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- nyp.ead02
Catalog of the Literary Manuscripts in The Oscar Lion Collection of Walt Whitman, The New York Public Library
Original records created by the New York Public Library, Louis M. Stark et al. (1953); machine-readable catalog created by David Dodson and Terry Catapano; revised and expanded by the Walt Whitman Archive and the University of Nebraska-Lincoln Libraries. Encoded Archival Description completed with the assistance of the Gladys Kreible Delmas Foundation, the University of Nebraska Research Council, the Institute for Museum and Library Services, and the National Endowment for the Humanities.
- Title: Catalog of the Literary Manuscripts in The Oscar Lion Collection of Walt Whitman, The New York Public Library
- Collection Number: nyp.ead02
- Creator: Whitman, Walt, 1819-1892
- Repository: New York Public Library
- Abstract:
This electronic catalog was created from catalogue records created by the New York Public Library, and obtained by The Walt Whitman Archive. The original papers and catalogue records are held in the Oscar Lion Collection of Walt Whitman at the New York Public Library.
- Scope and Content:
In May, 1953, Mr. Oscar Lion presented to The New York Public Library a portion, and deposited there the remainder, of his remarkable collection of books, letters and manuscripts by or about Walt Whitman. Brought together during some thirty-five years of enthusiastic collecting, Mr. Lion's Whitmaniana totals over five hundred pieces, some of which are of great rarity and significance for the study of Whitman's life and writing. This catalog describes only those items deemed poetry and/or prose manuscripts.
- Biographical Information:
For additional biographical information, see "Walt Whitman", by Ed Folsom and Kenneth M. Price, and the chronology of Whitman's Life.
- Subjects:
- Whitman, Walt, 1819-1892
- Whitman, Walt, 1819-1892--Manuscripts
- Poets, American--19th century
Individual items at this repository
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Whitman Archive Title: seems perpetually goading
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Whitman Archive ID: nyp.00090
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Repository Title: ? seems perpetually goading me
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Date: 1840s or early 1850s
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Genre: prose
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Physical Description: 1 leaf, handwritten
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Content:
A manuscript about "corruption," "putridity," and "maggots" growing out of the "too richly manured manured earth," with no known relation to any of Whitman's published works. Edward Grier posits that this manuscript was written in the 1840s or early 1850s (
Notebooks and Unpublished Prose Manuscripts
[New York: New York University Press, 1984], 1:156). The manuscript is pasted down, making the verso inaccessible.
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Whitman Archive Title: [I can tell of the long besieged city]
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Whitman Archive ID: nyp.00511
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Repository Title: I can tell of the long besieged city
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Date: 1845–1855
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Genre: prose, poetry
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Physical Description: 1 leaf, handwritten
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Content:
A scrap of paper with poetic lines that were used in revised form in the 1855 edition of
Leaves of Grass
. The lines contained in this manuscript were eventually used in the poem ultimately titled "Song of Myself." On the verso of this scrap is a prose fragment with no known connection to Whitman's published work.
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Whitman Archive Title: Night of south winds
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Whitman Archive ID: nyp.00078
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Repository Title: Ms. leaf recto (Night of south winds — Night of the large few stars ..)
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Date: Between 1850 and 1855
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Genre: poetry
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Physical Description: 1 leaf, approximately 19.5 x 19 cm., handwritten
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Content:
Whitman probably drafted this manuscript between 1850 and 1855 as he was composing the first (1855) edition of
Leaves of Grass
. Words and imagery from the manuscript appear in the first poem of that edition, eventually titled "Song of Myself."
On the reverse (nyp.00733) are lines used in a different part of the same poem.
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Whitman Archive Title: The crowds naked in the
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Whitman Archive ID: nyp.00733
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Repository Title: Ms. leaf verso (The crowds naked in the bath...)
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Date: Between 1850 and 1855
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Genre: poetry
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Physical Description: 1 leaf, approximately 19.5 x 19 cm., handwritten
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Content:
Whitman probably drafted this manuscript between 1850 and 1855, as he was composing the first (1855) edition of
Leaves of Grass
. The phrase "attraction of gravity," used in this manuscript, was used twice in that edition, including in a line in the poem eventually titled "A Song for Occupations." The last line of the manuscript, about the mouse staggering infidels, appeared in a slightly revised form in the first poem of that edition, eventually titled "Song of Myself." On the reverse (nyp.00078) are lines also used in that poem.
