Content:
Lines and phrases on both the recto and verso of this manuscript contributed to portions of the poem eventually titled "Song of Myself," and possibly to other sections of the 1855
Leaves of Grass
, suggesting a composition date before 1855. However, this manuscript also includes lines that probably contributed to "Sun-Down Poem" (later retitled "Crossing Brooklyn Ferry") in the 1856 edition of
Leaves of Grass
. It is possible that some of these poetic lines contributed to the prose preface to the 1855 edition of
Leaves of Grass
. A line in this manuscript is similar to the following line, in the poem later titled "Song of Myself": "I am the mate and companion of people, all just as immortal and fathomless as myself" (1855, p. 17). Another line is similar to the lines "And nothing, not God, is greater to one than one's-self is" (1855, p. 53) and "And I say it is as great to be a woman as to be a man" (1855, p. 26). Another manuscript line is similar to the line "Maternal as well as paternal, a child as well as a man" (1855, p. 23). And several manuscript lines are similar to the lines beginning "Not merely of the New World but of Africa Europe or Asia . . . . a wandering savage, / A farmer, mechanic, or artist . . . . a gentleman, sailor, lover or quaker, / A prisoner, fancy-man, rowdy, lawyer, physician or priest" (1855, p. 24). Three other lines are similar to: "Storming enjoying planning loving cautioning, / Backing and filling, appearing and disappearing, / I tread day and night such roads" (1855, p. 38). Edward Grier speculates that Whitman's note "Don't forget the bombardment" relates to the "bombardment" of the "old artillerist" in "Song of Myself": "I am an old artillerist, and tell of some fort's bombardment . . . . and am there again" (1855, p. 40). (See
Notebooks and Unpublished Prose Manuscripts
[New York: New York University Press, 1984], 1:165). Several phrases of the prose on the verso were probably later used, in somewhat revised form, in the following lines from "Sun-down Poem" in the 1856 edition of
Leaves of Grass
: "The best I had done seemed to me blank and suspicious, / My great thoughts, as I supposed them, were they not in reality meagre? Would not people laugh at me?" (1856, p. 216). The poem was later titled "Crossing Brooklyn Ferry." It is possible that some of the poetic lines on the verso contributed to the prose preface to the 1855 edition of
Leaves of Grass
. The lines "I am too great to be a mere President or Major General / I remain with my fellows—with mechanics, and farmers and common people" may relate to the sentence from the preface that reads: "Other states indicate themselves in their deputies....but the genius of the United States is not best or most in its executives or legislatures, nor in its ambassadors or authors or colleges or churches or parlors, nor even in its newspapers or inventors...but always most in the common people" (1855, p. iii). The line "I remain with them all on equal terms" may also be related to the following line in the preface: "The messages of great poets to each man and woman are, Come to us on equal terms" (1855, p. vii). The line "In me are the old and young the fool and the wise thinker" may be related to a similar phrase in the poem eventually titled "Who Learns My Lesson Complete?": "The stupid and the wise thinker" (1855, p. 92). The phrase "mother of many children" appears in both the preface and in the poem later titled "Faces."
Content:
A faint horizontal line beneath part of "A City Walk," along with the words'
capitalization and central position on the page, indicate that Whitman may have
contemplated using the words as the title of an independent poem. The closest he
came to this title was "City of Walks
and Joys," the name he originally assigned to "Calamus" 18 in his "Blue Book" revisions of the 1860
edition of
Leaves of Grass
. This
title was changed in the "Blue
Book" to "City of orgies,
walks and joys" and finally became "City of Orgies" in the 1867 edition. The manuscript
also suggests making a list of things seen while "crossing the ferry," an idea
later developed and published in "Sun-Down Poem" in the 1856 edition of
Leaves
. The poem was retitled "Crossing Brooklyn Ferry" in 1860.
Content:
Whitman likely wrote the building specifications on what is presented here as the last leaf of this notebook first, and then flipped the notebook over and wrote notes from the other direction. References to the
San Francisco
can be dated to sometime after January 1854. The cover of the notebook is labeled "Note Book Walt Whitman" in a hand that is not Whitman's. Selections and subjects from this notebook were used in the 1855 edition of
Leaves of Grass
, including phrases from the poems that would later be titled "Song of Myself" and "Song of the Answerer." See Edward Grier,
Notebooks and Unpublished Prose Manuscripts
(New York: New York University Press, 1984), 1:113–117. Lines in this manuscript correspond to a line from the manuscript poem, unpublished in Whitman's lifetime, titled "Pictures": "And now a merry recruiter passes, with fife and drum, seeking who will join his troop." The first several lines of the poem (not including this line) were revised and published in
The American
in October 1880 as "My Picture-Gallery," a poem later included in
Leaves of Grass
as part of the "Autumn Rivulets" cluster (1881, p. 310).
