Leaves of Grass (1856)


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1—Poem of Walt Whitman, an American.


I CELEBRATE myself,
And what I assume you shall assume,
For every atom belonging to me, as good belongs
         to you.

I loafe and invite my soul,
I lean and loafe at my ease, observing a spear of
         summer grass.

Houses and rooms are full of perfumes—the
         shelves are crowded with perfumes,
I breathe the fragrance myself, and know it and
         like it,
The distillation would intoxicate me also, but I
         shall not let it.

The atmosphere is not a perfume, it has no taste
         of the distillation, it is odorless,
 


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It is for my mouth forever, I am in love with it,
I will go to the bank by the wood, and become
         undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzzed whispers, love-root, silk-
         thread, crotch, vine,
My respiration and inspiration, the beating of my
         heart, the passing of blood and air through
         my lungs,
The sniff of green leaves and dry leaves, and of
         the shore and dark-colored sea-rocks, and of
         hay in the barn,
The sound of the belched words of my voice,
         words loosed to the eddies of the wind,
A few light kisses, a few embraces, a reaching
         around of arms,
The play of shine and shade on the trees as the
         supple boughs wag,
The delight alone, or in the rush of the streets, or
         along the fields and hill-sides,
The feeling of health, the full-noon trill, the song
         of me rising from bed and meeting the sun.

Have you reckoned a thousand acres much?
         have you reckoned the earth much?
Have you practiced so long to learn to read?
Have you felt so proud to get at the meaning of
         poems?
 


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Stop this day and night with me, and you shall
         possess the origin of all poems,
You shall possess the good of the earth and sun —
         there are millions of suns left,
You shall no longer take things at second or third
         hand, nor look through the eyes of the dead,
         nor feed on the spectres in books,
You shall not look through my eyes either, nor
         take things from me,
You shall listen to all sides, and filter them from
         yourself.

I have heard what the talkers were talking, the
         talk of the beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is
         now,
Nor any more youth or age than there is now,
And will never be any more perfection than there
         is now,
Nor any more heaven or hell than there is now.

Urge, and urge, and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance —
         always substance and increase, always sex,
Always a knit of identity, always distinction,
         always a breed of life.

 


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To elaborate is no avail—learned and unlearned
         feel that it is so.

Sure as the most certain sure, plumb in the
         uprights, well entretied, braced in the
         beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet
         is all that is not my soul.

Lack one lacks both, and the unseen is proved
         by the seen,
Till that becomes unseen, and receives proof in its
         turn.

Showing the best and dividing it from the worst,
         age vexes age,
Knowing the perfect fitness and equanimity of
         things, while they discuss I am silent, and go
         bathe and admire myself.

Welcome is every organ and attribute of me, and
         of any man hearty and clean,
Not an inch nor a particle of an inch is vile, and
         none shall be less familiar than the rest.

I am satisfied—I see, dance, laugh, sing;
 


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As the hugging and loving Bed-fellow sleeps at
         my side through the night, and withdraws at
         the peep of the day,
And leaves for me baskets covered with white
         towels, swelling the house with their plenty,
Shall I postpone my acceptation and realization,
         and scream at my eyes,
That they turn from gazing after and down the
         road,
And forthwith cipher and show me to a cent,
Exactly the contents of one, and exactly the con-
         tents of two, and which is ahead?

Trippers and askers surround me,
People I meet—the effect upon me of my early
         life, of the ward and city I live in, of the
         nation,
The latest news, discoveries, inventions, societies,
         authors old and new,
My dinner, dress, associates, looks, work, compli-
         ments, dues,
The real or fancied indifference of some man or
         woman I love,
The sickness of one of my folks, or of myself, or
         ill-doing, or loss or lack of money, or depress-
         ions or exaltations,
They come to me days and nights and go from
         me again,
But they are not the Me myself.

 


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Apart from the pulling and hauling stands what I
         am,
Stands amused, complacent, compassionating, idle,
         unitary,
Looks down, is erect, bends an arm on an
         impalpable certain rest,
Looks with its side-curved head, curious what will
         come next,
Both in and out of the game, and watching and
         wondering at it.

Backward I see in my own days where I sweated
         through fog with linguists and contenders,
I have no mockings or arguments—I witness and
         wait.

I believe in you, my soul—the other I am must
         not abase itself to you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from
         your throat,
Not words, not music or rhyme I want—not cus-
         tom or lecture, not even the best,
Only the lull I like, the hum of your valved voice.

I mind how we lay in June, such a transparent
         summer morning,
You settled your head athwart my hips, and gently
         turned over upon me,
 


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And parted the shirt from my bosom-bone, and
         plunged your tongue to my bare-stript heart,
And reached till you felt my beard, and reached
         till you held my feet.

Swiftly arose and spread around me the peace
         and joy and knowledge that pass all the art
         and argument of the earth,
And I know that the hand of God is the promise
         of my own,
And I know that the spirit of God is the brother
         of my own,
And that all the men ever born are also my bro-
         thers, and the women my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves, stiff or drooping in the
         fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm-fence, heaped stones,
         elder, mullen, pokeweed.

A child said, What is the grass? fetching it to me
         with full hands;
How could I answer the child? I do not know
         what it is any more than he.

I guess it must be the flag of my disposition, out
         of hopeful green stuff woven.

Or I guess it is the handkerchief of the Lord,
 


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A scented gift and remembrancer, designedly
         dropped,
Bearing the owner's name someway in the corners,
         that we may see and remark, and say Whose?

Or I guess the grass is itself a child, the produced
         babe of the vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and
         narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give
         them the same, I receive them the same.

And now it seems to me the beautiful uncut hair
         of graves.

Tenderly will I use you, curling grass,
It may be you transpire from the breasts of young
         men,
It may be if I had known them I would have loved
         them,
It may be you are from old people, and from
         women, and from offspring taken soon out of
         their mothers' laps,
And here you are the mothers' laps.

This grass is very dark to be from the white heads
         of old mothers,
 


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Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of
         mouths.

O I perceive after all so many uttering tongues!
And I perceive they do not come from the roofs
         of mouths for nothing.

I wish I could translate the hints about the dead
         young men and women,
And the hints about old men and mothers, and the
         offspring taken soon out of their laps.

What do you think has become of the young and
         old men?
And what do you think has become of the women
         and children?

They are alive and well somewhere,
The smallest sprout shows there is really no
         death,
And if ever there was, it led forward life, and does
         not wait at the end to arrest it,
And ceased the moment life appeared.

All goes onward and outward—nothing collapses,
And to die is different from what any one sup-
         posed, and luckier.

 


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Has any one supposed it lucky to be born?
I hasten to inform him or her, it is just as lucky to
         die, and I know it.

I pass death with the dying, and birth with the
         new-washed babe, and am not contained be-
         tween my hat and boots,
And peruse manifold objects, no two alike, and
         every one good,
The earth good, and the stars good, and their ad-
         juncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just
         as immortal and fathomless as myself;
They do not know how immortal, but I know.

Every kind for itself and its own—for me mine,
         male and female,
For me those that have been boys and that love
         women,
For me the man that is proud, and feels how it
         stings to be slighted,
For me the sweetheart and the old maid—for me
         mothers and the mothers of mothers,
For me lips that have smiled, eyes that have shed
         tears,
For me children and the begetters of children.

 


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Who need be afraid of the merge?
Undrape! you are not guilty to me, nor stale, nor
         discarded,
I see through the broadcloth and gingham, whether
         or no,
And am around, tenacious, acquisitive, tireless,
         and can never be shaken away.

The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently
         brush away flies with my hand.

The youngster and the red-faced girl turn aside
         up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the bloody floor of the
         bedroom,
It is so—I witnessed the corpse—there the
         pistol had fallen.

The blab of the pave, the tires of carts, sluff of
         boot-soles, talk of the promenaders,
The heavy omnibus, the driver with his interrogat-
         ing thumb, the clank of the shod horses on
         the granite floor,
The snow-sleighs, the clinking, shouted jokes,
         pelts of snow-balls,
The hurrahs for popular favorites, the fury of
         roused mobs,
 


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The flap of the curtained litter, the sick man in-
         side, borne to the hospital,
The meeting of enemies, the sudden oath, the
         blows and fall,
The excited crowd, the policeman with his star,
         quickly working his passage to the centre of
         the crowd,
The impassive stones that receive and return so
         many echoes,
The souls moving along—are they invisible,
         while the least of the stones is visible?
What groans of over-fed or half-starved who fall
         sun-struck, or in fits,
What exclamations of women taken suddenly, who
         hurry home and give birth to babes,
What living and buried speech is always vibrating
         here, what howls restrained by decorum,
Arrests of criminals, slights, adulterous offers
         made, acceptances, rejections with convex lips,
I mind them or the resonance of them—I come
         and I depart.

The big doors of the country-barn stand open and
         ready,
The dried grass of the harvest-time loads the
         slow-drawn wagon,
The clear light plays on the brown gray and green
         intertinged,
The armfuls are packed to the sagging mow;
 


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I am there, I help, I came stretched atop of the
         load,
I felt its soft jolts, one leg reclined on the other;
I jump from the cross-beams and seize the clover
         and timothy,
And roll head over heels, and tangle my hair full
         of wisps.

Alone, far in the wilds and mountains, I hunt,
Wandering, amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass
         the night,
Kindling a fire and broiling the fresh-killed game,
Soundly falling asleep on the gathered leaves, my
         dog and gun by my side.

The Yankee clipper is under her three sky-sails,
         she cuts the sparkle and scud,
My eyes settle the land—I bend at her prow or
         shout joyously from the deck.

The boatmen and clam-diggers arose early and
         stopped for me,
I tucked my trowser-ends in my boots and went
         and had a good time,
You should have been with us that day round the
         chowder-kettle.

I saw the marriage of the trapper in the open air
         in the far-west—the bride was a red girl,
 


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Her father and his friends sat near, cross-legged
         and dumbly smoking—they had moccasins to
         their feet and large thick blankets hanging
         from their shoulders,
On a bank lounged the trapper, he was dressed
         mostly in skins, his luxuriant beard and curls
         protected his neck,
One hand rested on his rifle, the other hand held
         firmly the wrist of the red girl,
She had long eyelashes, her head was bare, her
         coarse straight locks descended upon her
         voluptuous limbs and reached to her feet.

