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the Liberator," WWQR 24.4 (2007): 201-207. http://www.uiowa.edu/~wwqr/greenspan_article_Spring%202007.pdf

the Liberator," WWQR 24.4 (2007): 201-207. http://www.uiowa.edu/~wwqr/greenspan_article_Spring%202007.pdf

6 4 . 1 . 1 : A U G U S T 1 5 , 1 8 6 5 25 room–Iwillsendoneinmynext.

L E T T E R 3 9 6 . 1 : J U L Y 1 4 , 1 8 7 1 31 1871 1 396.1 To Charles Hine 7.14. [1871] ADDRESS :

See also DBN 1: 209. L E T T E R 1 0 2 1 . 5 : A P R I L 9 , 1 8 8 1 61 1881 1 1020.9 To G.W.

L E T T E R 1 1 8 1 . 5 : D E C E M B E R 1 5 , 1 8 8 2 67 3.

L E T T E R 2 4 2 1 : J A N U A R Y 1 3 , 1 8 9 1 111 1.

col.1.

col.1. 5.

Chapter4 1.

Ovid(NY)Bee,October25,1848, p.1,col.1). 24.

WaltWhitmanQuarterlyReview2,no.1(1984):1–11.

u5). 1 AUGUST.

8 g -g 1 ).

3 -1 8 ).

4 8 -1 4 9 ). 1 JANUARY.

:1 6 5 -1 7 2 ). 25 JUNE.

people 1:152 I am not 9:128 I am not much 1:137 I never was 1:316 There’s one thing 7:65 If there’s

1:39 Of all portraits 1:131 Eakins!

a dubious 1:340–41 I don’t think he 3:500 A party may 1:341 The spirit of 1:99 I am for 1:149 We are

The true nurse 7:400 not irrational 1:294 A long day 1:299 Was I a little daffy 1:309 W.’s mind 1:347

no minister should 1:305 hung fire between 1:310 a heavenly father 1:342 grip is gone 1:354 It’s funny

1085 36 SONG OF MYSELF 4 2 :1 0 8 6 -4 3 :1 1 1 6 Tho well-taken photographs . . . . but your lvifc or

1 1 7 -4 4 :1 1 4 4 37 The past is the push of you and me and all precisely the same, And the day and

38 SONG OF M YSELF 4 4 :1 1 4 5 -4 5 :1 1 7 5 1145 1 am sorry for you .... they arc not murderous or

Jones's letter appears in Old 156 N O TES TO PA G ES 1 1 5 -1 3 1 South Leaflets (Boston, n.d.), 7:36

N O TES TO PA G ES 1 3 3 -1 3 8 1 57 127 E. H.

makesitdifferinproportiontotheswimming“S”nexttoit,formingasmallerbottom halfoftheletter,asiftheletterisupsidedown(fig.1)

[NewYork,1961–77],1:347).

delightedthatthey“tookmetothestereotypefoundry,and[gave]orderstofollowmy directions”(Correspondence,1:

inplainterms,thefreshestandhandsomestpieceoftypographythathad everpassedthroughhismill”(Correspondence,1:

catejusthowdemandingWhitman’srequestsweretocreatewhathefinallydeemeda “quite‘odd’”physicalartifact(Correspondence,1:

ISBn 978-1-60938-272-8 (pbk) ISBn 978-1-60938-293-3 (ebk) 1.

Reprinted as “Leaves of Grass,” SP, Dec. 1, 1860, 1.

For Whitman’s draft letters to Hugo Fritsch, see Corr. 1:123–24, 1:125–27, 1:158–60. 3.

Corr. 1:124. 37. LG60, 345. 38. Corr. 1:124. 39. Corr. 1:158. 40. Corr. 1:159. 41. Ibid. 42.

Corr. 1:84. 55. Corr. 1:159. 56. Corr. 1:123. 57. LG60, 355. 58.

