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[ begin page front reverse ]
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[ begin page title page ]
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LEAVES
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COPYRIGHT 1881
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| INSCRIPTIONS. | PAGE |
| ONE'S-SELF I SING . . . . . . . . . | 9 |
| AS I PONDER'D IN SILENCE . . . . . . . | 9 |
| IN CABIN'D SHIPS AT SEA . . . . . . . . | 10 |
| TO FOREIGN LANDS . . . . . . . . . | 11 |
| TO A HISTORIAN . . . . . . . . . . | 11 |
| TO THEE OLD CAUSE . . . . . . . . | 11 |
| EIDÓLONS . . . . . . . . . . . | 12 |
| FOR HIM I SING . . . . . . . . . | 14 |
| WHEN I READ THE BOOK . . . . . . . . | 14 |
| BEGINNING MY STUDIES . . . . . . . . | 14 |
| BEGINNERS . . . . . . . . . . . | 15 |
| TO THE STATES . . . . . . . . . . | 15 |
| ON JOURNEYS THROUGH THE STATES . . . . . . | 15 |
| TO A CERTAIN CANTATRICE . . . . . . . | 16 |
| ME IMPERTURBE . . . . . . . . . . | 16 |
| SAVANTISM . . . . . . . . . . . | 16 |
| THE SHIP STARTING . . . . . . . . . | 16 |
| I HEAR AMERICA SINGING . . . . . . . | 17 |
| WHAT PLACE IS BESIEGED? . . . . . . . . | 17 |
| STILL THOUGH THE ONE I SING . . . . . . | 17 |
| SHUT NOT YOUR DOORS . . . . . . . . | 17 |
| POETS TO COME . . . . . . . . . . | 18 |
| TO YOU . . . . . . . . . . . . | 18 |
| THOU READER . . . . . . . . . . | 18 |
| STARTING FROM PAUMANOK . . . . . . . . | 18 |
| SONG OF MYSELF . . . . . . . . . . | 29 |
| CHILDREN OF ADAM. | |
| TO THE GARDEN THE WORLD . . . . . . . | 79 |
| FROM PENT-UP ACHING RIVERS . . . . . . | 79 |
| I SING THE BODY ELECTRIC . . . . . . . | 81 |
| A WOMAN WAITS FOR ME . . . . . . . | 88 |
| SPONTANEOUS ME . . . . . . . . . . | 89 |
| ONE HOUR TO MADNESS AND JOY . . . . . . | 91 |
| OUT OF THE ROLLING OCEAN THE CROWD . . . . | 92 |
| AGES AND AGES RETURNING AT INTERVALS . . . . | 92 |
| WE TWO, HOW LONG WE WERE FOOL'D . . . . . | 93 |
| O HYMEN! O HYMENEE! . . . . . . . . | 93 |
| I AM HE THAT ACHES WITH LOVE . . . . . . | 93 |
| NATIVE MOMENTS . . . . . . . . . | 94 |
| ONCE I PASS'D THROUGH A POPULOUS CITY . . . . | 94 |
| I HEARD YOU SOLEMN-SWEET PIPES OF THE ORGAN . . | 94 |
| FACING WEST FROM CALIFORNIA'S SHORES . . . . | 95 |
| AS ADAM EARLY IN THE MORNING . . . . . | 95 |
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| CALAMUS. | PAGE |
| IN PATHS UNTRODDEN . . . . . . . . . | 95 |
| SCENTED HERBAGE OF MY BREAST . . . . . . | 96 |
| WHOEVER YOU ARE HOLDING ME NOW IN HAND . . . | 97 |
| FOR YOU O DEMOCRACY . . . . . . . . | 99 |
| THESE I SINGING IN SPRING . . . . . . . | 99 |
| NOT HEAVING FROM MY RIBB'D BREAST ONLY . . . | 100 |
| OF THE TERRIBLE DOUBT OF APPEARANCES . . . . | 101 |
| THE BASE OF ALL METAPHYSICS . . . . . . | 101 |
| RECORDERS AGES HENCE . . . . . . . . | 102 |
| WHEN I HEARD AT THE CLOSE OF THE DAY . . . | 102 |
| ARE YOU THE NEW PERSON DRAWN TOWARD ME? . . . | 103 |
| ROOTS AND LEAVES THEMSELVES ALONE . . . . | 103 |
| NOT HEAT FLAMES UP AND CONSUMES . . . . . | 104 |
| TRICKLE DROPS . . . . . . . . . . | 104 |
| CITY OF ORGIES . . . . . . . . . . | 105 |
| BEHOLD THIS SWARTHY FACE . . . . . . | 105 |
| I SAW IN LOUISIANA A LIVE-OAK GROWING . . . . | 105 |
| TO A STRANGER . . . . . . . . . . | 106 |
| THIS MOMENT YEARNING AND THOUGHTFUL . . . . | 106 |
| I HEAR IT WAS CHARGED AGAINST ME . . . . . | 107 |
| THE PRAIRIE-GRASS DIVIDING . . . . . . . | 107 |
| WHEN I PERUSE THE CONQUER'D FAME . . . . | 107 |
| WE TWO BOYS TOGETHER CLINGING . . . . . . | 108 |
| A PROMISE TO CALIFORNIA . . . . . . . | 108 |
| HERE THE FRAILEST LEAVES OF ME . . . . . . | 108 |
| NO LABOR-SAVING MACHINE . . . . . . . | 108 |
| A GLIMPSE . . . . . . . . . . . | 109 |
| A LEAF FOR HAND IN HAND . . . . . . . | 109 |
| EARTH MY LIKENESS . . . . . . . . . | 109 |
| I DREAM'D IN A DREAM . . . . . . . . | 109 |
| WHAT THINK YOU I TAKE MY PEN IN HAND? . . . | 110 |
| TO THE EAST AND TO THE WEST . . . . . . | 110 |
| SOMETIMES WITH ONE I LOVE . . . . . . . | 110 |
| TO A WESTERN BOY . . . . . . . . . | 110 |
| FAST-ANCHOR'D ETERNAL O LOVE . . . . . . | 111 |
| AMONG THE MULTITUDE . . . . . . . . | 111 |
| O YOU WHOM I OFTEN AND SILENTLY COME . . . . | 111 |
| THAT SHADOW MY LIKENESS . . . . . . . | 111 |
| FULL OF LIFE NOW . . . . . . . . . | 111 |
| SALUT AU MONDE! . . . . . . . . . . | 112 |
| SONG OF THE OPEN ROAD . . . . . . . . | 120 |
| CROSSING BROOKLYN FERRY . . . . . . . . | 129 |
| SONG OF THE ANSWERER . . . . . . . . . | 134 |
| OUR OLD FEUILLAGE . . . . . . . . . | 138 |
| A SONG OF JOYS . . . . . . . . . . . | 142 |
| SONG OF THE BROAD-AXE . . . . . . . . | 148 |
| SONG OF THE EXPOSITION . . . . . . . . . | 157 |
| SONG OF THE REDWOOD-TREE . . . . . . . | 165 |
| A SONG FOR OCCUPATIONS . . . . . . . . . | 169 |
| A SONG OF THE ROLLING EARTH . . . . . . . | 176 |
| YOUTH, DAY, OLD AGE, AND NIGHT . . . . . . | 180 |
| BIRDS OF PASSAGE. | |
| SONG OF THE UNIVERSAL . . . . . . . . | 181 |
| PIONEERS! O PIONEERS! . . . . . . . . | 183 |
| TO YOU . . . . . . . . . . . | 186 |
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| BIRDS OF PASSAGE. | PAGE |
| FRANCE THE 18TH YEAR OF THESE STATES . . . . | 188 |
| MYSELF AND MINE . . . . . . . . . | 189 |
| YEAR OF METEORS (1859-60) . . . . . . . | 190 |
| WITH ANTECEDENTS . . . . . . . . . | 191 |
| A BROADWAY PAGEANT . . . . . . . . . | 193 |
| SEA-DRIFT. | |
| OUT OF THE CRADLE ENDLESSLY ROCKING . . . . | 196 |
| AS I EBB'D WITH THE OCEAN OF LIFE . . . . . | 202 |
| TEARS . . . . . . . . . . . . | 204 |
| TO THE MAN-OF-WAR-BIRD . . . . . . . | 204 |
