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As if it were necessary to trot back generation after generation to the Eastern records!"

"I will report all heroism from an American point of view." "America always!

I assert that all past days were what they should have been.

It is done in this fashion: "I see the cities of the earth, and make myself at random a part of them;

And do you rise higher than ever yet, O days, O cities! Crash heavier, heavier yet, O storms!

adding stroke after stroke, part after part, as serenely and good-naturedly as if the rest of mankind were

been building so long is a man—a new democratic man, whom he believes to be typical of the future American

Song of the Broad Axe' and 'To Working-Men' comprise most of those poems which, in other editions, were

of West Hills, Long Island, in the state of New York, somewhere about thirty miles from the great American

To the very dregs and scum and squalor of the evil streets of a bad city he cries out—by a subtle violation

At the City Dead House in his "Leaves of Grass," we see him standing—gazing—yearning, in tenderest pity

And, as it has been with those, so it is now and henceforth with this true American Poet Walt Whitman

the manly poet himself going his sickening rounds in the ghastly hospitals, all through the great American

Pierre-Jean de Béranger (1780-1857) was a popular and influential French poet and songwriter whose lyrics were

reference to holly alludes to Burns's poem, "The Vision" (1786): "Green, slender, leaf-clad holly boughs/Were

City Lunch N.Y.

Express, Oct. 21, 1856 "But for the American party, the Northern, sectional, geographical party of Wm

To you endless an To you, these, to report nature, man, politics, from an American point of view.

Lo, interminable intersecting streets in cities, full of living people, coming and going!

Ohioan and Kentuckian, a friendly neighbor, W Sauntering the streets of Boston, Portland, long list of cities

(See Bowers, Whitman's Manuscripts: Leaves of Grass [1860] A Parallel Text [Chicago: The University of

It is of course possible, however, that parts of the notebook were inscribed before and/or after the

Much of the notebook is devoted to draft material for the 1860 poem eventually titled "Starting from

brief passage (on the verso of leaf 25) seems clearly to have contributed to "Song at Sunset," another 1860

It is unclear which pages were inscribed first; furthermore, several of the leaves have become detached

of the Western Sea; As I roam'd the streets of inland Chicago—whatever streets I have roam'd; Or cities

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

American masses!

RECEPTION JAPANESE EMBASSY, JUNE, 1860. 1 OVER the western sea, hither from Niphon come, Courteous the

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

kings removed; I see this day the People beginning their landmarks, (all others give way;) —Never were

results of the war glorious and inevitable—and they again leading to other results;) How the great cities

there—of happiness in those high plateaus, ranging three thousand miles, warm and cold; Of mighty inland cities

of the Western Sea; As I roam'd the streets of inland Chicago—whatever streets I have roam'd; Or cities

WHEN I heard the learn'd astronomer; When the proofs, the figures, were ranged in columns before me;

European kings removed, I see this day the People beginning their landmarks, (all others give way;) Never were

what life, what joy and pride, With all the perils were yours.)

How the great cities appear—how the Democratic masses, turbu- lent turbulent , wilful, as I love them

to city, joining, sounding, passing, Those heart-beats of a Nation in the night.

announce adhesiveness, I say it shall be limitless, unloosen'd, I say you shall yet find the friend you were

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

what were God?)

of the Western Sea, As I roam'd the streets of inland Chicago, whatever streets I have roam'd, Or cities

Leaves of Grass (1860–1861) Leaves of Grass (1860–1861) a machine readable transcription Walt Whitman

to American persons, progresses, cities? Chicago, Kanada, Arkansas?

American masses!

AMERICAN mouth-songs!

ONCE I passed through a populous city, imprinting my brain, for future use, with its shows, architec-

Chants Democratic and Native American 8 8.

of the Western Sea, As I roam'd the streets of inland Chicago, whatever streets I have roam'd, Or cities

Cluster: Chants Democratic and Native American. (1860) CHANTS DEMOCRATIC AND NATIVE AMERICAN.

to American persons, progresses, cities? Chicago, Kanada, Arkansas?

Were those your vast and solid?

American masses!

AMERICAN mouth-songs!

Y., South District)—renew'd (1883) 14 yrs. 2d ed'n 1856, Brooklyn—renew'd (1884) 14 yrs. 3d ed'n 1860

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

European kings removed, I see this day the People beginning their landmarks, (all others give way;) Never were

what life, what joy and pride, With all the perils were yours.)

How the great cities appear—how the Democratic masses, turbu- lent turbulent , wilful, as I love them

to city, joining, sounding, passing, Those heart-beats of a Nation in the night.

announce adhesiveness, I say it shall be limitless, unloosen'd, I say you shall yet find the friend you were

fool'd 114 Native Moments . . . . . . . . . . . . . . . . 115 Once I Pass'd through a Populous City

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

(RECEPTION JAPANESE EMBASSY, JUNE 16, 1860.)

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

In the 1860 edition of Leaves of Grass Whitman published this poem as section 8 of Chants Democratic.

These corrections were probably intended for the 1881–82 edition of Leaves of Grass.

between rough drafts of poems in this notebook (called An Early Notebook in White's edition) and the 1860

On surface 54 is a passage that seems to have contributed to the 1860 poem that became Song at Sunset