To wit: Be it remembered . . . That on the 19th day of May, anno Domini, 1891, Walt Whitman, of Camden, N. J., has deposited in this office the title of a Book, the title or description of which is in the following words, to wit:
☞ As there are now several editions of L. of G., different texts and dates, I wish to say that I prefer and recommend this present one, complete, for future printing, if there should be any; a copy and fac-simile, indeed, of the text of these 438 pages. The subsequent adjusting interval which is so important to form'd and launch'd work, books especially, has pass'd; and waiting till fully after that, I have given (pages 423-438) my concluding words.
W. W. [ begin page 3 ]ppp.00707.011.jpg
INSCRIPTIONS. | PAGE |
ONE'S-SELF I SING . . . . . . . . . | 9 |
AS I PONDER'D IN SILENCE . . . . . . . | 9 |
IN CABIN'D SHIPS AT SEA . . . . . . . . | 10 |
TO FOREIGN LANDS . . . . . . . . . | 11 |
TO A HISTORIAN . . . . . . . . . . | 11 |
TO THEE OLD CAUSE . . . . . . . . | 11 |
EIDÓLONS . . . . . . . . . . . | 12 |
FOR HIM I SING . . . . . . . . . | 14 |
WHEN I READ THE BOOK . . . . . . . . | 14 |
BEGINNING MY STUDIES . . . . . . . . | 14 |
BEGINNERS . . . . . . . . . . . | 15 |
TO THE STATES . . . . . . . . . . | 15 |
ON JOURNEYS THROUGH THE STATES . . . . . . | 15 |
TO A CERTAIN CANTATRICE . . . . . . . | 16 |
ME IMPERTURBE . . . . . . . . . . | 16 |
SAVANTISM . . . . . . . . . . . | 16 |
THE SHIP STARTING . . . . . . . . . | 16 |
I HEAR AMERICA SINGING . . . . . . . | 17 |
WHAT PLACE IS BESIEGED? . . . . . . . . | 17 |
STILL THOUGH THE ONE I SING . . . . . . | 17 |
SHUT NOT YOUR DOORS . . . . . . . . | 17 |
POETS TO COME . . . . . . . . . . | 18 |
TO YOU . . . . . . . . . . . . | 18 |
THOU READER . . . . . . . . . . | 18 |
STARTING FROM PAUMANOK . . . . . . . . | 18 |
SONG OF MYSELF . . . . . . . . . . | 29 |
CHILDREN OF ADAM. | |
TO THE GARDEN THE WORLD . . . . . . . | 79 |
FROM PENT-UP ACHING RIVERS . . . . . . | 79 |
I SING THE BODY ELECTRIC . . . . . . . | 81 |
A WOMAN WAITS FOR ME . . . . . . . | 88 |
SPONTANEOUS ME . . . . . . . . . . | 89 |
ONE HOUR TO MADNESS AND JOY . . . . . . | 91 |
OUT OF THE ROLLING OCEAN THE CROWD . . . . | 92 |
AGES AND AGES RETURNING AT INTERVALS . . . . | 92 |
WE TWO, HOW LONG WE WERE FOOL'D . . . . . | 93 |
O HYMEN! O HYMENEE! . . . . . . . . | 93 |
I AM HE THAT ACHES WITH LOVE . . . . . . | 93 |
NATIVE MOMENTS . . . . . . . . . | 94 |
ONCE I PASS'D THROUGH A POPULOUS CITY . . . . | 94 |
I HEARD YOU SOLEMN-SWEET PIPES OF THE ORGAN . . | 94 |
FACING WEST FROM CALIFORNIA'S SHORES . . . . | 95 |
AS ADAM EARLY IN THE MORNING . . . . . | 95 |
CALAMUS. | PAGE |
IN PATHS UNTRODDEN . . . . . . . . . | 95 |
SCENTED HERBAGE OF MY BREAST . . . . . . | 96 |
WHOEVER YOU ARE HOLDING ME NOW IN HAND . . . | 97 |
FOR YOU O DEMOCRACY . . . . . . . . | 99 |
THESE I SINGING IN SPRING . . . . . . . | 99 |
NOT HEAVING FROM MY RIBB'D BREAST ONLY . . . | 100 |
