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Almost at the first page we opened we lighted upon the confession that the author was "W , an American
be extracted from a periodical entitled the United States Review , the other was headed 'From the American
If I were to suspect death I should die now.
by death…They were taught and exalted.
We are much mistaken if, after all, he does not yet contribute something to American literature which
Anacreon (582 BC-485 BC) was an ancient Green lyric poet whose most popular poems were celebrations of
where I was born, Well-begotten, and raised by a perfect mother; After roaming many lands—lover of populous
pavements; Dweller in Mannahatta ‡ , city of ships, my city— or on southern savannas; Or a soldier camped
probably had in his pockets while we were talking.
that men and women were flexible, real, alive! that everything was alive!
To think of all these wonders of city and country, and others taking great interest in them—and we taking
A NEW AMERICAN POEM.
It has been a favorite subject of complaint with English critics and reviewers, in treating of American
efforts in polite letters have been but feeble imitations of English originals, lunar reflections, as it were
She married Heenan in September 1859; it became public knowledge in January 1860.
Review of Leaves of Grass (1860–61)
the New Nebuchadnezzar" in a list of Henry Clapp's bon mots in the New-York Saturday Press, May 26, 1860
On 16 April 1860, in Farnborough, England, Heenan fought Tom Sayers, the British Champion, in the "World
She married Heenan in September 1859; it became public knowledge in January 1860.
In February 1860 Alexander Menken revealed that he had never divorced Adah and she was publicly reviled
published a number of poems in the Sunday Mercury, including "The Autograph on the Soul" in April 1860
Review of Leaves of Grass (1860–61)
contemporary lands, I will trail the whole geography of the globe, and salute cour- teously courteously every city
oceans and inland seas, over the continents of the world, over mountains, forests, rivers, plains, and cities
Consequently, Walt Whitman, who presents himself as the Poet of the American Republic in the Present
Meantime we submit, as appropriate in this connection, the following critical remarks from the North American
Year 85 of the States (1860—61). Walt Whitman
of West Hills, Long Island, in the state of New York, somewhere about thirty miles from the great American
To the very dregs and scum and squalor of the evil streets of a bad city he cries out—by a subtle violation
At the City Dead House in his "Leaves of Grass," we see him standing—gazing—yearning, in tenderest pity
And, as it has been with those, so it is now and henceforth with this true American Poet Walt Whitman
the manly poet himself going his sickening rounds in the ghastly hospitals, all through the great American
Pierre-Jean de Béranger (1780-1857) was a popular and influential French poet and songwriter whose lyrics were
reference to holly alludes to Burns's poem, "The Vision" (1786): "Green, slender, leaf-clad holly boughs/Were
Nay, have we not felt we were in some sort worse than those others, because, being guilty, we were praised
A thousand copies were printed.
Few if any copies of the book were sold.
When the war was over he obtained, successively, two offices under the American Government.
Makepeace Thackeray (1811–1863), English novelist, best known for his satirical novel Vanity Fair American
.; American writer (1825–1878) who wrote for newspapers, travel books, novels, poetry, and critical essays
the finest strain that a human ear can hear, yet conclusively and past all refutation, that there were
The notes on American character relate to ideas expressed in "Song of Myself," most directly to the line
True noble expanded American character is raised on a far more lasting and universal basis than that
Every American young man should carry himself with the finished and haughty bearing of the greatest ruler
Perhaps it is everywhere on water and on land." (1855, pp. 51-2). whose sides are crowded with the rich cities
till I point the road along which leads to all the learning knowledge and truth and pleasure are the cities
leave to live, as of no not as of right of its own, but by special favor; snufflin snivelling how it were
—I should be assured certain enough that those attributes were not in me.— Although it may balk and tremble
—Nature is not a young fellow * In the city when the streets have been long neglected, they heap up banks
Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport
Joel Myerson (New York: Garland, 1993), 2:522-523; Major American Authors on CD-Rom: Walt Whitman (Westport
cold—as the soiledness of animals and the bareness of vegetables and minerals No more than these th were
possibility that Whitman drafted this manuscript in the early 1850s, as he was composing the poems that were
possibility that Whitman drafted this manuscript in the early 1850s, as he was composing the poems that were
Are the American aborigines and the neg a z Z ambo or a foreheadless c C rowfoot or Comanche Camanche
It became "Burial Poem" in 1856, "Burial" in 1860 and 1867, and took its final title, "To Think of Time
The first lines of the notebook poem were revised and published as "My Picture-Gallery" in The American
springing from all trades and employments, and effusing them and from sailors and landsmen, and from the city
perfect equality of the female with the male . . . . the large amativeness—the fluid movement of the population—the
peace is the routine out of him speaks the spirit of peace, large, rich, thrifty, building vast and populous
deputed atonement . . knows that the young man who composedly periled his life and lost it has done exceeding
and in them were the fathers of sons . . . and in them were the fathers of sons.
