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SHEFFIELD SCIENTIFIC
SCHOOL OF YALE COLLEGE,1
New Haven,
Connecticut,
Oct 9th.
88
Walt Whitman Esq
Camden N.J.
Dear Sir
Shortly after posting your first letter to Mr. Linton,2 I re'cd word from him to forward the block3 to Mr Arthur Stedman4 of Mesrs. Webster
& Co. #3 East 14th St. N.Y.
In acknowledging its receipt Sept 26th, Mr Stedman said that as soon as an electro
could be taken it would be returned to me—but I have seen nothing of it
yet.
I have heard nothing further from Mr Linton with regard to the block—there
has been hardly time—but will take the responsibility—of sending it
on to you as soon as I get it
Very truly yours
T.W. Mather
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loc.03271.003.jpg
See notes Oct. 11, '88
T.W. Mather
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Correspondent:
Thomas William Mather
(1850–1917) was a mechanical engineer and taught that subject at the
Sheffield Scientific School of Yale University, where he was also educated. He
was the principal of Boardman Manual Training School in New Haven and later
founded the engineering firm of Mather & Son in Florida. He was married to
Margaret Wade Linton Mather (1851–1943), the daughter of engraver William
J. Linton.
Notes
- 1. This letter is addressed:
Walt Whitman | Camden | New Jersey. It is postmarked: NEW HAVEN, CONN | OCT 10 |
2PM; CAMDEN, N.J. | OCT | 11 | 6AM | [illegible] | REC'D. [back]
- 2. William J. Linton
(1812–1897), a British-born wood engraver, came to the United States in
1866 and settled near New Haven, Connecticut. He illustrated the works of John
Greenleaf Whittier, Henry Wadsworth Longfellow, William Cullen Bryant, and
others, wrote the "indispensable" History of Wood-Engraving in
America (1882), and edited Poetry of America,
1776–1876 (London, 1878), in which appeared eight of Whitman's
poems as well as a frontispiece engraving of the poet. According to his Threescore and Ten Years, 1820 to
1890—Recollections (1894), 216–217, Linton met with Whitman
in Washington and later visited him in Camden (which Whitman reported in his
November 9, 1873, letter to Peter Doyle): "I
liked the man much, a fine-natured, good-hearted, big fellow, . . . a true poet
who could not write poetry, much of wilfulness accounting for his neglect of form." [back]
- 3. The block is Linton's
engraving of Whitman that he used for the frontispiece of Poets in America (1878). [back]
- 4. Arthur Stedman (1859–1908)
was the son of the prominent critic, editor, and poet Edmund Clarence Stedman.
Arthur was an editor at Mark Twain's publishing house, Charles L. Webster, where
he edited a selection of Whitman's poems and a selection of his autobiographical
writings for the "Fiction, Fact, and Fancy Series" (1892). [back]