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about the book emphasized Whitman’s increasingly conservative stance, and many of the sexual passages were
edition, but the book eventually appeared in November without one.Initial sales of the Osgood edition were
strong, and reviews were almost universally positive.
about the book emphasized Whitman’s increasingly conservative stance, and many of the sexual passages were
edition, but the book eventually appeared in November without one.Initial sales of the Osgood edition were
strong, and reviews were almost universally positive.
about the book emphasized Whitman’s increasingly conservative stance, and many of the sexual passages were
edition, but the book eventually appeared in November without one.Initial sales of the Osgood edition were
strong, and reviews were almost universally positive.
about the book emphasized Whitman’s increasingly conservative stance, and many of the sexual passages were
edition, but the book eventually appeared in November without one.Initial sales of the Osgood edition were
strong, and reviews were almost universally positive.
, ca. early 1860s Library of Congress print of photo, in unknown handwriting on the back, identifies
this as having been taken around 1860 by Mathew Brady.For more information on J.
Black of Black and Batchelder, ca. 1860 This rugged, footloose portrait was taken by James Wallace Black
, of Black & Batchelder, in March 1860, when Whitman was in Boston to oversee the typesetting of his
1860 edition of Leaves of Grass.
the publishing firm of Thayer & Eldridge, who apparently commissioned the photograph to promote the 1860
the basis for the engraving of Whitman that appeared with its review of Leaves of Grass on June 2, 1860
Black of Black and Batchelder, 1860 Writing in 1860 about his trip to Boston, Whitman said to his friend
, ca. late 1860s If this photograph is a Kurtz, it must be dated 1865 or later, after Kurtz opened his
one used in Brady's Washington studio; the "Lincoln chair" was given to Brady by the President in 1860
It had been Lincoln's chair in the House of Representatives before new chairs were installed in 1857,
Negatives for the other two images were purchased from Brady for the National Archives in 1873.For more
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
These two photos are the ones Whitman felt were salvageable from the Cox session: "they are not all of
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
These two photos are the ones Whitman felt were salvageable from the Cox session: "they are not all of
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
Whitman recalls that "six or seven" photos were made during the session, but the poet's friend Jeannette
Gilder, an observer of the session, said there were many more than that: "He must have had twenty pictures
July 15, 1890, and that evening photographed Whitman and his favorite nurse, Warren Fritzinger, who were
Philadelphia to visit Whitman on July 15, 1890, and that evening photographed Whitman and Fritzinger, who were
Philadelphia to visit Whitman on July 15, 1890, and that evening photographed Whitman and Fritzinger, who were
Whitman's 'Calamus' Photographs" in Betsy Erkkila and Jay Grossman, Breaking Bounds: Whitman and American
Though Murray’s photographs were intended merely as studies, they are especially important because they
Though Murray’s photographs were intended merely as studies, they are especially important because they
Walt Whitman by Edy Brothers, Summer 1880 This and six other photographs were taken in the summer of
Walt Whitman by Edy Brothers, Summer 1880 This and six other photographs were taken in the summer of
Walt Whitman by Edy Brothers, Summer 1880 This and six other photographs were taken in the summer of
Walt Whitman by Edy Brothers, Summer 1880 This and six other photographs were taken in the summer of
Walt Whitman by Edy Brothers, Summer 1880 This and six other photographs were taken in the summer of
Walt Whitman by Edy Brothers, Summer 1880 This and six other photographs were taken in the summer of
Walt Whitman by Edy Brothers, Summer 1880 This and six other photographs were taken in the summer of
Walt Whitman by Edy Brothers, Summer 1880 This and six other photographs were taken in the summer of
Hine, who had painted Whitman's portrait in 1860.
talks about a new photo of “the eccentric poet” on display at Root’s Daguerrian Gallery in New York City
his painting of Whitman on this image, which in turn served as the model for Stephen Alonzo Schoff’s 1860
See Ted Genoways, "'Scented herbage of my breast': Whitman's Chest Hair and the Frontispiece to the 1860
is the only known surviving photograph taken by Fredricks, though Traubel’s comments suggest there were
Gurney and Son, 1871 Whitman dates this picture to about 1865, but Gurney & Son were at 707 Broadway
Johnston, including the 1854 Gabriel Harrison daguerreotype and the 1860 painting by Charles W.
Stereoscopes were invented before photography (the original ones used drawn landscapes), but they increased
that except for the photographs taken by Eakins and his assistants in Whitman's room in 1891, these were
the last photographs taken of Whitman by a professional photographer, and certainly they were the last
Walt Whitman by Frederick Gutekunst, 1889 Whitman commented that the photos from this sitting were all
Eakins-O'Donovan. . . . in Walt's own room in November 1891, the Gutekunst sittings, of which this is one result, were
Readers were used to formal portraits of authors, usually in frock coats and ties.
Very often they were posed at reading tables with books spread open before them or holding a thick volume
Hine, 1860 Whitman called this engraving, which he used as the frontispiece for the 1860 edition of Leaves
See Ted Genoways, "'Scented herbage of my breast': Whitman's Chest Hair and the Frontispiece to the 1860
Italian curls—or the semblance of 'em" (Saturday, October 13th, 1888), and he was relieved when they were
According to the 1890 Philadelphia city directory, William, Jr. lived at 864 41st Street, and Louis lived
, ca. late 1860s This photo is often dated 1861, but it appears to be later, and it would seem to be
Walt Whitman by William Kurtz, ca. late 1860s This photo is usually dated 1860, but Kurtz did not open
Library of Congress copy is endorsed by WW: "Walt Whitman 1869" (which Henry Saunders misread as "1860
, ca. late 1860s Kurtz's "Rembrandt" style of light and shadow is suggested here.