Yr's of 9th just come;—Whittier's poetry1 stands for morality (not its ensemble or in any true philosophic or Hegelian sense but)—as filter'd through the positive Puritanical & Quaker filters—is very valuable as a genuine utterance & very fine one—with many capital local & yankee & genre bits—all unmistakably hued with zealous partizan anti-slavery coloring. Then all the genre contributions are precious—all help. Whittier is rather a grand figure—pretty lean & ascetic—no Greek—also not composite & universal enough, (don't wish to be, don't try to be) for ideal Americanism—Ideal Americanism would probably take the Greek spirit & law for all the globe, all history, all rank, the 19/20ths called evil just as well as the 1/20th called good (or moral)2—
The sense of Mannahatta means the place around which the hurried (or feverish) waters are continually coming or whence they are going—
Walt WhitmanCorrespondent:
William Sloane Kennedy
(1850–1929) was on the staff of the Philadelphia American and the Boston Transcript; he also
published biographies of Longfellow, Holmes, and Whittier (Dictionary of American Biography [New York: Charles Scribner's Sons, 1933], 336–337). Apparently Kennedy called on
the poet for the first time on November 21, 1880 (William Sloane Kennedy, Reminiscences of Walt Whitman [London: Alexander
Gardener, 1896], 1). Though Kennedy was to become a fierce defender of Whitman,
in his first published article he admitted reservations about the "coarse
indecencies of language" and protested that Whitman's ideal of democracy was
"too coarse and crude"; see The Californian, 3 (February
1881), 149–158. For more about Kennedy, see Katherine Reagan, "Kennedy, William Sloane (1850–1929)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998).