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Whitman Archive Title: vain the mastadon retreats beneath
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Whitman Archive ID: nyp.00079
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Date: Between 1850 and 1855
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Genre: poetry
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Physical Description: 1 leaf, 18.5 by 19.7 cm. (irregular), handwritten
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Content:
Whitman probably drafted this manuscript between 1850 and 1855 as he was composing the first (1855) edition of
Leaves of Grass
. Lines from the manuscript appear in the first poem of that edition, eventually titled "Song of Myself."
On the reverse are two prose notes, nyp.00523 and nyp.00524.
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Whitman Archive Title: The whip sting ray
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Whitman Archive ID: nyp.00094
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Repository Title: The whip sting ray
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Date: about 1856
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Genre: poetry, prose
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Physical Description: 1 leaf, handwritten
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Content:
A manuscript fragment discussing the dangers of the "whip sting ray"—much "dreaded by fishermen" in the New York area. These prose notes bear no known relationship to Whitman's published works. However, at the top of the manuscript are cancelled lines which read: "and winrows are the green backed spotted mossbonkers . . . the fishermen stand in negligent ease, poised on their strong limbs—." Whitman used these cancelled lines, in slightly revised form, in the poem that would eventually be known as "A Paumanok Picture." First published as part of "Poem of Salutation" in
Leaves of Grass
(1856), then as part of "Salut au Monde" in the 1860–1861, 1867, and 1871–1872 editions of
Leaves
; these lines were later extracted and published as a separate poem, "A Paumanok Picture," in
Leaves of Grass
(1881–82 and 1891–92). An image of the verso is unavailable.
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Whitman Archive Title: A string of Poems
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Whitman Archive ID: nyp.00115
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Repository Title: A string of Poems
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Date: before 1859
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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Content:
This scrap reads, in its entirety, "A string of Poems (short, etc.), embodying the amative love of
woman—the same as Live Oak Leaves do the passion of friendship for
man." Since, as Fredson Bowers points out in his introduction to
Whitman's Manuscripts: "Leaves of Grass" (1860): A Parallel Text
(lxxiii-lxxiv), Whitman dropped the
title "Live Oak Leaves" in late spring, 1859, and adopted calamus as his
symbol of manly love, the date must be earlier.
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Whitman Archive Title: Appendage
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Whitman Archive ID: nyp.00111
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Repository Title: Appendage
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Date: 1850–1870
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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Content:
A list of trial titles, probably for annexes or supplements to
Leaves of Grass.
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Whitman Archive Title: How mean a person
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Whitman Archive ID: nyp.00523
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Repository Title: How mean a person is sometimes...
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Date: Before or early in 1855
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Genre: prose
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Physical Description: 1 leaf, handwritten
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Content:
A single line concerning a "mean" person, "even in the Presidency!" The line has no known connection to any of Whitman's published works. On the back of this leaf (nyp.00079), Whitman drafted trial lines of the poem that was eventually titled "Song of Myself." Based on this, Edward Grier dates this manuscript to before or early in 1855 (
Notebooks and Unpublished Prose Manuscripts
[New York: New York University Press, 1984], 1:180). The manuscript is glued to another manuscript (nyp.00524) that also features lines of prose.
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Whitman Archive Title: tainting the best of the
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Whitman Archive ID: nyp.00524
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Repository Title: Ms. leaf recto (tainting the best of the rich orchard ...)
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Date: Before or early in 1855
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Genre: prose
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Physical Description: 1 leaf, handwritten
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Content:
This manuscript is similar in subject to a line from the poem eventually titled "I Sing the Body Electric." On the back of this leaf (nyp.00079), Whitman drafted trial lines of the poem that was eventually titled "Song of Myself." Based on this and the handwriting, Edward Grier dates this manuscript to before or early in 1855 (
Notebooks and Unpublished Prose Manuscripts
[New York: New York University Press, 1984], 1:179). This manuscript is glued to another manuscript (nyp.00523) that also features lines of prose.
