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reinforce the truthfulness of Pierson's stories about the "koboo," Whitman mentions the fact that Captain
Captain Walter M.
Grier notes that a portion of this notebook (beginning "How spied the captain and sailors") describes
/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of
the long stretch of my life" (145).
received pay.— from the lips and fingers hands of the vict captors victors.— How fared The young captain
the greatness and beau large hearts of heroes, All the courage of olden time and How spied the the captain
Grier notes that a portion of this notebook (beginning "How spied the captain and sailors") describes
Grier notes that a portion of this notebook (beginning "How spied the captain and sailors") describes
whom we knew not before Then the great authors take him for an author And the great soldiers for a captain
O laugh when my eyes settle the land The imagery and phrasing of these lines bears some resemblance to
and dwells serenely behind it.— When out of a feast I eat bread only corn and roast potatoes fo for my
dinner, through my own voluntary choice it is very well and I much content, but if some arrogant head
inspiration . . . . the beating of my heart . . . . the passing of blood and air through my lungs.
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
eventually titled "Song of Myself": "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time."
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
trowser-ends in my boots and went and had a good time" (1855, p. 18).
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
Draft lines on the back of this manuscript leaf relate to the poem eventually titled "Who Learns My Lesson
Song of Myself": "Echos, ripples, and buzzed whispers . . . . loveroot, silkthread, crotch and vine, / My
respiration and inspiration . . . . the beating of my heart . . . . the passing of blood and air through
my lungs, / The sniff of green leaves and dry leaves, and of the shore and darkcolored sea- rocks, and
.; Draft lines on the back of this manuscript leaf relate to the poem eventually titled "Who Learns My
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (15—16).
is reminiscent of lines from the poem that read "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own" (1855, pp. 15–16).; Transcribed
am myself and nobody else, am the greatest traitor, I went myself first to the headland, — my own hands
I have lost my wits . . . .
I and nobody else am the greatest traitor, / I went myself first to the headland . . . . my own hands
204 My tongue must can never be content with pap harness from this after this, It c will not talk m in
My tongue can never be
harness," "traces," "the bit"—may relate to the extended metaphor developed in following lines: "Deluding my
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger, / Fetching the rest of the herd around to enjoy them awhile, / Then all
.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional
/ It seems to me more than all the print I have read in my life. / My tread scares the wood-drake and
wood-duck on my distant and daylong ramble, / They rise together, they slowly circle around. / . . .
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger" (1855, p. 33).; 22; Transcribed from digital images of the original.;
He swoops by me, and rebukes me hoarse ly with his invitation; He complains with sarcastic voice of my
roughs, a kosmos" (1855, p. 29) and "The spotted hawk swoops by and accuses me . . . . he complains of my
gab and my loitering. / I too am not a bit tamed . . . .
eventually titled Song of Myself: "The boatmen and clamdiggers arose early and stopped for me, / I tucked my
trowser-ends in my boots and went and had a good time".
and wicked" may relate to the following line, which occurs later in the same poem: "Ever myself and my
harness," "traces," "the bit"—may relate to the extended metaphor developed in following lines: "Deluding my
bribed to swap off with touch, and go and graze at the edges of me, / No consideration, no regard for my
draining strength or my anger, / Fetching the rest of the herd around to enjoy them awhile, / Then all
those used in Unnamed Lands, a poem published first in the 1860 edition of Leaves of Grass.; duk.00003 My
for I am you seem to me all one lurid Curse oath curse; I look down off the river with my bloodshot eyes
, after 10 I see the steamboat that carries away my woman.— Damn him!
how he does defile me This day, or some other, I will have him and the like of him to curse the do my
I will stop the drag them out—the sweet marches of heaven shall be stopped my maledictions.— Whitman
how he does defile me, / How he informs against my brother and sister and takes pay for their blood,
/ How he laughs when I look down the bend after the steamboat that carries away my woman" (1855, p. 74
See in particular: "And I know that the hand of God is the elderhand of my own, / And I know that the
spirit of God is the eldest brother of my own" (1855, p. 15–16).; Transcribed from digital images of
Because I am in my place what of that? The perfect male and female are everywhere in their place.
the 1855 edition of Leaves of Grass, later titled "Song of Myself": "I resist anything better than my
own diversity, / And breathe the air and leave plenty after me, / And am not stuck up, and am in my
to an "Elder Brother" is reminescent of lines "And I know that the hand of God is the elderhand of my
own, / And I know that the spirit of God is the eldest brother of my own."
O joy of my spirit uncaged—it hops like a bird on the grass mounds of earth.
O joy of my spirit
The first several lines of "Pictures" (not including this line) were revised and published as "My Picture-Gallery
A similar line in that poem reads: "O the joy of my spirit! It is uncaged!
The Elder Brother of the soul—my soul.
