Camden1
July 9 PM
Yours of 7th rec'd with R[hys]'s2 card. Tr[anscript] not rec'd—A good letter
from E[rnest] R[hys] to-day—J[ohn] N[ewton]
J[ohnson]3 is certainly crazy—a cross between Zdenko
(in Consuelo)4 & something more intellectual & infernal—Very hot
weather here, continued—I am feeling it badly—yet not so badly as you
might fancy—I am careful, & Mrs Davis is very good and cute—As I
write it is clouded over & begins to rain—H[erbert] G[ilchrist]5 is still
here painting—Morse6 here—
Walt Whitman
Correspondent:
William Sloane Kennedy
(1850–1929) was on the staff of the Philadelphia American and the Boston Transcript; he also
published biographies of Longfellow, Holmes, and Whittier (Dictionary of American Biography [New York: Charles Scribner's Sons, 1933], 336–337). Apparently Kennedy called on
the poet for the first time on November 21, 1880 (William Sloane Kennedy, Reminiscences of Walt Whitman [London: Alexander
Gardener, 1896], 1). Though Kennedy was to become a fierce defender of Whitman,
in his first published article he admitted reservations about the "coarse
indecencies of language" and protested that Whitman's ideal of democracy was
"too coarse and crude"; see The Californian, 3 (February
1881), 149–158. For more about Kennedy, see Katherine Reagan, "Kennedy, William Sloane (1850–1929)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998).
Notes
- 1. This letter is endorsed,
possibly by Kennedy: "'87." [back]
- 2. Ernest Percival Rhys
(1859–1946) was a British author and editor; he founded the Everyman's
Library series of inexpensive reprintings of popular works. He included a volume
of Whitman's poems in the Canterbury Poets series and two volumes of Whitman's
prose in the Camelot series for Walter Scott publishers. For more information
about Rhys, see Joel Myerson, "Rhys, Ernest Percival (1859–1946)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 3. John Newton Johnson
(1832–1904) was a colorful and eccentric self-styled philosopher from
rural Alabama. There are about thirty letters from Johnson in the Charles E.
Feinberg Collection of the Papers of Walt Whitman, 1839–1919 (Library of
Congress, Washington, D.C.), but unfortunately there are no replies extant,
although Whitman wrote frequently for a period of approximately fifteen years.
When Johnson wrote for the first time on August 13,
1874, he was forty-two, "gray as a rat," as he would say in another
letter from September 13, 1874: a former Rebel
soldier with an income between $300 and $400 annually, though before the
war he had been "a slaveholding youthful 'patriarch.'"
He informed Whitman in the August 13, 1874, letter
that during the past summer he had bought Leaves of Grass
and, after a momentary suspicion that the bookseller should be "hung for swindling," he discovered the mystery of
Whitman's verse, and "I assure you I was soon 'cavorting' round and asserting
that the $3 book was worth $50 if it could not be replaced, (Now
Laugh)." He offered either to sell Whitman's poetry and turn over to him all
profits or to lend him money. On October 7, 1874,
after describing Guntersville, Alabama, a town near his farm from which he often
mailed his letters to Whitman, he commented: "Orthodoxy flourishes with the usual lack of
flowers or fruit." See
also Charles N. Elliot, Walt Whitman as Man, Poet and
Friend (Boston: R. G. Badger, 1915), 125–130. [back]
- 4. Whitman is referring to
George Sand's romantic novel Consuelo (1842). See Esther
Shephard's Walt Whitman's Pose (1938). [back]
- 5. Herbert Harlakenden Gilchrist
(1857–1914), son of Alexander and Anne Gilchrist, was an English painter
and editor of Anne Gilchrist: Her Life and Writings
(London: T. Fisher Unwin, 1887). For more information, see Marion Walker Alcaro,
"Gilchrist, Herbert Harlakenden (1857–1914)," Walt Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D.
Kummings (New York: Garland Publishing, 1998). [back]
- 6. Sidney H. Morse (1832–1903)
was a self-taught sculptor as well as a Unitarian minister and, from 1866 to
1872, editor of The Radical. He visited Whitman in Camden
many times and made various busts of him. Whitman had commented on an earlier
bust by Morse that it was "wretchedly bad." For more on this, see Ruth L. Bohan,
Looking into Walt Whitman: American Art,
1850–1920 (University Park: Pennsylvania State University Press,
2006), 105–109. [back]