Ihavebeenwronged....Iamoppressed....Ihatehimthatoppresses me,Iwilleitherdestroyhim,orheshallreleaseme. 1

andunconnectedwitheachother,theselinessharethesame fate:allwereexcisedfromLeavesofGrass.Itwouldbepossibletocreateanimpressive 1.

sPoetryoftheBody(ChapelHill,N.C.,1989), 144–49. love, war, and revision in the blue book 689 figure 1.

contemplated revising a key moment of self- definitionin“WaltWhitman”(later,“SongofMyself”),asshownabove(fig.1)

Whitman, Corr., 1:81. 116. Whitman, Corr., 1:81. 117. Whitman, Corr., 1:81. 118.

Irwin, May 1, 1865 (Corr., 1:259). 181.

Chapter Three 1.

(1975): 1. 145.

Geographical Review 65, no. 1 (1975): 1–36. Lucas, Rose.

vii Abbreviations ix Introduction: The Whitman Myth xi 1 Sex, Class, and Commerce 1 2 The American 1848

new history” (fig. 1).

See Bliss Perry, WaltWhitman, 276n1. 108 : notes to pages xxii–xxiv 1. sex, class, and commerce 1.

Vol. 1. London: Chapman, 1893. 1–25. ———. OnHeroes,Hero-Worship,andtheHeroicinHistory. 3rd ed.

WaltWhitman QuarterlyReview 1 (1983): 1–7. ———. WaltWhitman’sLanguageExperiment.

IsBN-13: 978-1-60938-069-4; IsBN-10: 1-60938-069-X (pbk.)

IsBN-13: 978-1-60938-070-0; IsBN-10: 1-60938-070-3 (e-book) 1.

Walt Whitman’s Reconstruction 1.

, fragmentary book ever printed” (PW, 1:1).

Successful” (Corr, 1:253n).

Printedonacid-freepaper issn:1556–5610 lccn:2007936977 isbn-13:978-1-58729–638-3(cloth) isbn-10:1-58729

–638-1(cloth) 08 09 10 11 12 c 5 4 3 2 1 Pastandpresentandfuturearenotdisjoinedbutjoined.

(var- ious publishers 1906–96), 1: 108.

ElsewhereRosenfeldassociatedMarin’spigment { angela miller } 109 1.

Poland, Whaler of Nantucket (1952–1953), steel, 34 1/2″ x 45 1/2″ approximately 525 pounds, Edward E.

Identifiers: lccn 2017010803 | iSbn 978-1-60938-531-6 (paperback : acid-freepaper) | iSbn 978-1-60938

Mirth 1” (188, 190).

He Is Silent” 1.

Johnson, Hyperboles, 1, 8.

19; 1. 5.

Notes 1.

Notes 1.

Notes 1.

Notes 1.

Brooklyn Daily Eagle 18 (1 June 1931): 1–2.

Chapter One 1.

Chapter Five 1.

Chapter Six 1.

, 1953], 1). 31.

WWC 1: 7. 10. Erkkila, Whitman Among the French, 169. Chapter Eight 1.

. | Identifiers: lCCn 2019002003 (print) | lCCn 2019011226 (ebook) | ISB n 978-1-60938-664-1 (ebook)

Drum-taPs anD The ChaoS of war 1.

Walt Whitman Quarterly Review 23, nos. 1 and 2 (Summer/Fall 2005): 1–25.

War, Literature, and the Arts 24, no. 1 (2012): 1–10. Grossman, Allen.

American Literature 75, no. 1 (March 2003): 1–30. ———.Victory of Law: The Fourteenth Amendment, the Civil

•Emanuel Carnevali Contents Acknowledgments . . . xi Introduction . . . 1 Chapter 1 . . . 19 Post-RisorgimentoEncounters

Chapter 1 1.

Chapter 6 1.

Chapter 8 1.

Chapter 10 1.

The FIgure 1.

CO 1:46n3. Notes to Pages 27–32 . 217 Chapter 1. To Reach the Workmen Direct 1. WC 1:338. 2.

WC 1:92.

Conway, 1 November 1867, CO 1:347.

DB 1:239. 45.

, xi Introduction, 1 T R A N S L A T I O N S 1.Ferdinand Freiligrath, AdolfStrodtmann, and Ernst Otto

T H O M A S W IL L IA M R O L L E ST O N ( 1 8 5 7 - 1 9 2 0 ) T. W.