The runaway slave came to my house and
         stopped outside,
I heard his motions crackling the twigs of the
         wood-pile,
Through the swung half-door of the kitchen I saw
         him limpsy and weak,
And went where he sat on a log, and led him in
         and assured him,
And brought water and filled a tub for his sweated
         body and bruised feet,
And gave him a room that entered from my own,
         and gave him some coarse clean clothes,
And remember perfectly well his revolving eyes
         and his awkwardness,
And remember putting plasters on the galls of his
         neck and ankles;
 


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He staid with me a week before he was recuper-
         ated and passed north,
I had him sit next me at table—my fire-lock
         leaned in the corner.

Twenty-eight young men bathe by the shore,
Twenty-eight young men, and all so friendly,
Twenty-eight years of womanly life, and all so
         lonesome.

She owns the fine house by the rise of the bank,
She hides, handsome and richly drest, aft the
         blinds of the window.

Which of the young men does she like the best?
Ah, the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock
         still in your room.

Dancing and laughing along the beach came the
         twenty-ninth bather,
The rest did not see her, but she saw them and
         loved them.

The beards of the young men glistened with wet,
         it ran from their long hair,
Little streams passed all over their bodies.

An unseen hand also passed over their bodies,
 


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It descended tremblingly from their temples and
         ribs.

The young men float on their backs, their white
         bellies bulge to the sun, they do not ask who
         seizes fast to them,
They do not know who puffs and declines with
         pendant and bending arch,
They do not think whom they souse with spray.

The butcher-boy puts off his killing-clothes, or
         sharpens his knife at the stall in the mar-
         ket,
I loiter, enjoying his repartee and his shuffle and
         break-down.

Blacksmiths with grimed and hairy chests environ
         the anvil,
Each has his main-sledge—they are all out —
         there is a great heat in the fire.

From the cinder-strewed threshold I follow their
         movements,
The lithe sheer of their waists plays even with
         their massive arms,
Overhand the hammers roll, overhand so slow,
         overhand so sure,
They do not hasten, each man hits in his place.

 


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The negro holds firmly the reins of his four
         horses, the block swags underneath on its
         tied-over chain,
The negro that drives the huge dray of the stone-
         yard, steady and tall he stands poised on one
         leg on the string-piece,
His blue shirt exposes his ample neck and breast,
         and loosens over his hip-band,
His glance is calm and commanding, he tosses the
         slouch of his hat away from his forehead,
The sun falls on his crispy hair and moustache,
         falls on the black of his polish'd and perfect
         limbs.

I behold the picturesque giant and love him, and
         I do not stop there,
I go with the team also.

In me the caresser of life wherever moving, back-
         ward as well as forward slueing,
To niches aside and junior bending.

Oxen that rattle the yoke or halt in the shade!
         what is that you express in your eyes?
It seems to me more than all the print I have read
         in my life.

My tread scares the wood-drake and wood-duck,
         on my distant and day-long ramble,
They rise together, they slowly circle around;
I believe in those winged purposes,
 


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And acknowledge, red, yellow, white, playing
         within me,
And consider green and violet, and the tufted
         crown, intentional,
And do not call the tortoise unworthy because
         she is not something else,
And the mocking-bird in the swamp never studied
         the gamut, yet trills pretty well to me,
And the look of the bay mare shames silliness out
         of me.

The wild gander leads his flock through the cool
         night,
Ya-honk! he says, and sounds it down to me like
         an invitation;
The pert may suppose it meaningless, but I listen
         close,
I find its purpose and place up there toward the
         November sky.

The sharp-hoofed moose of the north, the cat on
         the house-sill, the chickadee, the prairie-dog,
The litter of the grunting sow as they tug at her
         teats,
The brood of the turkey-hen, and she with her
         half-spread wings,
I see in them and myself the same old law.

The press of my foot to the earth springs a hun-
         dred affections,
 


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They scorn the best I can do to relate them.
I am enamoured of growing outdoors,
Of men that live among cattle, or taste of the
         ocean or woods,
Of the builders and steerers of ships, of the wield-
         ers of axes and mauls, of the drivers of
         horses,
I can eat and sleep with them week in and week
         out.

What is commonest, cheapest, nearest, easiest, is
         Me,
Me going in for my chances, spending for vast
         returns,
Adorning myself to bestow myself on the first that
         will take me,
Not asking the sky to come down to my good-will,
Scattering it freely forever.

The pure contralto sings in the organ-loft,
The carpenter dresses his plank, the tongue of
         his foreplane whistles its wild ascending lisp,
The married and unmarried children ride home to
         their thanksgiving dinner,
The pilot seizes the king-pin, he heaves down
         with a strong arm,
The mate stands braced in the whale-boat, lance
         and harpoon are ready,
 


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The duck-shooter walks by silent and cautious
         stretches,
The deacons are ordained with crossed hands at
         the altar,
The spinning-girl retreats and advances to the
         hum of the big wheel,
The farmer stops by the bars of a Sunday and
         looks at the oats and rye,
The lunatic is carried at last to the asylum, a con-
         firmed case,
He will never sleep any more as he did in the cot
         in his mother's bedroom;
The jour printer with gray head and gaunt jaws
         works at his case,
He turns his quid of tobacco, his eyes get blurred
         with the manuscript;
The malformed limbs are tied to the anatomist's
         table,
What is removed drops horribly in a pail;
The quadroon girl is sold at the stand—the
         drunkard nods by the bar-room stove,
The machinist rolls up his sleeves—the police-
         man travels his beat—the gate-keeper marks
         who pass,
The young fellow drives the express-wagon —
         I love him though I do not know him,
The half-breed straps on his light boots to com-
         pete in the race,
 


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The western turkey-shooting draws old and young
         —some lean on their rifles, some sit on logs,
Out from the crowd steps the marksman, takes
         his position, levels his piece;
The groups of newly-come immigrants cover the
         wharf or levee,
The woolly-pates hoe in the sugar-field, the over-
         seer views them from his saddle,
The bugle calls in the ball-room, the gentlemen
         run for their partners, the dancers bow to
         each other,
The youth lies awake in the cedar-roofed garret,
         and harks to the musical rain,
The Wolverine sets traps on the creek that helps
         fill the Huron,
The reformer ascends the platform, he spouts with
         his mouth and nose,
The company returns from its excursion, the
         darkey brings up the rear and bears the well-
         riddled target,
The squaw, wrapt in her yellow-hemmed cloth,
         is offering moccasins and bead-bags for sale,
The connoisseur peers along the exhibition-
         gallery with half-shut eyes bent side-ways,
The deck-hands make fast the steamboat, the plank
         is thrown for the shore-going passengers,
The young sister holds out the skein, the elder
         sister winds it off in a ball, and stops now
         and then for the knots,
 


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The one-year wife is recovering and happy, a
         week ago she bore her first child,
The clean-haired Yankee girl works with her sew-
         ing-machine, or in the factory or mill,
The nine months' gone is in the parturition cham-
         ber, her faintness and pains are advancing,
The paving-man leans on his two-handed rammer
         —the reporter's lead flies swiftly over the
         note-book—the sign-painter is lettering with
         red and gold,
The canal-boy trots on the tow-path—the book-
         keeper counts at his desk—the shoemaker
         waxes his thread,
The conductor beats time for the band, and all the
         performers follow him,
The child is baptised—the convert is making the
         first professions,
The regatta is spread on the bay—how the white
         sails sparkle!
The drover watches his drove, he sings out to
         them that would stray,
The pedlar sweats with his pack on his back, the
         purchaser higgles about the odd cent,
The camera and plate are prepared, the lady must
         sit for her daguerreotype,
The bride unrumples her white dress, the minute-
         hand of the clock moves slowly,
The opium-eater reclines with rigid head and just-
         opened lips,
 


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The prostitute draggles her shawl, her bonnet
         bobs on her tipsy and pimpled neck,
The crowd laugh at her blackguard oaths, the
         men jeer and wink to each other,
(Miserable! I do not laugh at your oaths, nor
         jeer you;)
The President holds a cabinet council, he is sur-
         rounded by the Great Secretaries,
On the piazza walk five friendly matrons with
         twined arms,
The crew of the fish-smack pack repeated layers
         of halibut in the hold,
The Missourian crosses the plains, toting his
         wares and his cattle,
The fare-collector goes through the train, he gives
         notice by the jingling of loose change,
The floor-men are laying the floor—the tinners
         are tinning the roof—the masons are calling
         for mortar,
In single file, each shouldering his hod, pass on-
         ward the laborers,
Seasons pursuing each other, the indescribable
         crowd is gathered—it is the Fourth of July
         —what salutes of cannon and small arms!
Seasons pursuing each other, the plougher ploughs,
         the mower mows, and the winter-grain falls
         in the ground,
Off on the lakes the pike-fisher watches and waits
         by the hole in the frozen surface,
 


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The stumps stand thick round the clearing, the
         squatter strikes deep with his axe,
Flatboatmen make fast toward dusk near the cot-
         ton-wood or pekan-trees,
Coon-seekers go through the regions of the Red
         river, or through those drained by the Ten-
         nessee, or through those of the Arkansaw,
Torches shine in the dark that hangs on the Chat-
         tahoochee or Altamahaw,
Patriarchs sit at supper with sons and grandsons
         and great-grandsons around them,
In walls of adobe, in canvass tents, rest hunters
         and trappers after their day's sport,
The city sleeps and the country sleeps,
The living sleep for their time, the dead sleep
         for their time.
The old husband sleeps by his wife, and the young
         husband sleeps by his wife;
And these one and all tend inward to me, and I
         tend outward to them,
And such as it is to be of these, more or less, I am.

