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Leaves of Grass (1867)
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NOW LIST TO MY MORNING'S ROMANZA.
1 Now list to my morning's romanza; |
To the cities and farms I sing, as they spread in the
sunshine before me.
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2 A young man came to me bearing a message from
his brother;
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How should the young man know the whether and
when of his brother?
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Tell him to send me the signs. |
3 And I stood before the young man face to face, and
took his right hand in my left hand, and his left
hand in my right hand,
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And I answer'd for his brother, and for men, and I
answer'd for THE POET, and sent these signs.
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4 Him all wait for—him all yield up to—his word is
decisive and final,
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Him they accept, in him lave, in him perceive them-
selves, as amid light,
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Him they immerse, and he immerses them. |
5 Beautiful women, the haughtiest nations, laws, the
landscape, people, animals,
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The profound earth and its attributes, and the unquiet
ocean, (so tell I my morning's romanza;)
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All enjoyments and properties, and money, and what-
ever money will buy,
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The best farms—others toiling and planting, and he
unavoidably reaps,
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The noblest and costliest cities—others grading and
building, and he domiciles there,
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Nothing for any one, but what is for him—near and
far are for him, the ships in the offing,
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The perpetual shows and marches on land, are for him,
if they are for any body.
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6 He puts things in their attitudes; |
He puts to-day out of himself, with plasticity and
love;
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He places his own city, times, reminiscences, parents,
brothers and sisters, associations, employment,
politics, so that the rest never shame them after-
ward, nor assume to command them.
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What can be answer'd he answers—and what cannot
be answer'd, he shows how it cannot be answer'd.
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8 A man is a summons and challenge; |
(It is vain to skulk—Do you hear that mocking and
laughter? Do you hear the ironical echoes?)
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9 Books, friendships, philosophers, priests, action,
pleasure, pride, beat up and down, seeking to
give satisfaction;
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He indicates the satisfaction, and indicates them that
beat up and down also.
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10 Whichever the sex, whatever the season or place, he
may go freshly and gently and safely, by day or
by night;
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He has the pass-key of hearts—to him the response
of the prying of hands on the knobs.
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11 His welcome is universal—the flow of beauty is not
more welcome or universal than he is;
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The person he favors by day or sleeps with at night is
blessed.
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12 Every existence has its idiom—everything has an
idiom and tongue;
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He resolves all tongues into his own, and bestows it
upon men, and any man translates, and any man
translates himself also;
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One part does not counteract another part—he is the
joiner—he sees how they join.
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13 He says indifferently and alike, How are you, friend?
to the President at his levee,
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And he says, Good-day, my brother! to Cudge that
hoes in the sugar-field,
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And both understand him, and know that his speech
is right.
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14 He walks with perfect ease in the Capitol, |
He walks among the Congress, and one representative
says to another, Here is our equal, appearing and
new .
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15 Then the mechanics take him for a mechanic, |
And the soldiers suppose him to be a soldier, and the
sailors that he has follow'd the sea,
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And the authors take him for an author, and the
artists for an artist,
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And the laborers perceive he could labor with them
and love them;
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No matter what the work is, that he is the one to
follow it, or has follow'd it,
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No matter what the nation, that he might find his
brothers and sisters there.
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16 The English believe he comes of their English
stock,
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A Jew to the Jew he seems—a Russ to the Russ—
usual and near, removed from none.
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17 Whoever he looks at in the traveler's coffee-house
claims him,
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The Italian or Frenchman is sure, and the German is
sure, and the Spaniard is sure, and the island
Cuban is sure;
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The engineer, the deck-hand on the great lakes, or on
the Mississippi, or St. Lawrence, or Sacramento,
or Hudson, or Paumanok Sound, claims him.
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18 The gentleman of perfect blood acknowledges his
perfect blood;
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The insulter, the prostitute, the angry person, the
beggar, see themselves in the ways of him—he
strangely transmutes them,
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They are not vile any more—they hardly know them-
selves, they are so grown.
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