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the breath is leaving my throat; ! Open your floodgates!
I am faintish I can contain resist you no longer think I shall drop sink , Take drops the tears of my
¶Little as your mouth yo lips are am faintish I am faintish; and it has drained me dry of my strength
. . . . my breath is tight in its throat; / Unclench your floodgates!
Open your mouth gums my pardy, that I put send blow grit in you with one a breath ; Spread your palms
. * shall uncage in my breast a thousand armed great winged broad‑ wide‑winged strengths and unknown
I want that untied tenor, clean and fresh as the Creation, whose vast pure volume floods my soul.
paces and powers, uncage in my heart a thousand new strengths, and unknown ardors and terrible —making
furious than hail hail and lightning. that leap lulling me drowsily with honeyed uncaging waking in my
likely relates to the following lines, from the poem that would be titled "Song of Myself": "I open my
See in particular: "And I know that the hand of God is the elderhand of my own, / And I know that the
spirit of God is the eldest brother of my own" (1855, p. 15–16).; Transcribed from digital images of
The press of my foot to the earth springs a hundred affections, They scorn the best I can do to relate
What is nearest and commonest and nearest and cheapest and easiest is Me, Me going in for my chances,
myself to bestow myself on the first that will take me, Not asking the sky to come down to receive my
Glance O'er Travel'd Roads first appeared in Lippincott's Magazine (January 1887), under the title My
Reprinted in Democratic Vistas, and Other Papers (1888), My Book and I was also combined with How I Made
a Book, Philadelphia Press (11 July 1889) and A Backward Glance on My Own Road, Critic (5 January 1884
of Grass, eventually titled "Song of Myself": "The supernatural of no account . . . . myself waiting my
manuscript appeared as the following, in the poem eventually titled "Song of Myself": "All I mark as my
Because I am in my place what of that? The perfect male and female are everywhere in their place.
the 1855 edition of Leaves of Grass, later titled "Song of Myself": "I resist anything better than my
own diversity, / And breathe the air and leave plenty after me, / And am not stuck up, and am in my
for I am you seem to me all one lurid Curse oath curse; I look down off the river with my bloodshot eyes
, after 10 I see the steamboat that carries away my woman.— Damn him!
how he does defile me This day, or some other, I will have him and the like of him to curse the do my
I will stop the drag them out—the sweet marches of heaven shall be stopped my maledictions.— Whitman
how he does defile me, / How he informs against my brother and sister and takes pay for their blood,
/ How he laughs when I look down the bend after the steamboat that carries away my woman" (1855, p. 74
thousands, each one with his entry to himself; They are always watching with their little eyes, from my
head to my feet.
lift put the girder of the earth a globe the house away if it lay between me and whatever I wanted.— My
senses all men is truth; Logic and sermons never convince ; me; The dew of the night drives deep er into my
/ Logic and sermons never convince, / The damp of the night drives deeper into my soul. / Only what proves
": "My tread scares the wood-drake and wood-duck on my distant and day-long ramble, / They rise together
these lines may relate to the following line in the poem ultimately titled "Song of Myself": "I take my
To the Poor— I have my place among you Is it nothing that I have preferred to be poor, rather than to
He swoops by me, and rebukes me hoarse ly with his invitation; He complains with sarcastic voice of my
roughs, a kosmos" (1855, p. 29) and "The spotted hawk swoops by and accuses me . . . . he complains of my
gab and my loitering. / I too am not a bit tamed . . . .
11 He The sores on my neck shoulders are from his iron necklace I look on the off on the river with my
bloodshot eyes He stops the steamboat and till she will paddle off with away take my woman, and paddle
The sores on my shoulders
titled "The Sleepers": "How he laughs when I look down the bend after the steamboat that carries away my
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
is reminiscent of lines from the poem that read "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (1855, pp. 15–16).; Transcribed
to the President at his levee, / And he says Good day my brother, to Cudge that hoes in the sugarfield
of the poem (not including this line) were revised and published in The American in October 1880 as "My
Until you can explain a paving stone, to every ones my perfect satisfaction O Priests , do not try to
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
See particularly the following lines (from the 1891–2 edition): "O the old manhood of me, my noblest
/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of
the long stretch of my life" (145).
His blood My gore presently oozes from trickles down from a score of thinned with the plentiful sweat
salt ooze of my skin , And See how it as trickles down the black skin I slowly fall s on the reddened
Grier notes that a portion of this notebook (beginning "How spied the captain and sailors") describes
Clean er shaved and more grammatical folks I call Mister, and lay the tips of my fingers inside their
headline in the morning papers, and pass the time as comfortably as the law allows.— But for the others, my
27O Earth, My Likeness (1860).
A.MS. draft.loc.00225xxx.00099[O Earth, my likeness]1860poetryhandwritten1 leaf20.5 x 16 cm; A draft
of the poem first published as Calamus, No. 36 in 1860 (Earth, My Likeness in the final version of Leaves
[O Earth, my likeness]
/ Why are there men and women that while they are nigh me the sun-light expands my blood?
/ Why when they leave me do my pennants of joy sink flat and lank?
blood—that if I walk with an arm of theirs around my neck, my soul leaps and laughs like a new-waked
—(Am I loved by them boundlessly because my love for them is more boundless?
truth, my sympathy, and my dignity.
Still Night of Sleep—my bridal Night!
Earth of the limpid gray of clouds purer and clearer for my sake!