Content:
This notebook, now lost, contains much draft material used in the 1855 edition of
Leaves of Grass
, in addition to a few images and phrasings that Whitman used in the second (1856) and third (1860) editions. As the folder title indicates, the notebook is currently represented by photocopied images of each page derived, apparently, from a microfilm of the original that was made in the 1930s prior to the notebook's disappearance from the collection during World War II. As Floyd Stovall has noted, the few datable references in this notebook (e.g., the fighting at Sebastopol during the Crimean War) are to events from about 1853 to late 1854, shortly before the first publication of
Leaves of Grass
. See Stovall, "Dating Whitman's Early Notebooks,"
Studies in Bibliography
24 (1971), 197–204. See also Edward Grier,
Notebooks and Unpublished Prose Manuscripts
(New York: New York University Press, 1984), 1:138–155. Surfaces 9, 10, 54, and 55 bear passages that probably contributed to the first poem of the 1855 edition, eventually titled "Song of Myself," and other material, on surfaces 26, 46, 51, 54, and 58, is clearly linked to the evolution of that poem. A passage on surface 23 is also perhaps related to its development. Surfaces 11 and 12 both have material probably used as fodder for the poem "Song of the Answerer," first published as the seventh poem in the 1855
Leaves.
A brief passage on surface 12 possibly contributed to the poem first published in 1860 as the fourth of the "Chants Democratic" and later retitled "Our Old Feuillage." Surfaces 13 and 46 contain drafts of passages used in the second poem of 1855, later titled "A Song for Occupations." Material on surfaces 24 and 47 probably also contributed to this poem. Passages on surfaces 17, 18, 40, 42, and 45 are likely early drafts toward lines used in "Poem of the Sayers of the Words of the Earth" (1856), which later became "A Song of the Rolling Earth." Surface 18 also bears writing probably related to the twelfth and final poem of the 1855
Leaves,
later titled "Faces." On surfaces 18, 24, and 51 are lines that might represent draft material toward "I Sing the Body Electric" (first published as the fifth poem of the 1855
Leaves
). Other passages, on surfaces 47 and 55, are likely related to that poem; those on surfaces 36, 37, 44, 45, and 47 are certainly related. Ideas and images written on surfaces 20 and 46 are likely related to the poem "Song of the Open Road," which first appeared as "Poem of the Road," and a passage on surface 24 may also be related. Two passages on surface 21 were used in the tenth poem of the 1855
Leaves of Grass,
later titled "There Was a Child Went Forth." Surface 22 contains writing probably used in "Sun-Down Poem" (1856), titled "Crossing Brooklyn Ferry" in later editions. Some of the writing on surface 24 might also have contributed to the development of that poem. Another passage on surface 22, as well as passages on surfaces 26, 47, and 60, are possibly related to the 1855 Preface. A different passage on surface 60 is clearly related to the Preface, and a passage on surface 45 is likely related to it. Two of the draft lines of poetry on surface 31 were used in the untitled third poem of the "Debris" cluster in the 1860 edition of
Leaves of Grass.
This poem was retitled "Leaflets" in 1867 and dropped from subsequent editions. The writing on surface 41 contributed to the 1856 "Poem of Salutation," which was eventually titled "Salut au Monde!" The jotting at the top of surface 43 is also likely connected to this poem.
Content:
A notebook Whitman used for various purposes in the mid-1850s. Edward F.
Grier, in his edition of Whitman's
Notebooks and Unpublished Prose
Manuscripts,
6 vols. (New York: New York University Press, 1984), 1:226–243, noted that the notebook contains lines and phrases that relate to
several poems: "Song of the
Broad-Axe,"
"Crossing Brooklyn
Ferry,"
"I Sing the Body
Electric,"
"Starting from
Paumanok,"
"A Song for
Occupations,"
"By Blue Ontario's
Shore,"
"Salut au Monde!,"
"To One Shortly to
Die," and "A
Woman Waits for Me."
