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                <title level="m" type="main">Doings at the Synagogue</title>
                <author sameAs="#ww">Walt Whitman</author>
                <editor>Jason Stacy</editor>
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                    <persName xml:id="aa">Alex Ashland</persName>
                    <persName xml:id="jb">Jake Byers</persName>
                    <persName xml:id="lr">Lucas Reincke</persName>
                    <persName xml:id="js">Jason Stacy</persName>
                    <persName xml:id="km">Kevin McMullen</persName>
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                <sponsor>Center for Digital Research in the Humanities, University of
                    Nebraska-Lincoln</sponsor>
                <sponsor>University of Nebraska-Lincoln</sponsor>
                <sponsor>University of Iowa</sponsor>
                <sponsor>Southern Illinois University-Edwardsville</sponsor>
                <funder>The National Endowment for the Humanities</funder>
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                    <date>2016</date>
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                <distributor>The Walt Whitman Archive</distributor>
                <address>
                    <addrLine>Center for Digital Research in the Humanities</addrLine>
                    <addrLine>319 Love Library</addrLine>
                    <addrLine>University of Nebraska-Lincoln</addrLine>
                    <addrLine>P.O. Box 884100</addrLine>
                    <addrLine>Lincoln, NE 68588-4100</addrLine>
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                    <p>The text of the original item is in the public domain.</p>
                    <p>The text encoding and textual annotations were created and/or prepared by the
                            <title level="m">Walt Whitman Archive</title> and Alex
                        Ashland and are licensed under a <ref target="http://creativecommons.org/licenses/by/4.0/">Creative Commons
                            Attribution 4.0 International License</ref> (CC BY 4.0). Any reuse of
                        these materials should credit the <title level="j">Walt Whitman
                            Archive</title> and Alex Ashland.</p>
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            <idno>per.00419</idno></publicationStmt>             <notesStmt>                 <note type="project" target="#ww">This piece is unsigned. However, Whitman was the editor of the <hi rend="italic">Aurora</hi> when this editorial was written, and Herbert Bergman identified him as its author in Walt Whitman, <hi rend="italic">The Journalism. Volume I: 1834–1846</hi> (New York: Peter Lang, 1998). The <hi rend="italic">Whitman Archive</hi> editors agree that the style and content of the piece are consistent with other known Whitman writings of this period.</note>             </notesStmt>
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                            <date xml:id="dat1" cert="high" when="1842-03-29">29 March 1842</date>
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                        <orgName>Original issue held at the Paterson Free Public Library, Paterson,
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                    <note type="project">Our transcription is based on a digital image of an
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            <head rend="center" type="main-authorial">Doings at the Synagogue.</head>
            
            <p>We continue our account of what we saw on Saturday, during our visit to the Jews'
                synagogue in Crosby street.<note xml:id="n1" type="editorial" resp="wwa">
                 The Crosby Street Synagogue is the third synagogue
                 constructed by the Congregation Shearith Israel, which was America's first Jewish Congregation.
                 The Synagogue was built in 1834, and took up several building spaces along Crosby Street ("Crosby Street Synagogue," <hi rend="italic">Congregation Shearith Israel</hi>, http://shearithisrael.org/content/crosby-street-synagogue, accessed September 30, 2016).</note> 
                It may perhaps be well to say here, that as we had no
                one to explain to us what we saw, and as the whole scene from beginning to end
                resembled nothing that we had ever seen before, our relation professes to give
                merely the scene as it appears to the eyes of an utter stranger. Very likely we may
                make some awkward blunders; but nevertheless the reader shall have our "first
                impressions."</p>
            
