Search Results

here, from parents the same and their parents' parents the same," and hence, physiologically, is American

issued in Boston as a 12mo. of 456 pages, in 1860.

No American work has ever before excited at once such diametrically opposite judgments, some seeing in

matter for ridicule and contempt; others, eminent in the walks of literature, regarding it as a great American

illustration of the character upon which his book is predicated, and which he believes to be typical of the American

WALT WHITMAN, THE AMERICAN POET OF DEMOCRACY.

had in his pocket while we were talking.

These were all inarticulate poets, and he interpreted them.

sonorous voice ringing across the continent; Your masculine voice, O year, as, rising amid the great cities

Walt Whitman, The American Poet of Democracy

of the leading publishers of the United States is a literary event, for through it the greatest American

I rubbed my eyes a little to see if this sunbeam were no illusion, but the solid sense of the book is

He looks exceeding well in his broad hat, wide collar and suit of modest gray.

unknown before, Subtler than ever, more harmony, as if born here, re- lated related here, Not to the city's

is already established as a popular American classic.

His love of New York City has more in common with Gavroche's love for Paris than with that of Victor

The fact that the "songs" in Drum-Taps were written under such circumstances ought to have rebutted in

of the news from Sumter upon New York is thus described:— "The Lady of this teeming and turbulent city

"Over the breast of the spring, the land, amid cities; Amid the grass in the fields each side of the

a military outpost near Charleston, South Carolina, was the location of the first battle of the American

both a place and the name of the Democratic Party political machine that often controlled New York City

a military outpost near Charleston, South Carolina, was the location of the first battle of the American

fool'd 114 Native Moments . . . . . . . . . . . . . . . . 115 Once I Pass'd through a Populous City

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city, imprinting my brain, for future use, with its shows, architec-

(RECEPTION JAPANESE EMBASSY, JUNE 16, 1860.)

to American persons, pro- gresses progresses , cities? Chicago, Kanada, Arkansas?

Nay, have we not felt we were in some sort worse than those others, because, being guilty, we were praised

A thousand copies were printed.

Few if any copies of the book were sold.

When the war was over he obtained, successively, two offices under the American Government.

Makepeace Thackeray (1811–1863), English novelist, best known for his satirical novel Vanity Fair American

.; American writer (1825–1878) who wrote for newspapers, travel books, novels, poetry, and critical essays

the finest strain that a human ear can hear, yet conclusively and past all refutation, that there were

We were aware of this, and expected in an American poet some one who would sing for us gently, in a minor

And to explain it evident and sufficient causes were producible, and were produced.

The splendour, picturesqueness, and oceanic amplitude and rush of these great cities, the unsurpassed

but such a picture only represents the worst side of the life of great cities.

Only I will establish in the Mannahatta, and in every city of These States, inland and seaboard, And

the woman of the Indian tribes, are represented in the "Songs of the Sierras" as never before in American

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

what were God?)

Y., South District)—renew'd (1883) 14 yrs. 2d ed'n 1856, Brooklyn—renew'd (1884) 14 yrs. 3d ed'n 1860

ONCE I PASS'D THROUGH A POPULOUS CITY.

ONCE I pass'd through a populous city imprinting my brain for future use with its shows, architecture

What does it mean to American persons, progresses, cities?

A NEWER garden of creation, no primal solitude, Dense, joyous, modern, populous millions, cities and

of countless squads of vagabond children, the hideousness and squalor of certain quarters of the cities

Revenue department at Washington, who is led by the course of his employment to regularly visit the cities

The great cities reek with respectable as much as non-respectable robbery and scoundrelism.

He found the average American in the United States' armies, under pressure of want, disease, danger,

If a motto were to be chosen for "The Two Rivulets," and for Walt Whitman generally, it should be that

London: Chatto & Windus) S EVERAL years have now passed since Walt Whitman's poetical works and claims were

entirely uniform; sometimes he speaks as a federation of nations, sometimes as if mankind at large were

This is what he calls "robust American love."

the rising and sinking waves—over the myriad fields and the prairies wide; Over the dense-packed cities

pseudonym of Johann Paul Friedrich Richter) (1763-1825) was a German novelist and humorist, whose works were

pseudonym of Johann Paul Friedrich Richter) (1763-1825) was a German novelist and humorist, whose works were

that the book is not amenable to the laws against sending obscene literature through the mails; and were

and there, With ranging hills on the banks, with many a line against the sky, and shadows, And the city

declare that Walt Whitman has not the poet's gift in the slightest measure—that he is only an ignorant American