The poem is one of the thiry-one poems included in Second Annex--Good-Bye My Fancy, 1891–1892.
.— I celebrate myself to celebrate you; every man and woman alive; I transpose my my spirit I pass as
that hear me; I am loosen the voice tongue that was tied in you them In me It begins to talk out of my
204 My tongue must can never be content with pap harness from this after this, It c will not talk m in
My tongue can never be
harness," "traces," "the bit"—may relate to the extended metaphor developed in following lines: "Deluding my
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger, / Fetching the rest of the herd around to enjoy them awhile, / Then all
My Soul Spirit was curious and sped back to the beginning, sped back returned to the times when the earth
eternally; And devise themselves to this spot place These States and this hour, Again But yet still my
My Spirit sped back to
7 196 My touch hand will not hurt what it holds, and yet will devour it, That It must remain whole perfect
Only one minute, only two or three passing bulging sheathed touches, Yet they gather all of me and my
spirit into a knot, They hold us so long enough there, to show us what life we can be,— And that my
senses and our flesh, and even a part of flesh, is seems more than all life.— What has become of my senses
My hand will not hurt
— Bloss Branched Le Verdure , blossom branch , fruit and vine The irregular tapping of rain off the my
.— I assume this day, the whole debt of all I take my place by right among the sudorous or sweaty men
a handsomer man with be has better finer health and cleaner shaped limbs than I, who do business in my
The first several lines of the poem were published in 1880 as "My Picture-Gallery.
lines 40 letters 1120 1120 letters in page of Skakspere Shakespeare 's poems 1600 letters in one of my
sauntering the pavement, 9 great are the myths, I wander all night 10 Come closer to me Who learns my
Henceforth After this day, A touch shall henceforth be small Little things is shall be are henceforth my
my tongue proof and argument It They shall tell s for me that people In them, the smallest least of
over all, and what we thought death is but life brought to a finer parturition.— An inch's contact My
The clearest relation is to the line: "A minute and a drop of me settle my brain" (1855, p. 33), but
In the 1888 November Boughs, however, Whitman reprinted the 1867 version as Small the Theme of my Chant
manuscript draft may have been written before the Civil War, since it does not include the 1867 line "My
pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my
Have I hasten to inform you it is just as good to die, and I know it; I know it For I take my death with
the dying, And my birth with the new-washed babe Whitman probably drafted this manuscript in the early
pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my
These words are for the five or six grand poets, too; and the masters of artists: — I waste no ink, nor my
receive you, and attach and clasp hands with you, / The facts are useful and real . . . . they are not my
though I lie so sleepy and sluggish, my tap is death" (1855, p. 74).
man who claims or takes the power to own another man as his property, stabs me in that the heart of my
own The one scratches me a little on the cheek forehead , the other draws his murderous razor through my
t T hat black and huge lethargic mass, my sportsmen, dull and sleepy as it seems, has holds the lightning
eventually titled "Song of Myself": "Buying drafts of Osiris and Isis and Belus and Brahma and Adonai, / In my
.— what my touch wanted any thing whatever I wanted.— Surely I am out of my head!
I am lost to myself and someth something else Nature in another form has laid down in my place.
night walkers And do no better for me— Who am a regular gentlemen or lady, With a marble broad stoop to my
And is the day here when I vote at the polls, One with the immigrant that last August strewed lime in my
Bibles i are divine revelations of God But I know say that any each leaf of grass and every hair of my
compiled composed is not august enough to dent endow answer tally a leaf of grass the partition of in my
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
I entertain all the aches of the human heart Outside the asteroids I reconnoitre at my ease.
Compare these lines from that edition: "I lean and loafe at my ease . . . . observing a spear of summer
The Great Laws do not" also includes draft lines that appeared in the poem later titled "Who Learns My
am that foolish half grown angry boy, fallen asleep, The tears of foolish passion yet undried upon my
19 I am become the poet of babes and the little things I descend many steps—I go backward primeval My
equanimous arms feet 209 I surround retrace things steps oceanic—I pass to around not merely my own
. / My feet strike an apex of the apices of the stairs, / On every step bunches of ages, and larger bunches
The retrospective extasy ecstasy is upon me— I am now my soul —spirit burns volcanic The earth recedes
ashamed before my prophetical crisis.— Whitman probably drafted this manuscript in the early 1850s as
similar to the following line in the poem eventually titled "Song of Myself": "The dirt receding before my
—I lend you my own mouth tongue A black I dart ed like a snake from his mouth.— I My eyes are bloodshot
, they look down the river, A steamboat carries off paddles away my woman and children.— Around my neck
am T The His i ron necklace and the red sores of my shoulders I do not feel mind , h H opples and ball
ankles and tight cuffs at the wrists does must not detain me will go down the river, with the sight of my
bloodshot eyes, go in to the steamboat that paddles off wife woman and child A I do not stop with my
. / How he laughs when I look down the bend after the steamboat that carries away my woman"(1855, p.
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
trowser-ends in my boots and went and had a good time" (1855, p. 18).
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
when I visited the Asylum and they showed me their most smeared and slobbering idiot, Yet I knew for my
for my consolation, of the great laws that emptied and broke my my brother s Whitman probably drafted
.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional
/ It seems to me more than all the print I have read in my life. / My tread scares the wood-drake and
wood-duck on my distant and daylong ramble, / They rise together, they slowly circle around. / . . .