I am of old and young, of the foolish as much as
         the wise,
Regardless of others, ever regardful of others,
Maternal as well as paternal, a child as well as a
         man,
Stuffed with the stuff that is coarse, and stuffed
         with the stuff that is fine,
 


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One of the great nation, the nation of many
         nations, the smallest the same, the largest
         the same,
A southerner soon as a northerner, a planter non-
         chalant and hospitable,
A Yankee bound my own way, ready for trade,
         my joints the limberest joints on earth and
         the sternest joints on earth,
A Kentuckian walking the vale of the Elkhorn in
         my deer-skin leggings,
A boatman over lakes or bays, or along coasts —
         a Hoosier, Badger, Buckeye,
A Louisianian or Georgian, a Poke-easy from
         sand-hills and pines,
At home on Canadian snow-shoes, or up in the
         bush, or with fishermen off Newfoundland,
At home in the fleet of ice-boats, sailing with the
         rest, and tacking,
At home on the hills of Vermont, or in the woods
         of Maine, or the Texan ranch,
Comrade of Californians, comrade of free north-
         westerners, loving their big proportions.
Comrade of raftsmen and coalmen, comrade of all
         who shake hands and welcome to drink and
         meat,
A learner with the simplest, a teacher of the
         thoughtfulest,
A novice beginning, experient of myriads of sea-
         sons,
 


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Of every hue, trade, rank, of every caste and re-
         ligion,
Not merely of the New World, but of Africa,
         Europe, Asia—a wandering savage,
A farmer, mechanic, artist, gentleman, sailor,
         lover, quaker,
A prisoner, fancy-man, rowdy, lawyer, physician,
         priest.

I resist anything better than my own diversity,
And breathe the air, and leave plenty after me,
And am not stuck up, and am in my place.

The moth and the fish-eggs are in their place,
The suns I see, and the suns I cannot see, are
         in their place,
The palpable is in its place, and the impalpable
         is in its place.

These are the thoughts of all men in all ages
         and lands, they are not original with me,
If they are not yours as much as mine, they are
         nothing, or next to nothing,
If they do not enclose everything, they are next
         to nothing,
If they are not the riddle and the untying of the
         riddle, they are nothing,
If they are not just as close as they are distant,
         they are nothing.

 


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This is the grass that grows wherever the land
         is and the water is,
This is the common air that bathes the globe.

This is the breath of laws, songs, behaviour,
This is the tasteless water of souls, this is the
         true sustenance,
It is for the illiterate, it is for the judges of the
         supreme court, it is for the federal capitol
         and the state capitols,
It is for the admirable communes of literats,
         composers, singers, lecturers, engineers, sa-
         vans,
It is for the endless races of work-people, farm-
         ers, seamen.

These are trills of thousands of clear cornets,
         screams of octave flutes, strike of triangles.

I play not a march for victors only, I play great
         marches for conquered and slain persons.

Have you heard that it was good to gain the day?
I also say it is good to fall—battles are lost in
         the same spirit in which they are won.

I beat triumphal drums for the dead, I blow through
         my embouchures my loudest and gayest music
         to them,
 


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Vivas to those who have failed! and to those
         whose war-vessels sank in the sea! and
         those themselves who sank in the sea!
And to all generals that lost engagements! and all
         overcome heroes! and the numberless un-
         known heroes, equal to the greatest heroes
         known!

This is the meal pleasantly set, this is the meat
         and drink for natural hunger,
It is for the wicked just the same as the righteous
         —I make appointments with all,
I will not have a single person slighted or left
         away,
The kept-woman, sponger, thief, are hereby in-
         vited—the heavy-lipped slave is invited,
         the venerealee is invited,
There shall be no difference between them and
         the rest.

This is the press of a bashful hand, this is the
         float and odor of hair,
This is the touch of my lips to yours, this is the
         murmur of yearning,
This is the far-off depth and height reflecting my
         own face,
This is the thoughtful merge of myself, and the
         outlet again.

Do you guess I have some intricate purpose?
 


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Well, I have—for the April rain has, and the mica
         on the side of a rock has.

Do you take it I would astonish?
Does the daylight astonish? Does the early red-
         start, twittering through the woods?
Do I astonish more than they?

This hour I tell things in confidence,
I might not tell everybody, but I will tell you.

Who goes there! hankering, gross, mystical, nude?
How is it I extract strength from the beef I eat?

What is a man anyhow? What am I? What
         are you?

All I mark as my own, you shall offset it with
         your own,
Else it were time lost listening to me.

I do not snivel that snivel the world over,
That months are vacuums, and the ground but
         wallow and filth,
That life is a suck and a sell, and nothing remains
         at the end but threadbare crape and tears.

Whimpering and truckling fold with powders for
         invalids, conformity goes to the fourth-
         removed,
 


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I cock my hat as I please, indoors or out.
Shall I pray? Shall I venerate and be cere-
         monious?
I have pried through the strata, analyzed to a hair,
Counselled with doctors, calculated close, found no
         sweeter fat than sticks to my own bones.

In all people I see myself—none more, not one a
         barleycorn less,
And the good or bad I say of myself I say of
         them.

And I know I am solid and sound,
To me the converging objects of the universe per-
         petually flow,
All are written to me, and I must get what the
         writing means.

I know I am deathless,
I know this orbit of mine cannot be swept by a
         carpenter's compass,
I know I shall not pass like a child's carlacue cut
         with a burnt stick at night.

I know I am august,
I do not trouble my spirit to vindicate itself or be
         understood,
 


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I see that the elementary laws never apologize,
I reckon I behave no prouder than the level I
         plant my house by, after all.

I exist as I am, that is enough,
If no other in the world be aware, I sit content,
And if each and all be aware, I sit content.

One world is aware, and by far the largest to me,
         and that is myself,
And whether I come to my own today, or in ten
         thousand or ten million years,
I can cheerfully take it now, or with equal cheer-
         fulness I can wait.

My foothold is tenoned and mortised in granite,
I laugh at what you call dissolution,
And I know the amplitude of time.

I am the poet of the body,
And I am the poet of the soul.

The pleasures of heaven are with me, and the
         pains of hell are with me,
The first I graft and increase upon myself, the
         latter I translate into a new tongue.

I am the poet of the woman the same as the man,
And I say it is as great to be a woman as to be a
         man,
 


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And I say there is nothing greater than the mother
         of men.

I chant the chant of dilation or pride,
We have had ducking and deprecating about
         enough,
I show that size is only development.

Have you outstript the rest? are you the
         President?
It is a trifle—they will more than arrive there
         every one, and still pass on.

I am he that walks with the tender and growing
         night,
I call to the earth and sea, half-held by the night.

Press close, bare-bosomed night! press close,
         magnetic, nourishing night!
Night of south winds! night of the large few
         stars!
Still, nodding night! mad, naked, summer night!

Smile, O voluptuous, cool-breathed earth!
Earth of the slumbering and liquid trees!
Earth of departed sunset! earth of the moun-
         tains, misty-topt!
Earth of the vitreous pour of the full moon, just
         tinged with blue!

 


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Earth of shine and dark, mottling the tide of the
         river!
Earth of the limpid gray of clouds, brighter and
         clearer for my sake!
Far-swooping elbowed earth! rich, apple-blos-
         somed earth!
Smile, for your lover comes!

Prodigal, you have given me love! therefore I
         to you give love!
O unspeakable passionate love!

Thruster holding me tight, and that I hold tight!
We hurt each other as the bridegroom and the
         bride hurt each other.

You sea! I resign myself to you also, I guess
         what you mean,
I behold from the beach your crooked inviting
         fingers,
I believe you refuse to go back without feeling of
         me,
We must have a turn together—I undress —
         hurry me out of sight of the land,
Cushion me soft, rock me in billowy drowse,
Dash me with amorous wet, I can repay you.

Sea of stretched ground-swells!
Sea breathing broad and convulsive breaths!
 


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Sea of the brine of life! sea of unshovelled and
         always-ready graves!
Howler and scooper of storms! capricious and
         dainty sea!
I am integral with you—I too am of one phase,
         and of all phases.

Partaker of influx and efflux, extoller of hate and
         conciliation,
Extoller of amies, and those that sleep in each
         others' arms.

I am he attesting sympathy,
Shall I make my list of things in the house, and
         skip the house that supports them?

I am the poet of commonsense, and of the demon-
         strable, and of immortality,
And am not the poet of goodness only—I do not
         decline to be the poet of wickedness also.

Washes and razors for foofoos—for me freckles
         and a bristling beard.

What blurt is this about virtue and about vice?
Evil propels me, and reform of evil propels me —
         I stand indifferent,
My gait is no fault-finder's or rejecter's gait,
I moisten the roots of all that has grown.

 


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Did you fear some scrofula out of the unflagging
         pregnancy?
Did you guess the celestial laws are yet to be
         worked over and rectified?

I step up to say that what we do is right, and
         what we affirm is right, and some is only the
         ore of right,
Witnesses of us, one side a balance, and the anti-
         podal side a balance,
Soft doctrine as steady help as stable doctrine,
Thoughts and deeds of the present, our rouse and
         early start.

This minute that comes to me over the past de-
         cillions,
There is no better than it and now.

What behaved well in the past, or behaves well
         today, is not such a wonder,
The wonder is always and always how can there
         be a mean man or an infidel.

Endless unfolding of words of ages!
And mine a word of the modern—a word en-
         masse,
A word of the faith that never balks,
One time as good as another time—here or
         henceforward it is all the same to me,
 


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A word of reality, materialism first and last im-
         bueing.

Hurrah for positive science! long live exact
         demonstration!
Fetch stonecrop, mix it with cedar and branches
         of lilac,
This is the lexicographer, this the chemist, this
         made a grammar of the old cartouches,
These mariners put the ship through dangerous
         unknown seas,
This is the geologist, this works with the scalpel,
         and this is a mathematician.

Gentlemen, I receive you and attach and clasp
         hands with you,
The facts are useful and real—they are not my
         dwelling—I enter by them to an area of the
         dwelling.

I am less the reminder of property or qualities,
         and more the reminder of life,
And go on the square for my own sake and for
         others' sakes,
And make short account of neuters and geldings,
         and favor men and women fully equipped,
And beat the gong of revolt, and stop with fugi-
         tives and them that plot and conspire.

 


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Walt Whitman, an American, one of the roughs,
         a kosmos,
Disorderly, fleshy, sensual, eating, drinking, breed-
         ing,
No sentimentalist, no stander above men and wo-
         men, or apart from them—no more modest
         than immodest.

Unscrew the locks from the doors!
Unscrew the doors themselves from their jambs!

Whoever degrades another degrades me, and
         whatever is done or said returns at last to
         me,
And whatever I do or say, I also return.

Through me the afflatus surging and surging —
         through me the current and index.

I speak the pass-word primeval, I give the sign
         of democracy,
By God! I will accept nothing which all cannot
         have their counterpart of on the same terms.

