loc.03014.001.jpg
Dear Walt W:
I send a little birthday offering—5.00 wh. I want you to use for some little comfort—private
& personal to yourself. You know you have done much to make a man of me, more than
any other being has done, & you have sent me five vols of yr works. So don't
hesitate to accept. I am doing well in business just now. Tell Traubel1 that I am glad indeed to hear of the supper2 & will help him all
I can.
As soon as the Concord School starts up I must see about the Morse3 bust.
I privately tell you that I don't much fancy public
glorifications, & wish the supper cd be private. It wd be
so much more agreeable to have no newspaper blatherskiting over it.
W. S. Kennedy
Read4 the Wyatt Eaton5 piece on J. Fr. Millet6 in May Century. He says Millet
resembled you in person, & Geo Fuller7 our artist, who, by the way lived next to us here in
Belmont
loc.03014.002.jpg
loc.03014.003.jpg
loc.03014.004.jpg
9.10
[+] 27
[=] 36.10
Correspondent:
William Sloane Kennedy
(1850–1929) was on the staff of the Philadelphia American and the Boston Transcript; he also
published biographies of Longfellow, Holmes, and Whittier (Dictionary of American Biography [New York: Charles Scribner's Sons, 1933], 336–337). Apparently Kennedy called on
the poet for the first time on November 21, 1880 (William Sloane Kennedy, Reminiscences of Walt Whitman [London: Alexander
Gardener, 1896], 1). Though Kennedy was to become a fierce defender of Whitman,
in his first published article he admitted reservations about the "coarse
indecencies of language" and protested that Whitman's ideal of democracy was
"too coarse and crude"; see The Californian, 3 (February
1881), 149–158. For more about Kennedy, see Katherine Reagan, "Kennedy, William Sloane (1850–1929)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998).
Notes
- 1. Horace L. Traubel (1858–1919)
was an American essayist, poet, and magazine publisher. He is best remembered as
the literary executor, biographer, and self-fashioned "spirit child" of Walt
Whitman. During the late 1880s and until Whitman's death in 1892, Traubel visited
the poet virtually every day and took thorough notes of their conversations,
which he later transcribed and published in three large volumes entitled With Walt Whitman in Camden (1906, 1908, & 1914).
After his death, Traubel left behind enough manuscripts for six more volumes of
the series, the final two of which were published in 1996. For more on Traubel,
see Ed Folsom, "Traubel, Horace L. [1858–1919]," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 2. For Whitman's seventieth
birthday, Horace Traubel and a large committee planned a local celebration for
the poet in Morgan's Hall in Camden, New Jersey. The committee included Henry
(Harry) L. Bonsall, Geoffrey Buckwalter, and Thomas B. Harned. See Horace
Traubel, With Walt Whitman in Camden, Tuesday, May 7, 1889. The day was celebrated with a testimonial
dinner. Numerous authors and friends of the poet prepared and delivered
addresses to mark the occasion. Whitman, who did not feel well at the time,
arrived after the dinner to listen to the remarks. [back]
- 3. Sidney H. Morse (1832–1903)
was a self-taught sculptor as well as a Unitarian minister and, from 1866 to
1872, editor of The Radical. He visited Whitman in Camden
many times and made various busts of him. Whitman had commented on an earlier
bust by Morse that it was "wretchedly bad." For more on this, see Ruth L. Bohan,
Looking into Walt Whitman: American Art,
1850–1920 (University Park: Pennsylvania State University Press,
2006), 105–109. [back]
- 4. Kennedy has written this
postscript at the top of the letter. [back]
- 5. Wyatt Eaton (1849–1896),
an American portrait and figure painter, organized the Society of American
Artists in 1877. Whitman met Eaton at a reception given by Richard W. Gilder on
June 14; see "A Poet's Recreation," New York Tribune,
July 4, and Walt Whitman's Diary in Canada, ed. William
Sloane Kennedy (Boston: Small, Maynard & Company, 1904), 54. [back]
- 6. Jean-François Millet
(1814–1875) was a French realist painter and founder of the Barbizon
School. He is noted for his depictions of peasant farmers. [back]
- 7. George Fuller
(1822–1884) of Massachusetts was a figure and portrait painter who studied
painting with the Boston Artists' Association and the National Academy of Design
in New York. He spent time painting in both the southern United States and
Europe, and a national exhibition of his works took place at the Boston Museum
of Fine Arts in 1884. Some of his artwork currently resides there and in the
Metropolitan Museum of Art in New York. The poet and critic Charles DeKay
(1848–1935) contributed an article on "George Fuller, Painter" to the
September, 1889 Magazine of Art that compared Fuller and
Whitman. Whitman discussed the article with Horace Traubel; see Traubel, With Walt Whitman in Camden, Thursday, August 22, 1889. [back]