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                <title level="m" type="main">Scenes of Last Night</title>
                <author sameAs="#ww">Walt Whitman</author>
                <editor>Jason Stacy</editor>
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                    <persName xml:id="aa">Alex Ashland</persName>
                    <persName xml:id="jb">Jake Byers</persName>
                    <persName xml:id="lr">Lucas Reincke</persName>
                    <persName xml:id="js">Jason Stacy</persName>
                    <persName xml:id="km">Kevin McMullen</persName>
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                <sponsor>Center for Digital Research in the Humanities, University of
                    Nebraska-Lincoln</sponsor>
                <sponsor>University of Nebraska-Lincoln</sponsor>
                <sponsor>University of Iowa</sponsor>
                <sponsor>Southern Illinois University-Edwardsville</sponsor>
                <funder>The National Endowment for the Humanities</funder>
            </titleStmt>
            <editionStmt>
                <edition>
                    <date>2016</date>
                </edition>
            </editionStmt>
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                <distributor>The Walt Whitman Archive</distributor>
                <address>
                    <addrLine>Center for Digital Research in the Humanities</addrLine>
                    <addrLine>319 Love Library</addrLine>
                    <addrLine>University of Nebraska-Lincoln</addrLine>
                    <addrLine>P.O. Box 884100</addrLine>
                    <addrLine>Lincoln, NE 68588-4100</addrLine>
                </address>
                <availability>
                    <p>The text of the original item is in the public domain.</p>
                    <p>The text encoding and textual annotations were created and/or prepared by the
                            <title level="m">Walt Whitman Archive</title> and Alex
                        Ashland and are licensed under a <ref target="http://creativecommons.org/licenses/by/4.0/">Creative Commons
                            Attribution 4.0 International License</ref> (CC BY 4.0). Any reuse of
                        these materials should credit the <title level="j">Walt Whitman
                            Archive</title> and Alex Ashland.</p>
                </availability>
            <idno>per.00421</idno></publicationStmt>             <notesStmt>                 <note type="project" target="#ww">This piece is unsigned. However, Whitman was the editor of the <hi rend="italic">Aurora</hi> when this editorial was written, and Herbert Bergman identified him as its author in Walt Whitman, <hi rend="italic">The Journalism. Volume I: 1834–1846</hi> (New York: Peter Lang, 1998). The <hi rend="italic">Whitman Archive</hi> editors agree that the style and content of the piece are consistent with other known Whitman writings of this period.</note>             </notesStmt>
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                        <title level="j">New York Aurora</title>
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                            <date xml:id="dat1" cert="high" when="1842-04-01">1 April 1842</date>
                        </imprint>
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                    <note>
                        <orgName>Original issue held at the Paterson Free Public Library, Paterson,
                            NJ.</orgName>
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                        <title level="a">Scenes of Last Night</title>
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                        <biblScope unit="pages">[2]</biblScope>
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                    <note type="project">Our transcription is based on a digital image of an
                        original issue.</note>
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            <change when="2018-01-16" who="#km">updated author encoding</change>
            <change when="2017-08-14" who="#km">implemented Ken's corrections</change>
            <change when="2017-06-08" who="#km">made slight changes to note 1</change>
            <change when="2017-04-18" who="#js">revised annotations</change>
            <change when="2017-04-13" who="#km">proofed</change>
            <change when="2016-10" who="#js">checked transcription and annotations</change>
            <change when="2016-10-02" who="#jb">added annotations</change>
            <change when="2016-09-09" who="#lr">peer reviewed transcription</change>
            <change when="2016-08-29" who="#jb">checked transcription</change>
            <change when="2016-06-20" who="#aa">transcribed, encoded</change>
            
            
            
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            <head rend="center" type="main-authorial">Scenes of Last Night.</head>

            <p>Between seven and eight o'clock last evening we visited the scene of the fire in
                Broome and <choice><orig>Delancy</orig><reg>Delancey</reg></choice> streets.<note xml:id="n1" type="editorial" resp="wwa">Another contemporary source described the fire in this way: "A fire caught in a wheelwright's shop, No. 21 Delancy-street. There being a very high wind from the south-east, the fire, in less than an hour, had swept away the whole block bounded by Delancy, Christie, Broome, and Forsyth streets. When the fire had reach Forsyth-street, it was hoped that its progress might be stayed, but it swept across the street, burnt the dwellings and other buildings . . . and destroyed everything down Broome-street. With great exertions the fire was here stopped. Three persons were burnt to death. No less than one hundred houses were destroyed, depriving one thousand persons of a home" (<hi rend="italic">The Fireman: The Fire Departments of the United States, with a Full Account of all Large Fires...</hi> [Boston: James French and Co., 1858], 49).</note> For several blocks before arriving there, our passage
                was impeded by squads of people hurrying to and fro with rapid and eager <choice><sic>pacee</sic><corr>pace</corr></choice>. Women carrying small bundles—men with heated and sweaty faces—little children, many of them weeping and sobbing—met us every rod
                or two. Then there were stacks of furniture upon the sidewalks and even in the
                street; puddles of water, and frequent lengths of hose, pipe endangered the
                pedestrian's safety; and the hubbub, the trumpets of the engine foremen, the
                crackling of the flames, and the lamentations of those who were made homeless by the
                conflagration—all sounded louder and louder as we approached, and at last grew
                to one continued and deafening din.</p>
            
