loc.03203.001_large.jpg
Saturday, night, Feb. 8-90.
374 E. Division. St.
Chicago1
Dear Walt,—
The old war refrain—"All's quiet on the Potomac"2—seems
to have a new
rendering in my thought as I go about my daily work: "All silent in Camden." I hear
nothing & see nothing in the public prints. But I dare say if I could cross the
old ferry & stop at "328"—I suppose you still insist on your own
number—I should find life enough vocal & contented.
I frequently chance upon your friends here in this city. loc.03203.002_large.jpg One such wrote a 2 column article for
the Evening Journal of May 31. He allows me to send it to
you on condition that I will charge you to return it, as
it is the only copy he owns, & wishes it for his scrap
book. He is an Englishman—knows George Elliot,3
Tennyson,4 Carpenter,5 I believe &
others. Prof Dowden6 of Somersham—one of your English
friends, is his friend. He detests Swinburn,7 & will have an
article in Tribune Sunday on Gladstone's8 saying that .S would be next poet-laureate.
loc.03203.003_large.jpg
He asked how you took Swinburn's "apostacy." I answered,—"Serenely." But he is
a bit mad, & says he has long been so knowing the "sham" that Swinburn is.
This man's name is Henry Latchford.9 He was sent to me the other
day by Mr Dalton, the Ethical preacher here.10 He seems a man of ideas & good
sympathies—is a journalist—independent; that is, not attached to one
journal, but writing for several on topics of his own selection. He came and chatted
with me an hour or so, loc.03203.004_large.jpg
and, on departing, asked permission to write a paragraph for the journal about my
work. I enclose the "paragraph." He got some things mixed & not as I would have
had it stand, had I seen the proof—or knowing he was going to "report" at such
length. One thing, I would not have spoken of your Georgia friend11 as a "nuisance." Nor did I imply. I recall just what I said. "He stayed some time
& almost came to be a nuisance, but made up for
loc.03203.005_large.jpg
it in part at least, by the bright things he would say, & then told "old varmint"
story.12 I have always kept green a kind feeling for
the old man, for there was something rather poetic in his leaving his home &
journeying so far to see the man whose poems had so much interested him. Peace be to
him, any way, & may he not see this half-unkind printed word of mine.
Nor did I quite say that you get "tired & sleepy." I think I said something about
your sitting silently loc.03203.006_large.jpg
museing—or something like that. I don't remember that he asked me the question
he puts in print at all. But it fitted in for him to report that "property" recital.
But he made the worst mess about the Holmes13 talk, & my
contempt for facts. I was only arguing as to what the fact is, in any portraiture, & against reliance on the
merely critical faculty—the conscious
criticism—or fault-finding, tinkering criticism. That was where "brains" got
in the way. Holmes never cried, "Hold on!" &c, but told the little story
accidentally one loc.03203.007_large.jpg
day.
But—its all in a life time. All sores heal now-a-days inside a week.
I mean to send some George Elliot plaques to Camden when I get them out—The
original is done—& waits only for duplicates.
Latchford likes the Whitman bust as represented in front of Horace's14 book.15 He laughed out—"Its more like Walt than anything
I've ever seen."
Well, I am here yet in loc.03203.008_large.jpg
the toils—trying to sing cheerily—"Blessed be poverty." I have many
friends—more friends than money, & I suppose that is as it should be. If
they could not forever be taking me for a millionaire! Its awkward when your pennies
are few to have it expected that thus you will easily enough spend time &
dollars for their good pleasure. I manage after a fashion to either conquer or
disgust them.
loc.03203.009_large.jpg
I calculate that H. is busy, busy. I see his articles now & then in "New
Ideal."
Chicago is after the World's Fair16 with a vengence on all contesters. Its so like Chicago. I never was in
so partizan an atmosphere, as I encounter here by Lake Michigan. You must be "d___d sure" of Everything, or you are nobody. You
don't count. You're like the democrats in Speaker loc.03203.010_large.jpg Reed's17
house; present, yet absent.
I've made a little painting of you which is by far the best painting I have ever done. I expect to sell it to a lady here in C. I'd
like you Camden folk to see it, but dont see how you can.
I find myself drawing toward a renewal of the little statue first began in your
parlor. I can reproduce that from memory, & go on with it; but incline to some
change in posture.
Is Mrs Davis18 still with you—Give her my best regards. I
remember the old kitchen, & all things well. And Aunt Mary.
If you can, send me a line. If not, tell Horace to send it & one for himself
With much love—
Sidney Morse
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loc.03203_zs_large.jpg
Sidney Morse | 374 E
Division St | Chicago.
Correspondent:
Sidney H. Morse was a
self-taught sculptor as well as a Unitarian minister and, from 1866 to 1872,
editor of The Radical. He visited Whitman in Camden many
times and made various busts of him. Whitman had commented on an early bust by
Morse that it was "wretchedly bad." For more on this, see Ruth L. Bohan, Looking into Walt Whitman: American Art, 1850–1920
(University Park: Pennsylvania State University Press, 2006),
57–84.
