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Grass, in addition to a few images and phrasings that Whitman used in the second (1856) and third (1860

A brief passage on surface 12 possibly contributed to the poem first published in 1860 as the fourth

Two passages on surface 21 were used in the tenth poem of the 1855 Leaves of Grass, later titled There

Two of the draft lines of poetry on surface 31 were used in the untitled third poem of the Debris cluster

in the 1860 edition of Leaves of Grass.

"If the general" and "If you are happy" in the untitled third poem of the "Debris" cluster in the 1860

—What real Americans can be made out of slaves?

not equally interested in the preservation of those states or cities—or that portion was degraded form

first printed in the second (1856) and third (1860–1861) editions.

Whitman revised the text on leaf 23 verso to include a rather long passage that exceeded the space available

edition of Leaves of Grass but that the notebook also contains material clearly related to things that were

first printed in the second (1856) and third (1860–1861) editions.

Whitman revised the text on leaf 23 verso to include a rather long passage that exceeded the space available

The notes on American character relate to ideas expressed in "Song of Myself," most directly to the line

True noble expanded American character is raised on a far more lasting and universal basis than that

Every American young man should carry himself with the finished and haughty bearing of the greatest ruler

Perhaps it is everywhere on water and on land." (1855, pp. 51-2). whose sides are crowded with the rich cities

till I point the road along which leads to all the learning knowledge and truth and pleasure are the cities

You flagg'd walks of the cities! you strong curbs at the edges! You ferries!

I think heroic deeds were all conceiv'd in the open air, and all great poems also; I think I could stop

Whoever accepts me, he or she shall be blessed, and shall bless me. 6 Now if a thousand perfect men were

to which you were destin'd— you hardly settle yourself to satisfaction, before you are call'd by an

countries, habitus of far- distant far-distant dwellings, Trusters of men and women, observers of cities

You flagg'd walks of the cities! you strong curbs at the edges! You ferries!

I think heroic deeds were all conceiv'd in the open air, and all free poems also, I think I could stop

Whoever accepts me he or she shall be blessed and shall bless me. 6 Now if a thousand perfect men were

to which you were destin'd, you hardly settle yourself to satisfaction before you are call'd by an irresistible

couple, and the fruits of orchards and flowers of gardens, To take to your use out of the compact cities

You flagg'd walks of the cities! you strong curbs at the edges! You ferries!

I think heroic deeds were all conceiv'd in the open air, and all free poems also, I think I could stop

Whoever accepts me he or she shall be blessed and shall bless me. 6 Now if a thousand perfect men were

to which you were destin'd, you hardly settle yourself to satisfaction before you are call'd by an irresistible

couple, and the fruits of orchards and flowers of gardens, To take to your use out of the compact cities

You flagg'd walks of the cities! you strong curbs at the edges! You ferries!

I think heroic deeds were all conceiv'd in the open air; I think I could stop here myself, and do miracles

Whoever accepts me, he or she shall be blessed, and shall bless me. 6 Now if a thousand perfect men were

to which you were des- tined destined —you hardly settle yourself to satisfaction, before you are call'd

the fruits of or- chards orchards and flowers of gardens, To take to your use out of the compact cities

You flagged walks of the cities! you strong curbs at the edges! You ferries!

I think heroic deeds were all conceived in the open air, I think I could stop here myself, and do miracles

Now if a thousand perfect men were to appear, it would not amaze me, Now if a thousand beautiful forms

to which you were des- tined destined —you hardly settle yourself to satisfaction, before you are called

different countries, habitues of far- distant dwellings, Trusters of men and women, observers of cities

You flagged walks of the cities! you strong curbs at the edges! You ferries!

I think heroic deeds were all conceived in the open air, I think I could stop here myself, and do miracles

Now if a thousand perfect men were to appear, it would not amaze me, Now if a thousand beautiful forms

to which you were destined—you hardly settle yourself to satis- faction satisfaction , before you are

To take to your use out of the compact cities as you pass through!

similarity this fragment bears both to the 1856 Poem of the Road (later Song of the Open Road) and to the 1860

revision of the former poem or, as seems more likely, an early draft of Proto-Leaf intended for the 1860

leave to live, as of no not as of right of its own, but by special favor; snufflin snivelling how it were

—I should be assured certain enough that those attributes were not in me.— Although it may balk and tremble

—Nature is not a young fellow * In the city when the streets have been long neglected, they heap up banks

Year 85 of the States—1860-61. 1 vol., pp. 456.

