"Echoes and Escapades," "Drifts and Cumulus," "Notes of a Half-Paralytic" - these and other titles for his bundle of jottings, made during and after the war, were rejected by Whitman; and for a while he hovered about a title which would have suggested a comparison between this cluster of open-air thoughts and observations and the berries of the wild cedar-tree of America.
"A melange of loafing, looking, hobbling, sitting, traveling - a little thinking
thrown in for salt, but very little - not only summer but all seasons - not only
days but nights - some literary meditations - books, authors examined, Carlyle,
Poe, Emerson tried (always under my cedar-tree, in the open air, and never in
the library) - mostly the scenes everybody sees, but some of my own caprices,
meditations, egotism - truly an open air and mainly summer formation - singly
or in clusters - wild and free and somewhat acrid."
The acrid taste is no more than a pleasant sharpness now and again; and in
the main these "Notes of a Half-Paralytic" are sweet and sane and nourishing,
more, perhaps, than their writer knows or can know. No diary of an invalid is
wholesomer reading than this; never a groan or a growl, never a word of
complaint; but every bright hour, every breeze of health, every delight in
flower and bird and stream and star, and in the kind voice or hand of a friend,
remembered and recorded. Always, in this invalid's diary, the pure, fresh air,
and the sky overhead; never the blinds drawn down, the table crowded with
medicine bottles, and the foot of the spiritual medicine-man upon the
threshold:
"Doubtless in the course of the following, the fact of invalidism will crop out
(I call myself a half-Paralytic these days, and reverently bless the Lord it is no
worse) between some of the lines - but I get my share of fun and healthy hours,
and shall try to indicate them. (The trick is, I find, to tone your wants and
tastes low down enough, and make much of negatives, and of mere daylight
and the skies.)"
From 1876, when Whitman began to get over the worst of the tedious and
baffling illness, ascribed by physicians to his exertions in the hospitals
during the war, he spent portions of several seasons at a secluded haunt in
New Jersey - Timber Creek, its stream (almost a river) entering from the
great Delaware twelve miles away, "with primitive solitudes, recluse and
woody banks, sweet-feeding springs, and all the charms that birds, grass,
wild-flowers, rabbits and squirrels, old oaks, walnut-trees, &c., can bring."
Down the long farm-lane he would hobble to a lonely pond, where the creek
expands and the kingfishers dart and turn; and so, still sauntering on, "to
the spring under the willows - musical as soft-clinking glasses - pouring a
sizeable stream, thick as my neck, pure and clear, out from its vent, where
the bank arches over." And here, enveloped for the month of May in the
droning of bumble-bees, listening to the clear quailnotes in June, or the
roulades and pensive refrains of the hermit-thrush, Whitman would take
his seat on log or stump, and (the journalist's ruling passion strong in age
and disablement) would jot down his notes - notes not for the buoyant
and healthy alone, but meant just as well for ailing folk: -
"Who knows (I have it in my fancy, my ambition) but the pages now ensuing
may carry ray of sun, or smell of grass or corn, or call of bird, or gleam of
stars by night, or snowflakes falling fresh and mystic, to denizen of heated
city-house, or tired workman or workwoman? - or may-be in sick room or
prison - to serve as cooling breeze, or Nature's aroma, to some fever'd
mouth or latent pulse."
Sometimes he would run down by rail to the New Jersey sea-shore; and on
those flat and odorous sea-prairies, their sedgy perfume in his nostrils, he
would revive the sights and sounds and smells of his Long Island youth, the
"stretch of interminable white-brown sand, hard and smooth and broad, with
the ocean perpetually, grandly rolling in upon it, with slow-measured sweep,
with rustle and hiss and foam, and many a thump as of low bass drums." Or,
back again in his Camden home, he would cross and recross the Delaware,
helped by the friendly pilots ("Eugene Crosby, with his strong, young arm so
often supporting, circling, convoying me over the gaps of the bridge, through
impediments, safely aboard"), and would enjoy the stir and play of the
delightful "human comedy," or would invite his soul, and absorb the spectacle
of the starry heavens.
"A January Night. - Fine trips across the wide Delaware to-night. Tide pretty
high, and a strong ebb. River, a little after eight, full of ice, mostly broken,
but some large cakes making our strong-timber'd steamboat hum and
quiver as she strikes them. In the clear moonlight they spread, strange,
unearthly, silvery, faintly glistening, as far as I can see. Bumping, trembling,
sometimes hissing like a thousand snakes, the tide-procession, as we wend
with or through it, affording a grand undertone, in keeping with the scene.
Overhead, the splendor indescribable; yet something haughty, almost
supercilious, in the night. Never did I realise more latent sentiment, almost
passion, in those silent interminable stars up there. One can understand,
such a night, why, from the days of the Pharaohs or Job, the dome of
heaven, sprinkled with planets, has supplied the subtlest, deepest criticism
on human pride, glory, ambition."
We have record of visits to New York, and a sail in the bay, with a little
lyrical cry at sight of the schooner-yachts going in a good wind - "those
daring, careening things of grace and wonder, those white and shaded
swift-darting fish-birds (I wonder if sea or shore elsewhere can outvie
them), ever with their slanting spars, and fierce, pure, hawk-like beauty and
motion." But the procession of gentility and wealth in Central Park is not
altogether to Whitman's liking; and in his criticism of modern society,
although at bottom he believes that the American people remains sound,
there are pages (to quote Mr. Ruskin's words with respect to Whitman's
writings) "deadly true - in the sense of rifles - against our deadliest sins."
