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leave to live, as of no not as of right of its own, but by special favor; snufflin snivelling how it were

—I should be assured certain enough that those attributes were not in me.— Although it may balk and tremble

—Nature is not a young fellow * In the city when the streets have been long neglected, they heap up banks

"If the general" and "If you are happy" in the untitled third poem of the "Debris" cluster in the 1860

—What real Americans can be made out of slaves?

not equally interested in the preservation of those states or cities—or that portion was degraded form

first printed in the second (1856) and third (1860–1861) editions.

Whitman revised the text on leaf 23 verso to include a rather long passage that exceeded the space available

edition of Leaves of Grass but that the notebook also contains material clearly related to things that were

first printed in the second (1856) and third (1860–1861) editions.

Whitman revised the text on leaf 23 verso to include a rather long passage that exceeded the space available

. — If Though I were opposed by what I felt the science linguists and lore of the whole earth deny what

A father A mother as well as father, a child as well as a man; A N ot only an American, but an African

rings expand outward and outward Several phrases of this prose were probably later used, in somewhat

: "The best I had done seemed to me blank and suspicious, / My great thoughts, as I supposed them, were

Both manuscript drafts were probably originally continuous with manuscript drafts on another leaf, from

.; Both manuscript drafts were probably originally continuous with manuscript drafts on another leaf,

The first several lines of the notebook draft were revised and published as "My Picture-Gallery" in The

American in October 1880.

Both manuscript drafts were probably originally continuous with manuscript drafts on another leaf, from

.; Both manuscript drafts were probably originally continuous with manuscript drafts on another leaf,

perfect equality of the female with the male . . . . the large amativeness—the fluid movement of the population—the

peace is the routine out of him speaks the spirit of peace, large, rich, thrifty, building vast and populous

deputed atonement . . knows that the young man who composedly periled his life and lost it has done exceeding

and in them were the fathers of sons . . . and in them were the fathers of sons.

one man . . . . he is the father of those who shall be fathers in their turns, In him the start of populous

I saw the rich ladies in full dress at the soiree, I heard what the run of poets were saying so long,

back-top ; The faces of hunters and fishers, bulged at the brows —the shaved blanch'd faces of orthodox citi

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long.

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

American masses!

RECEPTION JAPANESE EMBASSY, JUNE, 1860. 1 OVER the western sea, hither from Niphon come, Courteous the

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

back-top ; The faces of hunters and fishers, bulged at the brows —the shaved blanch'd faces of orthodox citi

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long.

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard

noises of the night-owl and the wild-cat, and the whirr of the rattlesnake, The mocking-bird, the American

I WAS asking for something specific and perfect for my city, Whereupon lo!

city of spires and masts! City nested in bays! my city! ALL IS TRUTH.

all to the front, Invisibly with thee walking with kings with even pace the round world's promenade, Were

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

what were God?)

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard

Leaves of Grass (1860–1861) Leaves of Grass (1860–1861) a machine readable transcription Walt Whitman

to American persons, progresses, cities? Chicago, Kanada, Arkansas?

American masses!

AMERICAN mouth-songs!

ONCE I passed through a populous city, imprinting my brain, for future use, with its shows, architec-

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard

to American persons, pro- gresses progresses , cities? Chicago, Canada, Arkansas?

I loved well those cities, I loved well the stately and rapid river, The men and women I saw were all

They were purified by death—they were taught and exalted.

ment atonement , Knows that the young man who composedly periled his life and lost it, has done exceeding

There are Thirty-Two States sketched—the population thirty millions.

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard

Y., South District)—renew'd (1883) 14 yrs. 2d ed'n 1856, Brooklyn—renew'd (1884) 14 yrs. 3d ed'n 1860

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard

noises of the night-owl and the wild-cat, and the whirr of the rattlesnake, The mocking-bird, the American

I WAS asking for something specific and perfect for my city, Whereupon lo!

city of spires and masts! City nested in bays! my city! ALL IS TRUTH.

all to the front, Invisibly with thee walking with kings with even pace the round world's promenade, Were

I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long, Heard

fool'd 114 Native Moments . . . . . . . . . . . . . . . . 115 Once I Pass'd through a Populous City

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

(RECEPTION JAPANESE EMBASSY, JUNE 16, 1860.)

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

: Where the city stands with the brawniest breed of orators and bards; Where the city stands that is

; Where the city of the healthiest fathers stands Where the city of the best-bodied mothers stands; There

the grand city stands.

regarded with sorrow; and those with whom we lately fought, however misguided, however bedeviled, were

The thought of the comradeship of Americans is never absent from the poet's pages.

Pericles (c. 495-429 BC) advanced both Athenian democracy and the Athenian empire, ushering in the city's

We were aware of this, and expected in an American poet some one who would sing for us gently, in a minor

And to explain it evident and sufficient causes were producible, and were produced.

The splendour, picturesqueness, and oceanic amplitude and rush of these great cities, the unsurpassed

but such a picture only represents the worst side of the life of great cities.

Only I will establish in the Mannahatta, and in every city of These States, inland and seaboard, And

the woman of the Indian tribes, are represented in the "Songs of the Sierras" as never before in American

Year 85 of the States—1860-61. 1 vol., pp. 456.

His writings were neither poetry nor prose, but a curious medley, a mixture of quaint utterances and

people were to be enlightened and civilized and cultivated up to the proper standard, by virtue of his

How the floridness of the materials of cities shriv- els shrivels before a man's or woman's look!

The comedic works of François Rabelais (c. 1490-1553) were known for their risqué quality.

The comedic works of François Rabelais (c. 1490-1553) were known for their risqué quality.

In his volume all the objectionable passages which were the cause of so much complaint at the time of

range and diversity—always the continent of Democracy; Always the prairies, pastures, forests, vast cities

Their eulogies, however, were rather on the thoughts and sentiments of the author than praise of his

Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at

Phidias and Raphael and Beethoven were judged in accordance with the merits of what they produced.

than the one which is the caption of this paper, nor one that has attracted more attention in the American

clear up the passages in nature which God has left obscure; the writer does not explain that the poems were

The first several lines of that poem were revised and published as My Picture-Gallery in The American

Grass, in addition to a few images and phrasings that Whitman used in the second (1856) and third (1860

A brief passage on surface 12 possibly contributed to the poem first published in 1860 as the fourth

Two passages on surface 21 were used in the tenth poem of the 1855 Leaves of Grass, later titled There

Two of the draft lines of poetry on surface 31 were used in the untitled third poem of the Debris cluster

in the 1860 edition of Leaves of Grass.