one man . . . . he is the father of those who shall be fathers in their turns, In him the start of populous
To think that the sun rose in the east . . . . that men and women were flexible and real and alive .
. and act upon others as upon us now . . . . yet not act upon us; To think of all these wonders of city
Do you enjoy yourself in the city? or engaged in business?
It is not to diffuse you that you were born of your mother and father—it is to identify you, It is not
barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing . . . . the American
ONCE I PASS'D THROUGH A POPULOUS CITY.
ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture
What does it mean to American persons, progresses, cities?
A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and
what were God?)
To think that the sun rose in the east—that men and women were flexible, real, alive—that every thing
To think the thought of death merged in the thought of materials, To think of all these wonders of city
To think how much pleasure there is, Do you enjoy yourself in the city? or engaged in business?
7 It is not to diffuse you that you were born of your mother and father, it is to identify you, It is
The threads that were spun are gather'd, the weft crosses the warp, the pattern is systematic.
that men and women were flexible, real, alive! that every- thing everything was alive!
To think of all these wonders of city and country, and others taking great interest in them—and we taking
Do you enjoy yourself in the city? or engaged in business?
The threads that were spun are gathered, the weft crosses the warp, the pattern is systematic.
The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American
Leaves of Grass (1860–1861) Leaves of Grass (1860–1861) a machine readable transcription Walt Whitman
to American persons, progresses, cities? Chicago, Kanada, Arkansas?
American masses!
AMERICAN mouth-songs!
ONCE I passed through a populous city, imprinting my brain, for future use, with its shows, architec-
To think that the sun rose in the east—that men and women were flexible, real, alive—that every thing
To think the thought of death merged in the thought of materials, To think of all these wonders of city
To think how much pleasure there is, Do you enjoy yourself in the city? or engaged in business?
7 It is not to diffuse you that you were born of your mother and father, it is to identify you, It is
The threads that were spun are gather'd, the weft crosses the warp, the pattern is systematic.
to American persons, pro- gresses progresses , cities? Chicago, Canada, Arkansas?
I loved well those cities, I loved well the stately and rapid river, The men and women I saw were all
They were purified by death—they were taught and exalted.
ment atonement , Knows that the young man who composedly periled his life and lost it, has done exceeding
There are Thirty-Two States sketched—the population thirty millions.
that men and women were flexible, real, alive! that every thing was alive!
To think of all these wonders of city and country, and others taking great interest in them—and we taking
Do you enjoy yourself in the city? or engaged in business?
The threads that were spun are gathered, the weft crosses the warp, the pattern is systematic.
barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing — the American
Y., South District)—renew'd (1883) 14 yrs. 2d ed'n 1856, Brooklyn—renew'd (1884) 14 yrs. 3d ed'n 1860
ONCE I PASS'D THROUGH A POPULOUS CITY.
ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture
What does it mean to American persons, progresses, cities?
A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and
that men and women were flexible, real, alive! that every- thing everything was alive!
To think of all these wonders of city and country, and others taking great interest in them—and we taking
Do you enjoy yourself in the city? or engaged in business?
The threads that were spun are gathered, the weft crosses the warp, the pattern is systematic.
barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing— the American
fool'd 114 Native Moments . . . . . . . . . . . . . . . . 115 Once I Pass'd through a Populous City
ONCE I PASS'D THROUGH A POPULOUS CITY.
ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-
(RECEPTION JAPANESE EMBASSY, JUNE 16, 1860.)
to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?
possibility that Whitman drafted this manuscript in the early 1850s, as he was composing the poems that were