Through me many long dumb voices,
Voices of the interminable generations of slaves,
Voices of prostitutes, and of deformed persons,
Voices of the diseased and despairing, and of
         thieves and dwarfs,
Voices of cycles of preparation and accretion,
 


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And of the threads that connect the stars, and of
         wombs, and of the fatherstuff,
And of the rights of them the others are down
         upon,
Of the trivial, flat, foolish, despised,
Fog in the air, beetles rolling balls of dung.

Through me forbidden voices,
Voices of sexes and lusts—voices veiled, and I
         remove the veil,
Voices indecent, by me clarified and transfigured.

I do not press my finger across my mouth,
I keep as delicate around the bowels as around
         the head and heart,
Copulation is no more rank to me than death is.

I believe in the flesh and the appetites,
Seeing, hearing, feeling, are miracles, and each
         part and tag of me is a miracle.

Divine am I inside and out, and I make holy
         whatever I touch or am touched from,
The scent of these arm-pits is aroma finer than
         prayer,
This head is more than churches, bibles, creeds.

If I worship any particular thing, it shall be some
         of the spread of my own body,
 


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Translucent mould of me, it shall be you!
Shaded ledges and rests, firm masculine coulter, it
         shall be you!
Whatever goes to the tilth of me, it shall be you!
You my rich blood! your milky stream, pale strip-
         pings of my life!
Breast that presses against other breasts, it shall
         be you!
My brain, it shall be your occult convolutions!
Root of washed sweet-flag, timorous pond-snipe,
         nest of guarded duplicate eggs, it shall be
         you!
Mixed tussled hay of head, beard, brawn, it shall
         be you!
Trickling sap of maple, fibre of manly wheat, it
         shall be you!
Sun so generous, it shall be you!
Vapors lighting and shading my face, it shall be
         you!
You sweaty brooks and dews, it shall be you!
Winds whose soft-tickling genitals rub against
         me, it shall be you!
Broad muscular fields, branches of live-oak, loving
         lounger in my winding paths, it shall be you!
Hands I have taken, face I have kissed, mortal I
         have ever touched, it shall be you!

I dote on myself, there is that lot of me, and all so
         luscious,
 


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Each moment, and whatever happens, thrills me
         with joy.

I cannot tell how my ankles bend, nor whence the
         cause of my faintest wish,
Nor the cause of the friendship I emit, nor the
         cause of the friendship I take again.

To walk up my stoop is unaccountable, I pause to
         consider if it really be,
That I eat and drink is spectacle enough for the
         great authors and schools,
A morning-glory at my window satisfies me more
         than the metaphysics of books.

To behold the day-break!
The little light fades the immense and diaphanous
         shadows,
The air tastes good to my palate.

Hefts of the moving world at innocent gambols,
         silently rising, freshly exuding,
Scooting obliquely high and low.

Something I cannot see puts upward libidinous
         prongs,
Seas of bright juice suffuse heaven.

The earth by the sky staid with, the daily close
         of their junction,
 


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The heaved challenge from the east that moment
         over my head,
The mocking taunt, See then whether you shall
         be master!

Dazzling and tremendous, how quick the sun-rise
         would kill me,
If I could not now and always send sun-rise out
         of me.

We also ascend dazzling and tremendous as the
         sun,
We found our own, my soul, in the calm and cool
         of the day-break.

My voice goes after what my eyes cannot
         reach,
With the twirl of my tongue I encompass worlds,
         and volumes of worlds.

Speech is the twin of my vision, it is unequal to
         measure itself.

It provokes me forever,
It says sarcastically, Walt, you understand
         enough, why don't you let it out then?

Come now, I will not be tantalized, you conceive
         too much of articulation.

 


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Do you not know how the buds beneath are
         folded?
Waiting in gloom, protected by frost,
The dirt receding before my prophetical screams,
I underlying causes, to balance them at last,
My knowledge my live parts, it keeping tally with
         the meaning of things,
Happiness, which, whoever hears me, let him or
         her set out in search of this day.

My final merit I refuse you—I refuse putting
         from me the best I am.

Encompass worlds, but never try to encompass
         me,
I crowd your noisiest talk by looking toward you.

Writing and talk do not prove me,
I carry the plenum of proof, and every thing else,
         in my face,
With the hush of my lips I confound the topmost
         skeptic.

I think I will do nothing for a long time but listen,
To accrue what I hear into myself, to let sounds
         contribute toward me.

I hear bravuras of birds, bustle of growing wheat,
         gossip of flames, clack of sticks cooking my
         meals.

 


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I hear the sound I love, the sound of the human
         voice,
I hear all sounds as they are tuned to their uses,
         sounds of the city and sounds out of the city,
         sounds of the day and night,
Talkative young ones to those that like them, the
         recitative of fish-pedlars and fruit-pedlars, the
         loud laugh of work-people at their meals,
The angry base of disjointed friendship, the faint
         tones of the sick,
The judge with hands tight to the desk, his
         shaky lips pronouncing a death-sentence,
The heave'e'yo of stevedores unlading ships by the
         wharves, the refrain of the anchor-lifters,
The ring of alarm-bells, the cry of fire, the
         whirr of swift-streaking engines and hose-
         carts, with premonitory tinkles and colored
         lights,
The steam-whistle, the solid roll of the train of
         approaching cars,
The slow-march played at night at the head of the
         association,
They go to guard some corpse, the flag-tops are
         draped with black muslin.

I hear the violincello or man's heart's complaint,
I hear the keyed cornet, it glides quickly in
         through my ears, it shakes mad-sweet pangs
         through my belly and breast.

 


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I hear the chorus, it is a grand-opera—this in-
         deed is music!

A tenor large and fresh as the creation fills me,
The orbic flex of his mouth is pouring and filling
         me full.

I hear the trained soprano, she convulses me like
         the climax of my love-grip,
The orchestra wrenches such ardors from me, I
         did not know I possessed them,
It throbs me to gulps of the farthest down horror,
It sails me, I dab with bare feet, they are licked
         by the indolent waves,
I am exposed, cut by bitter and poisoned hail,
Steeped amid honeyed morphine, my windpipe
         squeezed in the fakes of death,
Let up again to feel the puzzle of puzzles,
And that we call Being.

To be in any form, what is that?
If nothing lay more developed, the quahaug in its
         callous shell were enough.

Mine is no callous shell,
I have instant conductors all over me, whether I
         pass or stop,
They seize every object and lead it harmlessly
         through me.

 


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I merely stir, press, feel with my fingers, and am
         happy,
To touch my person to some one else's is about
         as much as I can stand.

Is this then a touch? quivering me to a new
         identity,
Flames and ether making a rush for my veins,
Treacherous tip of me reaching and crowding to
         help them,
My flesh and blood playing out lightning to strike
         what is hardly different from myself,
On all sides prurient provokers stiffening my
         limbs,
Straining the udder of my heart for its withheld
         drip,
Behaving licentious toward me, taking no denial,
Depriving me of my best, as for a purpose,
Unbuttoning my clothes, holding me by the bare
         waist,
Deluding my confusion with the calm of the
         sun-light and pasture-fields,
Immodestly sliding the fellow-senses away,
They bribed to swap off with touch, and go and
         graze at the edges of me,
No consideration, no regard for my draining
         strength or my anger,
Fetching the rest of the herd around to enjoy them
         awhile,
 


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Then all uniting to stand on a head-land and
         worry me.

The sentries desert every other part of me,
They have left me helpless to a red marauder,
They all come to the head-land, to witness and
         assist against me.

I am given up by traitors!
I talk wildly, I have lost my wits, I and nobody
         else am the greatest traitor,
I went myself first to the head-land, my own hands
         carried me there.

You villain touch! what are you doing? my
         breath is tight in its throat,
Unclench your floodgates! you are too much for
         me.

Blind, loving, wrestling touch! sheathed, hooded,
         sharp-toothed touch!
Did it make you ache so, leaving me?

Parting, tracked by arriving—perpetual payment
         of the perpetual loan,
Rich showering rain, and recompense richer after-
         ward.

Sprouts take and accumulate—stand by the curb
         prolific and vital,
Landscapes, projected, masculine, full-sized, golden.

 


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All truths wait in all things,
They neither hasten their own delivery, nor resist
         it,
They do not need the obstetric forceps of the
         surgeon,
The insignificant is as big to me as any,
What is less or more than a touch?

Logic and sermons never convince,
The damp of the night drives deeper into my soul.

Only what proves itself to every man and woman
         is so,
Only what nobody denies is so.

A minute and a drop of me settle my brain,
I believe the soggy clods shall become lovers and
         lamps,
And a compend of compends is the meat of a man
         or woman,
And a summit and flower there is the feeling they
         have for each other,
And they are to branch boundlessly out of that
         lesson until it becomes omnific,
And until every one shall delight us, and we
         them.

I believe a leaf of grass is no less than the journey-
         work of the stars,
 


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And the pismire is equally perfect, and a grain of
         sand, and the egg of the wren,
And the tree-toad is a chef-d'ouvre for the highest,
And the running blackberry would adorn the
         parlors of heaven,
And the narrowest hinge in my hand puts to scorn
         all machinery,
And the cow crunching with depressed head sur-
         passes any statue,
And a mouse is miracle enough to stagger sex-
         tillions of infidels,
And I could come every afternoon of my life to
         look at the farmer's girl boiling her iron tea-
         kettle and baking short-cake.

I find I incorporate gneiss, coal, long-threaded
         moss, fruits, grains, esculent roots,
And am stucco'd with quadrupeds and birds all over,
And have distanced what is behind me for good
         reasons,
And call any thing close again, when I desire it.

In vain the speeding or shyness,
In vain the plutonic rocks send their old heat
         against my approach,
In vain the mastadon retreats beneath its own
         powdered bones,
In vain objects stand leagues off, and assume
         manifold shapes,
 


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In vain the ocean settling in hollows, and the great
         monsters lying low,
In vain the buzzard houses herself with the sky,
In vain the snake slides through the creepers and
         logs,
In vain the elk takes to the inner passes of the
         woods,
In vain the razor-billed auk sails far north to
         Labrador,
I follow quickly, I ascend to the nest in the fissure
         of the cliff.

I think I could turn and live with animals, they
         are so placid and self-contained,
I stand and look at them sometimes half the day
         long.

