The Whitman Gallery


1881?. Charles H. Spieler, Philadelphia. Saunders #101. Courtesy Alderman Library, University of Virginia. This was the frontispiece to the Complete Poems and Prose of Walt Whitman 1855 . . . 1888. Whitman came to call this photo the "Spieler profile," and he sent copies to friends. Whitman's friend Thomas Donaldson remembers an anti-slavery anniversary celebration in Philadelphia in December 1883 when Whitman brought a copy of the photo for John Greenleaf Whittier, who never showed up. In 1888, when deciding on this photo for the frontispiece to his Complete Poems and Prose, Whitman said, "It was made seven or eight years ago--made by Spieler. I think I am the only one who likes it. . . ." Once he even called it "the best picture. . . . not only as a work of art (where it is effective, refined), but because so thoroughly characteristic of me--of the book-- falls in line with the purposes we had in view at the start." One of those purposes had to do with the nature of the profile itself: "It is appropriate: the looking out : the face away from the book. Had it looked in how different would have been its significance. . . . I am after nature first of all: the out look of the face in the book is no chance." Whitman felt this portrait "resembles the beautiful medallions we sometimes see." He was disappointed that the original print had been touched up and that a "top-knot and Romeo Italian curls" had been added (he instructed the photoengraver that "Walt Whitman never has had, has not now, Italian curls--or the semblance of 'em"), and he was relived when they were successfully removed. He worked at reading the significance of this photo: "What does it express? . . . it says nothing in particular--suggests, what? Not inattention, not intentness, not devil-may-care, not intellectuality: then what is it? . . . It is truth--that is enough to say: it is strong--it preserves the features: yet it is also indefinite with an indefiniteness that has a fascination of its own. I know this head is not favored, but I approve it--have liked it from the first."
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