Your card to New Haven followed me on here, where I have been for some months, looking after the production of a work on wood-engraving.
The enclosed letter seems to have anticipated your request. My answer to it has crossed the letter enclosing yours. In sending that I wrote also home, telling them to look for and forward the block2 to Stedman.3 I presume it before now has gone to him. Will you write to him for what use you yourself need of it. loc.03235.002.jpg I am glad to see your hand again & anyway to hear of you I hope you keep in fair health & in as much prosperity as may be necessary for the poet.
For myself, after some five years work on a book concerning my own especial art, I am now waiting the return, which may give me a sufficiency, or may not. At 76, or close upon it, one need not be very anxious. I keep in good health.
Give me a few words of yourself. The above address will find me for some months to come.
Always heartily yours WJ Linton loc.03235.003.jpg See notes Oct 13 1888 loc.03235.004.jpgCorrespondent:
William J. Linton
(1812–1897), a British-born wood engraver, came to the United States in
1866 and settled near New Haven, Connecticut. He illustrated the works of John
Greenleaf Whittier, Henry Wadsworth Longfellow, William Cullen Bryant, and
others, wrote the "indispensable" History of Wood-Engraving in
America (1882), and edited Poetry of America,
1776–1876 (London, 1878), in which appeared eight of Whitman's
poems as well as a frontispiece engraving of the poet. According to his Threescore and Ten Years, 1820 to
1890—Recollections (1894), 216–217, Linton met with Whitman
in Washington and later visited him in Camden (which Whitman reported in his
November 9, 1873, letter to Peter Doyle): "I
liked the man much, a fine-natured, good-hearted, big fellow, . . . a true poet
who could not write poetry, much of wilfulness accounting for his neglect of form."