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City Lunch N.Y.
Express, Oct. 21, 1856 "But for the American party, the Northern, sectional, geographical party of Wm
poem of the 1860–1861 edition of Leaves of Grass.
To you endless an To you, these, to report nature, man, politics, from an American point of view.
Lo, interminable intersecting streets in cities, full of living people, coming and going!
(See Bowers, Whitman's Manuscripts: Leaves of Grass [1860] A Parallel Text [Chicago: The University of
It is of course possible, however, that parts of the notebook were inscribed before and/or after the
Much of the notebook is devoted to draft material for the 1860 poem eventually titled "Starting from
brief passage (on the verso of leaf 25) seems clearly to have contributed to "Song at Sunset," another 1860
It is unclear which pages were inscribed first; furthermore, several of the leaves have become detached
visit to Egypt," two sets of manuscript notes about Egypt that Edward Grier dates to between 1855 and 1860
visit to Egypt," two sets of manuscript notes about Egypt that Edward Grier dates to between 1855 and 1860
soon crop out the true "L EAVES OF G RASS ," the fuller- grown work of which the former two issues were
Quite after the same token as the Italian Opera, to most bold Americans, and all new persons, even of
Then, in view of the latter words, bold American!
You, bold American!
No, bold American!
This manuscript probably dates to the early 1860s, as it appears to have been inscribed after the writing
the leaf (duk.00795), which contains draft lines that contributed to poems first published in the 1860
O you teeming cities! O so invincible, turbulent, proud! O race of the future! O women! O fathers!
even if it be only a few ragged huts; O the city where women walk in public processions in the streets
Cities! defiant of all outside authority! I spring at once into your arms! you I most love!
.— CWB M-XVIII This manuscript was probably written between 1856 and 1860, when Whitman was working on
This manuscript was probably written between 1856 and 1860, when Whitman was working on the poems for
cold—as the soiledness of animals and the bareness of vegetables and minerals No more than these th were
possibility that Whitman drafted this manuscript in the early 1850s, as he was composing the poems that were
possibility that Whitman drafted this manuscript in the early 1850s, as he was composing the poems that were
If indeed, we were compelled to guess the meaning of the poem, we should say it all lay in the compass
of these lines of Tennyson—the saddest and profoundest that ever were written: Break, break, break,
Revised as "Leaves of Grass. 1" in Leaves of Grass (1860) and reprinted as "Elemental Drifts," Leaves
leaveshandwritten; Of nearly as much significance as Whitman's copy of the 1855 Leaves is his copy of the Boston, 1860
original for this publication only. nyp.00015 Walt Whitman Leaves of Grass Boston Thayer and Eldridge 1860
2[1860-1864], Brooklyn and Washington notebookloc.04604xxx.00980Brooklyn & Washington Notebook1860-1875prose33
that men and women were flexible, real, alive! that every- thing everything was alive!
To think of all these wonders of city and country, and others taking great interest in them—and we taking
Do you enjoy yourself in the city? or engaged in business?
It is not to diffuse you that you were born of your mother and father—it is to identify you, It is not
The threads that were spun are gathered, the weft crosses the warp, the pattern is systematic.
the sick, sick dread lest the one he loved might secretly be indifferent to him, Whose happiest days were
was not a happy night for me that fol- lowed followed ; And else, when I caroused, or when my plans were
slow drops, Candid, from me falling—drip, bleeding drops, From wounds made to free you whence you were
all my grand assumptions and egotisms with derision, Or may-be one who is puzzled at me. 31 As if I were
burial- places, to find him, And I found that every place was a burial-place, The houses full of life were
shipping, the places of amusement, the Chicago, Boston, Philadelphia, the Manna- hatta Mannahatta , were
I am willing to disregard burial-places, and dispense with them, And if the memorials of the dead were
CITY of my walks and joys!
City whom that I have lived and sung there will one day make you illustrious, Not the pageants of you—not
the crossing of the street, or on the ship's deck, kiss him in return; We observe that salute of American
we flit by each other, fluid, affec- tionate affectionate , chaste, matured, You grew up with me, were
Only I will establish in the Mannahatta, and in every city of These States, inland and seaboard, And
the sea-beach dancing, With birds singing—With fishes swimming—With trees branching and leafing, Cities
Through youth, and through middle and old age, how unfaltering, how affectionate and faithful they were
and for Oregon: Sojourning east a while longer, soon I travel to you, to remain, to teach robust American
Or the vaunted glory and growth of the great city spread around me?