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Whitman Archive Title: I know a rich capitalist
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Whitman Archive ID: nyp.00129
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Date: Between about 1854 and 1860
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Genre: prose, poetry
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Physical Description: 14 leaves, handwritten
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Content:
Emory Holloway has pointed out that Whitman's reference to the sinking of the
San Francisco
indicates that this notebook, "or at least part of it, is later than 1853." He writes that "it was probably begun in 1854" because the "marble church" in the first passage presumably refers to the Marble Collegiate Church in Manhattan, "which was not completed until then." See Holloway, "A Whitman Manuscript,"
American Mercury
3 (December 1924), 475–480. See also Andrew C. Higgins, "Art and Argument: The Rise of Walt Whitman's Rhetorical Poetics, 1838-1855," PhD diss., University of Massachusetts, Amherst, 1999; and Edward F. Grier,
Notebooks and Unpublished Prose Manuscripts
(New York: New York University Press, 1984), 1:128–135. Of the notebook passages that can be identified with published works, most represent early versions of images and phrases from the 1855 poem eventually titled "Song of Myself." One passage clearly contributed to the 1856 poem later titled "Song of the Open Road." Others are possibly connected to the poems eventually titled "A Song for Occupations" and "Great Are the Myths," both first published in the 1855 edition of
Leaves of Grass,
and to the preface for that volume. One passage seems to have contributed to the 1860–1861 poem that Whitman later titled "Our Old Feuillage." One passage is similar to a line in a long manuscript poem unpublished in Whitman's lifetime, titled "Pictures". The first several lines of that poem (not including the line in question) were revised and published as "My Picture-Gallery" in
The American
in October 1880 and then in
Leaves of Grass
as part of the "Autumn Rivulets" cluster (1881–1882, p. 310). No image of the outside back cover of the notebook is available because it has been stitched into a larger volume.
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Whitman Archive Title: One good of knowing
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Whitman Archive ID: nyp.00124
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Repository Title: One good of knowing the great politics of nature
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Date: about 1860
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Genre: poetry, prose
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Physical Description: 1 leaf, handwritten
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View Images:
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Content:
A prose note on "the great politics of nature" that Whitman reworked and used in the poem "To a President," first published in
Leaves of Grass
(1860–1861), and reprinted in subsequent editions of
Leaves
.
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Whitman Archive Title: All moves unwittingly or halts
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Whitman Archive ID: nyp.00126
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Date: about 1856
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Genre: prose
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Physical Description: 1 leaf, handwritten
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Content:
Heavily revised prose notes that constitute a partial draft of the "Letter to Ralph Waldo Emerson," which Whitman published in the "Leaves-Droppings" section of the 1856 edition of
Leaves of Grass
.
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Whitman Archive Title: [sea—cabbage]
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Whitman Archive ID: nyp.00093
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Repository Title: sea-cabbage
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Date: 1855—1860
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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View Images:
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Content:
A list of words and notes, mostly related to the sea. The last line of this manuscript is similar to a line Whitman used in "Miracles." Compare the draft line, "sound of walking barefoot ankle deep in the edge of the water," with the published line, "or wade with naked feet along the beach, just in the edge of the water." "Miracles" first appeared in the 1856 edition of
Leaves of Grass
under the title, "Poem of Perfect Miracles."
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Whitman Archive Title: The Blue Book
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Whitman Archive ID: nyp.00015
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Date: about 1860
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Genre: poetry
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Physical Description: 243 leaves, handwritten
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Content:
Of nearly as much significance as Whitman's copy of the 1855
Leaves
is his copy of
the Boston, 1860-61 edition, the famous "Blue Book." It is this volume, in blue
paper wrappers, that was discovered in Whitman's desk by Secretary
of the Interior James Harlan, leading to Whitman's dismissal from the
Department on June 30, 1865. Documenting this event in Whitman's
life in Washington, the Lion Collection also includes a group of
seven letters and documents relating to his work in the Departments
of the Interior and Justice. Among these are Secretary Harlan's
letter of dismissal, and a memorandum in Whitman's hand recording a
conversation with W. T. Otto of the Department of the Interior about the
finding of the "Blue
Book" in Whitman's desk; images of these items are unavailable.The book itself is heavily corrected and revised throughout in
Whitman's hand, in preparation for later editions, though in fact Whitman never implemented many of the changes he contemplated. The "Blue Book" is another remarkable example of his lifelong habit of editing and rewriting his poems. The flyleaf is inscribed: "Property of Horace L. Traubel / Received from Walt Whitman May 23d 1890—W. saying: 'You fellows value these curios more than I do.
This will help you to see how the book grew, if that is anything.
But I guess you would know how it grew if you never possessed the
book. The book is a milepost . . . This gives a glimpse into the
work shop . . .'"