Notes
- 1. This letter is addressed:
Walt Whitman | Camden | Mickel St | N.J. It is
postmarked: Peoria, ILL | Feb 3 | 6 PM | 90; Camden, N.J. | Feb | 10 | 10 AM |
1890 | Rec'd. [back]
- 2. Morse is referring to the
song "All Quiet along the Potomac Tonight." The lyrics come from a poem titled
"The Picket Guard" by Ethel Lynn Beers, which was first published in Harper's Weekly on November 30, 1861. The poem was set to
music two years later by the newspaperman and musician John Hill Hewitt. [back]
- 3. "George Eliot" was the pen name of
Mary Ann Evans (1819–1880), one of the most influential British writers of
the nineteenth century. Her works include The Mill on the
Floss (1860), Middlemarch (1871–1872), and
Daniel Deronda (1876). Whitman was especially
enamored by Eliot's essay writing: "She is profound, masterful: her analysis is
perfect: she chases her game without tremor to the very limit of its endurance"
(Horace Traubel, With Walt Whitman in Camden, Wednesday, October 31, 1888). [back]
- 4. Alfred, Lord Tennyson (1809–1892) succeeded
William Wordsworth as poet laureate of Great Britain in 1850. The intense male
friendship described in In Memoriam, which Tennyson wrote
after the death of his friend Arthur Henry Hallam, possibly influenced Whitman's
poetry. Whitman wrote to Tennyson in 1871 or late 1870, probably shortly after the
visit of Cyril Flower in December, 1870, but the letter is not extant (see Thomas Donaldson,
Walt Whitman the Man [New York: F. P.
Harper, 1896], 223). Tennyson's first letter to Whitman is dated July
12, 1871. Although Tennyson extended an invitation for Whitman
to visit England, Whitman never acted on the offer. [back]
- 5. Edward Carpenter (1844–1929) was an English
writer and Whitman disciple. Like many other young disillusioned Englishmen, he
deemed Whitman a prophetic spokesman of an ideal state cemented in the bonds of
brotherhood. Carpenter—a socialist philosopher who in his book Civilisation, Its Cause and Cure posited civilization as
a "disease" with a lifespan of approximately one thousand years before human
society cured itself—became an advocate for same-sex love and a
contributing early founder of Britain's Labour Party. On July 12, 1874, he wrote for the first time to Whitman: "Because you
have, as it were, given me a ground for the love of men I thank you continually
in my heart . . . . For you have made men to be not ashamed of the noblest
instinct of their nature." For further discussion of Carpenter, see Arnie
Kantrowitz, "Carpenter, Edward [1844–1929]," Walt Whitman:
An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York:
Garland Publishing, 1998). [back]
- 6. Edward Dowden (1843–1913), professor of
English literature at the University of Dublin, was one of the first to
critically appreciate Whitman's poetry, particularly abroad, and was primarily
responsible for Whitman's popularity among students in Dublin. In July 1871,
Dowden penned a glowing review of Whitman's work in the Westminster Review entitled "The Poetry of Democracy: Walt Whitman," in which Dowden described
Whitman as "a man unlike any of his predecessors. . . . Bard of America, and
Bard of democracy." In 1888, Whitman observed to Traubel: "Dowden is a book-man:
but he is also and more particularly a man-man: I guess that is where we
connect" (Horace Traubel, With Walt Whitman in Camden,
Sunday, June 10, 1888, 299). For more, see Philip W. Leon, "Dowden, Edward (1843–1913)," Walt Whitman: An
Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New York:
Garland Publishing, 1998). [back]
- 7. The British poet, critic, playwright, and novelist
Algernon Charles Swinburne (1837–1909) was one of Whitman's
earliest English admirers. At the conclusion of William Blake:
A Critical Essay (1868), Swinburne pointed out similarities between
Whitman and Blake, and praised "Out of the Cradle Endlessly Rocking" and "When
Lilacs Last in the Dooryard Bloom'd," which he termed "the most sweet and
sonorous nocturn ever chanted in the church of the world" (300–303). His
famous lyric "To Walt Whitman in America" is included in Songs
before Sunrise (1871). For the story of Swinburne's veneration of
Whitman and his later recantation, see two essays by Terry L. Meyers, "Swinburne and Whitman: Further Evidence," Walt
Whitman Quarterly Review 14 (Summer 1996), 1–11 and "A
Note on Swinburne and Whitman," Walt Whitman Quarterly
Review 21 (Summer 2003), 38–39. [back]
- 8. William Ewart Gladstone
(1809–1898) was a British Liberal politician and Prime Minister of Great
Britain for four separate terms. In 1886, he unsuccessfully proposed home rule
for Ireland. [back]
- 9. Henry C. Latchford attended Trinity
College Dublin and was a member of the Undergraduate Philosophical Society
alongside his friend and classmate Bram Stoker, who began corresponding with
Walt Whitman in 1876 and later visited the poet at his Camden home (See Gay
Wilson Allen The Solitary Singer [New York: Macmillan,
1995], 515–516). In With Walt Whitman in Camden,
Horace Traubel describes Latchford's letter as written "in a wittily-facetious
vein, which I could well understand would not appeal to [Whitman]" (Traubel, With Walt Whitman in Camden, Friday, May 31, 1889). Latchford was the author of one book, The Wit and Wisdom of Parliament (London: Cassell, Peter,
Galpin & Co., 1881), and several articles, including "A Meeting with Victor
Hugo in 1878" (Time: A Monthly Miscellany of Interesting and
Amusing Literature, 2 [December 1880], 292–299) and ("A Social
Reformer" The Arena 10.54 [October 1894],
575–589). [back]
- 10. The Ethical movement is a
late nineteenth-century social and educational movement often traced to Felix
Adler (1851–1933); it was a humanist movement that developed religious
trappings. Chapters of the Society for Ethical Culture were begun in cities
across the U.S. in the 1880s, including Chicago, where William Salter
(1853–1931), a philosophy lecturer at the University of Chicago and a
close associate of Adler, founded the Ethical Culture Society of Chicago and
often lectured there. [back]
- 11. John Newton Johnson
(1832–1904) was a colorful and eccentric self-styled philosopher from
rural Alabama. There are about thirty letters from Johnson in the Charles E.