They do not sweat and whine about their condi-
         tion,
They do not lie awake in the dark and weep for
         their sins,
They do not make me sick discussing their duty
         to God,
No one is dissatisfied, not one is demented with
         the mania of owning things,
Not one kneels to another, nor to his kind that
         lived thousands of years ago,
Not one is respectable or industrious over the
         whole earth.

 


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So they show their relations to me, and I accept
         them,
They bring me tokens of myself, they evince them
         plainly in their possession.

I do not know where they got those tokens,
I may have passed that way untold times ago and
         negligently dropt them,
Myself moving forward then and now and forever,
Gathering and showing more always and with
         velocity,
Infinite and omnigenous, and the like of these
         among them,
Not too exclusive toward the reachers of my re-
         membrancers,
Picking out here one that I love, choosing to go
         with him on brotherly terms.

A gigantic beauty of a stallion, fresh and respon-
         sive to my caresses,
Head high in the forehead, wide between the
         ears,
Limbs glossy and supple, tail dusting the ground,
Eyes well apart, full of sparkling wickedness, ears
         finely cut, flexibly moving.

His nostrils dilate, my heels embrace him, his
         well-built limbs tremble with pleasure, we
         speed around and return.

 


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I but use you a moment, then I resign you stal-
         lion, do not need your paces, out-gallop them,
Myself, as I stand or sit, passing faster than you.

Swift wind! space! my soul! now I know it is
         true, what I guessed at,
What I guessed when I loafed on the grass,
What I guessed while I lay alone in my bed, and
         again as I walked the beach under the paling
         stars of the morning.

My ties and ballasts leave me—I travel, I sail,
         my elbows rest in the sea-gaps,
I skirt the sierras, my palms cover continents,
I am afoot with my vision.

By the city's quadrangular houses, in log-huts,
         camping with lumber-men,
Along the ruts of the turnpike, along the dry gulch
         and rivulet bed,
Weeding my onion-patch, hoeing rows of carrots
         and parsnips, crossing savannas, trailing in
         forests,
Prospecting, gold-digging, girdling the trees of a
         new purchase,
Scorched ankle-deep by the hot sand, hauling my
         boat down the shallow river,
Where the panther walks to and fro on a limb
         overhead, where the buck turns furiously at
         the hunter,
 


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Where the rattle-snake suns his flabby length on
         a rock, where the otter is feeding on fish,
Where the alligator in his tough pimples sleeps
         by the bayou,
Where the black bear is searching for roots or
         honey, where the beaver pats the mud with
         his paddle-tail,
Over the growing sugar, over the cotton-plant,
         over the rice in its low moist field,
Over the sharp-peaked farm-house, with its scal-
         loped scum and slender shoots from the gut-
         ters,
Over the western persimmon, over the long-leaved
         corn, over the delicate blue-flowered flax,
Over the white and brown buckwheat, a hummer
         and buzzer there with the rest,
Over the dusky green of the rye as it ripples and
         shades in the breeze,
Scaling mountains, pulling myself cautiously up,
         holding on by low scragged limbs,
Walking the path worn in the grass and beat
         through the leaves of the brush,
Where the quail is whistling betwixt the woods
         and the wheat-lot,
Where the bat flies in the July eve, where the
         great gold-bug drops through the dark,
Where the flails keep time on the barn floor,
Where the brook puts out of the roots of the old
         tree and flows to the meadow,
 


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Where cattle stand and shake away flies with the
         tremulous shuddering of their hides,
Where the cheese-cloth hangs in the kitchen, where
         andirons straddle the hearth-slab, where cob-
         webs fall in festoons from the rafters,
Where trip-hammers crash, where the press is
         whirling its cylinders,
Wherever the human heart beats with terrible
         throes out of its ribs,
Where the pear-shaped balloon is floating aloft,
         floating in it myself and looking composedly
         down,
Where the life-car is drawn on the slip-noose,
         where the heat hatches pale-green eggs in
         the dented sand,
Where the she-whale swims with her calves and
         never forsakes them,
Where the steam-ship trails hind-ways its long
         pennant of smoke,
Where the ground-shark's fin cuts like a black
         chip out of the water,
Where the half-burned brig is riding on unknown
         currents,
Where shells grow to her slimy deck, where the
         dead are corrupting below,
Where the striped and starred flag is borne at the
         head of the regiments,
Approaching Manhattan, up by the long-stretching
         island,
 


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Under Niagara, the cataract falling like a veil
         over my countenance,
Upon a door-step, upon the horse-block of hard
         wood outside,
Upon the race-course, or enjoying pic-nics or jigs,
         or a good game of base-ball,
At he-festivals, with blackguard jibes, ironical li-
         cense, bull-dances, drinking, laughter,
At the cider-mill, tasting the sweet of the brown
         sqush, sucking the juice through a straw,
At apple-peelings, wanting kisses for all the red
         fruit I find,
At musters, beach-parties, friendly bees, huskings,
         house-raisings;
Where the mocking-bird sounds his delicious gur-
         gles, cackles, screams, weeps,
Where the hay-rick stands in the barn-yard, where
         the dry-stalks are scattered, where the brood
         cow waits in the hovel,
Where the bull advances to do his masculine
         work, where the stud to the mare, where the
         cock is treading the hen,
Where heifers browse, where geese nip their food
         with short jerks,
Where sun-down shadows lengthen over the limit-
         less and lonesome prairie,
Where herds of buffalo make a crawling spread
         of the square miles far and near,
 


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Where the humming-bird shimmers, where the
         neck of the long-lived swan is curving and
         winding,
Where the laughing-gull scoots by the shore,
         where she laughs her near-human laugh,
Where bee-hives range on a gray bench in the
         garden, half-hid by the high weeds,
Where band-necked partridges roost in a ring on
         the ground with their heads out,
Where burial coaches enter the arched gates of a
         cemetery,
Where winter wolves bark amid wastes of snow
         and icicled trees,
Where the yellow-crowned heron comes to the
         edge of the marsh at night and feeds upon
         small crabs,
Where the splash of swimmers and divers cool
         the warm noon,
Where the katy-did works her chromatic reed on
         the walnut-tree over the well,
Through patches of citrons and cucumbers with
         silver-wired leaves,
Through the salt-lick or orange glade, under coni-
         cal firs,
Through the gymnasium, through the curtained
         saloon, through the office or public hall,
Pleased with the native, pleased with the foreign,
         pleased with the new and old,
 


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Pleased with women, the homely as well as the
         handsome,
Pleased with the quakeress as she puts off her
         bonnet and talks melodiously,
Pleased with the tunes of the choir of the white-
         washed church,
Pleased with the earnest words of the sweating
         Methodist preacher, or any preacher—look-
         ing seriously at the camp-meeting,
Looking in at the shop-windows in Broadway the
         whole forenoon, pressing the flesh of my nose
         to the thick plate-glass,
Wandering the same afternoon with my face
         turned up to the clouds,
My right and left arms round the sides of two
         friends, and I in the middle;
Coming home with the bearded and dark-cheeked
         bush-boy, riding behind him at the drape of
         the day,
Far from the settlements, studying the print of
         animals' feet, or the moccasin print,
By the cot in the hospital reaching lemonade to a
         feverish patient,
By the coffined corpse when all is still examin-
         ing with a candle,
Voyaging to every port to dicker and adven-
         ture,
Hurrying with the modern crowd, as eager and
         fickle as any,
 


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Hot toward one I hate ready in my madness to
         knife him,
Solitary at midnight in my back yard, my thoughts
         gone from me a long while,
Walking the old hills of Judea, with the beautiful
         gentle god by my side,
Speeding through space, speeding through heaven
         and the stars,
Speeding amid the seven satellites, and the broad
         ring, and the diameter of eighty thousand
         miles,
Speeding with tailed meteors, throwing fire-balls
         like the rest,
Carrying the crescent child that carries its own
         full mother in its belly,
Storming, enjoying, planning, loving, cautioning,
Backing and filling, appearing and disappearing,
I tread day and night such roads.

I visit the orchards of spheres and look at the
         product,
And look at quintillions ripened, and look at quin-
         tillions green.

I fly the flight of the fluid and swallowing soul,
My course runs below the soundings of plummets.

I help myself to material and immaterial,
No guard can shut me off, no law can prevent me.

 


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I anchor my ship for a little while only,
My messengers continually cruise away, or bring
         their returns to me.

I go hunting polar furs and the seal, leaping
         chasms with a pike-pointed staff, clinging to
         topples of brittle and blue.

I ascend to the fore-truck, I take my place late at
         night in the crow's-nest, we sail through the
         arctic sea, it is plenty light enough,
Through the clear atmosphere I stretch around on
         the wonderful beauty,
The enormous masses of ice pass me and I
         pass them, the scenery is plain in all direc-
         tions,
The white-topped mountains show in the dis-
         tance, I fling out my fancies toward them,
We are approaching some great battle-field in
         which we are soon to be engaged,
We pass the colossal out-posts of the encamp-
         ments, we pass with still feet and caution,
Or we are entering by the suburbs some vast
         and ruined city, the blocks and fallen archi-
         tecture more than all the living cities of the
         globe.

I am a free companion, I bivouac by invading
         watchfires.

 


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I turn the bridegroom out of bed and stay with
         the bride myself,
I tighten her all night to my thighs and lips.

My voice is the wife's voice, the screech by the
         rail of the stairs,
They fetch my man's body up, dripping and
         drowned.

I understand the large hearts of heroes,
The courage of present times and all times,
How the skipper saw the crowded and rudderless
         wreck of the steam-ship, and death chasing it
         up and down the storm,
How he knuckled tight, and gave not back one
         inch, and was faithful of days and faithful of
         nights,
And chalked in large letters, Be of good cheer,
         We will not desert you,
How he saved the drifting company at last,
How the lank loose-gowned women looked when
         boated from the side of their prepared graves,
How the silent old-faced infants, and the lifted
         sick, and the sharp-lipped unshaved men,
All this I swallow, it tastes good, I like it well, it
         becomes mine,
I am the man, I suffered, I was there.

The disdain and calmness of martyrs,
 


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The mother, condemned for a witch, burnt with
         dry wood, her children gazing on,
The hounded slave that flags in the race, leans by
         the fence, blowing, covered with sweat,
The twinges that sting like needles his legs and
         neck, the murderous buck-shot and the bullets,
All these I feel or am.