            <p>After the performance had continued for some time as we described it in yesterday's
                Aurora, some of the Jews went up to the semicircular panel work before mentioned,
                unlocked it, and opened the doors.<note xml:id="n2" type="editorial" resp="wwa">Whitman is most
                likely referring to the Ark, the location where the Torah scrolls are kept
                (Rachel Wischnitzer, "Ark," <hi rend="italic">Jewish Virtual Library</hi>, http://www.jewishvirtuallibrary.org/jsource/judaica/ejud_0002_0002_0_01315.html,
                accessed October 23, 2016).</note> Three or four of them then took from the
                inclosure certain contrivances, which we dare hardly pretend to describe, for fear
                of bungling in the attempt. As near as we can now recollect, they resembled in shape
                large sugar loaves; and each had an ornamental and fantastic affair made of silver
                and glass upon its top. These were brought up to the platform in the centre, and
                each of the silver ornaments we have described was taken from the top the sugar loaf
                structure, and put upon the desk in front.</p>
            
            <p>The priest then raised aloft a large scroll of parchment
                probably the sacred law—wafting it around so that the people could see it in all parts of the
                house. All this while he uttered a kind of chant, to which the men and women made
                responses.</p>
            
            <p>We saw M.M. Noah, of the sessions court, among the Jews present. 
                He officiated upon the platform in some of the ceremonies.<note xml:id="n3" type="editorial" resp="wwa">Whitman is referring to 
                    Mordecai Manuel Noah, who, in the nineteenth century, was one of the most important Jewish men born in America. He was born
                    on July 14, 1785, and died on May 22, 1851. During his life, he was a writer, activist, politician,
                    and the first Jew born in the United States to reach national prominence. He was appointed
                    U.S. Consul to the Kingdom of Tunis in 1813, where he served till 1816 (Mordecai Manuel Noah and George Alexander Kohut, "A Literary Autobiography of Mordecai Manuel Noah," <hi rend="italic">Publications of the American Jewish Historical Society</hi> 6, (1897): 113–121.</note></p>
            
            <p>The main floor, on which we were, was occupied exclusively by men. There was a
                gallery over it filled with women—dark-eyed Jewesses, most of them dressed in
                black, and a few strangers, attracted there probably by curiosity.</p>
            
            <p>The spectacle in the gallery was by no means the most unpleasing sight in the whole
                proceeding. Up aloft they seemed to pay as reverent heed to the exercises as in any
                part of the congregation. We found ourselves casting our glances thither quite
                frequently; perhaps this may account for our not having a distinct recollection of
                the whole matter.</p>
            
            <p>The personage who appeared to officiate as the high priest continued his chant, and
                the people their responses. Every now and then, while the parchment scroll was upon
                the desk, and unrolled before the priest, individuals from the congregation would
                step forward, and upon the platform, and speak to the priest. Then, while they stood
                by and looked on, he would read them something from the parchment spread out upon
                the desk. For five minutes, perhaps, this would last; and then another person would
                come up and go through the same ceremony.</p>
            
            <p>Of course, to our perceptions, the whole affair had much the aspect of an
                unintelligible mummery. Still we could not divest ourselves of the thought that we
                were amid the people of ancient Jewry; the people who had kept themselves apart from
                the contagion of the world, and adhered strictly to the customs, and observances,
                and laws of their forefathers.</p>
            
            <p>Once or twice we allowed fancy to have its unchecked flow. The then and there scene
                vanished from our eyes; the uncouth jabber, and the fantastic garb of the
                worshippers were heard and seen no more. We were in the holy city. The palaces of
                the haughty nobles—the magnificent temple which the Jews loved as the apple of
                their eye—the streets and the houses, and the public places—all, all,
                were there. And along the public thoroughfare came trailingly a solemn group. In the
                centre was a pale being with a crown of thorns bound round his forehead, and blood
                trickling down his brow. It was the Holy Savior of Man, bearing the cross upon his
                shoulder. And as he passed, the mob scouted and reviled him—his very friends
                thought it scorn to recognise him; all but <hi rend="italic">one</hi>, a woman, who
                followed him even to the place of his crucifixion.</p>
            
            <p>We did not wait to see the conclusion of the exercises. After a stay of more than an
                hour, feeling somewhat wearied by the continuance of vocal utterance, which we could
                not take the meaning of, we left the place.</p>

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