| ABOARD AT A SHIP'S HELM . . . . . . . . | 205 |
| ON THE BEACH AT NIGHT . . . . . . . | 205 |
| THE WORLD BELOW THE BRINE . . . . . . . | 206 |
| ON THE BEACH AT NIGHT ALONE . . . . . . | 207 |
| SONG FOR ALL SEAS, ALL SHIPS . . . . . . | 207 |
| PATROLING BARNEGAT . . . . . . . . | 208 |
| AFTER THE SEA-SHIP . . . . . . . . . | 209 |
| BY THE ROADSIDE. | |
| A BOSTON BALLAD—1854 . . . . . . . | 209 |
| EUROPE THE 72D AND 73D YEARS OF THESE STATES . . | 211 |
| A HAND-MIRROR . . . . . . . . . | 213 |
| GODS . . . . . . . . . . . . | 213 |
| GERMS . . . . . . . . . . . . | 214 |
| THOUGHTS . . . . . . . . . . . | 214 |
| WHEN I HEARD THE LEARN'D ASTRONOMER . . . | 214 |
| PERFECTIONS . . . . . . . . . . . | 214 |
| O ME! O LIFE! . . . . . . . . . | 215 |
| TO A PRESIDENT . . . . . . . . . . | 215 |
| I SIT AND LOOK OUT . . . . . . . . | 215 |
| TO RICH GIVERS . . . . . . . . . . | 216 |
| THE DALLIANCE OF THE EAGLES . . . . . . | 216 |
| ROAMING IN THOUGHT . . . . . . . . . | 216 |
| A FARM PICTURE . . . . . . . . . | 216 |
| A CHILD'S AMAZE . . . . . . . . . . | 217 |
| THE RUNNER . . . . . . . . . . | 217 |
| BEAUTIFUL WOMEN . . . . . . . . . | 217 |
| MOTHER AND BABE . . . . . . . . . | 217 |
| THOUGHT . . . . . . . . . . . | 217 |
| VISOR'D . . . . . . . . . . . | 217 |
| THOUGHT . . . . . . . . . . . | 217 |
| GLIDING O'ER ALL . . . . . . . . . | 218 |
| HAST NEVER COME TO THEE AN HOUR . . . . . | 218 |
| THOUGHT . . . . . . . . . . . | 218 |
| TO OLD AGE . . . . . . . . . . . | 218 |
| LOCATIONS AND TIMES . . . . . . . . | 218 |
| OFFERINGS . . . . . . . . . . . | 218 |
| TO IDENTIFY THE 16TH, 17TH OR 18TH PRESIDENTIAD . . | 218 |
| DRUM-TAPS. | |
| FIRST O SONGS FOR A PRELUDE . . . . . . . | 219 |
| EIGHTEEEN SIXTY-ONE . . . . . . . . | 221 |
| BEAT! BEAT! DRUMS! . . . . . . . . | 222 |
| FROM PAUMANOK STARTING I FLY LIKE A BIRD . . . | 222 |
| SONG OF THE BANNER AT DAYBREAK . . . . . | 223 |
| RISE O DAYS FROM YOUR FATHOMLESS DEEPS . . . | 228 |
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| DRUM-TAPS. | PAGE |
| VIRGINIA—THE WEST . . . . . . . . | 230 |
| CITY OF SHIPS . . . . . . . . . . | 230 |
| THE CENTENARIAN'S STORY . . . . . . . | 231 |
| CAVALRY CROSSING A FORD . . . . . . . | 235 |
| BIVOUAC ON A MOUNTAIN SIDE . . . . . . | 235 |
| AN ARMY CORPS ON THE MARCH . . . . . . | 236 |
| BY THE BIVOUAC'S FITFUL FLAME . . . . . . | 236 |
| COME UP FROM THE FIELDS FATHER . . . . . . | 236 |
| VIGIL STRANGE I KEPT ON THE FIELD ONE NIGHT . . | 238 |
| A MARCH IN THE RANKS HARD-PREST . . . . . | 239 |
| A SIGHT IN CAMP IN THE DAYBREAK GRAY AND DIM . | 240 |
| AS TOILSOME I WANDER'D VIRGINIA'S WOODS . . . | 240 |
| NOT THE PILOT . . . . . . . . . . | 241 |
| YEAR THAT TREMBLED AND REEL'D BENEATH ME . . . | 241 |
| THE WOUND-DRESSER . . . . . . . . | 241 |
| LONG, TOO LONG AMERICA . . . . . . . | 244 |
| GIVE ME THE SPLENDID SILENT SUN . . . . . | 244 |
| DIRGE FOR TWO VETERANS . . . . . . . . | 246 |
| OVER THE CARNAGE ROSE PROPHETIC A VOICE . . . | 247 |
| I SAW OLD GENERAL AT BAY . . . . . . . | 247 |
| THE ARTILLERYMAN'S VISION . . . . . . . | 248 |
| ETHIOPIA SALUTING THE COLORS . . . . . . | 249 |
| NOT YOUTH PERTAINS TO ME . . . . . . | 249 |
| RACE OF VETERANS . . . . . . . . . | 250 |
| WORLD TAKE GOOD NOTICE . . . . . . . | 250 |
| O TAN-FACED PRAIRIE-BOY . . . . . . . . | 250 |
| LOOK DOWN FAIR MOON . . . . . . . . | 250 |
| RECONCILIATION . . . . . . . . . . | 250 |
| HOW SOLEMN AS ONE BY ONE . . . . . . | 251 |
| AS I LAY WITH MY HEAD IN YOUR LAP CAMERADO . . | 251 |
| DELICATE CLUSTER . . . . . . . . . | 252 |
| TO A CERTAIN CIVILIAN . . . . . . . . | 252 |
| LO, VICTRESS ON THE PEAKS . . . . . . . | 252 |
| SPIRIT WHOSE WORK IS DONE . . . . . . . | 253 |
| ADIEU TO A SOLDIER . . . . . . . . | 253 |
| TURN O LIBERTAD . . . . . . . . . | 254 |
| TO THE LEAVEN'D SOIL THEY TROD . . . . . | 254 |
| MEMORIES OF PRESIDENT LINCOLN. | |
| WHEN LILACS LAST IN THE DOORYARD BLOOM'D . . . | 255 |
| O CAPTAIN, MY CAPTAIN . . . . . . . . | 262 |
| HUSH'D BE THE CAMPS TO-DAY . . . . . . . | 263 |
| THIS DUST WAS ONCE THE MAN . . . . . . | 263 |
| BY BLUE ONTARIO'S SHORE . . . . . . . . | 264 |
| REVERSALS . . . . . . . . . . . . | 276 |
| AUTUMN RIVULETS. | |
| AS CONSEQUENT . . . . . . . . . . | 277 |
| THE RETURN OF THE HEROES . . . . . . . | 278 |
| THERE WAS A CHILD WENT FORTH . . . . . . | 282 |
| OLD IRELAND . . . . . . . . . . | 284 |
| THE CITY DEAD-HOUSE . . . . . . . . | 284 |
| THIS COMPOST . . . . . . . . . . | 285 |
| TO A FOIL'D EUROPEAN REVOLUTIONAIRE . . . . . | 287 |
| UNNAMED LANDS . . . . . . . . . | 288 |
| SONG OF PRUDENCE . . . . . . . . . | 289 |
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| AUTUMN RIVULETS. | PAGE |
| THE SINGER IN THE PRISON . . . . . . . | 292 |
| WARBLE FOR LILAC-TIME . . . . . . . . | 293 |
| OUTLINES FOR A TOMB . . . . . . . . | 294 |
| OUT FROM BEHIND THIS MASK . . . . . . . | 296 |
| VOCALISM . . . . . . . . . . . | 297 |
| TO HIM THAT WAS CRUCIFIED . . . . . . . | 298 |
| YOU FELONS ON TRIAL IN COURTS . . . . . . | 298 |
| LAWS FOR CREATIONS . . . . . . . . . | 299 |
| TO A COMMON PROSTITUTE . . . . . . . | 299 |
| I WAS LOOKING A LONG WHILE . . . . . . . | 300 |
| THOUGHT . . . . . . . . . . . | 300 |
| MIRACLES . . . . . . . . . . . | 301 |
| SPARKLES FROM THE WHEEL . . . . . . . | 301 |
| TO A PUPIL . . . . . . . . . . . | 302 |
| UNFOLDED OUT OF THE FOLDS . . . . . . | 302 |
| WHAT AM I AFTER ALL . . . . . . . . | 303 |
| KOSMOS . . . . . . . . . . . | 303 |
| OTHERS MAY PRAISE WHAT THEY LIKE . . . . . | 304 |
| WHO LEARNS MY LESSON COMPLETE . . . . . | 304 |
| TESTS . . . . . . . . . . . . | 305 |