Grass, ultimately titled "Song of Myself": "And I know that the spirit of God is the eldest brother of my
of Grass, eventually titled "Song of Myself": "The supernatural of no account . . . . myself waiting my
Henceforth After this day, A touch shall henceforth be small Little things is shall be are henceforth my
my tongue proof and argument It They shall tell s for me that people In them, the smallest least of
over all, and what we thought death is but life brought to a finer parturition.— An inch's contact My
The clearest relation is to the line: "A minute and a drop of me settle my brain" (1855, p. 33), but
I entertain all the aches of the human heart Outside the asteroids I reconnoitre at my ease.
Compare these lines from that edition: "I lean and loafe at my ease . . . . observing a spear of summer
the breath is leaving my throat; ! Open your floodgates!
I am faintish I can contain resist you no longer think I shall drop sink , Take drops the tears of my
¶Little as your mouth yo lips are am faintish I am faintish; and it has drained me dry of my strength
. . . . my breath is tight in its throat; / Unclench your floodgates!
In the 1855 edition of Leaves of Grass , Whitman included the lines: "Who learns my lesson complete?
My Lesson Have you learned my lesson complete: It is well—it is but the gate to a larger lesson—and And
mother generations guided me, / My embryo has never been torpid . . . . nothing could overlay it; /
All forces have been steadily employed to complete and delight me, / Now I stand on this spot with my
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?
Have I hasten to inform you it is just as good to die, and I know it; I know it For I take my death with
the dying, And my birth with the new-washed babe Whitman probably drafted this manuscript in the early
pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my
manuscript appeared as the following, in the poem eventually titled "Song of Myself": "All I mark as my
On the reverse (nyp.00100) is a fragment related to the poem eventually titled Who Learns My Lesson Complete
Until you can explain a paving stone, to every ones my perfect satisfaction O Priests , do not try to
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
—I lend you my own mouth tongue A black I dart ed like a snake from his mouth.— I My eyes are bloodshot
, they look down the river, A steamboat carries off paddles away my woman and children.— Around my neck
am T The His i ron necklace and the red sores of my shoulders I do not feel mind , h H opples and ball
ankles and tight cuffs at the wrists does must not detain me will go down the river, with the sight of my
bloodshot eyes, go in to the steamboat that paddles off wife woman and child A I do not stop with my
. / How he laughs when I look down the bend after the steamboat that carries away my woman"(1855, p.
Grass, ultimately titled Song of Myself: "And I know that the spirit of God is the eldest brother of my
The retrospective extasy ecstasy is upon me— I am now my soul —spirit burns volcanic The earth recedes
ashamed before my prophetical crisis.— Whitman probably drafted this manuscript in the early 1850s as
similar to the following line in the poem eventually titled "Song of Myself": "The dirt receding before my
a makes raises but bubble of the sea-ooze in comparison with against that unspeakable Something in my
—I look back upon that time in my own days.— I have no gibes nor mocks mockings or laughter;—I have only
the 1855 edition of Leaves of Grass, which was ultimately titled "Song of Myself": "Backward I see in my
These words are for the five or six grand poets, too; and the masters of artists: — I waste no ink, nor my
receive you, and attach and clasp hands with you, / The facts are useful and real . . . . they are not my
drink, / But as soon as you sleep and renew yourself in sweet clothes I will certainly kiss you with my
Compare these lines from that edition: "I lean and loafe at my ease . . . . observing a spear of summer
this manuscript may connect to the stanza of the poem eventually titled "Song of Myself" that begins "My
senses all men is truth; Logic and sermons never convince ; me; The dew of the night drives deep er into my
/ Logic and sermons never convince, / The damp of the night drives deeper into my soul. / Only what proves
19 I am become the poet of babes and the little things I descend many steps—I go backward primeval My
equanimous arms feet 209 I surround retrace things steps oceanic—I pass to around not merely my own
. / My feet strike an apex of the apices of the stairs, / On every step bunches of ages, and larger bunches
The first several lines of Pictures (not including this line) were revised and published as My Picture-Gallery
A similar line in that poem reads: "O the joy of my spirit! It is uncaged!
See, for instance: "I take my place among you as much as among any," (1855, p. 48); "Nor do I understand
Myself": "Looking in at the shop-windows in Broadway the whole forenoon . . . . pressing the flesh of my
pass death with the dying, and birth with the new-washed babe . . . . and am not contained between my
The clearest relation is to the line: "A minute and a drop of me settle my brain" (1855, p. 33), but
however, physical and thematic similarities with And I have discovered them by night and by, above, and My
Bibles i are divine revelations of God But I know say that any each leaf of grass and every hair of my
compiled composed is not august enough to dent endow answer tally a leaf of grass the partition of in my
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).;
White noted a relationship between these pages and the poems Who Learns My Lesson Complete?
. / I intend to reach them my hand and make as much of them as I do of men and women" (1855, p. 64).
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
See in particular the lines: "The supernatural of no account . . . . myself waiting my time to be one
as two—as my soul and I; and I gu reckon it is the same with all oth men and women.— I know that my
trousers around my boots, and my cuffs back from my wrists and go among the rough drivers and boatmen
I tell you just as beautiful to die; For I take my death with the dying And my birth with the new-born
lips, to the palms of my hands, and whatever my hands hold.
hands, and my head my head mocked with a prickly I am here after I remember crucifixion and bloody coronation