I am the hounded slave, I wince at the bite of the
         dogs,
Hell and despair are upon me, crack and again
         crack the marksmen,
I clutch the rails of the fence, my gore dribs,
         thinned with the ooze of my skin,
I fall on the weeds and stones,
The riders spur their unwilling horses, haul close,
Taunt my dizzy ears, beat me violently over the
         head with whip-stocks.

Agonies are one of my changes of garments,
I do not ask the wounded person how he feels, I
         myself become the wounded person,
My hurt turns livid upon me as I lean on a cane
         and observe.

I am the mashed fireman with breastbone broken,
         tumbling walls buried me in their debris,
Heat and smoke I inspired, I heard the yelling
         shouts of my comrades,
 


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I heard the distant click of their picks and shov-
         els,
They have cleared the beams away, they tenderly
         life me forth.

I lie in the night air in my red shirt, the pervading
         hush is for my sake.
Painless after all I lie, exhausted but not so un-
         happy,
White and beautiful are the faces around me, the
         heads are bared of their fire-caps,
The kneeling crowd fades with the light of the
         torches.

Distant and dead resuscitate,
They show as the dial or move as the hands of
         me—I am the clock myself.

I am an old artillerist, I tell of my fort's bombard-
         ment, I am there again.

Again the reveille of drummers, again the attack-
         ing cannon, mortars, howitzers,
Again the attacked send cannon responsive;
I take part, I see and hear the whole,
The cries, curses, roar, the plaudits for well-aimed
         shots,
The ambulanza slowly passing, trailing its red
         drip,
 


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Workmen searching after damages, making indis-
         pensable repairs,
The fall of grenades through the rent roof, the
         fan-shaped explosion,
The whizz of limbs, heads, stone, wood, iron,
         high in the air.

Again gurgles the mouth of my dying general, he
         furiously waves with his hand,
He gasps through the clot, Mind not me—mind —
         the entrenchments.

I tell not the fall of Alamo, not one escaped to tell
         the fall of Alamo,
The hundred and fifty are dumb yet at Alamo.

Hear now the tale of a jet-black sunrise,
Hear of the murder in cold-blood of four hundred
         and twelve young men.

Retreating, they had formed in a hollow square,
         with their baggage for breast-works,
Nine hundred lives out of the surrounding enemy's,
         nine times their number, was the price they
         took in advance,
Their colonel was wounded and their ammunition
         gone,
They treated for an honorable capitulation, re-
         ceived writing and seal, gave up their arms,
         marched back prisoners of war.

 


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They were the glory of the race of rangers,
Matchless with horse, rifle, song, supper, court-
         ship,
Large, turbulent, brave, handsome, generous,
         proud, affectionate,
Bearded, sunburnt, dressed in the free costume of
         hunters,
Not a single one over thirty years of age.

The second Sunday morning they were brought
         out in squads and massacred—it was beauti-
         ful early summer,
The work commenced about five o'clock and was
         over by eight.

None obeyed the command to kneel,
Some made a mad and helpless rush, some stood
         stark and straight,
A few fell at once, shot in the temple or heart, the
         living and dead lay together,
The maimed and mangled dug in the dirt, the
         new-comers saw them there,
Some, half-killed, attempted to crawl away,
These were dispatched with bayonets, or battered
         with the blunts of muskets,
A youth not seventeen years old seized his assas-
         sin, till two more came to release him,
The three were all torn, and covered with the
         boy's blood.

 


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At eleven o'clock began the burning of the bodies;
That is the tale of the murder of the four hun-
         dred and twelve young men,
And that was a jet-black sunrise.

Did you read in the sea-books of the old-fashioned
         frigate-fight?
Did you learn who won by the light of the moon
         and stars?

Our foe was no skulk in his ship, I tell you,
His was the English pluck, and there is no tougher
         or truer, and never was, and never will be,
Along the lowered eve he came, horribly raking
         us.

We closed with him, the yards entangled, the can-
         non touched,
My captain lashed fast with his own hands.

We had received some eighteen-pound shots un-
         der the water,
On our lower-gun-deck two large pieces had burst
         at the first fire, killing all around and blowing
         up overhead.

Ten o'clock at night and the full moon shining,
         and the leaks on the gain, and five feet of
         water reported,
 


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The master-at-arms loosing the prisoners confined
         in the after-hold, to give them a chance for
         themselves.

The transit to and from the magazine was now
         stopped by the sentinels,
They saw so many strange faces that they did not
         know whom to trust.

Our frigate was afire, the other asked if we de-
         manded quarter? if our colors were struck
         and the fighting done?

I laughed content when I heard the voice of my
         little captain,
We have not struck, he composedly cried, We
         have just begun our part of the fighting.

Only three guns were in use,
One was directed by the captain himself against
         the enemy's main-mast,
Two, well served with grape and canister,
         silenced his musketry and cleared his
         decks.

The tops alone seconded the fire of this little bat-
         tery, especially the main-top,
They all held out bravely during the whole of the
         action.

Not a moment's cease,
 


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The leaks gained fast on the pumps, the fire eat
         toward the powder-magazine,
One of the pumps was shot away, it was generally
         thought we were sinking.

Serene stood the little captain,
He was not hurried, his voice was neither high
         nor low,
His eyes gave more light to us than our battle-
         lanterns.

Toward twelve at night, there in the beams of the
         moon they surrendered to us.

Stretched and still lay the midnight,
Two great hulls motionless on the breast of the
         darkness,
Our vessel riddled and slowly sinking, prepara-
         tions to pass to the one we had conquered,
The captain on the quarter-deck coldly giving his
         orders through a countenance white as a
         sheet,
Near by, the corpse of the child that served in the
         cabin,
The dead face of an old salt with long white hair
         and carefully curled whiskers,
The flames, spite of all that could be done, flicker-
         ing aloft and below,
The husky voices of the two or three officers yet
         fit for duty,
 


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Formless stacks of bodies, bodies by them-
         selves, dabs of flesh upon the masts and
         spars,
Cut of cordage, dangle of rigging, slight shock of
         the soothe of waves,
Black and impassive guns, litter of powder-parcels,
         strong scent,
Delicate sniffs of sea-breeze, smells of sedgy grass
         and fields by the shore, death-messages
         given in change to survivors,
The hiss of the surgeon's knife, the gnawing teeth
         of his saw,
Wheeze, cluck, swash of falling blood, short wild
         scream, long dull tapering groan,
These so, these irretrievable.

O Christ! My fit is mastering me!
What the rebel said, gaily adjusting his throat to
         the rope-noose,
What the savage at the stump, his eye-sockets
         empty, his mouth spirting whoops and defi-
         ance,
What stills the traveler come to the vault at
         Mount Vernon,
What sobers the Brooklyn boy as he looks down
         the shores of the Wallabout and remembers
         the prison ships,
What burnt the gums of the red-coat at Saratoga
         when he surrendered his brigades,
 


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These become mine and me every one, and they
         are but little,
I become as much more as I like.

I become any presence or truth of humanity here,
And see myself in prison shaped like another
         man,
And feel the dull unintermitted pain.

For me the keepers of convicts shoulder their
         carbines and keep watch,
It is I let out in the morning and barred at night.

Not a mutineer walks hand-cuffed to the jail, but I
         am hand-cuffed to him and walk by his side,
I am less the jolly one there, and more the silent
         one, with sweat on my twitching lips.

Not a youngster is taken for larceny, but I go up
         too, and am tried and sentenced.

Not a cholera patient lies at the last gasp, but I
         also lie at the last gasp,
My face is ash-colored, my sinews gnarl, away
         from me people retreat.

Askers embody themselves in me, and I am em-
         bodied in them,
I project my hat, sit shame-faced, beg.

 


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I rise extatic through all, sweep with the true
         gravitation,
The whirling and whirling is elemental within
         me.

Somehow I have been stunned. Stand back!
Give me a little time beyond my cuffed head,
         slumbers, dreams, gaping,
I discover myself on the verge of a usual mistake.

That I could forget the mockers and insults!
That I could forget the trickling tears, and the
         blows of the bludgeons and hammers!
That I could look with a separate look on my own
         crucifixion and bloody crowning!

I remember, I resume the overstaid fraction,
The grave of rock multiplies what has been con-
         fided to it, or to any graves,
The corpses rise, the gashes heal, the fastenings
         roll away.

I troop forth replenished with supreme power,
         one of an average unending procession,
We walk the roads of Ohio, Massachusetts, Vir-
         ginia, Wisconsin, Manhattan Island, New
         Orleans, Texas, Montreal, San Francisco,
         Charleston, Havana, Mexico,
Inland and by the sea-coast and boundary lines,
         and we pass all boundary lines.

 


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Our swift ordinances are on their way over the
         whole earth,
The blossoms we wear in our hats are the growth
         of two thousand years.

Eleves, I salute you!
I see the approach of your numberless gangs, I
         see you understand yourselves and me,
And know that they who have eyes are divine,
         and the blind and lame are equally divine,
And that my steps drag behind yours, yet go be-
         fore them,
And are aware how I am with you no more than
         I am with everybody.

The friendly and flowing savage, Who is he?
Is he waiting for civilization, or past it and mas-
         tering it?

Is he some south-westerner, raised out-doors?
         Is he Canadian?
Is he from the Mississippi country? from Iowa,
         Oregon, California? from the mountains?
         prairie-life, bush-life? from the sea?
Wherever he goes men and women accept and
         desire him;
They desire he should like them, touch them
         speak to them, stay with them.

 


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Behaviour lawless as snow-flakes, words simple
         as grass, uncombed head, laughter, naivete,
Slow-stepping feet, common features, common
         modes and emanations,
They descend in new forms from the tips of his
         fingers,
They are wafted with the odor of his body or
         breath, they fly out of the glance of his eyes.

Flaunt of the sun-shine, I need not your bask, lie
         over!
You light surfaces only, I force surfaces and
         depths also.

Earth! you seem to look for something at my
         hands,
Say old top-knot! what do you want?

Man or woman! I might tell how I like you, but
         cannot,
And might tell what it is in me, and what it is in
         you, but cannot,
And might tell the pinings I have, the pulse of my
         nights and days.

Behold I do not give lectures or a little charity,
What I give I give out of myself.

You there, impotent, loose in the knees, open your
         scarfed chops till I blow grit within you,
 


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Spread your palms, and lift the flaps of your
         pockets,
I am not to be denied, I compel, I have stores
         plenty and to spare,
And any thing I have I bestow;
I do not ask who you are, that is not important to
         me,
You can do nothing, and be nothing, but what I
         will infold you.