OF THE TERRIBLE DOUBT OF APPEARANCES . . . . | 101 |
THE BASE OF ALL METAPHYSICS . . . . . . | 101 |
RECORDERS AGES HENCE . . . . . . . . | 102 |
WHEN I HEARD AT THE CLOSE OF THE DAY . . . | 102 |
ARE YOU THE NEW PERSON DRAWN TOWARD ME? . . . | 103 |
ROOTS AND LEAVES THEMSELVES ALONE . . . . | 103 |
NOT HEAT FLAMES UP AND CONSUMES . . . . . | 104 |
TRICKLE DROPS . . . . . . . . . . | 104 |
CITY OF ORGIES . . . . . . . . . . | 105 |
BEHOLD THIS SWARTHY FACE . . . . . . | 105 |
I SAW IN LOUISIANA A LIVE-OAK GROWING . . . . | 105 |
TO A STRANGER . . . . . . . . . . | 106 |
THIS MOMENT YEARNING AND THOUGHTFUL . . . . | 106 |
I HEAR IT WAS CHARGED AGAINST ME . . . . . | 107 |
THE PRAIRIE-GRASS DIVIDING . . . . . . . | 107 |
WHEN I PERUSE THE CONQUER'D FAME . . . . | 107 |
WE TWO BOYS TOGETHER CLINGING . . . . . . | 108 |
A PROMISE TO CALIFORNIA . . . . . . . | 108 |
HERE THE FRAILEST LEAVES OF ME . . . . . . | 108 |
NO LABOR-SAVING MACHINE . . . . . . . | 108 |
A GLIMPSE . . . . . . . . . . . | 109 |
A LEAF FOR HAND IN HAND . . . . . . . | 109 |
EARTH MY LIKENESS . . . . . . . . . | 109 |
I DREAM'D IN A DREAM . . . . . . . . | 109 |
WHAT THINK YOU I TAKE MY PEN IN HAND? . . . | 110 |
TO THE EAST AND TO THE WEST . . . . . . | 110 |
SOMETIMES WITH ONE I LOVE . . . . . . . | 110 |
TO A WESTERN BOY . . . . . . . . . | 110 |
FAST-ANCHOR'D ETERNAL O LOVE . . . . . . | 111 |
AMONG THE MULTITUDE . . . . . . . . | 111 |
O YOU WHOM I OFTEN AND SILENTLY COME . . . . | 111 |
THAT SHADOW MY LIKENESS . . . . . . . | 111 |
FULL OF LIFE NOW . . . . . . . . . | 111 |
SALUT AU MONDE! . . . . . . . . . . | 112 |
SONG OF THE OPEN ROAD . . . . . . . . | 120 |
CROSSING BROOKLYN FERRY . . . . . . . . | 129 |
SONG OF THE ANSWERER . . . . . . . . . | 134 |
OUR OLD FEUILLAGE . . . . . . . . . | 138 |
A SONG OF JOYS . . . . . . . . . . . | 142 |
SONG OF THE BROAD-AXE . . . . . . . . | 148 |
SONG OF THE EXPOSITION . . . . . . . . . | 157 |
SONG OF THE REDWOOD-TREE . . . . . . . | 165 |
A SONG FOR OCCUPATIONS . . . . . . . . . | 169 |
A SONG OF THE ROLLING EARTH . . . . . . . | 176 |
YOUTH, DAY, OLD AGE, AND NIGHT . . . . . . | 180 |
BIRDS OF PASSAGE. | |
SONG OF THE UNIVERSAL . . . . . . . . | 181 |
PIONEERS! O PIONEERS! . . . . . . . . | 183 |
TO YOU . . . . . . . . . . . | 186 |
BIRDS OF PASSAGE. | PAGE |
FRANCE THE 18TH YEAR OF THESE STATES . . . . | 188 |
MYSELF AND MINE . . . . . . . . . | 189 |
YEAR OF METEORS (1859-60) . . . . . . . | 190 |
WITH ANTECEDENTS . . . . . . . . . | 191 |
A BROADWAY PAGEANT . . . . . . . . . | 193 |
SEA-DRIFT. | |
OUT OF THE CRADLE ENDLESSLY ROCKING . . . . | 196 |
AS I EBB'D WITH THE OCEAN OF LIFE . . . . . | 202 |
TEARS . . . . . . . . . . . . | 204 |
TO THE MAN-OF-WAR-BIRD . . . . . . . | 204 |
ABOARD AT A SHIP'S HELM . . . . . . . . | 205 |
ON THE BEACH AT NIGHT . . . . . . . | 205 |
THE WORLD BELOW THE BRINE . . . . . . . | 206 |
ON THE BEACH AT NIGHT ALONE . . . . . . | 207 |
