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The notes on American character relate to ideas expressed in "Song of Myself," most directly to the line
True noble expanded American character is raised on a far more lasting and universal basis than that
Every American young man should carry himself with the finished and haughty bearing of the greatest ruler
Perhaps it is everywhere on water and on land." (1855, pp. 51-2). whose sides are crowded with the rich cities
till I point the road along which leads to all the learning knowledge and truth and pleasure are the cities
ALL day I have walked the city and talked with my friends, and thought of prudence, Of time, space, reality—of
ment atonement , Knows that the young man who composedly periled his life and lost it, has done exceeding
Lines from this manuscript were used in the preface to the 1855 edition of Leaves of Grass.
Lines from this manuscript were used in the preface to the 1855 edition of Leaves of Grass.
composition, but it was probably written before or early in 1855.; Sentences from this manuscript were
.00232Not to DazzleBefore or early in 1855number of leaves unknownprosepoetry; Lines from this manuscript were
Y., South District)—renew'd (1883) 14 yrs. 2d ed'n 1856, Brooklyn—renew'd (1884) 14 yrs. 3d ed'n 1860
ONCE I PASS'D THROUGH A POPULOUS CITY.
ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture
What does it mean to American persons, progresses, cities?
A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and
ONCE I PASS'D THROUGH A POPULOUS CITY.
ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture
What does it mean to American persons, progresses, cities?
A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and
what were God?)
ONCE I PASS'D THROUGH A POPULOUS CITY.
ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-
American masses!
RECEPTION JAPANESE EMBASSY, JUNE, 1860. 1 OVER the western sea, hither from Niphon come, Courteous the
to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?
fool'd 114 Native Moments . . . . . . . . . . . . . . . . 115 Once I Pass'd through a Populous City
ONCE I PASS'D THROUGH A POPULOUS CITY.
ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-
(RECEPTION JAPANESE EMBASSY, JUNE 16, 1860.)
to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?
to American persons, pro- gresses progresses , cities? Chicago, Canada, Arkansas?
I loved well those cities, I loved well the stately and rapid river, The men and women I saw were all
They were purified by death—they were taught and exalted.
ment atonement , Knows that the young man who composedly periled his life and lost it, has done exceeding
There are Thirty-Two States sketched—the population thirty millions.
back-top ; The faces of hunters and fishers, bulged at the brows —the shaved blanch'd faces of orthodox citi
I saw the rich ladies in full dress at the soiree, I heard what the singers were singing so long.
hospitable, (thou only art hospitable as God is hospitable.) 4 When late I sang sad was my voice, Sad were
THE CITY DEAD-HOUSE.
O I know that those men and women were not for nothing, any more than we are for nothing, I know that
suite of noble rooms, 'Mid plenteous books and journals, paintings on the walls, fine statuettes, Were
A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and
hospitable, (thou only art hospitable as God is hospitable.) 4 When late I sang sad was my voice, Sad were
THE CITY DEAD-HOUSE.
O I know that those men and women were not for nothing, any more than we are for nothing, I know that
suite of noble rooms, 'Mid plenteous books and journals, paintings on the walls, fine statuettes, Were
A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and
The 1860–61 edition of Leaves of Grass introduced two new poems created in this way: Poem of Many in