Camden
P M Aug: 4 '90
Hot weather here but I am getting fairly along through it—bathe
often & live on bread & honey—get out in wheel chair1 at sunset &
after—get to the Delaware shore as before—the last two evenings have enjoy'd
steady damp cool S W breezes very refreshing—have rec'd from Addington
Symonds2 his two new vols:
"Essays Speculative & Suggestive"3—one
of the essays "Democratic Art, with reference to W W"—of course the
whole thing is scholarly & interesting & more—I
have scribbled a brief piece anent of the Dem: Art essay &
sent it to the Critic4—so if they print it
you will see, but for a good while now all my pieces come back rejected
(the Century,5 Harpers,6
the Eng: Nineteenth Century,7 the Cosmopolitan8
&c: &c: all send my pieces back9)—Horace
T[raubel]10
is well—comes in every evn'g—is invaluable to me—I
enclose Dr Bucke's11 last, just rec'd12—also
other things—I am sitting here in my den in the big old rattan chair
writing this—if you see Baxter13 tell him I have rec'd his note & entirely
repudiate Hartmann's14 WW opinions, they are utterly fraudulent15—
Walt Whitman
Correspondent:
William Sloane Kennedy
(1850–1929) was on the staff of the Philadelphia American and the Boston Transcript; he also
published biographies of Longfellow, Holmes, and Whittier (Dictionary of American Biography [New York: Charles Scribner's Sons, 1933], 336–337). Apparently Kennedy called on
the poet for the first time on November 21, 1880 (William Sloane Kennedy, Reminiscences of Walt Whitman [London: Alexander
Gardener, 1896], 1). Though Kennedy was to become a fierce defender of Whitman,
in his first published article he admitted reservations about the "coarse
indecencies of language" and protested that Whitman's ideal of democracy was
"too coarse and crude"; see The Californian, 3 (February
1881), 149–158. For more about Kennedy, see Katherine Reagan, "Kennedy, William Sloane (1850–1929)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998).
Notes
- 1. Horace Traubel and Ed
Wilkins, Whitman's nurse, went to Philadelphia to purchase a wheeled chair for
the poet that would allow him to be "pull'd or push'd" outdoors. See Whitman's
letter to William Sloane Kennedy of May 8,
1889. [back]
- 2. John Addington Symonds
(1840–1893), a prominent biographer, literary critic, and poet in
Victorian England, was author of the seven-volume history Renaissance in Italy, as well as Walt
Whitman—A Study (1893), and a translator of Michelangelo's
sonnets. But in the smaller circles of the emerging upper-class English
homosexual community, he was also well known as a writer of homoerotic poetry
and a pioneer in the study of homosexuality, or sexual inversion as it was then
known. See Andrew C. Higgins, "Symonds, John Addington [1840–1893]," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 3. Whitman is referring to
John Addington Symonds's Essays Speculative and
Suggestive (London: Chapman and Hall, 1890). The chapter on "Democratic
Art" (pp. 237–268) is mainly inspired by Whitman. Whitman commented on
Symonds' chapter in "An Old Man's Rejoinder," which appeared in The Critic 17 (August 16, 1890), 85–86. Whitman's
"Rejoinder" was also reprinted in Good-Bye My Fancy (Prose Works 1892, Volume 2: Collect and Other Prose, ed.
Floyd Stovall [New York: New York University Press, 1964], 655–658). In
his August 20–22 letter, the Canadian
physician Richard Maurice Bucke remarked: "The whole article is 'flat, stale and
unprofitable'—a saw dust chewing business—dealing with the hull, the
shell, the superfices, never for one line, one flash of insight penetrating to
the heart of the business." On August 24, Whitman
observed: "you are a little more severe on Symonds than I sh'd be." [back]
- 4. The Critic
(1881–1906) was a literary magazine co-edited by Joseph Benson Gilder
(1858–1936), with his sister Jeannette Leonard Gilder (1849–1916).