SONG FOR ALL SEAS, ALL SHIPS . . . . . . | 207 |
PATROLING BARNEGAT . . . . . . . . | 208 |
AFTER THE SEA-SHIP . . . . . . . . . | 209 |
BY THE ROADSIDE. | |
A BOSTON BALLAD—1854 . . . . . . . | 209 |
EUROPE THE 72D AND 73D YEARS OF THESE STATES . . | 211 |
A HAND-MIRROR . . . . . . . . . | 213 |
GODS . . . . . . . . . . . . | 213 |
GERMS . . . . . . . . . . . . | 214 |
THOUGHTS . . . . . . . . . . . | 214 |
WHEN I HEARD THE LEARN'D ASTRONOMER . . . | 214 |
PERFECTIONS . . . . . . . . . . . | 214 |
O ME! O LIFE! . . . . . . . . . | 215 |
TO A PRESIDENT . . . . . . . . . . | 215 |
I SIT AND LOOK OUT . . . . . . . . | 215 |
TO RICH GIVERS . . . . . . . . . . | 216 |
THE DALLIANCE OF THE EAGLES . . . . . . | 216 |
ROAMING IN THOUGHT . . . . . . . . . | 216 |
A FARM PICTURE . . . . . . . . . | 216 |
A CHILD'S AMAZE . . . . . . . . . . | 217 |
THE RUNNER . . . . . . . . . . | 217 |
BEAUTIFUL WOMEN . . . . . . . . . | 217 |
MOTHER AND BABE . . . . . . . . . | 217 |
THOUGHT . . . . . . . . . . . | 217 |
VISOR'D . . . . . . . . . . . | 217 |
THOUGHT . . . . . . . . . . . | 217 |
GLIDING O'ER ALL . . . . . . . . . | 218 |
HAST NEVER COME TO THEE AN HOUR . . . . . | 218 |
THOUGHT . . . . . . . . . . . | 218 |
TO OLD AGE . . . . . . . . . . . | 218 |
LOCATIONS AND TIMES . . . . . . . . | 218 |
OFFERINGS . . . . . . . . . . . | 218 |
TO IDENTIFY THE 16TH, 17TH OR 18TH PRESIDENTIAD . . | 218 |
DRUM-TAPS. | |
FIRST O SONGS FOR A PRELUDE . . . . . . . | 219 |
EIGHTEEEN SIXTY-ONE . . . . . . . . | 221 |
BEAT! BEAT! DRUMS! . . . . . . . . | 222 |
FROM PAUMANOK STARTING I FLY LIKE A BIRD . . . | 222 |
SONG OF THE BANNER AT DAYBREAK . . . . . | 223 |
RISE O DAYS FROM YOUR FATHOMLESS DEEPS . . . | 228 |
DRUM-TAPS. | PAGE |
VIRGINIA—THE WEST . . . . . . . . | 230 |
CITY OF SHIPS . . . . . . . . . . | 230 |
THE CENTENARIAN'S STORY . . . . . . . | 231 |
CAVALRY CROSSING A FORD . . . . . . . | 235 |
BIVOUAC ON A MOUNTAIN SIDE . . . . . . | 235 |
AN ARMY CORPS ON THE MARCH . . . . . . | 236 |
BY THE BIVOUAC'S FITFUL FLAME . . . . . . | 236 |
COME UP FROM THE FIELDS FATHER . . . . . . | 236 |
VIGIL STRANGE I KEPT ON THE FIELD ONE NIGHT . . | 238 |
A MARCH IN THE RANKS HARD-PREST . . . . . | 239 |
A SIGHT IN CAMP IN THE DAYBREAK GRAY AND DIM . | 240 |
AS TOILSOME I WANDER'D VIRGINIA'S WOODS . . . | 240 |
NOT THE PILOT . . . . . . . . . . | 241 |
YEAR THAT TREMBLED AND REEL'D BENEATH ME . . . | 241 |
THE WOUND-DRESSER . . . . . . . . | 241 |
LONG, TOO LONG AMERICA . . . . . . . | 244 |
GIVE ME THE SPLENDID SILENT SUN . . . . . | 244 |
DIRGE FOR TWO VETERANS . . . . . . . . | 246 |
OVER THE CARNAGE ROSE PROPHETIC A VOICE . . . | 247 |
I SAW OLD GENERAL AT BAY . . . . . . . | 247 |
THE ARTILLERYMAN'S VISION . . . . . . . | 248 |
ETHIOPIA SALUTING THE COLORS . . . . . . | 249 |
NOT YOUTH PERTAINS TO ME . . . . . . | 249 |
RACE OF VETERANS . . . . . . . . . | 250 |