M A X H A Y E K ( 1 8 8 2 - ?

1 (Summer 1986), 4-6.

WHITMAN ON THE RIGHT 1.E. L.

THE WOUND DRESSER 1 4 1 Nevertheless, in spite of the inappropriateness of these arti cles, Whitman was

I,pp. xxxiii-xxxiv, n. 1. 32.

Io9. 47· www, p. 1 1 0 . 48. www, pp. II2-II3. 49• WWW, pp. I I I-I I2. 50. Inc. Ed., p. 236.

, p. 5, §4 (1 1-12), Inc.

I.1 1 . 63. "Twilight,''NB, p. 35,Inc.

See also nupm 1:62. 34. See also nupm 1:1349 35. See also nupm 1:287. 36.

See nupm 1:83. 40.

See nupm 1:351. 9.

Le Baron’ by his friends at Pfaff’s” (nupm 1:351). 10. See nupm 1:335.

Walt Whitman Quarterly Review 1 (March 1984): 1–11. Genoways, Ted.

ISBn-13: 978-1-58729-958-2 (pbk.), ISBn-10: 1-58729-958-5 (pbk.)

ISB n-13: 978-1-58729-959-9 (ebk.), ISBn-10: 1-58729-959-3 (ebk.) 1. Homosexuality—Poetry.

Walt Whitman, “Proto-leaf” Contents  manly love in all Its moods: a Preface xi live oak, with moss 1

See, for example, Whitman’s notebook entries for october 31, 1863 [Saturday] and novem- ber 1, 1863 [

American Poetry 1 (fall 183): 4–26. Killingsworth, m. Jimmie.

Ken- 1 neth M.

Matthiessen’s 1 American Renaissance.

(LGV 2:561) notes 1.

you proud, friendly, free Manhattanese” (LGV 1:224).

(“Nirvana of the Phoenixes,” Wenji 1:41) 4.

, 978-1-60938-291-9 (ebk) 1.

Part I 1.

1.

Chapter 2 1.

Part III 1.

I I • I I • I I .. • I -t• • I 1 '1 I I I I • I . It. . . . . 'I I .......

I+ "•-4 -.:1 1 • • I I I 1 ill I I Jt " .. • .. I . . . . - . . . I • - I . r I - - I • I I • • .

NOTES 1.

Nowyou can ofcourse saythat he meant pure verse and that the foot is a paeon 1 2 3 1 2 3 4 1 2 3 "or

NOTES 1."

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▯b_l_d]▯bWXeh▯e\▯jhk[▯c[d▯WdZ▯mec[d"▯YechWZ[i»▯▯*)▯1▯_ji▯lWbe# h_pWj_ed▯e\▯ºBel[½i▯8eZo»▯▯+.,▯1▯_ji▯X

'▯1▯H[]_dWbZ▯>ehi# cWd"▯ºIY_[dj_ÅY▯HWY_ic▯WdZ▯j^[▯7c[h_YWd▯?

$▯;haa_bW"▯(-*▯¸▯(-,1▯7bWd▯JhWY^j[dX[h]"▯J^[▯?

j^WYW"▯DO0▯9ehd[bb▯Kd_l[hi_jo▯Fh[ii"▯'/)*1▯h[fh_dj"▯D[m▯Oeha"▯Hkii[bb▯ WdZ▯Hkii[bb"▯'/-)▯1▯:ek]bWi▯=hWdj

Printed on acid-free paper ISSN: 1556-5610 ISBN: 978-1-60938-236-0, 1-60938-236-6 (pbk) ISBN: 978-1-60938

WILSoN PART 1 1. Erasing Race: The Lost Black Presence in Whitman’s Manuscripts 3 Ed FoLSom 2.

NotES 1.

Not ES 1.

(New York: New York University Press, 1963), 1:92. 30. Ibid., 1:94. 31. W. T.

