, let alone my rambles in the country, and my constitution has suffered for exercise. It was all done so unostentatiously and delicately that I was greatly affected. Tom Donaldson knew that I was getting more feeble, and he wrote to a number of friends and admirers of mine in different parts of the country, proposing presenting me with a carriage and horse.

TO EASE MY DECLINING YEARS.

"Some of them I do not know; some are very dear friends; a great many other friends were not sent to. Every one communicated with responded, Donaldson informs me, and each wrote a kind note, which Tom says he claims for his own, although I am to see them. Here are their names: My poet friends, John G. Whittier, Oliver Wendell Holmes, Samuel L. Clemens (Mark Twain), Charles Dudley Warner, John Boyle O'Reilly, William J. Florence, Edwin Booth and Lawrence Barrett; Mrs. S. A. Bigelow, of Boston; Horace Howard Furniss, L. N. Fairchild, E. A. Buck, of the Spirit of the Times; R. W. Gilder, of the Century; Edward T. Steel, A. K. McClure, Stephen B. Elkins, Charles Emory Smith, Talcott Williams, of Philadelphia; William D. O'Connor, of Washington, D. C.; J.H. Bartlet, George H. Baker, Edward S. Stuart, William W. Justice, John Harker, of Exina, Canada, and R. M. Buck, M. D., and Dr. Beeman, of London, Canada.

"It is an interesting list, isn't? It seems that this phaeton was made for me in Columbus, O., and is easy and convenient as it can be. It is very low in the bed, has gig lamps and deep cushions. Oh, I shall have a famous time this fall? They tell me these are lovely drives south and east of Camden, and there are sleepy old villages hat I am informed are very like old English hamlets. Haddonfield is such a place. I shall take long drives into the country each day, and once more enjoy nature, if not as I used to, at least as deeply and thoughtfully."

It is not generally known that the poet was recently in receipt of a considerable sum, raised among his English admirers by subscription, and without his knowledge. The gift is said to be about $5,000 in value, and it was very welcome, coming as it did when Walt Whitman was in a financial squeeze.


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