| THE TORCH . . . . . . . . . . | 305 |
| O STAR OF FRANCE (1870-71) . . . . . . . | 306 |
| THE OX-TAMER . . . . . . . . . . | 307 |
| AN OLD MAN'S THOUGHT OF SCHOOL . . . . . | 308 |
| WANDERING AT MORN . . . . . . . . | 308 |
| ITALIAN MUSIC IN DAKOTA . . . . . . . | 309 |
| WITH ALL THY GIFTS . . . . . . . . | 309 |
| MY PICTURE-GALLERY . . . . . . . . . | 310 |
| THE PRAIRIE STATES . . . . . . . . | 310 |
| PROUD MUSIC OF THE STORM . . . . . . . . | 310 |
| PASSAGE TO INDIA . . . . . . . . . . | 315 |
| PRAYER OF COLUMBUS . . . . . . . . . . | 323 |
| THE SLEEPERS . . . . . . . . . . . | 325 |
| TRANSPOSITIONS . . . . . . . . . . . | 332 |
| TO THINK OF TIME . . . . . . . . . . | 333 |
| WHISPERS OF HEAVENLY DEATH. | |
| DAREST THOU NOW O SOUL . . . . . . . | 338 |
| WHISPERS OF HEAVENLY DEATH . . . . . . | 338 |
| CHANTING THE SQUARE DEIFIC . . . . . . . | 339 |
| OF HIM I LOVE DAY AND NIGHT . . . . . . | 340 |
| YET, YET, YE DOWNCAST HOURS . . . . . . | 341 |
| AS IF A PHANTOM CARESS'D ME . . . . . . | 341 |
| ASSURANCES . . . . . . . . . . . | 342 |
| QUICKSAND YEARS . . . . . . . . . | 342 |
| THAT MUSIC ALWAYS ROUND ME . . . . . . | 343 |
| WHAT SHIP PUZZLED AT SEA . . . . . . . | 343 |
| A NOISELESS PATIENT SPIDER . . . . . . . | 343 |
| O LIVING ALWAYS, ALWAYS DYING . . . . . | 344 |
| TO ONE SHORTLY TO DIE . . . . . . . . | 344 |
| NIGHT ON THE PRAIRIES . . . . . . . . | 344 |
| THOUGHT . . . . . . . . . . . | 345 |
| THE LAST INVOCATION . . . . . . . . | 346 |
| AS I WATCH'D THE PLOUGHMAN PLOUGHING . . . | 346 |
| PENSIVE AND FALTERING . . . . . . . . | 346 |
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| PAGE | |
| THOU MOTHER WITH THY EQUAL BROOD . . . . . | 346 |
| A PAUMANOK PICTURE . . . . . . . . . | 351 |
| FROM NOON TO STARRY NIGHT. | |
| THOU ORB ALOFT FULL-DAZZLING . . . . . . | 352 |
| FACES . . . . . . . . . . . . | 353 |
| THE MYSTIC TRUMPETER . . . . . . . . | 356 |
| TO A LOCOMOTIVE IN WINTER . . . . . . | 358 |
| O MAGNET-SOUTH . . . . . . . . . . | 359 |
| MANNAHATTA . . . . . . . . . . | 360 |
| ALL IS TRUTH . . . . . . . . . . | 361 |
| A RIDDLE SONG . . . . . . . . . | 362 |
| EXCELSIOR . . . . . . . . . . . | 363 |
| AH POVERTIES, WINCINGS, AND SULKY RETREATS . . | 364 |
| THOUGHTS . . . . . . . . . . . | 364 |
| MEDIUMS . . . . . . . . . . . | 364 |
| WEAVE IN, MY HARDY LIFE . . . . . . . | 365 |
| SPAIN, 1873-74 . . . . . . . . . . | 365 |
| BY BROAD POTOMAC'S SHORE . . . . . . . | 366 |
| FROM FAR DAKOTA'S CAÑONS (JUNE 25, 1876) . . . | 366 |
| OLD WAR-DREAMS . . . . . . . . . . | 367 |
| THICK-SPRINKLED BUNTING . . . . . . . | 367 |
| WHAT BEST I SEE IN THEE . . . . . . . | 368 |
| SPIRIT THAT FORM'D THIS SCENE . . . . . . | 368 |
| AS I WALK THESE BROAD MAJESTIC DAYS . . . . | 369 |
| A CLEAR MIDNIGHT . . . . . . . . . | 369 |
| SONGS OF PARTING. | |
| AS THE TIME DRAWS NIGH . . . . . . . . | 370 |
| YEARS OF THE MODERN . . . . . . . . | 370 |
| ASHES OF SOLDIERS . . . . . . . . . | 371 |
| THOUGHTS . . . . . . . . . . . | 373 |
| SONG AT SUNSET . . . . . . . . . . | 374 |
| AS AT THY PORTALS ALSO DEATH . . . . . . | 376 |
| MY LEGACY . . . . . . . . . . . | 376 |
| PENSIVE ON HER DEAD GAZING . . . . . . | 377 |
| CAMPS OF GREEN . . . . . . . . . . | 377 |
| THE SOBBING OF THE BELLS . . . . . . . | 378 |
| AS THEY DRAW TO A CLOSE . . . . . . . | 379 |
| JOY, SHIPMATE, JOY . . . . . . . . . | 379 |
| THE UNTOLD WANT . . . . . . . . . | 379 |
| PORTALS . . . . . . . . . . . | 379 |
| THESE CAROLS . . . . . . . . . . | 379 |
| NOW FINALÈ TO THE SHORE . . . . . . . | 380 |
| SO LONG! . . . . . . . . . . . | 380 |
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(Yet methinks certain, or as good as certain, at the last,) the field
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These with the past,
Of vanish'd lands, of all the reigns of kings across the sea,
Old conquerors, old campaigns, old sailors' voyages,
Joining eidólons.
Densities, growth, façades,
Strata of mountains, soils, rocks, giant trees,
Far-born, far-dying, living long, to leave,
Eidólons everlasting.
Exaltè, rapt, ecstatic,
The visible but their womb of birth,
Of orbic tendencies to shape and shape and shape,
The mighty earth-eidólon.
All space, all time,
(The stars, the terrible perturbations of the suns,
Swelling, collapsing, ending, serving their longer, shorter use,)
Fill'd with eidólons only.
The noiseless myriads,
The infinite oceans where the rivers empty,
The separate countless free identities, like eyesight,
The true realities, eidólons.
Not this the world,
Nor these the universes, they the universes,
Purport and end, ever the permanent life of life,
Eidólons, eidólons.
Beyond thy lectures learn'd professor,
Beyond thy telescope or spectroscope observer keen, beyond all
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And thee my soul,
Joys, ceaseless exercises, exaltations,
Thy yearning amply fed at last, prepared to meet,
Thy mates, eidólons.
Thy body permanent,
The body lurking there within thy body,
The only purport of the form thou art, the real I myself,
An image, an eidólon.
Thy very songs not in thy songs,
No special strains to sing, none for itself,
But from the whole resulting, rising at last and floating,
A round full-orb'd eidólon.
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Aware of the fresh free giver the flowing Missouri, aware of mighty
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Here spirituality the translatress, the openly-avow'd,
The ever-tending, the finale of visible forms,
The satisfier, after due long-waiting now advancing,
Yes here comes my mistress the soul.