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Whitman Archive Title: Inscription To the Reader at the entrance of Leaves of Grass
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Whitman Archive ID: nyp.00520
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Date: 1860–1867
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Genre: poetry
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Physical Description: 6 leaves, handwritten
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Content:
One of a series of draft introductions Whitman prepared for
Leaves of Grass
, but which were never printed during his lifetime. This particular introduction, composed entirely in verse, was reworked and revised multiple times. Though "Inscription To the Reader at the entrance of Leaves of Grass" did not appear in print as a distinct and cohesive piece until collected by Clifton Joseph Furness in
Walt Whitman's Workshop
(1928), portions of this draft were distilled into "One's-self I Sing," first published as "Inscription" in the 1867 edition of
Leaves of Grass
. Whitman revised this poem before including it as "One's-self I Sing" in 1871, dropping some of the lines only to reintroduce them in "Sands at Seventy" (1888), under the title "Small the Theme of My Chant." Both "One's-self I Sing" and "Small the Theme of My Chant" appeared in the 1891-92 edition of
Leaves of Grass
. Lines from this manuscript were also revised and used in the poem "So Long!," which first appeared in the 1860-61 edition of
Leaves of Grass
. The verso of the last leaf is blank and an image is unavailable.
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Whitman Archive Title: Inscription at the entrance of Leaves of Grass
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Whitman Archive ID: nyp.00517
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Date: 1860–1867
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Genre: poetry
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Physical Description: 3 leaves, handwritten
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Content:
One of a series of draft introductions Whitman prepared for
Leaves of Grass
, but which were never printed during Whitman's lifetime. This particular introduction, composed entirely in verse, was reworked and revised multiple times. Though "Inscription at the entrance of Leaves of Grass" did not appear in print as a distinct and cohesive piece until collected by Clifton Joseph Furness in
Walt Whitman's Workshop
(1928), portions of this draft were distilled into "One's-self I Sing," first published as "Inscription" in the 1867 edition of
Leaves of Grass
. Whitman revised this poem before including it as "One's-self I Sing" in 1871, dropping some of the lines only to reintroduce them in "Sands at Seventy" (1888), under the title "Small the Theme of My Chant." Both "One's-self I Sing" and "Small the Theme of My Chant" appeared in the 1892 edition of
Leaves of Grass
. Images of the versos are unavailable.
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Whitman Archive Title: To the Reader at the Entrance of Leaves of Grass
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Whitman Archive ID: nyp.00515
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Date: 1860–1867
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Genre: poetry
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Physical Description: 4 leaves, handwritten; printed
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Content:
One of a series of draft introductions Whitman prepared for
Leaves of Grass
, but which were never printed during Whitman's lifetime. This particular introduction, composed entirely in verse, was reworked and revised multiple times. Though "To the Reader at the Entrance of Leaves of Grass" did not appear in print as a distinct and cohesive piece until collected by Clifton Joseph Furness in
Walt Whitman's Workshop
(1928), portions of this draft were distilled into "One's-self I Sing," first published as "Inscription" in the 1867 edition of
Leaves of Grass
. Whitman revised this poem before including it as "One's-self I Sing" in 1871, dropping some of the lines only to reintroduce them in "Sands at Seventy" (1888), under the title "Small the Theme of My Chant." Both "One's-self I Sing" and "Small the Theme of My Chant" appeared in the 1892 edition of
Leaves of Grass
. Lines from this manuscript were also revised and used in the poem, "So Long!," which first appeared in the 1860 edition of
Leaves of Grass
.
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Whitman Archive Title: [The best of the two Introductions]
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Whitman Archive ID: nyp.00514
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Date: 1860–1865
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Genre: prose
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Physical Description: 8 leaves, handwritten
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Content:
One of a series of draft introductions Whitman prepared for
Leaves of Grass
, but which were never printed during Whitman's lifetime. Though this introduction was not printed as a complete and distinct piece until collected by Clifton Joseph Furness in
Walt Whitman's Workshop
(1928), portions of this draft were used in
Democratic Vistas
(1871). An image of the verso of the final leaf is unavailable.
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Whitman Archive Title: [Dec 23, 1864 good—& must be used]
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Whitman Archive ID: nyp.00513
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Date: 1860–1864
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Genre: prose
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Physical Description: 8 leaves, handwritten
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Content:
One of a series of draft introductions Whitman prepared for
Leaves of Grass
, but which were never printed during Whitman's lifetime. Though this introduction was not printed as a complete and distinct piece until collected by Clifton Joseph Furness in
Walt Whitman's Workshop
(1928), portions of this draft were used in
Democratic Vistas
(1871).