            <p>It was a horrible yet magnificent sight! When our eyes caught a full view of it, we
                beheld a space of several acres, all covered with smouldering ruins, mortar, red hot
                embers, piles of smoking half burnt walls—a sight to make a man's heart sick,
                and keep him awake at night, when lying in his bed.</p>
            
            <p>We stood on the south side of Broome street. In every direction around, except the
                opposite front, there was one compact mass of human flesh—upon the stoops, and
                along the side walks, and blocking up the street, even to the edge of where the
                flames were raging. The houses at our right were as yet unharmed, with the exception
                of blistered paint and window glass cracked by the strong heat over the way. We
                looked through those windows into the rooms within. The walls were bare and naked;
                no furniture, no inhabitant, no signs of occupancy or life, but every thing bearing
                the stamp of desolation and flight!</p>
            
            <p>Every now and then would come a suffocating whirlwind of smoke and burning sparks.
                Yet we stood our ground—we and the mass—silent, and gazing with awful
                admiration upon the wreck and the brightness before us. The red flames rolled up the
                sides of the houses, newly caught, like the forked tongues of serpents licking their
                prey. It was terribly grand! And then all the noise would cease, and for many
                minutes nothing would break in upon silence, except the hoarse voices of the engines
                and their subordinates, and the hissing of the fire. A few moments more, and the
                clatter and clang sounded out again with redoubled loudness.</p>
            
            <p>The most pitiful thing in the whole affair, was the sight of shivering women, their
                eyes red with tears, and many of them dashing wildly through the crowd, in search,
                no doubt, of some member of their family, who, for what they knew, might be buried
                neath the smoking ruins near by. Of all the sorrowful spectacles in God's world,
                perhaps no one is more sorrowful than such as this!</p>
            
            <p>And those crumbled ashes! What comforts were entombed there—what memories of
                affection and companionship, and brotherhood—what preparation never to be
                consummated—what hopes never to see their own fruition—fell down as the
                walls and the floors fell down, and were crushed as they were crushed! But twelve
                hours before, the sun rose pleasantly—all promised fair, and no danger clouded
                the clearness of hope's horizon. The most distant idea of all this misery, it
                entered into the brain of no man to conceive. <hi rend="italic">Now</hi>, what a
                change! People who commenced the day moderately rich, closed it penniless. Those
                that had a house to shelter them at sunrise, at sunset owned no pillow whereon to
                lay their heads. Wives and husbands who parted in the morning with jocund words, met
                at night to mingle their groans together, and to grieve over blighted prospects.</p>
            
            <p>On the minds of hundreds there, no doubt, these and similar reflections forced
                themselves. We saw it in the sombre countenances of the spectators—their fixed
                look; and heard it in their conversation one to another. And so, elbowing and
                pushing our way for many rods through the crowd, we at last made out to get once
                more where the air was less hot and stifling, and the press of people less
                intense.</p>
            
            <p>On our way down, we stopped in for a while at the Temperance Hall in Grand street,
                where there appeared to be a large meeting.The apartment
                was filled with an assemblage of both sexes. A speaker, whose name we understood 
                as Capt. Wisdom, was speaking from the platform <note xml:id="n2" type="editorial" resp="wwa">
                The Capt. Wisdom mentioned by Whitman is Captain William A. Wisdom, a reformed alcoholic, who helped 
                form the Washington Temperance Society in New York City. In 1841 he was chosen as the society's first president (Stephanie Blalock, "<ref target="../../../fiction/franklinevans_introduction">Introduction to <hi rend="italic">Franklin Evans</hi> and 'Fortunes of a Country-Boy,'</ref>" <hi rend="italic">The Walt Whitman Archive</hi>).</note>. His language seemed totally deficient 
                    in polish and in grammatical correctness; but he evidently <hi rend="italic">felt</hi> what he was
                saying, and desired to do as much good as possible. No doubt, the method of Mr.
                Wisdom is far more effective for the sphere it moves in, than a more refined
                style.</p>
            
            <p>An address by a person whose tongue had a broad foreign accent, followed Mr. W.
                This man gave his "experience," and descanted in enthusiastic terms on the great
                blessing the temperance cause had been to him. He was a very uncouth speaker. Yet,
                how all the boundaries of taste, all the laws of conventional usage, are leaped
                over, in oratory, by deep <choice><sic>feellng</sic><corr>feeling</corr></choice> and ardent sincerity. Every hearer in the room,
                assuredly, was thrilled to the heart by portions of this uneducated man's remarks.
                For our own part, we were never more interested in our life.</p>
            
            <p>Then there was music. A choir, composed mainly of ladies, sang an ode—and a
                company of fine looking young firemen variefied the exercises with a temperance
                glee.</p>
            
            <p>As we left the house, we could not help wondering at the mighty enthusiasm which all
                there, men, women and children, seemed to be imbued with Success to the cause! May
                the blessings that have followed in its path, thus far, be but a harbinger—a
                shadow of the hundred fold glory that is coming!</p>

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