Skip to main content

Search Results

Filter by:

Date


Dates in both fields not required
Entering in only one field Searches
Year, Month, & Day Single day
Year & Month Whole month
Year Whole year
Month & Day 1600-#-# to 2100-#-#
Month 1600-#-1 to 2100-#-31
Day 1600-01-# to 2100-12-#

Work title

See more

Year

Search : As of 1860, there were no American cities with a population that exceeded
Work title : A Song For Occupations

57 results

And to me each minute

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

The first lines of the notebook poem were revised and published as "My Picture-Gallery" in The American

Asia

  • Date: About 1855 or 1856
  • Creator(s): Walt Whitman
Text:

Another series of draft lines on the back of this leaf were published as part of "Poem of Many in One

Annotations Text:

.; Another series of draft lines on the back of this leaf were published as part of "Poem of Many in

Carol of Occupations.

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

American masses!

Were I as the head teacher, charitable proprietor, wise statesman, what would it amount to?

Were I to you as the boss employing and paying you, would that satisfy you?

Because you are greasy or pimpled, or that you were once drunk, or a thief, Or diseas'd, or rheumatic

Congress convenes every Twelfth-month for you; Laws, courts, the forming of States, the charters of cities

Chants Democratic

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

American masses!

Were all educations, practical and ornamental, well displayed out of me, what would it amount to?

Were I as the head teacher, charitable proprietor, wise statesman, what would it amount to?

Were I to you as the boss employing and paying you, would that satisfy you?

statistics as far back as the records reach, is in you this hour, and myths and tales the same, If you were

Cluster: Chants Democratic and Native American. (1860)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

Cluster: Chants Democratic and Native American. (1860) CHANTS DEMOCRATIC AND NATIVE AMERICAN.

to American persons, progresses, cities? Chicago, Kanada, Arkansas?

Were those your vast and solid?

American masses!

AMERICAN mouth-songs!

A cluster of poems

  • Date: About 1859
Text:

opposite side, as in some very similar notes currently housed at Duke University, point toward the 1860

content to the ground

  • Date: between 1845 and 1860
Text:

Some of the terms in the list at the bottom of the scrap were added to the poem eventually titled "A

added, but two of the terms that are struck through on this manuscrpit ("saltmaking" and "arsenal") were

Do I not prove myself

  • Date: Between 1850 and 1855
Text:

and structure, the manuscript most closely resembles lines 39–43 in Debris, a poem published in the 1860

Do I not prove myself

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

structure, the manuscript most closely resembles lines 39–43 in "Debris," a poem published in the 1860

Annotations Text:

structure, the manuscript most closely resembles lines 39–43 in "Debris," a poem published in the 1860

structure of this manuscript most closely resemble lines 39-43 in "Debris," a cluster published in the 1860

and confound them, / You shall see me showing a scarlet tomato, and a white pebble from the beach" (1860

[Fa]bles, traditions

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

manuscript also resemble lines 39–43 in the untitled fourteenth poem of the "Debris" cluster of the 1860

Annotations Text:

manuscript also resemble lines 39–43 in the untitled fourteenth poem of the "Debris" cluster of the 1860

the last few lines of this manuscript resemble lines 39-43 in "Debris," a cluster published in the 1860

and confound them, / You shall see me showing a scarlet tomato, and a white pebble from the beach" (1860

[Fa]bles, traditions, and

  • Date: Between 1850 and 1855
Text:

manuscript also resemble lines 39–43 in the untitled fourteenth poem of the Debris cluster of the 1860

The genuine miracles of Christ

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

The genuine miracles of Christ were such miracles as can always be produced.

and limitless floods," was used, slightly revised, in "A Song of Joys," which first appeared in the 1860

Annotations Text:

and limitless floods," was used, slightly revised, in "A Song of Joys," which first appeared in the 1860

and limitless floods," was used, slightly revised, in "A Song of Joys," which first appeared in the 1860

In the 1860 edition, the line reads, "O the joy of that vast elemental sympathy which only the human

The Great Laws do not

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

Both manuscript drafts were probably originally continuous with manuscript drafts on another leaf, from

Annotations Text:

"; Both manuscript drafts were probably originally continuous with manuscript drafts on another leaf,

I cannot guess what the

  • Date: Between 1850 and 1855
Text:

Both manuscript drafts were probably originally continuous with manuscript drafts on the leaf from which

I cannot guess what the

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

Both manuscript drafts were probably originally continuous with manuscript drafts on another leaf, from

Annotations Text:

"; Both manuscript drafts were probably originally continuous with manuscript drafts on another leaf,

I know a rich capitalist

  • Date: Between about 1854 and 1860
Text:

See Holloway, A Whitman Manuscript, American Mercury 3 (December 1924), 475–480. See also Andrew C.