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And I will thread a thread through my poems that time and events
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Toward the male of the States, and toward the female of the States,
Exulting words, words to Democracy's lands.
Interlink'd, food-yielding lands!
Land of coal and iron! land of gold! land of cotton, sugar, rice!
Land of wheat, beef, pork! land of wool and hemp! land of the
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Yet upon the plains west of the spinal river, yet in my house of
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O a word to clear one's path ahead endlessly!
O something ecstatic and undemonstrable! O music wild!
O now I triumph—and you shall also;
O hand in hand—O wholesome pleasure—O one more desirer
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The smoke of my own breath,
Echoes, ripples, buzz'd whispers, love-root, silk-thread, crotch and
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Out of the dimness opposite equals advance, always substance and
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My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss or
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And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap'd stones, elder, mullein
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And the hints about old men and mothers, and the offspring taken
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The sharp-hoof'd moose of the north, the cat on the house-sill,
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The quadroon girl is sold at the auction-stand, the drunkard nods
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The bride unrumples her white dress, the minute-hand of the clock
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And such as it is to be of these more or less I am,
And of these one and all I weave the song of myself.
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Do you guess I have some intricate purpose?
Well I have, for the Fourth-month showers have, and the mica on
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I know I shall not pass like a child's carlacue cut with a burnt
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Press close bare-bosom'd night—press close magnetic nourishing
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My gait is no fault-finder's or rejecter's gait,
I moisten the roots of all that has grown.
Did you fear some scrofula out of the unflagging pregnancy?
Did you guess the celestial laws are yet to be work'd over and
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Less the reminders of properties told my words,
And more the reminders they of life untold, and of freedom and
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I believe in the flesh and the appetites,
Seeing, hearing, feeling, are miracles, and each part and tag of me
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Hefts of the moving world at innocent gambols silently rising
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Steep'd amid honey'd morphine, my windpipe throttled in fakes
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I went myself first to the headland, my own hands carried me
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And the tree-toad is a chef-d'oeuvre for the highest,
And the running blackberry would adorn the parlors of heaven,
And the narrowest hinge in my hand puts to scorn all machinery,
And the cow crunching with depress'd head surpasses any statue,
And a mouse is miracle enough to stagger sextillions of infidels.
I find I incorporate gneiss, coal, long-threaded moss, fruits, grains,
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Myself moving forward then and now and forever,
Gathering and showing more always and with velocity,
Infinite and omnigenous, and the like of these among them,
Not too exclusive toward the reachers of my remembrancers,
Picking out here one that I love, and now go with him on brotherly
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Where the black bear is searching for roots or honey, where the
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At he-festivals, with blackguard gibes, ironical license, bull-dances,
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Looking in at the shop-windows of Broadway the whole forenoon,
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I take my place late at night in the crow's-nest,
We sail the arctic sea, it is plenty light enough,
Through the clear atmosphere I stretch around on the wonderful
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The twinges that sting like needles his legs and neck, the mur-
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The cries, curses, roar, the plaudits for well-aim'd shots,
The ambulanza slowly passing trailing its red drip,
Workmen searching after damages, making indispensable repairs,
The fall of grenades through the rent roof, the fan-shaped explo-
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Some half-kill'd attempted to crawl away,
These were despatch'd with bayonets or batter'd with the blunts
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Only three guns are in use,
One is directed by the captain himself against the enemy's main-
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Wheeze, cluck, swash of falling blood, short wild scream, and long,
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I remember now,
I resume the overstaid fraction,
The grave of rock multiplies what has been confided to it, or to
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And might tell what it is in me and what it is in you, but cannot,
And might tell that pining I have, that pulse of my nights and
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I heard what was said of the universe,
Heard it and heard it of several thousand years;
It is middling well as far as it goes—but is that all?
Magnifying and applying come I,
Outbidding at the start the old cautious hucksters,
Taking myself the exact dimensions of Jehovah,
Lithographing Kronos, Zeus his son, and Hercules his grandson,
Buying drafts of Osiris, Isis, Belus, Brahma, Buddha,
In my portfolio placing Manito loose, Allah on a leaf, the crucifix
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By my life-lumps! becoming already a creator,
Putting myself here and now to the ambush'd womb of the shadows.
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I am aware who they are, (they are positively not worms or fleas,)
I acknowledge the duplicates of myself, the weakest and shallowest
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To the mass kneeling or the puritan's prayer rising, or sitting
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Nor any thing in the myriads of spheres, nor the myriads of
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Cycles ferried my cradle, rowing and rowing like cheerful boatmen,
For room to me stars kept aside in their own rings,
They sent influences to look after what was to hold me.
Before I was born out of my mother generations guided me,
My embryo has never been torpid, nothing could overlay it.
For it the nebula cohered to an orb,
The long slow strata piled to rest it on,
Vast vegetables gave it sustenance,
Monstrous sauroids transported it in their mouths and deposited
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My sun has his sun and round him obediently wheels,
He joins with his partners a group of superior circuit,
And greater sets follow, making specks of the greatest inside them.
There is no stoppage and never can be stoppage,
If I, you, and the worlds, and all beneath or upon their surfaces,
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Shoulder your duds dear son, and I will mine, and let us hasten
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Wicked rather than virtuous out of conformity or fear,
Fond of his sweetheart, relishing well his steak,
Unrequited love or a slight cutting him worse than sharp steel
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My face rubs to the hunter's face when he lies down alone in his
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Perhaps I might tell more. Outlines! I plead for my brothers
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You will hardly know who I am or what I mean,
But I shall be good health to you nevertheless,
And filter and fibre your blood.
Failing to fetch me at first keep encouraged,
Missing me one place search another,
I stop somewhere waiting for you.
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O for you whoever you are your correlative body! O it, more than
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From the soft sliding of hands over me and thrusting of fingers
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It is in his limbs and joints also, it is curiously in the joints of his
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This man was of wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
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Mad filaments, ungovernable shoots play out of it, the response
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Whatever the survey, whatever the sea and the sail he strikes
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Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
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I believe the likes of you shall stand or fall with my poems, and
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The beauty of the waist, and thence of the hips, and thence down-
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I draw you close to me, you women,
I cannot let you go, I would do you good,
I am for you, and you are for me, not only for our own sake, but
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This poem drooping shy and unseen that I always carry, and that
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The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin babes that crawl over the grass in the
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To have the gag remov'd from one's mouth!
To have the feeling to-day or any day I am sufficient as I am.
O something unprov'd! something in a trance!
To escape utterly from others' anchors and holds!
To drive free! to love free! to dash reckless and dangerous!
To court destruction with taunts, with invitations!
To ascend, to leap to the heavens of the love indicated to me!
To rise thither with my inebriate soul!
To be lost if it must be so!
To feed the remainder of life with one hour of fulness and freedom!
With one brief hour of madness and joy.
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No longer abash'd, (for in this secluded spot I can respond as I
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Do not remain down there so ashamed, herbage of my breast!
Come I am determin'd to unbare this broad breast of mine, I
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Therefore release me now before troubling yourself any further, let
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Here, out of my pocket, some moss which I pull'd off a live-oak
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Stated the lore of Plato, and Socrates greater than Plato,
And greater than Socrates sought and stated, Christ divine having
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But the day when I rose at dawn from the bed of perfect health,
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Breast-sorrel and pinks of love, fingers that wind around tighter
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Let them know your scarlet heat, let them glisten,
Saturate them with yourself all ashamed and wet,
Glow upon all I have written or shall write, bleeding drops,
Let it all be seen in your light, blushing drops.
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And I broke off a twig with a certain number of leaves upon it,
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To one a century hence or any number of centuries hence,
To you yet unborn these, seeking you.
