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After further revision Whitman published these verses in the October 30, 1880 issue of The American under
Some pieces which were pasted together have been lifted and photographed separately to show lines obscured
The poems were apparently never further developed and were never published.
Based on this date it can be speculated that the notes were written late in 1875 (a possibility corroborated
by the list of names), but the poem(s) may have been inscribed in the late 1860s or earlier.
seem to meabout 1860poetryhandwritten1 leaf13 cm x 11.5 cm; This manuscript is a draft of lines that were
published in Chants Democratic, number 13, in the 1860 edition of Leaves of Grass.
however, the lines on this manuscript are a draft of the section of the poem that was deleted after the 1860
opposite side, as in some very similar notes currently housed at Duke University, point toward the 1860
Walt Whitman's law] in the composition process, correspond, like [Of Biography], to section 13 of the 1860
version of the poem Chants Democratic and Native American which was revised and permanently retitled
These lines were eventually revised to form section 13 of the 1860 version of the poem Chants Democratic
blank, the manuscript appears to be a set of notes he made between 1857 and 1859 while preparing the 1860
Whitman's Pictures were not published in their entirety until 1925.
Premonition was published as the introductory poem to the 1860 edition of Leaves of Grass under the title
verso of leaf 15 and part of leaf 16 appears a draft of what would become section 11 of Calamus in the 1860
1859poetryhandwritten1 leaf16 x 10 cm; After being incorporated as the first main section of Enfans d'Adam in 1860
1859poetryhandwritten3 leavesall leaves 21 x 13 cm; Originally numbered 84, this poem appeared in the 1860
of Grass as main section 7 of Enfans d'Adam, and was retitled within the group We Two—How Long We Were
cm, leaf 2 11 x 16 cm; This poem, numbered 82 in pencil, became main section 8 of Enfans d'Adam in 1860
50-51uva.00183xxx.00005xxx.00047xxx.00062[Once I passed through a populous]I am the child of Democracy1857
16 cm; The recto verses appearing on this manuscript became the main section 9 of Enfans d'Adam in 1860
and were retitled Once I Pass'd Through a Populous City in 1867.
[Once I passed through a populous]
This poem was revised to form main section 10 of Enfans d'Adam in 1860, and in 1867 was given two new
was held]1857-1859poetryhandwritten1 leaf16 x 10 cm; This manuscript became section 1 of Calamus in 1860
The five verses beginning "Was it I who walked the / earth..." were not used in Calamus, but the five
beginning "Scented herbage of my breast" became the opening verses of section 2 of the cluster in the 1860
1859poetryprosehandwritten5 leaves20 x 16 cm; The verses on the recto became lines 6-40 of section 2 of Calamus in the 1860
The pages were folded and pinned together to form a small pamphlet.
The lines on page 1 became verses 1-8 of section 4 of Calamus. in 1860; page 2 ("Solitary, smelling the
The lines on the first leaf became verses 1-9 of section 7 of Calamus in 1860, and the second leaf's
The lines on the first leaf became verses 1-5 of section 8 of Calamus in 1860; the second leaf's lines
There were no further appearances of this poem during the poet's lifetime, Whitman having canceled it
in his Blue Book Copy of the 1860 Leaves.
numbers) in the lower-left corner of each page; his partly erased pencil note "(finished in/ the other city
removed the lower section of page 2 from the top of current leaf 1:3:33 ("I dreamed in a dream of a/ city
This poem, the eighth in the sequence Live Oak, with Moss, became section 9 of Calamus in 1860.
The first page contains what would become verses 1-3 in 1860, and the second ("Hours discouraged, distracted
The seventh poem in the sequence Live Oak, with Moss, became section 10 of Calamus in 1860 and was permanently
The lines on the first page correspond to verses 1-3 of the 1860 version, and those on the second page
of Live Oak, with Moss (with ornamental Roman numeral), this poem became section 11 of Calamus in 1860
The lines on the first page correspond to verses 1-5 of the 1860 version, and those on the second page
This poem, featuring a new first line, became section 12 of Calamus in 1860; in 1867 Whitman dropped
The first page contains verses corresponding to lines 2-3 of the 1860 version, and the lines on the second
After adding several verses, Whitman designated this poem section 13 of Calamus in the 1860 Leaves, and
, after dropping the first two and last three lines of the 1860 version, permanently retitled it Roots
The first section of the original sequence Live Oak, with Moss, this became section 14 of Calamus in 1860
12 cm; Written on a light blue Williamsburgh tax blank, this poem became section 15 of Calamus in 1860
the poem became section 16 of Calamus in 1860; the lines on the first draft page correspond to verses
of the poem during Whitman's lifetime: he rejected it from his Blue Book Copy of Leaves of Grass in 1860
It became number 17 of the Calamus cluster in 1860, with the lines on the first leaf corresponding to
pasted over some lines in the top-left corner of the larger piece, from the top of which other lines were
The verses became section 18 of Calamus in the 1860 edition of Leaves of Grass; the poem was permanently
titled City of Orgies in 1867.
City of my walks and joys
The group first appeared in print in the 1860 Leaves of Grass with this poem as section 1.
On the reverse of the leaf (uva.00023) are verses that became section 18 of Calamus in the 1860 edition
of Leaves of Grass; the poem was permanently titled City of Orgies in 1867.
It became section 20 of Calamus in 1860; the lines on the first manuscript page correspond to verses
This poem became section 21 of Calamus in 1860; the lines on the first manuscript page became verses
It was numbered section 22 of Calamus in 1860: the lines on the first page correspond to verses 1-6 of
the 1860 version, and those on the second ("You give me the pleasure") to verses 7-10.
original sequence Live Oak, with Moss (with ornamental Roman numeral), it became section 23 of Calamus in 1860
In 1860 Whitman designated it section 25 of Calamus, transforming the title into a new first line and
this became section 27 of Calamus in 1860.
the new first line "A promise and gift to California,") this poem became section 30 of Calamus in 1860
In 1860 it became the second numbered verse paragraph of section 31 of Calamus.
In 1867 Whitman split up the two paragraphs and made them separate poems; these verses were moved to
In 1860 the first set, with the addition of a new first line ("Here my last words, and the most baffling
The second set was revised to form section 38 of Calamus in 1860; in 1867 it was further revised and
With substantial additions and revisions this evolved into section 37 of Calamus in 1860; after further
14.5 x 9.5 cm), in brown-black ink, with revisions in lighter ink (including the deletion, undone in 1860
Moss (with the Roman numeral ornamentally drawn), this was revised to become section 36 of Calamus in 1860
In 1860 this poem was substantially revised to form section 34 of Calamus; in 1867 it was retitled I
Both sections are in black ink but, as Bowers notes, the lower verses were inscribed using a darker,
section of the sequence Live Oak, with Moss, this poem was revised to form section 32 of Calamus in 1860
This poem became section 39 of Calamus in 1860; in 1867 Whitman replaced the third line with a new one
original sequence Live Oak, with Moss (with ornamental Roman numeral), it became section 42 of Calamus in 1860
This was revised to form section 41 of Calamus in 1860 and was permanently retitled Among the Multitude
numeral), this was reformatted and renumbered but otherwise left unrevised as section 43 of Calamus in 1860
This was revised to become section 40 of Calamus in 1860; in 1867 it was retitled That Shadow, My Likeness
years old the/ eighty-first year of The States" indicate that Whitman composed the poem in 1857; these were
revised to read "I, forty years old the Eighty-third Year of The States" in the 1860 Leaves, in which