More than once Whitman voy-aged up the Hudson to the honeysuckle-and-
rose-embowered cottage of John Burroughs, the delightful writer of Wake
Robin and Pepacton; and in September 1879 he found himself strong enough
to begin a long jaunt to the West, seeing Missouri, Kansas, and Colorado, at
Denver turning south, and then east again. The sea-like spread of prairies,
the wild gorges, the streams of amber and bronze, brawling along their beds
with frequent cascades and snow-white foam, the fantastic forms of
mountains bathed in transparent browns, faint reds and grays, the free
handling and absolute uncrampedness of the landscape, the superb phy-
sique of the miners, their character shaped by their victorious tussles with
savage nature (but alas, the genteel ladies of the West, copying
unsuccessfully their Eastern sisters!) -these, with a few inevitable reserves,
were all acceptable to, and accepted by, the author of Leaves of Grass. A later
journey to Canada, the sight of Niagara, a visit to the hospitable house of
his friend Dr. Bucke at London, then up the black waters of the Saguenay a
hundred miles, the region more grim, more wildly beautiful, "with a sort of
still and pagan scaredness," than any he had seen yet, comprised the last of
Whitman's wanderings. A Sunday service with the insane at the asylum
under the care of Dr. Bucke brought Whitman face to face with some of
those "laggards" in the race who have ever been dear to his heart:
"I was furnish'd with an arm-chair near the pulpit, and sat facing the
motley, yet perfectly well-behaved and orderly, congregation. The quaint
dresses and bonnets of some of the women, several very old and gray, here
and there like the heads in old pictures. O the looks that came from those
faces! There were two or three I shall probably never forget. Nothing at all
markedly repulsive or hideous - strange enough I did not see one such. Our
common humanity, mine and yours, everywhere -
'The same old blood - the same red, running blood;' yet behind most, an
inferr'd arriere of such storms, such wrecks, such mysteries, fires, love,
wrong, greed for wealth, religious prob lems, crosses - mirror'd from those
crazed faces (yet now temporarily so calm, like still waters), all the woes
and sad happenings of life and death - now from everyone the devotional
element radiating - was it not, indeed, the peace of God that passeth all un-
derstanding, strange as it may sound?"
Connected with the notes of conva-lescence in this volume are Whitman's
previously published memoranda of the war; and the national frenzy and
agony (with underlying sanity and strength) of the one period goes well with
the tender calm and restorative happiness of the other. His lecture on Lincoln,
a record of his visits to Emerson and Longfellow, a reminiscence and a
criticism, severe, yet sympathetic, of Edgar Poe, will interest readers who care
to see great or distinguished persons through a poet's eyes. At Emerson's grave
he muses:
"A just man, poised on himself, all-loving, all-inclosing, and sane and clear as the sun. Nor does it seem so much Emerson himself we are here to honor - it is conscience, simplicity, culture, humanity's attributes at their best, yet applicable, if need be, to average affairs.... How shall I henceforth dwell on the blessed hours when, not long since, I saw that benignant face, the clear eyes, the silently smiling mouth, the form yet upright in its great age - to the very last, with so much spring and cheeriness, and such an absence of decrepitude, that even the term venerable hardly seemed fitting?"The tribute is made of more worth by Whitman's keen perception of the limita- tions of Emerson's genius. Elsewhere there is eloquent recognition of the work done for American literature by Longfellow, Bryant, Whittier. I miss from this collection of notes an admirable piece of criticism on Burns, published in Our Land and Time (January 25, 1875). In Edgar Poe, Whitman finds neither the genius for perfect and noble living and thinking, morally without flaw, happily balanced in activity, nor "that other shape of personality dearer far to the artist-sense (which likes the strongest play of lights and shades) where the perfect character, the good, the heroic, although never attain'd, it never lost sight of, but through failures, sorrows, temporary downfalls, is return'd to again and again" (so with Burns, Byron, George Sand):
"Almost without the first sign of moral principle, or of the concrete and its
heroisms, or the simpler affections of the heart, Poe's verses illustrate an
intense faculty for technical and abstract beauty, with the rhyming art to ex-
cess, an incorrigible propensity towards nocturnal themes, a demoniac
undertone behind every page - and, by final judgment, belong among the
electric lights of imaginative literature, brilliant and dazzling, but with no
heat.... In a dream I once had, I saw a vessel on the sea, at midnight, in a
storm. It was no great full-rigg'd ship, nor majestic steamer, steering firmly
through the gale, but seem'd one of those superb little schooner-yachts I
had so often seen lying anchor'd, rocking so jauntily in the waters around
New York, or up Long Island Sound - now flying uncontroll'd with torn
sails and broken spars through the wild sleet, and winds and waves of the
night. On the deck was a slender, slight, beautiful figure, a dim man,
apparently enjoying all the terror, the murk, and the dislocation of which he
was the centre and the victim. That figure of my lurid dream might stand
for Edgar Poe, his spirit, his fortunes, and his poems -themselves all lurid
dreams."
Beside "Democratic Vistas," known to all who value Whitman, this volume
contains the recent articles by him in the North American Review ("Poetry to-
day in America" and "A Memorandum at a Venture"), the prefaces to the
several editions of his poems, and some pieces written in early youth - short
tales and poems - printed now to avoid the annoyance of a surreptitious
issue which had been announced.
Among other restoratives of health one could wish that Whitman would some time try a voyage across the Atlantic. With Mr. Tennyson, Mr. Ruskin, Mr. Rossetti, Mr. Symonds, Mr. Swinburne, Mr. W. Bell Scott, Mr. R. Hengist Horne, Mr. Robert Buchanan, Mr. Robert L. Stevenson, the Hon. Roden Noel, and others known and unknown, desirous to give him friendly greeting, he might have among us, in American phrase, "a good time.