Whitman's poems "The Pallid Wreath" (January 10, 1891) and "To The Year 1889" (January 5, 1889) were first published in The Critic, as was his essay, "An Old Man's Rejoinder"
(August 16, 1890), responding to John Addington Symonds's chapter about Whitman
in his Essays Speculative and Suggestive (1890). [back]
- 5. The
Century Illustrated Monthly Magazine, the successor of Scribner's Monthly Magazine was first published in 1881
by the Century Company of New York City. Richard Watson Gilder served as the
magazine's editor until his death in 1909. Five of Whitman's poems were first
published in the magazine: "Twilight" (December 1887), "Old Age's Lamben Peaks" (September 1888), "My 71st Year," (November 1889), "Old Age's Ship and Crafty Death's" (February 1890), and "A Twilight Song"(May 1890). [back]
- 6. Harper's Monthly
Magazine (sometimes Harper's New Monthly
Magazine or simply Harper's) was established in
1850 by Henry J. Raymond and Fletcher Harper. The magazine published several of
Whitman's poems, including "Song of the Redwood-Tree" and "Prayer of Columbus." In 1857, Fletcher Harper founded Harper's Weekly (subtitled "A Journal of Civilization"),
which gained its fame for its coverage of the Civil War and its publication of
cartoonist Thomas Nast's (1840–1902) work. For Whitman's relationship with
these two publications, see Susan Belasco's "Harper's Monthly Magazine" and "Harper's Weekly Magazine." [back]
- 7. The
Nineteenth Century Review was a British monthly literary magazine
founded in 1877. [back]
- 8. The Cosmopolitan magazine was first published in 1886 by publishers
Schlicht & Field of New York; it was billed as a "family magazine." Paul
Schlicht acted as the magazine's initial editor. Whitman published one poem in
the magazine, "Shakespeare Bacon's Cipher," in October 1887. [back]
- 9. For more about Whitman's
series of rejections, see his June 5, 1890, letter
to Dr. Bucke, in which he describes his rejection by the Century as "a sort of douche of very cold water right in the face, wh'
somehow I don't get over"; Whitman's October
26–27, 1889, letter to Dr. Bucke, in which he notes that Harper's Monthly rejected his poem for being "too much an
improvasition"; and his query to the editor of the Cosmopolitan of April 9, 1888, in which
he submitted "To Get the Real Lilt of Songs" for publication. Though the Cosmopolitan returned the piece, it was published shortly
after in the New York Herald as "The Final Lilt of Songs"
and eventually appeared in November Boughs as "To Get the
Final Lilt of Songs." [back]
- 10. Horace L. Traubel (1858–1919)
was an American essayist, poet, and magazine publisher. He is best remembered as
the literary executor, biographer, and self-fashioned "spirit child" of Walt
Whitman. During the late 1880s and until Whitman's death in 1892, Traubel visited
the poet virtually every day and took thorough notes of their conversations,
which he later transcribed and published in three large volumes entitled With Walt Whitman in Camden (1906, 1908, & 1914).
After his death, Traubel left behind enough manuscripts for six more volumes of
the series, the final two of which were published in 1996. For more on Traubel,
see Ed Folsom, "Traubel, Horace L. [1858–1919]," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 11. Richard Maurice Bucke (1837–1902) was a
Canadian physician and psychiatrist who grew close to Whitman after reading Leaves of Grass in 1867 (and later memorizing it) and
meeting the poet in Camden a decade later. Even before meeting Whitman, Bucke
claimed in 1872 that a reading of Leaves of Grass led him
to experience "cosmic consciousness" and an overwhelming sense of epiphany.
Bucke became the poet's first biographer with Walt
Whitman (Philadelphia: David McKay, 1883), and he later served as one
of his medical advisors and literary executors. For more on the relationship of
Bucke and Whitman, see Howard Nelson, "Bucke, Richard Maurice," Walt Whitman: An
Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York:
Garland Publishing, 1998). [back]
- 12. It is uncertain which letter
Whitman is referring to here. [back]
- 13. Sylvester Baxter (1850–1927)
was on the staff of the Boston Herald. Apparently he met
Whitman for the first time when the poet delivered his Lincoln address in Boston
in April, 1881; see Rufus A. Coleman, "Whitman and Trowbridge," PMLA 63 (1948), 268. Baxter wrote many newspaper columns
in praise of Whitman's writings, and in 1886 attempted to obtain a pension for
the poet. For more, see Christopher O. Griffin, "Baxter, Sylvester [1850–1927]," Walt Whitman:
An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York:
Garland Publishing, 1998). [back]
- 14. Carl Sadakichi Hartmann (ca.
1867–1944) was an art historian and early critic of photography as an art
form. He visited Whitman in Camden in the 1880s and published his conversations
with the poet in 1895. Generally unpopular with other supporters of the poet, he
was known during his years in Greenwich Village as the "King of Bohemia." For
more information about Hartmann, see John F. Roche, "Hartmann, C. Sadakichi (ca. 1867–1944)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 15. In his July 30, 1890, letter, Baxter informed Whitman that
Hartmann "has sent me a MS. for [Boston] Herald called 'A Lunch with Walt
Whitman,' worse than the N. Y. Herald yarn of two years ago, or so, in its
mischief–making potency. It consists of cheap tattle, with malicious and
ill–natured flings at prominent men." Baxter is comparing Hartmann's new
piece with his article "Walt Whitman. Notes of a Conversation with the Good Gray
Poet by a German Poet and Traveller," which had been published in the New York
Herald on April 14, 1889. Whitman expressed his
disapproval of Hartmann's 1889 article in his letter to William Sloane Kennedy
of May 4, 1889. [back]