loc.02552.001_large.jpg
Camden N J
Dec 13—761
'76
Thanks, my dear friend, for your cheery letter, & for your warm & hospitable
invitations2—I am though crippled as ever perhaps decidedly better this winter—certainly in the way of
strength & general vim—& it would be very pleasant to me to come on
& stay at your house for about a week, if perfectly convenient, & if you
have plenty of room—My (adopted) son,3 a young man
of 18, is with me now, sees to me, & occasionally transacts my business affairs,
& I feel somewhat at sea without him—Could I bring him with loc.02552.002_large.jpg me, to share my
room, & your hospitality & be with me?—
Glad to hear in your note from Joaquin Miller4— first news
of him now for three months—Will sit to Mr Waters5 with
great pleasure—& he & you shall have every thing your own
way—
—I am selling a few copies of my Vols, new Edition, from time to
time6—most of them go to the British
Islands—
—I see Mr Loag7 occasionally—
Loving regards to you, my friend, & to Mrs Johnston8
no less—
Walt Whitman
Correspondent:
John H. Johnston (1837–1919) was a New York
jeweler and close friend of Whitman. Johnston was also a friend of Joaquin
Miller (Horace Traubel, With Walt Whitman in Camden, Tuesday, August 14, 1888). Whitman visited the Johnstons for the
first time early in 1877. In 1888 he observed to Horace Traubel: "I count
[Johnston] as in our inner circle, among the chosen few" (Horace Traubel, With Walt Whitman in Camden, Wednesday, October 3, 1888). See also Johnston's letter about
Whitman, printed in Charles N. Elliot, Walt Whitman as Man,
Poet and Friend (Boston: Richard G. Badger, 1915), 149–174. For
more on Johnston, see Susan L. Roberson, "Johnston, John H. (1837–1919) and Alma Calder," Walt Whitman: An Encyclopedia, ed. J.R. LeMaster and
Donald D. Kummings (New York: Garland Publishing, 1998).
Notes
- 1. The year is established
by an entry in Whitman's Commonplace Book (Charles E. Feinberg Collection of the
Papers of Walt Whitman, 1839–1919, Library of Congress, Washington, D.C.),
as well by the fact that Whitman visited Johnston for the first time early in
1877. [back]
- 2. This letter has not been
located. [back]
- 3. Whitman met the 18-year-old Harry Lamb
Stafford (b. 1858) in 1876, beginning a relationship which was almost entirely
overlooked by early Whitman scholarship, in part because Stafford's name appears
nowhere in the first six volumes of Horace Traubel's With Walt
Whitman in Camden—though it does appear frequently in the last
three volumes, which were published only in the 1990s. Whitman occasionally
referred to Stafford as "My (adopted) son" (as in this letter), but the
relationship between the two also had a romantic, erotic charge to it. For
further discussion of Stafford, see Arnie Kantrowitz, "Stafford, Harry L. (b.1858)," Walt Whitman: An
Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York:
Garland Publishing, 1998). [back]
- 4. Joaquin Miller was the pen name of
Cincinnatus Heine Miller (1837–1913), an American poet nicknamed "Byron of
the Rockies" and "Poet of the Sierras." In 1871, the Westminster Review described Miller as "leaving out the coarseness
which marked Walt Whitman's poetry" (297). In an entry in his journal dated August 1,
1871, the naturalist John Burroughs recorded Whitman's fondness for Miller's
poetry; see Clara Barrus, Whitman and
Burroughs—Comrades (Boston: Houghton Mifflin Co., 1931), 60.
Whitman met Miller for the first time in 1872; he wrote of a visit with Miller
in a July 19, 1872, letter to his former publisher and
fellow clerk Charles W. Eldridge. [back]
- 5. George Wellington Waters (1832–1912) was a
portrait and landscape painter from Chenango County, New York. John H. Johnston
commissioned Waters to paint Whitman's portrait. Johnston arranged for Waters to
stay at the Johnston home in March 1877, when Whitman visited the Johnstons.
Waters made two portraits of Whitman from this sitting. For more information on
the portraits, see See Ruth L. Bohan, Looking into Walt
Whitman [University Park: Pennsylvania State University Press, 2006],
69–71. [back]
- 6. During America's centennial celebration in 1876,
Whitman, reissued the fifth edition of Leaves of Grass in
the repackaged form of a "Centennial Edition" and "Author's Edition," with each
copy personally signed by Whitman. Around the same time, Whitman also brought
out, as part of the nation's centennial celebration, his Two
Rivulets, an experiment in prose and poetry, with (in the first section
of the book) poetry printed at the top of the page and separated by a wavy line
from the stream of prose at the bottom of each page. For more information on
these books, see Frances E. Keuling-Stout, "Leaves of Grass, 1876, Author's Edition"
and "Two Rivulets, Author's Edition [1876],"
Walt Whitman: An Encyclopedia, ed. J.R. LeMaster and
Donald D. Kummings (New York: Garland Publishing, 1998). [back]
- 7. Samuel Loag was a Philadelphia
printer and a friend of both Johnston and of Horace Traubel. [back]
- 8. Alma Calder Johnston
(1843–1917) was an author and the founder of a charity called the Little
Mothers' Aid Society. The charity funded trips to Pelham Bay Park on Hunter's
Island for young girls who served as the primary caregivers for their siblings
while their parents worked. Johnston wrote for the New York
Tribune and Harper's Weekly ("[Obituary for Alma
Calder Johnston]," in "New York Notes," The Jewelers'
Circular-Weekly [May 9, 1917], 85). Her "Personal Memories of Walt
Whitman" was published in The Bookman 46 (December 1917),
404–413. She was the second wife of the jeweler John H. Johnston, and her
family owned a home and property in Equinunk, Pennsylvania. For more on the
Johnstons, see Susan L. Roberson, "Johnston, John H. (1837–1919) and Alma Calder" (Walt Whitman: An Encyclopedia, ed. J.R. LeMaster and
Donald D. Kummings (New York: Garland Publishing, 1998). [back]