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Whitman Archive Title: [Thuswise it comes]
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Whitman Archive ID: nyp.00516
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Date: 1860–1867
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Genre: poetry
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Physical Description: 3 leaves, handwritten
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Content:
One of a series of draft introductions Whitman prepared for
Leaves of Grass
, but which were never printed during Whitman's lifetime. This particular introduction, composed entirely in verse, is most closely related to "Inscriptions," which first appeared in the 1867 edition of
Leaves of Grass
. However, no lines from this manuscript can be directly linked to any part of "Inscriptions." No other relationship to Whitman's published work is known.
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Whitman Archive Title: The Biography
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Whitman Archive ID: nyp.00082
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Date: about 1867
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Genre: poetry
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Physical Description: 1 leaf, 18 by 11 cm, handwritten
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Content:
Heavily revised draft of the poem "When I Read the Book" that extends onto
the verso. The poem was first published in the 1867
edition of
Leaves of
Grass
before being revised for inclusion in the "Inscriptions" cluster of the 1871 edition. This draft seems to correspond more closely to the earlier version of the poem, although it contains several lines that do not appear in either version.
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Whitman Archive Title: [writing letters, by the bed-side]
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Whitman Archive ID: nyp.00253
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Date: 1863–1864
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Genre: prose
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Physical Description: 1 leaf, handwritten
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Content:
A partial draft of "Our Wounded and Sick Soldiers—Visits Among Army Hospitals, At Washington, on the Field, and here in New-York," first published in the
New York Times
, 11 December 1864. Though parts of "Our Wounded and Sick Soldiers" were partially reprinted in the
New York Weekly Graphic
(1874),
Memoranda During the War
(1876), and
Specimen Days
(1882), the portion which appears in this draft was not reprinted until after Whitman's death in
The Wound Dresser
(1898). An image of the verso is unavailable.
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Whitman Archive Title: [The Epos of a Life]
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Whitman Archive ID: nyp.00521
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Date: 1865–1871
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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Content:
A cancelled poetry manuscript that is related to "Inscription," the prefatory poem of the 1867 edition of
Leaves of Grass
, which was later revised as "Small the Theme of My Chant." Other manuscripts held at Dartmouth and the Library of Congress (Charles E. Feinberg) open with the same revised line, though the published poem does not. An image of the verso is unavailable.
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Whitman Archive Title: Passage to India
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Whitman Archive ID: nyp.00077
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Date: 1869–1871
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Genre: poetry
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Physical Description: 13 leaves, handwritten
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Content:
Notes and drafted lines for the poem "Passage to India," first published in a small volume of the same name in 1871. It was later included as a supplement to the second issue of the 1871 edition of
Leaves of Grass
. The first
page features the watermark of "Platner & Porter, Congress" in the
upper right-hand corner.
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Whitman Archive Title: Passage to India
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Whitman Archive ID: nyp.00080
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Date: 1870-1871
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Genre: poetry
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Physical Description: 23 leaves, numbered 1-21, with pages designated "5 1/2" and "5 3/4.", 25.2 by 20 to 31.2 by 20.5 cm., handwritten; print
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Content:
Revised draft of the poem "Passage to India," first published in a small volume of the same name in 1871. It was later included as a supplement to the second issue of the 1871 edition of
Leaves of Grass
. At some point before
March 15, 1870
, Whitman had an early draft of the poem set in print by Andrew and Thomas Rome (the printers of the 1855 edition of
Leaves of Grass
). Whitman then used the printed pages to make edits and corrections, which he subsequently sent to publisher J.S. Redfield, who ultimately printed the finished book. Since this particular draft contains portions of the printed poem pasted onto the manuscript pages, it most likely dates from after March 1870. At the repository, the draft is accompanied by a typewritten memorandum by Emory Holloway, as well as typewritten letters from Amy Lowell and Clifton Joseph Furness to Oscar Lion; images of these items are not available.
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Whitman Archive Title: First, to me
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Whitman Archive ID: nyp.00091
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Repository Title: First, to me, come the People
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Date: about 1890
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Genre: prose
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Physical Description: 1 leaf, handwritten
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Content:
A prose fragment that Whitman used in the essay, "American National Literature," first published in the
North American Review
in March 1891, under the title "Have We a National Literature?" The essay was reprinted in
Good-Bye My Fancy
(1891) before finally being collected in
Complete Prose Works
(1892).