WORLD TAKE GOOD NOTICE . . . . . . . | 250 |
O TAN-FACED PRAIRIE-BOY . . . . . . . . | 250 |
LOOK DOWN FAIR MOON . . . . . . . . | 250 |
RECONCILIATION . . . . . . . . . . | 250 |
HOW SOLEMN AS ONE BY ONE . . . . . . | 251 |
AS I LAY WITH MY HEAD IN YOUR LAP CAMERADO . . | 251 |
DELICATE CLUSTER . . . . . . . . . | 252 |
TO A CERTAIN CIVILIAN . . . . . . . . | 252 |
LO, VICTRESS ON THE PEAKS . . . . . . . | 252 |
SPIRIT WHOSE WORK IS DONE . . . . . . . | 253 |
ADIEU TO A SOLDIER . . . . . . . . | 253 |
TURN O LIBERTAD . . . . . . . . . | 254 |
TO THE LEAVEN'D SOIL THEY TROD . . . . . | 254 |
MEMORIES OF PRESIDENT LINCOLN. | |
WHEN LILACS LAST IN THE DOORYARD BLOOM'D . . . | 255 |
O CAPTAIN, MY CAPTAIN . . . . . . . . | 262 |
HUSH'D BE THE CAMPS TO-DAY . . . . . . . | 263 |
THIS DUST WAS ONCE THE MAN . . . . . . | 263 |
BY BLUE ONTARIO'S SHORE . . . . . . . . | 264 |
REVERSALS . . . . . . . . . . . . | 276 |
AUTUMN RIVULETS. | |
AS CONSEQUENT . . . . . . . . . . | 277 |
THE RETURN OF THE HEROES . . . . . . . | 278 |
THERE WAS A CHILD WENT FORTH . . . . . . | 282 |
OLD IRELAND . . . . . . . . . . | 284 |
THE CITY DEAD-HOUSE . . . . . . . . | 284 |
THIS COMPOST . . . . . . . . . . | 285 |
TO A FOIL'D EUROPEAN REVOLUTIONAIRE . . . . . | 287 |
UNNAMED LANDS . . . . . . . . . | 288 |
SONG OF PRUDENCE . . . . . . . . . | 289 |
AUTUMN RIVULETS. | PAGE |
THE SINGER IN THE PRISON . . . . . . . | 292 |
WARBLE FOR LILAC-TIME . . . . . . . . | 293 |
OUTLINES FOR A TOMB . . . . . . . . | 294 |
OUT FROM BEHIND THIS MASK . . . . . . . | 296 |
VOCALISM . . . . . . . . . . . | 297 |
TO HIM THAT WAS CRUCIFIED . . . . . . . | 298 |
YOU FELONS ON TRIAL IN COURTS . . . . . . | 298 |
LAWS FOR CREATIONS . . . . . . . . . | 299 |
TO A COMMON PROSTITUTE . . . . . . . | 299 |
I WAS LOOKING A LONG WHILE . . . . . . . | 300 |
THOUGHT . . . . . . . . . . . | 300 |
MIRACLES . . . . . . . . . . . | 301 |
SPARKLES FROM THE WHEEL . . . . . . . | 301 |
TO A PUPIL . . . . . . . . . . . | 302 |
UNFOLDED OUT OF THE FOLDS . . . . . . | 302 |
WHAT AM I AFTER ALL . . . . . . . . | 303 |
KOSMOS . . . . . . . . . . . | 303 |
OTHERS MAY PRAISE WHAT THEY LIKE . . . . . | 304 |
WHO LEARNS MY LESSON COMPLETE . . . . . | 304 |
TESTS . . . . . . . . . . . . | 305 |
THE TORCH . . . . . . . . . . | 305 |
O STAR OF FRANCE (1870-71) . . . . . . . | 306 |
THE OX-TAMER . . . . . . . . . . | 307 |
AN OLD MAN'S THOUGHT OF SCHOOL . . . . . | 308 |
WANDERING AT MORN . . . . . . . . | 308 |
ITALIAN MUSIC IN DAKOTA . . . . . . . | 309 |
WITH ALL THY GIFTS . . . . . . . . | 309 |
MY PICTURE-GALLERY . . . . . . . . . | 310 |
THE PRAIRIE STATES . . . . . . . . | 310 |
PROUD MUSIC OF THE STORM . . . . . . . . | 310 |
PASSAGE TO INDIA . . . . . . . . . . | 315 |
PRAYER OF COLUMBUS . . . . . . . . . . | 323 |
THE SLEEPERS . . . . . . . . . . . | 325 |
TRANSPOSITIONS . . . . . . . . . . . | 332 |
TO THINK OF TIME . . . . . . . . . . | 333 |
WHISPERS OF HEAVENLY DEATH. | |
