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Edmund Gosse to Walt Whitman, 29 December 1884

 loc.02228.001_large.jpg see notes April 6 1888 Dear Mr. Whitman

I am very anxious not to leave this country without paying my respects to you, and bearing to you in person the messages which I bring from Mr. Swinburne1 and other common friends in England. I propose, therefore, if it be not inconvenient to you, to call upon you in Camden on Saturday  loc.02228.002_large.jpg  loc.02228.003_large.jpg next, in the forenoon.

Pray believe me to be Dear Mr. Whitman

Faithfully yours Edmund Gosse  loc.02228.004_large.jpg

Correspondent:
Sir Edmund William Gosse (1849–1928), English poet and author of Father and Son (a memoir published in 1907), had written to Whitman on December 12, 1873: "I can but thank you for all that I have learned from you, all the beauty you have taught me to see in the common life of healthy men and women, and all the pleasure there is in the mere humanity of other people" (see Horace Traubel, With Walt Whitman in Camden, Friday, June 1, 1888). Gosse reviewed Two Rivulets in "Walt Whitman's New Book," The Academy, 9 (24 June 1876), 602–603, and visited Whitman in 1885 (see Whitman's letter inviting Gosse to visit on December 31, 1884, Gosse's December 29, 1884 letter to Whitman, and The Correspondence, ed. Edwin Haviland Miller [New York: New York University Press, 1961–1977], 3:384 n80). In a letter to Richard Maurice Bucke on October 31, 1889, Whitman characterized Gosse as "one of the amiable conventional wall-flowers of literature." For more about Gosse, see Jerry F. King, "Gosse, Sir Edmund (1849–1928)," Walt Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York: Garland Publishing, 1998).


Notes

  • 1. The British poet, critic, playwright, and novelist Algernon Charles Swinburne (1837–1909) was one of Whitman's earliest English admirers. At the conclusion of William Blake: A Critical Essay (1868), Swinburne pointed out similarities between Whitman and Blake, and praised "Out of the Cradle Endlessly Rocking" and "When Lilacs Last in the Dooryard Bloom'd," which he termed "the most sweet and sonorous nocturn ever chanted in the church of the world" (300–303). His famous lyric "To Walt Whitman in America" is included in Songs before Sunrise (1871). For the story of Swinburne's veneration of Whitman and his later recantation, see two essays by Terry L. Meyers, "Swinburne and Whitman: Further Evidence," Walt Whitman Quarterly Review 14 (Summer 1996), 1–11 and "A Note on Swinburne and Whitman," Walt Whitman Quarterly Review 21 (Summer 2003), 38–39. [back]
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