To a drudge of the cotton-fields or cleaner of
         privies I lean—on his right cheek I put the
         family kiss,
And in my soul I swear, I never will deny him.

On women fit for conception I start bigger and
         nimbler babes,
This day I am jetting the stuff of far more arro-
         gant republics.

To any one dying, thither I speed and twist the
         knob of the door,
Turn the bed-clothes toward the foot of the bed,
Let the physician and the priest go home.

I seize the descending man, I raise him with re-
         sistless will.

O despairer, here is my neck,
 


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By God! you shall not go down! hang your
         whole weight upon me.

I dilate you with tremendous breath, I buoy you
         up,
Every room of the house do I fill with an armed
         force, lovers of me, bafflers of graves,
Sleep! I and they keep guard all night,
Not doubt, not decease shall dare to lay finger
         upon you,
I have embraced you, and henceforth possess you
         to myself,
And when you rise in the morning you will find
         what I tell you is so.

I am he bringing help for the sick as they pant
         on their backs,
And for strong upright men I bring yet more
         needed help.

I heard what was said of the universe,
Heard it and heard it of several thousand years;
It is middling well as far as it goes, but is that
         all?

Magnifying and applying come I,
Outbidding at the start the old cautious hucksters,
The most they offer for mankind and eternity less
         than a spirt of my own seminal wet,
 


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Taking myself the exact dimensions of Jehovah —
         lithographing Kronos, Zeus his son, Hercules
         his grandson—buying drafts of Osiris, Isis,
         Belus, Brahma, Buddha—in my portfolio
         placing Manito loose, Allah on a leaf, the
         crucifix engraved—with Odin, and the
         hideous-faced Mexitli, and every idol and
         image,
Taking them all for what they are worth, and not
         a cent more,
Admitting they were alive and did the work of
         their day,
Admitting they bore mites, as for unfledged birds,
         who have now to rise and fly and sing for
         themselves,
Accepting the rough deific sketches to fill out bet-
         ter in myself—bestowing them freely on
         each man and woman I see,
Discovering as much, or more, in a framer framing
         a house,
Putting higher claims for him there with his
         rolled-up sleeves, driving the mallet and
         chisel,
Not objecting to special revelations, considering a
         curl of smoke or a hair on the back of my
         hand just as curious as any revelation,
Those ahold of fire-engines and hook-and-ladder
         ropes no less to me than the gods of the
         antique wars,
 


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Minding their voices peal through the crash of
         destruction,
Their brawny limbs passing safe over charred
         laths, their white foreheads whole and unhurt
         out of the flames,
By the mechanic's wife with her babe at her
         nipple interceding for every person born,
Three scythes at harvest whizzing in a row from
         three lusty angels with shirts bagged out at
         their waists,
The snag-toothed hostler with red hair redeeming
         sins past and to come,
Selling all he possesses, travelling on foot to fee
         lawyers for his brother, and sit by him while
         he is tried for forgery;
What was strewn in the amplest strewing the
         square rod about me, and not filling the square
         rod then,
The bull and the bug never worshipped half
         enough,
Dung and dirt more admirable than was dreamed,
The supernatural of no account—myself waiting
         my time to be one of the supremes,
The day getting ready for me when I shall do
         as much good as the best, and be as pro-
         digious,
Guessing when I am it will not tickle me much
         to receive puffs out of pulpit or print;
By my life-lumps! becoming already a creator!
 


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Putting myself here and now to the ambushed
         womb of the shadows!

A call in the midst of the crowd,
My own voice, orotund, sweeping, final.

Come my children,
Come my boys and girls, my women, household,
         intimates,
Now the performer launches his nerve, he has
         passed his prelude on the reeds within.

Easily written, loose-fingered chords! I feel the
         thrum of their climax and close.

My head slues round on my neck,
Music rolls, but not from the organ—folks are
         around me, but they are no household of mine.

Ever the hard unsunk ground,
Ever the eaters and drinkers, ever the upward and
         downward sun, ever the air and the ceaseless
         tides,
Ever myself and my neighbors, refreshing,
         wicked, real,
Ever the old inexplicable query, ever that thorned
         thumb, that breath of itches and thirsts,
Ever the vexer's hoot! hoot! till we find where
         the sly one hides, and bring him forth;
 


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Ever love, ever the sobbing liquid of life,
Ever the bandage under the chin, ever the tressels
         of death.

Here and there with dimes on the eyes walking,
To feed the greed of the belly the brains liberally
         spooning,
Tickets buying, taking, selling, but in to the feast
         never once going,
Many sweating, ploughing, thrashing, and then
         the chaff for payment receiving,
A few idly owning, and they the wheat continu-
         ally claiming.

This is the city, and I am one of the citizens,
Whatever interests the rest interests me—poli-
         tics, markets, newspapers, schools, benevolent
         societies, improvements, banks, tariffs, steam-
         ships, factories, stocks, stores, real estate,
         personal estate.

They who piddle and patter here in collars and
         tailed coats, I am aware who they are—they
         are not worms or fleas,
I acknowledge the duplicates of myself—the weak-
         est and shallowest is deathless with me,
What I do and say, the same waits for them;
Every thought that flounders in me, the same
         flounders in them.

 


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I know perfectly well my own egotism,
I know my omnivorous words, and cannot say any
         less,
And would fetch you, whoever you are, flush with
         myself.

My words are words of a questioning, and to in-
         dicate reality;
This printed and bound book—but the printer,
         and the printing-office boy?
The marriage estate and settlement—but the
         body and mind of the bridegroom? also those
         of the bride?
The panorama of the sea—but the sea itself?
The well-taken photographs—but your wife or
         friend close and solid in your arms?
The fleet of ships of the line, and all the modern
         improvements—but the craft and pluck of
         the admiral?
The dishes and fare and furniture—but the host
         and hostess, and the look out of their
         eyes?
The sky up there—yet here, or next door, or
         across the way?
The saints and sages in history—but you your-
         self?
Sermons, creeds, theology—but the human brain,
         and what is called reason, and what is called
         love, and what is called life?

 


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I do not despise you, priests,
My faith is the greatest of faiths, and the least of
         faiths,
Enclosing all worship ancient and modern, and all
         between ancient and modern,
Believing I shall come again upon the earth after
         five thousand years,
Waiting responses from oracles, honoring the
         gods, saluting the sun,
Making a fetish of the first rock or stump, powow-
         ing with sticks in the circle of obis,
Helping the lama or brahmin as he trims the
         lamps of the idols,
Dancing yet through the streets in a phallic pro-
         cession—rapt and austere in the woods, a
         gymnosophist,
Drinking mead from the skull-cup, to shastas and
         vedas admirant, minding the koran,
Walking the teokallis, spotted with gore from the
         stone and knife, beating the serpent-skin drum,
Accepting the gospels, accepting him that was
         crucified, knowing assuredly that he is di-
         vine,
To the mass kneeling, to the puritan's prayer ris-
         ing, sitting patiently in a pew,
Ranting and frothing in my insane crisis, waiting
         dead-like till my spirit arouses me,
Looking forth on pavement and land, and outside
         of pavement and land,
 


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Belonging to the winders of the circuit of circuits.
One of that centripetal and centrifugal gang, I
         turn and talk like a man leaving charges be-
         fore a journey.

Down-hearted doubters, dull and excluded,
Frivolous, sullen, moping, angry, affected, dis-
         heartened, atheistical,
I know every one of you, I know the unspoken
         interrogatories,
By experience I know them.

How the flukes splash!
How they contort, rapid as lightning, with spasms
         and spouts of blood!

Be at peace, bloody flukes of doubters and sullen
         mopers,
I take my place among you as much as among
         any,
The past is the push of you, me, all, precisely the
         same,
Day and night are for you, me, all,
And what is yet untried and afterward is for you,
         me, all, precisely the same.

I do not know what is untried and afterward,
But I know it is sure, alive, sufficient.

 


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Each who passes is considered, each who stops is
         considered, not a single one can it fail.

It cannot fail the young man who died and was
         buried,
Nor the young woman who died and was put by
         his side,
Nor the little child that peeped in at the door,
         and then drew back and was never seen
         again,
Nor the old man who has lived without purpose,
         and feels it with bitterness worse than gall,
Nor him in the poor-house tubercled by rum and
         the bad disorder,
Nor the numberless slaughtered and wrecked, nor
         the brutish koboo called the ordure of
         humanity,
Nor the sacs merely floating with open mouths
         for food to slip in,
Nor any thing in the earth, or down in the oldest
         graves of the earth,
Nor any thing in the myriads of spheres, nor
         one of the myriads of myriads that inhabit
         them,
Nor the present, nor the least wisp that is known.

It is time to explain myself—let us stand up.
What is known I strip away, I launch all men and
         women forward with me into the unknown.

 


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The clock indicates the moment, but what does
         eternity indicate?

Eternity lies in bottomless reservoirs, its buckets
         are rising forever and ever,
They pour, they pour, and exhale away.

We have thus far exhausted trillions of winters
         and summers,
There are trillions ahead, and trillions ahead of
         them.

Births have brought us richness and variety,
And other births will bring us richness and
         variety.

I do not call one greater and one smaller,
That which fills its period and place is equal to
         any.

Were mankind murderous or jealous upon you, my
         brother, my sister?
I am sorry for you, they are not murderous or
         jealous upon me,
All has been gentle with me, I keep no account
         with lamentation;
What have I to do with lamentation?

I am an acme of things accomplished, and I an
         encloser of things to be.

 


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My feet strike an apex of the apices of the stairs,
On every step bunches of ages, and larger bunches
         between the steps,
All below duly traveled, and still I mount and
         mount.

Rise after rise bow the phantoms behind me,
Afar down I see the huge first Nothing, I know I
         was even there,
I waited unseen and always, and slept through the
         lethargic mist,
And took my time, and took no hurt from the fœtid
         carbon.

Long I was hugged close—long and long.

Immense have been the preparations for me,
Faithful and friendly the arms that have helped me.

Cycles ferried my cradle rowing and rowing like
         cheerful boatmen,
For room to me stars kept aside in their own
         rings,
They sent influences to look after what was to
         hold me.