One passage seems to have contributed to the 1860–1861 poem that Whitman later titled Our Old Feuillage

The first several lines of that poem (not including the line in question) were revised and published

as My Picture-Gallery in The American in October 1880 and then in Leaves of Grass as part of the Autumn

I know a rich capitalist

  • Date: Between about 1854 and 1860
  • Creator(s): Walt Whitman
Text:

I know a rich capitalist who, out of his wealth, built a marble church, the most splendid in the city

intended to scare away unrest The genuine m M an is not, as would have him, like one of a block of city

The first several lines of the notebook (not including this line) were revised and published as "My Picture-Gallery

" in The American in October 1880.

See Holloway, "A Whitman Manuscript," American Mercury 3 (December 1924), 475–480.

Annotations Text:

See Holloway, "A Whitman Manuscript," American Mercury 3 (December 1924), 475–480.

One passage seems to have contributed to the 1860–1861 poem that Whitman later titled "Our Old Feuillage

I know as well as

  • Date: Between 1850 and 1855
Text:

ultimately titled A Song for Occupations, and part of a cluster titled Debris that appeared in the 1860

I know as well as

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

the partition of in my nostrils; nose; I say that All the churches ever built now standing fail of were

ultimately titled "A Song for Occupations," and part of a cluster titled "Debris" that appeared in the 1860

Annotations Text:

ultimately titled "A Song for Occupations," and part of a cluster titled "Debris" that appeared in the 1860

uva.00251), this manuscript may also relate to lines 39-43 in "Debris," a cluster published in the 1860

and confound them, / You shall see me showing a scarlet tomato, and a white pebble from the beach" (1860

I see who you are

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

supplied last two lines on the recto, starting with "I see you and stand before you driver of horses," were

Annotations Text:

supplied last two lines on the recto, starting with "I see you and stand before you driver of horses," were

"Leaves of Grass"

  • Date: September 1887
  • Creator(s): Lewin, Walter
Text:

Nay, have we not felt we were in some sort worse than those others, because, being guilty, we were praised

A thousand copies were printed.

Few if any copies of the book were sold.

When the war was over he obtained, successively, two offices under the American Government.

Makepeace Thackeray (1811–1863), English novelist, best known for his satirical novel Vanity Fair American

Annotations Text:

.; American writer (1825–1878) who wrote for newspapers, travel books, novels, poetry, and critical essays

the finest strain that a human ear can hear, yet conclusively and past all refutation, that there were

Leaves of Grass (1855)

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

perfect equality of the female with the male . . . . the large amativeness—the fluid movement of the population—the

peace is the routine out of him speaks the spirit of peace, large, rich, thrifty, building vast and populous

deputed atonement . . knows that the young man who composedly periled his life and lost it has done exceeding

and in them were the fathers of sons . . . and in them were the fathers of sons.

one man . . . . he is the father of those who shall be fathers in their turns, In him the start of populous

Leaves of Grass (1856)

  • Date: 1856
  • Creator(s): Walt Whitman
Text:

to American persons, pro- gresses progresses , cities? Chicago, Canada, Arkansas?

I loved well those cities, I loved well the stately and rapid river, The men and women I saw were all

They were purified by death—they were taught and exalted.

ment atonement , Knows that the young man who composedly periled his life and lost it, has done exceeding

There are Thirty-Two States sketched—the population thirty millions.

Leaves of Grass (1860–1861)

  • Date: 1860–1861
  • Creator(s): Walt Whitman
Text:

Leaves of Grass (1860–1861) Leaves of Grass (1860–1861) a machine readable transcription Walt Whitman

to American persons, progresses, cities? Chicago, Kanada, Arkansas?

American masses!

AMERICAN mouth-songs!

ONCE I passed through a populous city, imprinting my brain, for future use, with its shows, architec-

Leaves of Grass (1867)

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

fool'd 114 Native Moments . . . . . . . . . . . . . . . . 115 Once I Pass'd through a Populous City

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

(RECEPTION JAPANESE EMBASSY, JUNE 16, 1860.)

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

Leaves of Grass (1871)

  • Date: 1871
  • Creator(s): Walt Whitman
Text:

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

American masses!

RECEPTION JAPANESE EMBASSY, JUNE, 1860. 1 OVER the western sea, hither from Niphon come, Courteous the

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

Leaves of Grass (1881–1882)

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

what were God?)