T E X T Henkels Catalogue,June 1 4 -1 5 ,1 9 0 1 To the editors of Harper)s Magazine Brooklyn, January

8 6 1 - 1 8 6 5 reg't is on the Heights-back of Arlington House, a fine camp ground-0, Matty, I have

Frank, as far as I saw, had everything requisite in surgical treatment, nursing, &c. 1 1 2 Selected Letters

Collection o/the editor " G O O D -B Y E MY F A N C Y " ( 1 8 9 1 ) W H IT M A N S A ID , IS "mostly

1 told you Mrs.

Ibid., 27. 10Pavese to Pinelli, Turin, August 1, 1926, Letters Vol. 1, 29. 11Pavese to Pinelli, Reaglie

1, 40-41.

These are sections 1- 8 and 25-32.

W., 1-193, etc.) from which I have taken all these quotes.

II, pp. 1-5) and “With Antecedents” (Vol I, pp. 292-94).

NOTES 1.

N O TES 1.

(Obra em Prosa, 1 0 7 -1 1 0 , my translation) An even better illustration of Campos's intimate link

"I am not to speak to you-1 am to think of you . . .

I Or in front, and I following her just the same" ("To the Garden the World," 1 0 - 1 1 ) .

1).

Traubel promised in his edito- rial “Greeting” for volume 1, number 1 (signed “H. L.

Suchajournalasyoucontemplatemusthelptopromotethistoleration;there- fore I wish it all success” (1:1).

Wallace (2), Frank Sanborn (2), John Clifford (1), and Sidney Morse (1).

(By Blue Ontario’s Shore 1) Such a book as {W. E. H.}

Ibid., ix. 3· Ibid., 31. 4· LG6o, 1-22.

(1V, 1:262).

I My long scythe whispered and 1 left the hay tomake."

D E R Z 1 M M E R G E S A N D E R D E M O K R A T 1 E Ich singe den Gesang meines Zimmers.

Aspekte der Kulturvernichtung (Reinbek: Rowohlt, 1976), 136. 0 E 1 N S E L B S TK A N N 1 C H N 1 C H

ISBN 0-87745-728-X (pbk.) 1.Whitman, Walt, 1819-1892. 2.

From Reminiscences of Walt Whitman (London: Alexander Gardner, 1896), pp. 1-9. 1. Mr.

"Lazy d---1!"

Seven Arts,2 (September 1917): 627-637. 1.

(Boston: Houghton Mifflin, 1925), 1:107-110. 1.

Harned; "they are the Millet that Walt Whitman has succeeded in putting into words" (With Walt Whitman 1:

Eakins errs just a little . . . in the direction of the flesh" (With Walt Whitman 1:131).

painter," Whitman said; "he belongs to me: I have written Walt Whitman all over him" (With Walt Whitman 1:

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908. Whitman, Walt.

Vol. 1 of Prose Works 1892. New York: New York UP, 1963. Millet, Jean-François (1814–1875)

of every earlier printed text which Whitman used, in whole or in part, in the 1892 Complete Prose" (1:

literary and social activities, notes about "his friendships, his habits, his health, the weather" (1:

Leaves of Grass developed over the separate editions and impressions spanning thirty-seven years" (1:

Part 1, volumes 1–3, "contains material more or less biographical" and is arranged in "loosely chronological

" order (1:xix).

wartime hospital experiences and his urge to be the war's memorialist, "to be witness again" (section 1)

fascinating it is, with its hospital surroundings of sadness & scenes of repulsion and death" (Correspondence 1:

as a seasoned veteran summoning up ("resuming") memories of "the mightiest armies of earth" (section 1)

and I resign'd myself / To sit by the wounded and soothe them, or silently watch the dead" (section 1)

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1964.____.