Before I was born out of my mother generations
         guided me,
My embryo has never been torpid, nothing could
         overlay it,
 


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For it the nebula cohered to an orb, the long slow
         strata piled to rest it on, vast vegetables gave
         it sustenance,
Monstrous sauroids transported it in their mouths,
         and deposited it with care.

All forces have been steadily employed to com-
         plete and delight me,
Now I stand on this spot with my soul.

Span of youth! ever-pushed elasticity! manhood,
         balanced, florid, full!

My lovers suffocate me!
Crowding my lips, thick in the pores of my skin,
Jostling me through streets and public halls,
         coming naked to me at night,
Crying by day Ahoy! from the rocks of the river,
         swinging and chirping over my head,
Calling my name from flower-beds, vines, tangled
         under-brush,
Or while I swim in the bath, or drink from the
         pump at the corner, or the curtain is down at
         the opera, or I glimpse at a woman's face in
         the rail-road car,
Lighting on every moment of my life,
Bussing my body with soft balsamic busses,
Noiselessly passing handfuls out of their hearts
         and giving them to be mine.

 


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Old age superbly rising! Ineffable grace of dying
         days!

Every condition promulges not only itself, it pro-
         mulges what grows after and out of itself,
And the dark hush promulges as much as
         any.

I open my scuttle at night and see the far-
         sprinkled systems,
And all I see, multiplied as high as I can cipher,
         edge but the rim of the farther systems.

Wider and wider they spread, expanding, always
         expanding,
Outward, outward, forever outward.

My sun has his sun, and round him obediently
         wheels,
He joins with his partners a group of superior
         circuit,
And greater sets follow, making specks of the
         greatest inside them.

There is no stoppage, and never can be stoppage,
If I, you, the worlds, all beneath or upon their
         surfaces, and all the palpable life, were this
         moment reduced back to a pallid float, it
         would not avail in the long run,
 


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We should surely bring up again where we now
         stand,
And as surely go as much farther, and then far-
         ther and farther.

A few quadrillions of eras, a few octillions of
         cubic leagues, do not hazard the span, or
         make it impatient,
They are but parts, any thing is but a part.

See ever so far, there is limitless space outside of
         that,
Count ever so much, there is limitless time around
         that.

My rendezvous is appointed,
The Lord will be there and wait till I come on
         perfect terms.

I know I have the best of time and space, and
         was never measured, and never will be
         measured.

I tramp a perpetual journey,
My signs are a rain-proof coat, good shoes, and a
         staff cut from the woods,
No friend of mine takes his ease in my chair,
I have no chair, no church, no philosophy,
I lead no man to a dinner-table, library, exchange,
 


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But each man and each woman of you I lead upon
         a knoll,
My left hand hooks you round the waist,
My right hand points to landscapes of continents,
         and a plain public road.

Not I, not any one else, can travel that road for
         you,
You must travel it for yourself.

It is not far, it is within reach,
Perhaps you have been on it since you were born,
         and did not know,
Perhaps it is every where on water and on
         land.

Shoulder your duds, I will mine, let us hasten
         forth,
Wonderful cities and free nations we shall fetch
         as we go.

If you tire, give me both burdens and rest the
         chuff of your hand on my hip,
And in due time you shall repay the same ser-
         vice to me,
For after we start we never lie by again.

This day before dawn I ascended a hill and
         looked at the crowded heaven,
 


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And I said to my spirit, When we become the
         enfolders of those orbs, and the pleasure and
         knowledge of every thing in them, shall we
         be filled and satisfied then?
And my spirit said No, we level that lift to pass
         and continue beyond.

You are also asking me questions, and I hear you,
I answer that I cannot answer, you must find out
         for yourself.

Sit awhile wayfarer,
Here are biscuits to eat, here is milk to drink,
But as soon as you sleep and renew yourself in
         sweet clothes, I will certainly kiss you with
         my good-bye kiss, and open the gate for your
         egress hence.

Long enough have you dreamed contemptible
         dreams,
Now I wash the gum from your eyes,
You must habit yourself to the dazzle of the light,
         and of every moment of your life.

Long have you timidly waded holding a plank by
         the shore,
Now I will you to be a bold swimmer,
To jump off in the midst of the sea, rise again, nod
         to me, shout, laughingly dash with your hair.
 


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I am the teacher of athletes,
He that by me spreads a wider breast than my
         own proves the width of my own,
He most honors my style who learns under it to
         destroy the teacher.

The boy I love, the same becomes a man, not
         through derived power, but in his own right,
Wicked, rather than virtuous out of conformity of
         fear,
Fond of his sweetheart, relishing well his steak,
Unrequited love, or a slight, cutting him worse
         than a wound cuts,
First rate to ride, to fight, to hit the bull's eye,
         to sail a skiff, to sing a song, or play on the
         banjo,
Preferring scars, and faces pitted with small-pox,
         over all latherers and those that keep out of
         the sun.

I teach straying from me, yet who can stray from
         me?
I follow you, whoever you are, from the present
         hour,
My words itch at your ears till you understand
         them.

I do not say these things for a dollar, or to fill up
         the time while I wait for a boat,
 


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It is you talking just as much as myself, I act as
         the tongue of you,
It was tied in your mouth, in mine it begins to be
         loosened.

I swear I will never mention love or death inside
         a house,
And I swear I never will translate myself at all,
         only to him or her who privately stays with
         me in the open air.

If you would understand me, go to the heights or
         water-shore,
The nearest gnat is an explanation, and a drop or
         motion of waves a key,
The maul, the oar, the hand-saw, second my words.

No shuttered room or school can commune with
         me,
But roughs and little children better than they.

The young mechanic is closest to me, he knows
         me pretty well,
The wood-man that takes his axe and jug with
         him, shall take me with him all day,
The farm-boy ploughing in the field feels good at
         the sound of my voice,
In vessels that sail my words sail—I go with
         fishermen and seamen, and love them,
 


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My face rubs to the hunter's face when he lies
         down alone in his blanket,
The driver thinking of me does not mind the
         jolt of his wagon,
The young mother and old mother comprehend
         me,
The girl and the wife rest the needle a moment,
         and forget where they are,
They and all would resume what I have told them.

I have said that the soul is not more than the
         body,
And I have said that the body is not more than
         the soul,
And nothing, not God, is greater to one than one's-
         self is,
And whoever walks a furlong without sympathy,
         walks to his own funeral, dressed in his
         shroud,
And I or you, pocketless of a dime, may pur-
         chase the pick of the earth,
And to glance with an eye, or show a bean in its
         pod, confounds the learning of all times,
And there is no trade or employment but the
         young man following it may become a hero,
And there is no object so soft but it makes a hub
         for the wheeled universe,
And any man or woman shall stand cool and
         supercilious before a million universes.
 


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And I call to mankind, Be not curious about God,
For I, who am curious about each, am not curious
         about God,
No array of terms can say how much I am at
         peace about God, and about death.

I hear and behold God in every object, yet I
         understand God not in the least,
Nor do I understand who there can be more won-
         derful than myself.

Why should I wish to see God better than this
         day?
I see something of God each hour of the twenty-
         four, and each moment then,
In the faces of men and women I see God, and
         in my own face in the glass,
I find letters from God dropped in the street, and
         every one is signed by God's name,
And I leave them where they are, for I know
         that others will punctually come forever and
         ever.

And as to you death, and you bitter hug of mor-
         tality, it is idle to try to alarm me.

To his work without flinching the accoucheur
         comes,
 


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I see the elder-hand, pressing, receiving, support-
         ing,
I recline by the sills of the exquisite flexible
         doors, mark the outlet, mark the relief and
         escape.

And as to you corpse, I think you are good
         manure, but that does not offend me,
I smell the white roses sweet-scented and grow-
         ing,
I reach to the leafy lips, I reach to the polished
         breasts of melons.

And as to you life, I reckon you are the leavings
         of many deaths,
No doubt I have died myself ten thousand times
         before.

I hear you whispering there, O stars of heaven,
O suns, O grass of graves, O perpetual trans-
         fers and promotions, if you do not say any-
         thing, how can I say anything?

Of the turbid pool that lies in the autumn forest,
Of the moon that descends the steeps of the
         soughing twilight,
Toss, sparkles of day and dusk! Toss on the
         black stems that decay in the muck!
Toss to the moaning gibberish of the dry limbs!
 


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I ascend from the moon, I ascend from the night,
And perceive of the ghastly glimmer the sun-
         beams reflected,
And debouch to the steady and central from the
         offspring great or small.

There is that in me—I do not know what it is —
         but I know it is in me.

Wrenched and sweaty, calm and cool then my
         body becomes,
I sleep—I sleep long.

I do not know it—it is without name—it is a
         word unsaid,
It is not in any dictionary, utterance, symbol.

Something it swings on more than the earth I
         swing on,
To it the creation is the friend whose embracing
         awakes me.

Perhaps I might tell more. Outlines! I plead for
         my brothers and sisters.

Do you see, O my brothers and sisters?
It is not chaos or death—it is form, union, plan
         —it is eternal life—it is happiness.

The past and present wilt—I have filled them,
         emptied them,
 


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And proceed to fill my next fold of the future.
Listener up there! here you! what have you to
         confide to me?
Look in my face while I snuff the sidle of
         evening,
Talk honestly, no one else hears you, and I stay
         only a minute longer.

Do I contradict myself?
Very well then, I contradict myself,
I am large, I contain multitudes.

I concentrate toward them that are nigh, I wait on
         the door-slab.

Who has done his day's work? who will soonest
         be through with his supper?
Who wishes to walk with me?

Will you speak before I am gone? will you
         prove already too late?

The spotted hawk swoops by and accuses me —
         he complains of my gab and my loitering.

I too am not a bit tamed—I too am untrans-
         latable,
 


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I sound my barbaric yawp over the roofs of the
         world.

The last send of day holds back for me,
It flings my likeness, after the rest, and true as
         any, on the shadowed wilds,
It coaxes me to the vapor and the dusk.

I depart as air, I shake my white locks at the
         run-away sun,
I effuse my flash in eddies, and drift it in lacy
         jags.

I bequeath myself to the dirt, to grow from the
         grass I love,
If you want me again, look for me under your
         boot-soles.

You will hardly know who I am, or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.

Failing to fetch me at first, keep encouraged,
Missing me one place, search another,
I stop some where waiting for you.
 


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