When you read these I that was visible am become invisible,
Now it is you, compact, visible, realizing my poems, seeking me,
Fancying how happy you were if I could be with you and become
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I see the shaded part on one side where the sleepers are sleeping,
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Others traverse the Zuyder Zee or the Scheld,
Others as comers and goers at Gibraltar or the Dardanelles,
Others sternly push their way through the northern winter-packs,
Others descend or ascend the Obi or the Lena,
Others the Niger or the Congo, others the Indus, the Burampooter
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I see Christ eating the bread of his last supper in the midst of
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I see the Brazilian vaquero,
I see the Bolivian ascending mount Sorata,
I see the Wacho crossing the plains, I see the incomparable rider
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I see Egypt and the Egyptians, I see the pyramids and obelisks,
I look on chisell'd histories, records of conquering kings, dynasties,
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You Bokh horse-herd watching your mares and stallions feeding!
You beautiful-bodied Persian at full speed in the saddle shooting
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You Caffre, Berber, Soudanese!
You haggard, uncouth, untutor'd Bedowee!
You plague-swarms in Madras, Nankin, Kaubul, Cairo!
You benighted roamer of Amazonia! you Patagonian! you Feejee-
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Henceforth I ask not good-fortune, I myself am good-fortune,
Henceforth I whimper no more, postpone no more, need nothing,
Done with indoor complaints, libraries, querulous criticisms,
Strong and content I travel the open road.
The earth, that is sufficient,
I do not want the constellations any nearer,
I know they are very well where they are,
I know they suffice for those who belong to them.
(Still here I carry my old delicious burdens,
I carry them, men and women, I carry them with me wherever I go,
I swear it is impossible for me to get rid of them,
I am fill'd with them, and I will fill them in return.)
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You rows of houses! you window-pierc'd façades! you roofs!
You porches and entrances! you copings and iron guards!
You windows whose transparent shells might expose so much!
You doors and ascending steps! you arches!
You gray stones of interminable pavements! you trodden crossings!
From all that has touch'd you I believe you have imparted to
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I inhale great draughts of space,
The east and the west are mine, and the north and the south are
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Here is realization,
Here is a man tallied—he realizes here what he has in him,
The past, the future, majesty, love—if they are vacant of you,
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Toward the fluid and attaching character exudes the sweat of the
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(I and mine do not convince by arguments, similes, rhymes,
We convince by our presence.)
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Whoever you are, come forth! or man or woman come forth!
You must not stay sleeping and dallying there in the house,
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Let the paper remain on the desk unwritten, and the book on the
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Others will watch the run of the flood-tide,
Others will see the shipping of Manhattan north and west, and
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The white wake left by the passage, the quick tremulous whirl of
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The best I had done seem'd to me blank and suspicious,
My great thoughts as I supposed them, were they not in reality
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What gods can exceed these that clasp me by the hand, and with
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Appearances, now or henceforth, indicate what you are,
You necessary film, continue to envelop the soul,
About my body for me, and your body for you, be hung our
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Beautiful women, the haughtiest nations, laws, the landscape,
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He resolves all tongues into his own and bestows it upon men, and
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Time, always without break, indicates itself in parts,
What always indicates the poet is the crowd of the pleasant com-
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They do not seek beauty, they are sought,
Forever touching them or close upon them follows beauty, longing,
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On interior rivers by night in the glare of pine knots, steamboats
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There are the negroes at work in good health, the ground in all
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Observing the spiral flight of two little yellow butterflies shuffling
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In Kanadian forests the moose, large as an ox, corner'd by
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O the gleesome saunter over fields and hillsides!
The leaves and flowers of the commonest weeds, the moist fresh
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In winter I take my eel-basket and eel-spear and travel out on foot
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O to work in mines, or forging iron,
Foundry casting, the foundry itself, the rude high roof, the ample
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I am more than eighty years of age, I am the most venerable
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To walk with erect carriage, a step springy and elastic,
To look with calm gaze or with a flashing eye,
To speak with a full and sonorous voice out of a broad chest,
To confront with your personality all the other personalities of the
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O to struggle against great odds, to meet enemies undaunted!
To be entirely alone with them, to find how much one can stand!
To look strife, torture, prison, popular odium, face to face!
To mount the scaffold, to advance to the muzzles of guns with
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Welcome are lands of wheat and maize, welcome those of the
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Lumbermen in their winter camp, daybreak in the woods, stripes
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The arriving engines, the hoarse shouts, the nimble stepping and
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For the roughness of the earth and of man encloses as much as
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Where outside authority enters always after the precedence of
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Than this nothing has better served, it has served all,
Served the fluent-tongued and subtle-sensed Greek, and long ere
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They spirt no more the blood of European nobles, they clasp no
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The shapes arise!
Shapes of factories, arsenals, foundries, markets,
Shapes of the two-threaded tracks of railroads,
Shapes of the sleepers of bridges, vast frameworks, girders, arches,
Shapes of the fleets of barges, tows, lake and canal craft, river craft,
Ship-yards and dry-docks along the Eastern and Western seas, and
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The sheriff at hand with his deputies, the silent and white-lipp'd
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But to bring perhaps from afar what is already founded,
To give it our own identity, average, limitless, free,
To fill the gross the torpid bulk with vital religious fire,
Not to repel or destroy so much as accept, fuse, rehabilitate,
To obey as well as command, to follow more than to lead,
These also are the lessons of our New World;
While how little the New after all, how much the Old, Old World!
Long and long hasthe grass been growing,
Long and long has the rain been falling,
Long has the globe been rolling round.
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The same undying soul of earth's, activity's, beauty's, heroism's
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In liberty's name welcome immortal! clasp hands,
And ever henceforth sisters dear be both.
Fear not O Muse! truly new ways and days receive, surround you,
I candidly confess a queer, queer race, of novel fashion,
And yet the same old human race, the same within, without,
Faces and hearts the same, feelings the same, yearnings the same,
The same old love, beauty and use the same.
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Here shall you trace in flowing operation,
In every state of practical, busy movement, the rills of civilization,
Materials here under your eye shall change their shape as if by
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Practical, peaceful life, the people's life, the People themselves,
Lifted, illumin'd, bathed in peace—elate, secure in peace.
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The family, parentage, childhood, husband and wife,
The house-comforts, the house itself and all its belongings,
Food and its preservation, chemistry applied to it,
Whatever forms the average, strong, complete, sweet-blooded man
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Behold, in Oregon, far in the north and west,
Or in Maine, far in the north and east, thy cheerful axemen,
Wielding all day their axes.
Behold, on the lakes, thy pilots at their wheels, thy oarsmen,
How the ash writhes under those muscular arms!
There by the furnace, and there by the anvil,
Behold thy sturdy blacksmiths swinging their sledges,
Overhand so steady, overhand they turn and fall with joyous clank,
Like a tumult of laughter.
Mark the spirit of invention everywhere, thy rapid patents,
Thy continual workshops, foundries, risen or rising,
See, from their chimneys how the tall flame-fires stream.
Mark, thy interminable farms, North, South,
Thy wealthy daughter-states, Eastern and Western,
The varied products of Ohio, Pennsylvania, Missouri, Georgia,
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In other scenes than these have I observ'd thee flag,
Not quite so trim and whole and freshly blooming in folds of stain-
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Farewell my brethren,
Farewell O earth and sky, farewell ye neighboring waters,
My time has ended, my term has come.
Along the northern coast,
Just back from the rock-bound shore and the caves,
In the saline air from the sea in the Mendocino country,
With the surge for base and accompaniment low and hoarse,
With crackling blows of axes sounding musically driven by strong
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For them predicted long,
For a superber race, they too to grandly fill their time,
For them we abdicate, in them ourselves ye forest kings!
In them these skies and airs, these mountain peaks, Shasta,
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Here may he hardy, sweet, gigantic grow, here tower proportion-
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If you stand at work in a shop I stand as nigh as the nighest in
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All these I see, but nigher and farther the same I see,
None shall escape me and none shall wish to escape me.
I bring what you much need yet always have,
Not money, amours, dress, eating, erudition, but as good,
I send no agent or medium, offer no representative of value, but
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Have you reckon'd them for your trade or farm-work? or for the
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List close my scholars dear,
Doctrines, politics and civilization exurge from you,
Sculpture and monuments and any thing inscribed anywhere are
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The blast-furnace and the puddling-furnace, the loup-lump at the
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These shows all near you by day and night—workman! whoever
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They are calm, subtle, untransmissible by print,
They are imbued through all things conveying themselves willingly,
Conveying a sentiment and invitation, I utter and utter,
I speak not, yet if you hear me not of what avail am I to you?