His writings were neither poetry nor prose, but a curious medley, a mixture of quaint utterances and

people were to be enlightened and civilized and cultivated up to the proper standard, by virtue of his

How the floridness of the materials of cities shriv- els shrivels before a man's or woman's look!

The comedic works of François Rabelais (c. 1490-1553) were known for their risqué quality.

The comedic works of François Rabelais (c. 1490-1553) were known for their risqué quality.

Y., South District)—renew'd (1883) 14 yrs. 2d ed'n 1856, Brooklyn—renew'd (1884) 14 yrs. 3d ed'n 1860

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

what were God?)

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

American masses!

RECEPTION JAPANESE EMBASSY, JUNE, 1860. 1 OVER the western sea, hither from Niphon come, Courteous the

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

fool'd 114 Native Moments . . . . . . . . . . . . . . . . 115 Once I Pass'd through a Populous City

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

(RECEPTION JAPANESE EMBASSY, JUNE 16, 1860.)

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

Leaves of Grass (1860–1861) Leaves of Grass (1860–1861) a machine readable transcription Walt Whitman

to American persons, progresses, cities? Chicago, Kanada, Arkansas?

American masses!

AMERICAN mouth-songs!

ONCE I passed through a populous city, imprinting my brain, for future use, with its shows, architec-

to American persons, pro- gresses progresses , cities? Chicago, Canada, Arkansas?

I loved well those cities, I loved well the stately and rapid river, The men and women I saw were all

They were purified by death—they were taught and exalted.

ment atonement , Knows that the young man who composedly periled his life and lost it, has done exceeding

There are Thirty-Two States sketched—the population thirty millions.

early in 1855poetryprose1 leafhandwritten; This draft fragment includes phrases and poetic lines that were

begun never tires Most works of art tire This draft fragment includes phrases and poetic lines that were

This draft fragment includes phrases and poetic lines that were revised and used in different editions

The manuscript is written on the blank side of an 1850s tax form from the City of Williamsburgh.

Fredson Bowers, have generally assumed that Whitman used the Williamsburgh tax forms from 1857 to 1860

The city of Williamsburgh was incorporated with Brooklyn effective January 1855, so the forms would have

been obsolete after that date (Whitman's Manuscripts: Leaves of Grass [1860] [Chicago: University of

At least two of the tax forms Whitman used were dated 1854 (see, for instance, "Vast national tracts"

The manuscript is written on the blank side of an 1850s tax form from the City of Williamsburgh.

Fredson Bowers, have generally assumed that Whitman used the Williamsburgh tax forms from 1857 to 1860

The city of Williamsburgh was incorporated with Brooklyn effective January 1855, so the forms would have

been obsolete after that date (Whitman's Manuscripts: Leaves of Grass [1860] [Chicago: University of

At least two of the tax forms Whitman used were dated 1854 (see, for instance, "Vast national tracts"

The manuscript is written on the blank side of an 1850s tax form from the City of Williamsburgh.

Fredson Bowers, have generally assumed that Whitman used the Williamsburgh tax forms from 1857 to 1860

The city of Williamsburgh was incorporated with Brooklyn effective January 1855, so the forms would have

been obsolete after that date (Whitman's Manuscripts: Leaves of Grass [1860] [Chicago: University of

At least two of the tax forms Whitman used were dated 1854 (see, for instance, "Vast national tracts"

See Holloway, A Whitman Manuscript, American Mercury 3 (December 1924), 475–480. See also Andrew C.

One passage seems to have contributed to the 1860–1861 poem that Whitman later titled Our Old Feuillage

The first several lines of that poem (not including the line in question) were revised and published

as My Picture-Gallery in The American in October 1880 and then in Leaves of Grass as part of the Autumn

I know a rich capitalist who, out of his wealth, built a marble church, the most splendid in the city

intended to scare away unrest The genuine m M an is not, as would have him, like one of a block of city

The first several lines of the notebook (not including this line) were revised and published as "My Picture-Gallery

" in The American in October 1880.

See Holloway, "A Whitman Manuscript," American Mercury 3 (December 1924), 475–480.

See Holloway, "A Whitman Manuscript," American Mercury 3 (December 1924), 475–480.

One passage seems to have contributed to the 1860–1861 poem that Whitman later titled "Our Old Feuillage