Leaves of Grass (1891–1892)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Y., South District)—renew'd (1883) 14 yrs. 2d ed'n 1856, Brooklyn—renew'd (1884) 14 yrs. 3d ed'n 1860

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

Leaves of Grass, "Come Closer to Me,"

  • Date: 1855
  • Creator(s): Walt Whitman
Text:

Were all educations practical and ornamental well displayed out of me, what would it amount to?

Were I as the head teacher or charitable proprietor or wise statesman, what would it amount to?

Were I to you as the boss employing and paying you, would that satisfy you?

The Congress convenes every December for you, Laws, courts, the forming of states, the charters of cities

and mangers . . the mows and racks: Manufactures . . commerce . . engineering . . the building of cities

Living Pictures

  • Date: Before 1855
  • Creator(s): Walt Whitman
Annotations Text:

The first several lines of the poem were published in 1880 as "My Picture-Gallery.

The most perfect wonders of

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

rivers, forests , —all are Not distant caverns, volcanoes, cataracts, curious islands, birds, foreign cities

My Spirit sped back to

  • Date: Between 1850 and 1855
Text:

combination of "Love" and "Dilation or Pride" is also articulated in Chants Democratic (No. 4) in the 1860

My Spirit sped back to

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

combination of "Love" and "Dilation or Pride" is also articulated in "Chants Democratic" (No. 4) in the 1860

Leaves of Grass, later titled "Our Old Feuillage": "Encircling all, vast-darting up and wide, the American

Poem of the Daily Work of the Workmen and Workwomen of These States.

  • Date: 1856
  • Creator(s): Walt Whitman
Text:

Were all educations practical and ornamental well displayed out of me, what would it amount to?

6 Were I as the head teacher, charitable proprietor, wise statesman, what would it amount to?

Were I to you as the boss employing and paying you, would that satisfy you?

statistics as far back as the records reach, is in you this hour, and myths and tales the same, If you were

, the trottoirs of a city when thousands of well-dressed people walk up and down, The cotton, woolen,

Poem—a perfect school

  • Date: Before or early in 1855
Text:

On the back of this leaf (tul.00002) are draft lines that were used in the third poem in the first (1855

Poem—a perfect school

  • Date: Before or early in 1855
  • Creator(s): Walt Whitman
Text:

rowing—the greatest persons come—the president comes and the governors come—political economy —the American

On the back of this leaf are draft lines that were used in the third poem in the first (1855) edition

Annotations Text:

.; On the back of this leaf are draft lines that were used in the third poem in the first (1855) edition

The Poetry of the Period

  • Date: October 1869
  • Creator(s): Austin, Alfred
Text:

As if it were necessary to trot back generation after generation to the Eastern records!"

"I will report all heroism from an American point of view." "America always!

I assert that all past days were what they should have been.

It is done in this fashion: "I see the cities of the earth, and make myself at random a part of them;

And do you rise higher than ever yet, O days, O cities! Crash heavier, heavier yet, O storms!

Priests

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

Leaves, ultimately titled "Song of Myself," and part of a cluster titled "Debris" that appeared in the 1860

Joel Myerson (New York: Garland, 1993); Major American Authors on CD-Rom: Walt Whitman (Westport, CT:

Annotations Text:

Leaves, ultimately titled "Song of Myself," and part of a cluster titled "Debris" that appeared in the 1860

manuscripts, this manuscript may also relate to lines 39-43 in "Debris," a cluster published in the 1860

and confound them, / You shall see me showing a scarlet tomato, and a white pebble from the beach" (1860

Joel Myerson (New York: Garland, 1993); Major American Authors on CD-Rom: Walt Whitman (Westport, CT:

Priests!

  • Date: Between 1850 and 1855
Text:

manuscripts, this manuscript may also relate to lines 39-43 in Debris, a cluster published in the 1860

and confound them, / You shall see me showing a scarlet tomato, and a white pebble from the beach" (1860

The regular old followers

  • Date: Between 1853 and 1855
Text:

Selections and subjects from this notebook were used in the 1855 edition of Leaves of Grass, including

The first several lines of the poem (not including this line) were revised and published in The American

The regular old followers

  • Date: Between 1853 and 1855
  • Creator(s): Walt Whitman
Text:

clipped-out segment of leaf002v, which continues onto the page that remains here, includes lines that were

Myself and Mine": "Let others praise eminent men and hold up peace—I hold up agitation and conflict" (1860

The first several lines of the poem (not including this line) were revised and published in The American

and the neighbor must fetch out a cup and go half halves; for both loved tea, and had no money, and were

Selections and subjects from this notebook were used in the 1855 edition of Leaves of Grass, including

Annotations Text:

Selections and subjects from this notebook were used in the 1855 edition of Leaves of Grass, including

Review of Leaves of Grass (1855)

  • Date: 22 March 1856
  • Creator(s): Anonymous
Text:

says Mr Emerson in the printed letter sent to us,—"I rubbed my eyes a little, to see if this sunbeam were

All I mark as my own, you shall offset it with your own, Else it were time lost listening to me.