He could not have been bred anywhere but in a certain part of New York city a generation ago—in any other

And American letters were in a peculiar transition state when he made his first appearance in print,

wast not granted to sing thou would'st surely die.) 5 Over the breast of the spring, the land, amid cities

not what kept me from sleep,) As the night advanced, and I saw on the rim of the west how full you were

and there, With ranging hills on the banks, with many a line against the sky, and shadows, And the city

men, I saw them, I saw the debris and debris of all the slain soldiers of the war, But I saw they were

not as was thought, They themselves were fully at rest, they suffer'd not, The living remain'd and suffer'd

wast not gifted to sing, thou would'st surely die.) 5 Over the breast of the spring, the land, amid cities

and night, with the great cloud darkening the land, With the pomp of the inloop'd flags, with the cities

me from sleep;) As the night advanced, and I saw on the rim of the west, ere you went, how full you were

skeletons of young men—I saw them; I saw the debris and debris of all dead soldiers; But I saw they were

not as was thought; They themselves were fully at rest—they suffer'd not; The living remain'd and suffer'd—the

of West Hills, Long Island, in the state of New York, somewhere about thirty miles from the great American

To the very dregs and scum and squalor of the evil streets of a bad city he cries out—by a subtle violation

At the City Dead House in his "Leaves of Grass," we see him standing—gazing—yearning, in tenderest pity

And, as it has been with those, so it is now and henceforth with this true American Poet Walt Whitman

the manly poet himself going his sickening rounds in the ghastly hospitals, all through the great American

Pierre-Jean de Béranger (1780-1857) was a popular and influential French poet and songwriter whose lyrics were

reference to holly alludes to Burns's poem, "The Vision" (1786): "Green, slender, leaf-clad holly boughs/Were

wast not granted to sing thou would'st surely die.) 5 Over the breast of the spring, the land, amid cities

not what kept me from sleep,) As the night advanced, and I saw on the rim of the west how full you were

and there, With ranging hills on the banks, with many a line against the sky, and shadows, And the city

men, I saw them, I saw the debris and debris of all the slain soldiers of the war, But I saw they were

not as was thought, They themselves were fully at rest, they suffer'd not, The living remain'd and suffer'd

wast not granted to sing thou would'st surely die.) 5 Over the breast of the spring, the land, amid cities

day and night with the great cloud darkening the land, With the pomp of the inloop'd flags with the cities

not what kept me from sleep,) As the night advanced, and I saw on the rim of the west how full you were

and there, With ranging hills on the banks, with many a line against the sky, and shadows, And the city

men, I saw them, I saw the debris and debris of all the slain soldiers of the war, But I saw they were

wast not granted to sing thou would'st surely die.) 5 Over the breast of the spring, the land, amid cities

day and night with the great cloud darkening the land, With the pomp of the inloop'd flags with the cities

not what kept me from sleep,) As the night advanced, and I saw on the rim of the west how full you were

and there, With ranging hills on the banks, with many a line against the sky, and shadows, And the city

men, I saw them, I saw the debris and debris of all the slain soldiers of the war, But I saw they were

Whitman says, in a manner which, if irony were not a mode rather foreign to him, we should consider ironical

We should be very much surprised if they were not. William O'Connor and Dr.

Glance o'er Travel'd Roads" amounts to an acknowledgment by Walt Whitman himself, not that his critics were

the rising and sinking waves—over the myriad fields and the prairies wide: Over the dense-packed cities

so—was indeed not in the original "Leaves of Grass," as it appeared more than thirty years ago, nor were

These words were evidently used as Whitman composed When Lilacs Last in the Dooryard Bloom'd, first published

Walt (Walter) Whitman, except the occasional brilliant scraps which English papers copy from their American

Rossetti insists that it must be taken as an altogether new poetry: as something as distinctively American

power—pulse of the continent," offer the finest embodiment of the grandeur of applied mechanics which American

thought, and writing; and from this effort, whatever the mistakes or limitations of its method, American

He has not omitted, as some editors might have done, In a City Dead House and The Flight of the Eagles