Feinberg Collection of the Papers of Walt Whitman, 1839–1919 (Library of
Congress, Washington, D.C.), but unfortunately there are no replies extant,
although Whitman wrote frequently for a period of approximately fifteen years.
When Johnson wrote for the first time on August 13,
1874, he was forty-two, "gray as a rat," as he would say in another
letter from September 13, 1874: a former Rebel
soldier with an income between $300 and $400 annually, though before the
war he had been "a slaveholding youthful 'patriarch.'"
He informed Whitman in the August 13, 1874, letter
that during the past summer he had bought Leaves of Grass
and, after a momentary suspicion that the bookseller should be "hung for swindling," he discovered the mystery of
Whitman's verse, and "I assure you I was soon 'cavorting' round and asserting
that the $3 book was worth $50 if it could not be replaced, (Now
Laugh)." He offered either to sell Whitman's poetry and turn over to him all
profits or to lend him money. On October 7, 1874,
after describing Guntersville, Alabama, a town near his farm from which he often
mailed his letters to Whitman, he commented: "Orthodoxy flourishes with the usual lack of
flowers or fruit." See
also Charles N. Elliot, Walt Whitman as Man, Poet and
Friend (Boston: R. G. Badger, 1915), 125–130. [back]
- 12. The interview to which Morse
refers has not been located, but the passages alluded to, including the "old
varmint" story, appear in a similar form in "My Summer with Walt Whitman, 1887,"
in Horace Traubel, Richard Maurice Bucke, and Thomas B. Harned, eds., In Re Walt Whitman (Philadelphia: David McKay, 1893),
367–392. [back]
- 13. Dr. Oliver Wendell Holmes
(1809–1894) was a poet, physician, and well-known essayist. His son,
Oliver Wendell Holmes Jr. (1841–1935), was appointed a Supreme Court
justice in 1902. [back]
- 14. Horace L. Traubel (1858–1919)
was an American essayist, poet, and magazine publisher. He is best remembered as
the literary executor, biographer, and self-fashioned "spirit child" of Walt
Whitman. During the late 1880s and until Whitman's death in 1892, Traubel visited
the poet virtually every day and took thorough notes of their conversations,
which he later transcribed and published in three large volumes entitled With Walt Whitman in Camden (1906, 1908, & 1914).
After his death, Traubel left behind enough manuscripts for six more volumes of
the series, the final two of which were published in 1996. For more on Traubel,
see Ed Folsom, "Traubel, Horace L. [1858–1919]," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]
- 15. Morse is referring to
Traubel's Camden's Compliment to Walt Whitman
(Philadelphia: David McKay, 1889). The volume consisted of the notes and
addresses that were delivered at Whitman's seventieth birthday celebration on
May 31, 1889 in Camden, which were collected and edited by Traubel. The book
also included a photo of Sidney Morse's 1887 clay bust of Whitman as the
frontispiece. [back]
- 16. There was a great deal of
competition among major U.S. cities, especially Chicago and New York, for a
world's fair to be held in celebration of 400 years since Columbus's "discovery"
of the New World. The U.S. Congress was tasked with making the decision and
chose Chicago, where the World's Columbian Exposition finally opened a year
late, in 1893. [back]
- 17. Morse is probably referring
to Thomas Brackett Reed (1839–1902), who was Speaker of the U.S. House of
Representatives from 1889–1891. [back]
- 18. Mary Oakes Davis (1837 or
1838–1908) was Whitman's housekeeper. For more, see Carol J. Singley,
"Davis, Mary Oakes (1837 or 1838–1908)," Walt
Whitman: An Encyclopedia, ed. J.R. LeMaster and Donald D. Kummings (New
York: Garland Publishing, 1998). [back]