If nothing lay more developed the quahaug and its callous shell were enough.

and mangers . . the mows and racks: Manufactures . . commerce . . engineering . . the building of cities

snowstorm or rainstorm . . . . the tow-trowsers . . . . the lodge-hut in the woods, and the still-hunt: City

Review of Leaves of Grass (1855)

  • Date: 1 April 1856
  • Creator(s): Anonymous
Text:

the name of this erratic and newest wonder; but at page 29 we find that he is— Walt Whitman, an American

The words 'an American' are a surplusage, 'one of the roughs' too painfully apparent; but what is intended

The chance of this might be formidable were it not ridiculous.

howling storm: The bearhunt or coonhunt . . . . . . the bonfire of shavings in the open lot in the city

All I mark as my own you shall offset it with your own, Else it were time lost listening to me.

Annotations Text:

The showman and entertainer Phineas Taylor Barnum (1810-1891) emphasized in his American Museum (purchased

Review of Poems by Walt Whitman

  • Date: 25 April 1868
  • Creator(s): Marston, John
Text:

, The best farms—others toiling and planting, and he unavoidably reaps, The noblest and costliest cities—others

feeling are caught, and of the grand yet melancholy suggestiveness which sets the whole picture, as it were

Sculpture

  • Date: 1850s
  • Creator(s): Walt Whitman
Text:

.— It was a part of architecture—the temple was not stood unfinished without statues, and so they were

built made with reference to the temple—they were not made abstractly by themselves.— give a similar

A Song for Occupations.

  • Date: 1881–1882
  • Creator(s): Walt Whitman
Text:

Were all educations practical and ornamental well display'd out of me, what would it amount to?

Were I as the head teacher, charitable proprietor, wise statesman, what would it amount to?

Were I to you as the boss employing and paying you, would that satisfy you?

(Because you are greasy or pimpled, or were once drunk, or a thief, Or that you are diseas'd, or rheumatic

Congress convenes every Twelfth-month for you, Laws, courts, the forming of States, the charters of cities

A Song for Occupations.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Were all educations practical and ornamental well display'd out of me, what would it amount to?

Were I as the head teacher, charitable proprietor, wise statesman, what would it amount to?

Were I to you as the boss employing and paying you, would that satisfy you?

(Because you are greasy or pimpled, or were once drunk, or a thief, Or that you are diseas'd, or rheumatic

Congress convenes every Twelfth-month for you, Laws, courts, the forming of States, the charters of cities

Talbot Wilson

  • Date: Between 1847 and 1854
  • Creator(s): Walt Whitman
Text:

The notes on American character relate to ideas expressed in "Song of Myself," most directly to the line

True noble expanded American character is raised on a far more lasting and universal basis than that

Every American young man should carry himself with the finished and haughty bearing of the greatest ruler

Perhaps it is everywhere on water and on land." (1855, pp. 51-2). whose sides are crowded with the rich cities

till I point the road along which leads to all the learning knowledge and truth and pleasure are the cities

To Workingmen

  • Date: 1867
  • Creator(s): Walt Whitman
Text:

American masses!

Were all educations, practical and ornamental, well display'd out of me, what would it amount to?

Were I as the head teacher, charitable proprietor, wise statesman, what would it amount to?

Were I to you as the boss employing and paying you, would that satisfy you?

Congress convenes every Twelfth-month for you; Laws, courts, the forming of States, the charters of cities

Walt Whitman

  • Date: 4 July 1868
  • Creator(s): Anonymous
Text:

where I was born, Well-begotten, and raised by a perfect mother; After roaming many lands—lover of populous

pavements; Dweller in Mannahatta ‡ , city of ships, my city— or on southern savannas; Or a soldier camped

probably had in his pockets while we were talking.

that men and women were flexible, real, alive! that everything was alive!

To think of all these wonders of city and country, and others taking great interest in them—and we taking

Back to top