To bear, to better, lacking these of what avail am I?
(Accouche! accouchez!
Will you rot your own fruit in yourself there?
Will you squat and stifle there?)
The earth does not argue,
Is not pathetic, has no arrangements,
Does not scream, haste, persuade, threaten, promise,
Makes no discriminations, has no conceivable failures,
Closes nothing, refuses nothing, shuts none out,
Of all the powers, objects, states, it notifies, shuts none out.
The earth does not exhibit itself nor refuse to exhibit itself, pos-
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Seen at hand or seen at a distance,
Duly the twenty-four appear in public every day,
Duly approach and pass with their companions or a companion,
Looking from no countenances of their own, but from the counte-
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The murder is to the murderer, and comes back most to him,
The theft is to the thief, and comes back most to him,
The love is to the lover, and comes back most to him,
The gift is to the giver, and comes back most to him—it cannot
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The best of the earth cannot be told anyhow, all or any is best,
It is not what you anticipated, it is cheaper, easier, nearer,
Things are not dismiss'd from the places they held before,
The earth is just as positive and direct as it was before,
Facts, religions, improvements, politics, trades, are as real as before,
But the soul is also real, it too is positive and direct,
No reasoning, no proof has establish'd it,
Undeniable growth has establish'd it.
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Is it a dream?
Nay but the lack of it the dream,
And failing it life's lore and wealth a dream,
And all the world a dream.
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Colorado men are we,
From the peaks gigantic, from the great sierras and the high
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Life's involv'd and varied pageants,
All the forms and shows, all the workmen at their work,
All the seamen and the landsmen, all the masters with their slaves,
Pioneers! O pioneers!
All the hapless silent lovers,
All the prisoners in the prisons, all the righteous and the wicked,
All the joyous, all the sorrowing, all the living, all the dying,
Pioneers! O pioneers!
I too with my soul and body,
We, a curious trio, picking, wandering on our way,
Through these shores amid the shadows, with the apparitions
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Has the night descended?
Was the road of late so toilsome? did we stop discouraged nodding
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Painters have painted their swarming groups and the centre-figure
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These furies, elements, storms, motions of Nature, throes of appar-
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But remember the little voice that I heard wailing, and wait with
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Unwitting to-day that you do not know how to speak properly a
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I would sing in my copious song your census returns of the States,
The tables of population and products, I would sing of your ships
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With antique maritime ventures, laws, artisanship, wars and jour-
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When Broadway is entirely given up to foot-passengers and foot-
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The countries there with their populations, the millions en-masse
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The sign is reversing, the orb is enclosed,
The ring is circled, the journey is done,
The box-lid is but perceptibly open'd, nevertheless the perfume
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From those beginning notes of yearning and love there in the mist,
From the thousand responses of my heart never to cease,
From the myriad thence-arous'd words,
From the word stronger and more delicious than any,
From such as now they start the scene revisiting,
As a flock, twittering, rising, or overhead passing,
Borne hither, ere all eludes me, hurriedly,
A man, yet by these tears a little boy again,
Throwing myself on the sand, confronting the waves,
I, chanter of pains and joys, uniter of here and hereafter,
Taking all hints to use them, but swiftly leaping beyond them,
A reminiscence sing.
Once Paumanok,
When the lilac-scent was in the air and Fifth-month grass was
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Over the hoarse surging of the sea,
Or flitting from brier to brier by day,
I saw, I heard at intervals the remaining one, the he-bird,
The solitary guest from Alabama.
Blow! blow! blow!
Blow up sea-winds along Paumanok's shore;
I wait and I wait till you blow my mate to me.
Yes, when the stars glisten'd,
All night long on the prong of a moss-scallop'd stake,
Down almost amid the slapping waves,
Sat the lone singer wonderful causing tears.
He call'd on his mate,
He pour'd forth the meanings which I of all men know.
Yes my brother I know,
The rest might not, but I have treasur'd every note,
For more than once dimly down to the beach gliding,
Silent, avoiding the moonbeams, blending myself with the shadows,
Recalling now the obscure shapes, the echoes, the sounds and
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High and clear I shoot my voice over the waves,
Surely you must know who is here, is here,
You must know who I am, my love.
Low-hanging moon!
What is that dusky spot in your brown yellow?
O it is the shape, the shape of my mate!
O moon do not keep her from me any longer.
Land! land! O land!
Whichever way I turn, O I think you could give me my mate
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That is the fluttering, the fluttering of the spray,
Those are the shadows of leaves.
O darkness! O in vain!
O I am very sick and sorrowful.
O brown halo in the sky near the moon, drooping upon the sea!
O troubled reflection in the sea!
O throat! O throbbing heart!
And I singing uselessly, uselessly all the night.
O past! O happy life! O songs of joy!
In the air, in the woods, over fields,
Loved! loved! loved! loved! loved!
But my mate no more, no more with me!
We two together no more.
The aria sinking,
All else continuing, the stars shining,
The winds blowing, the notes of the bird continuous echoing,
With angry moans the fierce old mother incessantly moaning,
On the sands of Paumanok's shore gray and rustling,
The yellow half-moon enlarged, sagging down, drooping, the face
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O you singer solitary, singing by yourself, projecting me,
O solitary me listening, never more shall I cease perpetuating
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I perceive I have not really understood any thing, not a single
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See, the prismatic colors glistening and rolling,)
Tufts of straw, sands, fragments,
Buoy'd hither from many moods, one contradicting another,
From the storm, the long calm, the darkness, the swell,
Musing, pondering, a breath, a briny tear, a dab of liquid or soil,
Up just as much out of fathomless workings fermented and thrown,
A limp blossom or two, torn, just as much over waves floating,
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Far, far at sea,
After the night's fierce drifts have strewn the shore with wrecks,
With re-appearing day as now so happy and serene,
The rosy and elastic dawn, the flashing sun,
The limpid spread of air cerulean,
Thou also re-appearest.
Thou born to match the gale, (thou art all wings,)
To cope with heaven and earth and sea and hurricane,
Thou ship of air that never furl'st thy sails,
Days, even weeks untired and onward, through spaces, realms
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While ravening clouds, the burial clouds, in black masses spreading,
Lower sullen and fast athwart and down the sky,
Amid a transparent clear belt of ether yet left in the east,
Ascends large and calm the lord-star Jupiter,
And nigh at hand, only a very little above,
Swim the delicate sisters the Pleiades.
From the beach the child holding the hand of her father,
Those burial-clouds that lower victorious soon to devour all,
Watching, silently weeps.
Weep not, child,
Weep not, my darling,
With these kisses let me remove your tears,
The ravening clouds shall not long be victorious,
They shall not long possess the sky, they devour the stars only in
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Different colors, pale gray and green, purple, white, and gold, the
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Of unnamed heroes in the ships—of waves spreading and spread-
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Slush and sand of the beach tireless till daylight wending,
Steadily, slowly, through hoarse roar never remitting,
Along the midnight edge by those milk-white combs careering,
A group of dim, weird forms, struggling, the night confronting,
That savage trinity warily watching.
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How bright shine the cutlasses of the foremost troops!
Every man holds his revolver, marching stiff through Boston town.
A fog follows, antiques of the same come limping,
Some appear wooden-legged, and some appear bandaged and
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Find a swift Yankee clipper—here is freight for you, black-bellied
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Then in their power not for all these did the blows strike revenge,
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I observe the slights and degradations cast by arrogant persons
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Who are they as bats and night-dogs askant in the capitol?
What a filthy Presidentiad! (O South, your torrid suns! O North,
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From the houses then and the workshops, and through all the
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War! an arm'd race is advancing! the welcome for battle, no
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Heard your determin'd voice launch'd forth again and again,
Year that suddenly sang by the mouths of the round-lipp'd cannon,
I repeat you, hurrying, crashing, sad, distracted year.