DAREST THOU NOW O SOUL . . . . . . . | 338 |
WHISPERS OF HEAVENLY DEATH . . . . . . | 338 |
CHANTING THE SQUARE DEIFIC . . . . . . . | 339 |
OF HIM I LOVE DAY AND NIGHT . . . . . . | 340 |
YET, YET, YE DOWNCAST HOURS . . . . . . | 341 |
AS IF A PHANTOM CARESS'D ME . . . . . . | 341 |
ASSURANCES . . . . . . . . . . . | 342 |
QUICKSAND YEARS . . . . . . . . . | 342 |
THAT MUSIC ALWAYS ROUND ME . . . . . . | 343 |
WHAT SHIP PUZZLED AT SEA . . . . . . . | 343 |
A NOISELESS PATIENT SPIDER . . . . . . . | 343 |
O LIVING ALWAYS, ALWAYS DYING . . . . . | 344 |
TO ONE SHORTLY TO DIE . . . . . . . . | 344 |
NIGHT ON THE PRAIRIES . . . . . . . . | 344 |
THOUGHT . . . . . . . . . . . | 345 |
THE LAST INVOCATION . . . . . . . . | 346 |
AS I WATCH'D THE PLOUGHMAN PLOUGHING . . . | 346 |
PENSIVE AND FALTERING . . . . . . . . | 346 |
PAGE | |
THOU MOTHER WITH THY EQUAL BROOD . . . . . | 346 |
A PAUMANOK PICTURE . . . . . . . . . | 351 |
FROM NOON TO STARRY NIGHT. | |
THOU ORB ALOFT FULL-DAZZLING . . . . . . | 352 |
FACES . . . . . . . . . . . . | 353 |
THE MYSTIC TRUMPETER . . . . . . . . | 356 |
TO A LOCOMOTIVE IN WINTER . . . . . . | 358 |
O MAGNET-SOUTH . . . . . . . . . . | 359 |
MANNAHATTA . . . . . . . . . . | 360 |
ALL IS TRUTH . . . . . . . . . . | 361 |
A RIDDLE SONG . . . . . . . . . | 362 |
EXCELSIOR . . . . . . . . . . . | 363 |
AH POVERTIES, WINCINGS, AND SULKY RETREATS . . | 364 |
THOUGHTS . . . . . . . . . . . | 364 |
MEDIUMS . . . . . . . . . . . | 364 |
WEAVE IN, MY HARDY LIFE . . . . . . . | 365 |
SPAIN, 1873-74 . . . . . . . . . . | 365 |
BY BROAD POTOMAC'S SHORE . . . . . . . | 366 |
FROM FAR DAKOTA'S CAÑONS (JUNE 25, 1876) . . . | 366 |
OLD WAR-DREAMS . . . . . . . . . . | 367 |
THICK-SPRINKLED BUNTING . . . . . . . | 367 |
WHAT BEST I SEE IN THEE . . . . . . . | 368 |
SPIRIT THAT FORM'D THIS SCENE . . . . . . | 368 |
AS I WALK THESE BROAD MAJESTIC DAYS . . . . | 369 |
A CLEAR MIDNIGHT . . . . . . . . . | 369 |
SONGS OF PARTING. | |
AS THE TIME DRAWS NIGH . . . . . . . . | 370 |
YEARS OF THE MODERN . . . . . . . . | 370 |
ASHES OF SOLDIERS . . . . . . . . . | 371 |
THOUGHTS . . . . . . . . . . . | 373 |
SONG AT SUNSET . . . . . . . . . . | 374 |
AS AT THY PORTALS ALSO DEATH . . . . . . | 376 |
MY LEGACY . . . . . . . . . . . | 376 |
PENSIVE ON HER DEAD GAZING . . . . . . | 377 |
CAMPS OF GREEN . . . . . . . . . . | 377 |
THE SOBBING OF THE BELLS . . . . . . . | 378 |
AS THEY DRAW TO A CLOSE . . . . . . . | 379 |
JOY, SHIPMATE, JOY . . . . . . . . . | 379 |
THE UNTOLD WANT . . . . . . . . . | 379 |
PORTALS . . . . . . . . . . . | 379 |
THESE CAROLS . . . . . . . . . . | 379 |
NOW FINALÈ TO THE SHORE . . . . . . . | 380 |
SO LONG! . . . . . . . . . . . | 380 |
1st Annex, SANDS AT SEVENTY. | |
WITH INDEX OF CONTENTS . . . . . . | 383 |
2d Annex, GOOD-BYE MY FANCY. | |
WITH INDEX OF CONTENTS . . . . . . . | 405 |
A BACKWARD GLANCE O'ER TRAVEL'D ROADS . . . | 423 |