Simply enter the word you wish to find and the search engine will search for every instance of the word in the journals. For example: Fight. All instances of the use of the word fight will show up on the results page.
Using an asterisk (*) will increase the odds of finding the results you are seeking. For example: Fight*. The search results will display every instance of fight, fights, fighting, etc. More than one wildcard may be used. For example: *ricar*. This search will return most references to the Aricara tribe, including Ricara, Ricares, Aricaris, Ricaries, Ricaree, Ricareis, and Ricarra. Using a question mark (?) instead of an asterisk (*) will allow you to search for a single character. For example, r?n will find all instances of ran and run, but will not find rain or ruin.
Searches are not case sensitive. For example: george will come up with the same results as George.
Searching for a specific phrase may help narrow down the results. Rather long phrases are no problem. For example: "This white pudding we all esteem".
Because of the creative spellings used by the journalists, it may be necessary to try your search multiple times. For example: P?ro*. This search brings up numerous variant spellings of the French word pirogue, "a large dugout canoe or open boat." Searching for P?*r*og?* will bring up other variant spellings. Searching for canoe or boat also may be helpful.
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Comprised of 630 Early Modern English plays, pageants, and other 6 entertainments by non-Shakespearean
systematic effort to harness the energy and imagination of undergraduates as editors and explorers of old plays
list—and also larger analytical undertakings including writing an account of the reception history of a play
, reviewing the scholarly literature, comparing different versions of a play if more than one exists,
Twenty-two volumes of this series were published by New York University Press; Peter Lang published two
Peter Lang eventually published two volumes of the journalism in 1998 and 2003, though these volumes
The Peter Lang volumes are produced so as to replicate the appearance of the New York University Press
Arguably, the Peter Lang volumes constitute volumes 23 and 24 of the , and a 25th volume, treating recently
Peter Robinson and Hans Walter Gabler have observed that "experiments with the design of electronic textual
Robinson, Peter M. W., and Gabler, Hans Walter (2000).
Putnams Sons, 1902) and The Collected Writings of Walt Whitman (New York University Press, Peter Lang
I strongly agree with Peter Shillingsburg that a new term is needed, though I am not enthusiastic about
After New York University Press published twenty-two volumes of , the publishing house of Peter Lang
Peter Shillingsburg, for example, remarks that "the level of critical intervention is miniscule in the
Shillingsburg, Peter. From Gutenberg to Google: Electronic Representations of Literary Texts .
-Work of some sort [^Play?] . . . A spiritual novel ?
What other organizing principles might come into play?"
the referential, from vision to action, from romance to comedy to satire to tragedy, from story to play
As Peter Stallybrass notes, however, already "millions of people who cannot or do not want to go to the
by New York University Press from 1961 to 1984 and later supplemented by two additional volumes by Peter
, organized into thirty–seven topics, chronologically arranged (e.g., "Opera Lover," "The 1856 ," "Peter
Peter Lang, 1998–2003; 1 vol. U of Iowa P, 2004. ———. The Walt Whitman Archive . Ed.
We can play a little, too, and at least simulate a breakdown of the notorious computational barrier between
McGann's most advanced experiments in deformance involve game-playing.
But in the last ten years we've brought other tools into play, and we should reflect on the consequences
of twenty-two volumes published by New York University Press, two additional volumes published by Peter
, only in the last few years have the first two volumes appeared, issued by a different publisher, Peter
quickly clarify for any non-specialists in attendance, we'll gloss some of the acronyms that are in play
these various encoding choices we've inherited—even though they were most likely based on a desire to play