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To Kanada till I absorb Kanada in myself, to Michigan then,
To Wisconsin, Iowa, Minnesota, to sing their songs, (they are
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Come up here, dear little child,
To fly in the clouds and winds with me, and play with the measure-
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Runs swiftly up indicating war and defiance—and now the hal-
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And a pleasure new and ecstatic, and the prattled yearning of
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Not the superb ships with sail-power or steam-power, fetching and
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Saw from below what arose and mounted, (O superb! O wild as
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Long had I walk'd my cities, my country roads through farms,
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City of the world! (for all races are here,
All the lands of the earth make contributions here;)
City of the sea! city of hurried and glittering tides!
City whose gleeful tides continually rush or recede, whirling in
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But drill and parade are over, they march back to quarters,
Only hear that approval of hands! hear what a clapping!
As wending the crowds now part and disperse—but we old man,
Not for nothing have I brought you hither—we must remain,
You to speak in your turn, and I to listen and tell.
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I tell not now the whole of the battle,
But one brigade early in the forenoon order'd forward to engage
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That and here my General's first battle,
No women looking on nor sunshine to bask in, it did not conclude
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The battle begins and goes against us, behold through the smoke
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Above all, lo, the sky so calm, so transparent after the rain, and
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Yet at times through changeful season and scene, abrupt, alone,
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Of unsurpass'd heroes, (was one side so brave? the other was
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One turns to me his appealing eyes—poor boy! I never knew
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Some suffer so much, I recall the experience sweet and sad,
(Many a soldier's loving arms about this neck have cross'd and
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Day upon day and year upon year O city, walking your streets,
Where you hold me enchain'd a certain time refusing to give me
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I saw them receive their orders aside, they listen'd with care, the
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(The falling, dying, I heed not, the wounded dripping and red I
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For my enemy is dead, a man divine as myself is dead,
I look where he lies white-faced and still in the coffin—I draw
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Myself and this contentious soul of mine,
Still on our own campaigning bound,
Through untried roads with ambushes opponents lined,
Through many a sharp defeat and many a crisis, often baffled,
Here marching, ever marching on, a war fight out—aye here,
To fiercer, weightier battles give expression.
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To the far-off sea and the unseen winds, and the sane impalpable
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With every leaf a miracle—and from this bush in the dooryard,
With delicate-color'd blossoms and heart-shaped leaves of rich
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With the tolling tolling bells' perpetual clang,
Here, coffin that slowly passes,
I give you my sprig of lilac.
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The miracle spreading bathing all, the fulfill'd noon,
The coming eve delicious, the welcome night and the stars,
Over my cities shining all, enveloping man and land.
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And I in the middle as with companions, and as holding the
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The night in silence under many a star,
The ocean shore and the husky whispering wave whose voice I
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Passing the song of the hermit bird and the tallying song of my
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For you bouquets and ribbon'd wreaths—for you the shores
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All is eligible to all,
All is for individuals, all is for you,
No condition is prohibited, not God's or any.
All comes by the body, only health puts you rapport with the
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Stands removed, spacious, composite, sound, initiates the true
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Growths growing from him to offset the growths of pine, cedar,
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Factories, mercantile life, labor-saving machinery, the Northeast,
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By them all native and grand, by them alone can these States be
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He sees eternity less like a play with a prologue and denouement,
He sees eternity in men and women, he does not see men and
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Who are you indeed who would talk or sing to America?
Have you studied out the land, its idioms and men?
Have you learn'd the physiology, phrenology, politics, geography,
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What does it mean to American persons, progresses, cities? Chi-
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(Mother! with subtle sense severe, with the naked sword in your
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I am for those that have never been master'd,
For men and women whose tempers have never been master'd,
For those whom laws, theories, conventions, can never master.
I am for those who walk abreast with the whole earth,
Who inaugurate one to inaugurate all.
I will not be outfaced by irrational things,
I will penetrate what it is in them that is sarcastic upon me,
I will make cities and civilizations defer to me,
This is what I have learnt from America—it is the amount, and it
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(For not my life and years alone I give—all, all I give,)
These waifs from the deep, cast high and dry,
Wash'd on America's shores?
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As some huge ship freighted to water's edge thou ridest into
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Beneath thy look O Maternal,
With these and else and with their own strong hands the heroes
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And the fish suspending themselves so curiously below there, and
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Shadows, aureola and mist, the light falling on roofs and gables of
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Her corpse they deposit unclaim'd, it lies on the damp brick
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Where have you drawn off all the foul liquid and meat?
I do not see any of it upon you to-day, or perhaps I am deceiv'd,
I will run a furrow with my plough, I will press my spade through
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Now I am terrified at the Earth, it is that calm and patient,
It grows such sweet things out of such corruptions,
It turns harmless and stainless on its axis, with such endless
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When liberty goes out of a place it is not the first to go, nor the
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I know that they belong to the scheme of the world every bit as
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All that a person does, says, thinks, is of consequence,
Not a move can a man or woman make, that affects him or her in
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All that was ever manfully begun, whether it succeeded or no,
All suggestions of the divine mind of man or the divinity of his
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To set thee free and bear thee home,
The heavenly pardoner death shall come.
Convict no more, nor shame, nor dole!
Depart—a God-enfranchis'd soul!
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Blue-bird and darting swallow, nor forget the high-hole flashing
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While through the interior vistas,
Noiseless uprose, phantasmic, (as by night Auroras of the north,)
Lambent tableaus, prophetic, bodiless scenes,
Spiritual projections.
In one, among the city streets a laborer's home appear'd,
After his day's work done, cleanly, sweet-air'd, the gaslight burning,
The carpet swept and a fire in the cheerful stove.
In one, the sacred parturition scene,
A happy painless mother birth'd a perfect child.
In one, at a bounteous morning meal,
Sat peaceful parents with contented sons.
In one, by twos and threes, young people,
Hundreds concentring, walk'd the paths and streets and roads,
Toward a tall-domed school.
In one a trio beautiful,
Grandmother, loving daughter, loving daughter's daughter, sat,
Chatting and sewing.
In one, along a suite of noble rooms,
'Mid plenteous books and journals, paintings on the walls, fine
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Tallying the gifts of earth, large as the earth,
Thy name an earth, with mountains, fields and tides.
Nor by your streams alone, you rivers,
By you, your banks Connecticut,
By you and all your teeming life old Thames,
By you Potomac laving the ground Washington trod, by you
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As on the road or at some crevice door by chance, or open'd win-
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I see brains and lips closed, tympans and temples unstruck,
Until that comes which has the quality to strike and to unclose,
Until that comes which has the quality to bring forth what lies
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O culpable! I acknowledge—I exposé!
(O admirers, praise not me—compliment not me—you make
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My girl I appoint with you an appointment, and I charge you that
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Forth issue then in copious golden jets,
Sparkles from the wheel.
The scene and all its belongings, how they seize and affect me,
The sad sharp-chinn'd old man with worn clothes and broad
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Unfolded only out of the inimitable poems of woman can come
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Who believes not only in our globe with its sun and moon, but in
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I do not think seventy years is the time of a man or woman,
Nor that seventy millions of years is the time of a man or woman,
Nor that years will ever stop the existence of me, or any one else.
Is it wonderful that I should be immortal? as every one is im-
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Finish'd the days, the clouds dispel'd,
The travail o'er, the long-sought extrication,
When lo! reborn, high o'er the European world,
(In gladness answering thence, as face afar to face, reflecting ours
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There ponder'd, felt I,
If worms, snakes, loathsome grubs, may to sweet spiritual songs
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A festival song,
The duet of the bridegroom and the bride, a marriage-march,
With lips of love, and hearts of lovers fill'd to the brim with love,
The red-flush'd cheeks and perfumes, the cortege swarming full of
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Tutti! for earth and heaven;
(The Almighty leader now for once has signal'd with his wand.)
The manly strophe of the husbands of the world,
And all the wives responding.
The tongues of violins,
(I think O tongues ye tell this heart, that cannot tell itself,
This brooding yearning heart, that cannot tell itself.)
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From Spanish chestnut trees' dense shade,
By old and heavy convent walls a wailing song,
Song of lost love, the torch of youth and life quench'd in despair,
Song of the dying swan, Fernando's heart is breaking.