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Whitman Archive Title: [May 17 '81—Glendale]
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Whitman Archive ID: nyp.00527
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Date: 1881
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Genre: prose
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Physical Description: 1 leaf, handwritten
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Content:
Prose notes, dated May 17, 1881, that may have contributed to "Cedar-Apples," first published in
Specimen Days & Collect
(1882-83).
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Whitman Archive Title: Old Age Echoes
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Whitman Archive ID: nyp.00081
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Date: 1889-1891
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Genre: poetry
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Physical Description: 1 leaf, 20.1 by 19.5 cm, handwritten
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Content:
Lightly revised draft of a poem titled "Sounds of the winter too."
Under the title "Sounds of the
Winter," the poem was one of four belonging to the "Old Age Echoes"
cluster, first published in
Lippincott's Magazine
47 (March 1891) and then
reprinted in
Good-bye My
Fancy
(1891). The writing on the verso (not in Whitman's hand)
makes reference to
Good-Bye
My Fancy
and to "Sounds of Winter," as well as to a
"Putnam 1902
Edition." There is also a postmark dated 18 October 1889.
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Whitman Archive Title: Have I no word for thee
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Whitman Archive ID: nyp.00083
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Date: about 1889
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Genre: poetry
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Physical Description: 1 leaf, 12.5 by 19.5 cm, handwritten
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Content:
About seven lines, with revisions, toward the poem "To the Year 1889."
The writing on the verso (not in Whitman's hand) makes reference to
the title of this poem, as well as to
Good-Bye My Fancy
and a "Putnam 1902
Edition." "To the Year
1889" was first published on January 5, 1889, in the
Critic
. The
poem was retitled "To the Pending Year" for its inclusion in
Good-Bye My Fancy
(1891)
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Whitman Archive Title: Leaves of Grass.
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Whitman Archive ID: nyp.00522
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Genre: poetry
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Physical Description: 4 p. 1., xii, (1) 14-95 p., 30 cm., front. (port.)
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Content:
Whitman's own copy, with
handwritten notes and the original pink paper covers, of the 1855 edition of
Leaves of Grass
.
Into this copy, Whitman has tipped 8 booklets of manuscripts, 52 leaves in all, as well as
typed copies of six of the booklets. The cover contains a handwritten note by Horace L.
Traubel about the finding of this copy. With
holograph letter of Anne Montgomerie Traubel to Oscar Lion, dated
May 12, 1928, describing the finding of this copy after Whitman's
death.
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Whitman Archive Title: Lo, space, eternal
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Whitman Archive ID: nyp.00098
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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Content:
Three lines of poetry, with revisions. No connection to Whitman's
published poetry is known.
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Whitman Archive Title: Points in Proem
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Whitman Archive ID: nyp.00121
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Repository Title: Points in Proem
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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Content:
Notes on some material to incorporate into the "Proem" Whitman drafted in
another manuscript.
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Whitman Archive Title: Proem
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Whitman Archive ID: nyp.00118
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Repository Title: Proem
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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Content:
Draft of a line justifying the poet's inclusion of "amativeness" as a
topic in his poems. The title "Proem" suggests that this may be the
draft of a passage for a prefatory poem.
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Whitman Archive Title: Poem
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Whitman Archive ID: nyp.00120
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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Content:
A newspaper clipping pasted onto a piece of paper, with Whitman's
handwritten notes in the margins. The title "Poem" and the first note
indicate that he is deriving an idea for a new poem from the newspaper
excerpt, which deals with the "ennobling" effect of struggles and
hardships one may face in life.
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Whitman Archive Title: A remembrance
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Whitman Archive ID: nyp.00117
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Repository Title: (A remembrance)
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Genre: poetry
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Physical Description: 1 leaf, handwritten
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Content:
A heavily revised line toward what seems to have been intended as a poem
titled "A remembrance," honoring the air we breathe and also "a breed of
full-sized young men and women."
View All Works
- Restrictions: Access to the collection is restricted to qualified scholars and researchers through the Office of Special Collections, Room 316, Humanites and Social Sciences Library, New York Public Library. Requests for reproduction and/or permission to quote must be made in writing to the Curator and be accompanied by Estate permission.
- Preferred Citation: To identify this catalog as a source, see the Archive's "Conditions of Use" page.