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Whitman's hand | blue double overline and underline |
Highlighting | yellow background with top and bottom border |
Paste-on | gray box with black borders |
Laid in | white box with black borders |
Erasure | white text with dark gray background |
Overwritten | brown with strikethrough |
—Tragedies rigidly after the antique models—characters Greek or Roman—every thing on stilts— all the talk in heroics.—
I fancy the classical tragedies of Corneille, Racine, Voltaire, &c. must illustrate the vital difference between a native and normal growth (as the Greek tragedies themselves,) and all that comes from the mere study of that growth.—
Myrrha, by Alfieri, the Italian—lurid passions
—with long‑winded dialogues between Myrrha and daughter mother
about nothing.—