I DREAMED in a dream, I saw a city invincible to the attacks of the whole of the rest of the earth, I
dreamed that was the new City of Friends, Nothing was greater there than the quality of robust love—it
led the rest, It was seen every hour in the actions of the men of that city, And in all their looks
invisible; Now it is you, compact, visible, realizing my poems, seeking me, Fancying how happy you were
, if I could be with you, and become your lover; Be it as if I were with you.
Were you looking to be held together by the lawyers? By an agreement on a paper? Or by arms? Away!
America, and along the shores of the great lakes, and all over the prairies, I will make inseparable cities
sleepless, deep in the night, when I go forth, speeding swiftly the country roads, or through the city
think it would be best not at all to bother with arguments against the foreign models, or to help American
models—but just go on supplying American models Not to blaat constantly for Native American models,
—The best way to promulge Native American models and literature, is to supply such forcible and s p u
the greatest city in the whole world.
Where the city stands with the brawniest breed of orators and bards, Where the city stands that is beloved
city of the healthiest fathers stands, Where the city of the best-bodied mothers stands, There the greatest
city stands.
Were those your vast and solid?
American masses!
Were all educations, practical and ornamental, well displayed out of me, what would it amount to?
Were I as the head teacher, charitable proprietor, wise statesman, what would it amount to?
Were I to you as the boss employing and paying you, would that satisfy you?
, the trottoirs of a city when thousands of well-dressed people walk up and down, The cotton, woollen
Always the prairies, pastures, forests, vast cities, travellers, Kanada, the snows; Always these compact
White drift spooning ahead, where the ship in the tempest dashes; On solid land, what is done in cities
cotton-bales piled on banks and wharves; Encircling all, vast-darting, up and wide, the Amer- ican American
day, driving the herd of cows, and shouting to them as they loiter to browse by the road-side; The city
and down, casting swift shadows in specks on the opposite wall, where the shine is; The athletic American
Chants Democratic and Native American 1 1.
incomparable love, Plunging his semitic muscle into its merits and demerits, Making its geography, cities
, The superior marine, free commerce, fisheries, whaling, gold-digging, Wharf-hemmed cities, railroad
to American persons, progresses, cities? Chicago, Kanada, Arkansas?
I will make cities and civilizations defer to me!
Chants Democratic and Native American 10 10. HISTORIAN! you who celebrate bygones!
do not tell the usual facts, proved by records and documents, What I tell, (talking to every born American
nor afraid; Chanter of Personality, outlining a history yet to be, I project the ideal man, the American
Chants Democratic and Native American 11 11.
women there—of happiness in those high plateaus, ranging three thousand miles, warm and cold, Of cities
Chants Democratic and Native American 12 12.
refuse, all attend, Armies, ships, antiquities, the dead, libraries, paint- ings paintings , machines, cities
Chants Democratic and Native American 13 13.
Chants Democratic and Native American 14 14. POETS to come!
Indeed, if it were not for you, what would I be?
Chants Democratic and Native American 15 15. WHO has gone farthest?
For I think I have reason to be the proudest son alive—for I am the son of the brawny and tall-topt city
Chants Democratic and Native American 16 16.
ucts products —they shall enjoy the sight of the beef, lumber, bread-stuffs, of Chicago, the great city
Chants Democratic and Native American 17 17.
We dwell a while in every city and town, We pass through Kanada, the north-east, the vast valley of the
Chants Democratic and Native American 18 18.
Chants Democratic and Native American 19 19.
Chants Democratic and Native American 20 20. AMERICAN mouth-songs!
Chants Democratic and Native American 21 21.
the world—politics, produce, The announcements of recognized things—science, The approved growth of cities
But we too announce solid things, Science, ships, politics, cities, factories, are not noth- ing nothing
Chants Democratic and Native American 5 5. RESPONDEZ! Respondez! Let every one answer!
Let those that were prisoners take the keys! (Say! why might they not just as well be transposed?)
Let the Asiatic, the African, the European, the American and the Australian, go armed against the murderous
Let there be wealthy and immense cities—but through any of them, not a single poet, saviour, knower,
Chants Democratic and Native American 6 6. YOU just maturing youth! You male or female!
Chants Democratic and Native American 7 7.
that the old accounts, bibles, genealogies, are true, without exception, I assert that all past days were
what they should have been, And that they could no-how have been better than they were, And that to-day