Awaking from her woes at last retriev'd Amina sings,
Copious as stars and glad as morning light the torrents of her joy.
(The teeming lady comes,
The lustrious orb, Venus contralto, the blooming mother,
Sister of loftiest gods, Alboni's self I hear.)
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I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen,
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone,)
Or to Hindu flutes and the fretting twang of the vina,
A band of bayaderes.
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And those rapt oriental dances of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love and grief and death,
I said to my silent curious soul out of the bed of the slumber-
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(As a projectile form'd, impell'd, passing a certain line, still keeps
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In one again, different, (yet thine, all thine, O soul, the same,)
I see over my own continent the Pacific railroad surmounting
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Again Vasco de Gama sails forth,
Again the knowledge gain'd, the mariner's compass,
Lands found and nations born, thou born America,
For purpose vast, man's long probation fill'd,
Thou rondure of the world at last accomplish'd.
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All these hearts as of fretted children shall be sooth'd,
All affection shall be fully responded to, the secret shall be told,
All these separations and gaps shall be taken up and hook'd and
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The first travelers famous yet, Marco Polo, Batouta the Moor,
Doubts to be solv'd, the map incognita, blanks to be fill'd,
The foot of man unstay'd, the hands never at rest,
Thyself O soul that will not brook a challenge.
The mediaeval navigators rise before me,
The world of 1492, with its awaken'd enterprise,
Something swelling in humanity now like the sap of the earth in
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And lo, thou gently masterest the orbs,
Thou matest Time, smilest content at Death,
And fillest, swellest full the vastnesses of Space.
Greater than stars or suns,
Bounding O soul thou journeyest forth;
What love than thine and ours could wider amplify?
What aspirations, wishes, outvie thine and ours O soul?
What dreams of the ideal? what plans of purity, perfection,
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Cut the hawsers—haul out—shake out every sail!
Have we not stood here like trees in the ground long enough?
Have we not grovel'd here long enough, eating and drinking like
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In shackles, prison'd, in disgrace, repining not,
Accepting all from Thee, as duly come from Thee.
All my emprises have been fill'd with Thee,
My speculations, plans, begun and carried on in thoughts of Thee,
Sailing the deep or journeying the land for Thee;
Intentions, purports, aspirations mine, leaving results to Thee.
O I am sure they really came from Thee,
The urge, the ardor, the unconquerable will,
The potent, felt, interior command, stronger than words,
A message from the Heavens whispering to me even in sleep,
These sped me on.
By me and these the work so far accomplish'd,
By me earth's elder cloy'd and stifled lands uncloy'd, unloos'd,
By me the hemispheres rounded and tied, the unknown to the known.
The end I know not, it is all in Thee,
Or small or great I know not—haply what broad fields, what lands,
Haply the brutish measureless human undergrowth I know,
Transplanted there may rise to stature, knowledge worthy Thee,
Haply the swords I know may there indeed be turn'd to reaping-
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Is it the prophet's thought I speak, or am I raving?
What do I know of life? what of myself?
I know not even my own work past or present,
Dim ever-shifting guesses of it spread before me,
Of newer better worlds, their mighty parturition,
Mocking, perplexing me.
And these things I see suddenly, what mean they?
As if some miracle, some hand divine unseal'd my eyes,
Shadowy vast shapes smile through the air and sky,
And on the distant waves sail countless ships,
And anthems in new tongues I hear saluting me.
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The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison, the runaway son sleeps,
The murderer that is to be hung next day, how does he sleep?
And the murder'd person, how does he sleep?
The female that loves unrequited sleeps,
And the male that loves unrequited sleeps,
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions, all, all sleep.
I stand in the dark with drooping eyes by the worst-suffering and
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I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.
Double yourself and receive me darkness,
Receive me and my lover too, he will not let me go without
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His face is cold and damp, he cannot repress the weeping drops,
He lifts the glass perpetually to his eyes, the color is blanch'd from
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I swear they are all beautiful,
Every one that sleeps is beautiful, every thing in the dim light is
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The white hair of the mother shines on the white wrist of the
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To think how eager we are in building our houses,
To think others shall be just as eager, and we quite indifferent.
(I see one building the house that serves him a few years, or
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To think that these are so much and so nigh to other drivers, and
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It is not that you should be undecided, but that you should be
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I have dream'd that heroes and good-doers shall be under the
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And fuller, O vastly fuller of the dead than of the living;
And what I dream'd I will henceforth tell to every person and age,
And I stand henceforth bound to what I dream'd,
And now I am willing to disregard burial-places and dispense
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Now I absorb immortality and peace,
I admire death and test propositions.
How plenteous! how spiritual! how resumé!
The same old man and soul—the same old aspirations, and the
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I'd sow a seed for thee of endless Nationality,
I'd fashion thy ensemble including body and soul,
I'd show away ahead thy real Union, and how it may be accom-
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Emblem of general maternity lifted above all,
Sacred shape of the bearer of daughters and sons,
Out of thy teeming womb thy giant babes in ceaseless procession
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Thee in thy moral wealth and civilization, (until which thy proud-
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In many a smiling mask death shall approach beguiling thee, thou
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This face is an epilepsy, its wordless tongue gives out the unearthly
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This face is a life-boat,
This is the face commanding and bearded, it asks no odds of the
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Her ample gown is of cream-hued linen,
Her grandsons raised the flax, and her grand-daughters spun it
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What charm thy music works! thou makest pass before me,
Ladies and cavaliers long dead, barons are in their castle halls, the
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Thy black cylindric body, golden brass and silvery steel,
Thy ponderous side-bars, parallel and connecting rods, gyrating,
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O pensive, far away wandering, I return with my soul to haunt
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I see that the word of my city is that word from of old,
Because I see that word nested in nests of water-bays, superb,
Rich, hemm'd thick all around with sailships and steamships, an
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Where has fail'd a perfect return indifferent of lies or the truth?
Is it upon the ground, or in water or fire? or in the spirit of man?
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How ardently for it!
How many ships have sail'd and sunk for it!
How many travelers started from their homes and ne'er return'd!
How much of genius boldly staked and lost for it!
What countless stores of beauty, love, ventur'd for it!
How all superbest deeds since Time began are traceable to it—
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They shall be alimentive, amative, perceptive,
They shall be complete women and men, their pose brawny and
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Nor think we forget thee maternal;
Lag'd'st thou so long? shall the clouds close again upon thee?
Ah, but thou hast thyself now appear'd to us—we know thee,
Thou hast given us a sure proof, the glimpse of thyself,
Thou waitest there as everywhere thy time.
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As sitting in dark days,
Lone, sulky, through the time's thick murk looking in vain for light,
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For the prize I see at issue at last is the world,
All its ships and shores I see interwoven with your threads greedy
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Lo, how he urges and urges, leaving the masses no rest!
His daring foot is on land and sea everywhere, he colonizes the
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With sabres drawn and glistening, and carbines by their thighs, (ah
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Of what the feuillage of America is the preparation for—and of
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In the annual return of the seasons,
In the hilarity of youth,
In the strength and flush of manhood,
In the grandeur and exquisiteness of old age,
In the superb vistas of death.
Wonderful to depart!
Wonderful to be here!
The heart, to jet the all-alike and innocent blood!
To breathe the air, how delicious!
To speak—to walk—to seize something by the hand!
To prepare for sleep, for bed, to look on my rose-color'd flesh!
To be conscious of my body, so satisfied, so large!
To be this incredible God I am!
To have gone forth among other Gods, these men and women I
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As I bathed on the beach of the Eastern Sea, and again on the
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With nothing to show to devise from its idle years,
Nor houses nor lands, nor tokens of gems or gold for my friends,
Yet certain remembrances of the war for you, and after you,
And little souvenirs of camps and soldiers, with my love,
I bind together and bequeath in this bundle of songs.
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Outposts of pickets posted surrounding alert through the dark,
And a word provided for countersign, careful for safety,
Till to the call of the drummers at daybreak loudly beating the
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I announce that the identity of these States is a single identity
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Afterward a melodious echo, passionately bent for, (death making
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