The front matter of volume 1 contains a concise introduction, lists of abbreviations, illustrations,

of them is the earliest known notebook, and one of the most fascinating: "albot Wilson" (Notebooks 1:

journeywork of suns and systems of suns, / And that a leaf of grass is not less than they" (Notebooks 1:

we fetch that height, we shall not be filled and satisfied but shall look as high beyond" (Notebooks 1:

In another of the stolen manuscripts recently recovered, "You know how the One" (Notebooks 1:124-127)

the scene's temporal requirements were among the formal qualities Whitman admired most (Uncollected 1:

artists], ardent, radical and progressive" to strengthen this country's artistic base (Uncollected 1:

art's moral value and his equation between the "perfect man" and the "perfect artist" (Uncollected 1:

widely criticized by Whitman and his circle, who dubbed it the "parlor" Whitman (With Walt Whitman 1:

Vol. 1. 1906. New York: Rowman and Littlefield, 1961; Vol. 2. 1908.

Whitman as a bull in the china shop of poetry and, ironically, the critics as fretful "Misses Nancy" (1:

The 1865 review of Drum-Taps granted pathos and "purity" to the collection (1:49), but concluded that

Selected Literary Criticism, Volume 1:1859–1885. Ed. Ulrich Halfmann, Christopher K.

"Aware of mighty Niagara," he informs the reader in "Starting from Paumanok" (section 1); in "Song of

us is pouring now more than Niagara pouring," from "Rise O Days from Your Fathomless Deeps" (section 1)

Vol. 1 of Prose Works 1892. New York: New York UP, 1963. Niagara Falls

masters"—i.e., the true poets—"know the earth's words and use them more than audible words" (section 1)

: if the true words are "inaudible"—and, as Whitman later adds, "untransmissible by print" (section 1)

passage pivots on a description of the earth as a woman, "her ample back towards every beholder" (section 1)

Thus translated into visual terms, the "eloquent dumb great mother" (section 1) begins to seem oddly

Walt Whitman Quarterly Review 1.1 (1983): 1–8. Hollis, C. Carroll.

Whitman praised for being "like Adam in Paradise, and almost as free from artificiality" (Uncollected 1:

, Whitman complained of the "lush and the weird" then in favor among readers of poetry (Prose Works 1:

In an 1848 review he referred to Byron's "fiery breath" (Uncollected 1:121), and forty years later the

As Whitman remarked to Traubel in 1888, "Byron has fire enough to burn forever" (With Walt Whitman 1:

Vols. 1–3. 1906–1914. New York: Rowman and Littlefield, 1961; Vol. 4. Ed. Sculley Bradley.

fears of annihilation, expresses terror ("Something startles me where I thought I was safest" [section 1]

section 2) of which is packed with "all the foul liquid and meat" of "distemper'd corpses" (section 1)

Saint Paul's sermon on the conquest of death and the rebirth of the soul (1 Corinthians 15) speaks of

Vol. 1. New York: New York UP, 1980.____. Prose Works 1892. Ed. Floyd Stovall. 2 vols.

(Gathering 1:247).

would not be emancipated; nor could dark-skinned Mexicans be incorporated into the union (Gathering 1:

1864, he confessed that Mexico was "the only one to whom we have ever really done wrong" (Prose Works 1:

Vol. 1.

between 1847 and early 1855: "Make no quotations, and no reference to any other writers" (Notebooks 1:

you could reduce the Leaves to their elements you would see Scott unmistakably active at the roots" (1:

injustices of the age, he was also "a mark'd illustration" of the maladies he condemned (Prose Works 1:

"Tennyson is an artist even when he writes a letter," Whitman commented in 1888 (With Walt Whitman 1:

Vols. 1–3. 1906–1914. New York: Rowman and Littlefield, 1961; Vol. 4. Ed. Sculley Bradley.

of natural and artificial" appear as "radiations of one consistent and eternal purpose" (Prose Works 1:

en-masse," equality and singularity, are but polar terms in "the endless process of Creative thought" (1:

In other words, Hegel's "catholic standard and faith" (Prose Works 1:259) Whitman interprets as a metaphysical

exclaimed, "Restrict nothing—keep everything open: to Italy, to China, to anybody" (With Walt Whitman 1:

as "legislative nonsense," "utterly ridiculous, impracticable—and, moreover, unnecessary" (Gathering 1:

He was struck by the sturdiness of the men and the "patience, honesty, and good nature" (Notebooks 1:

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908.Whitman, Walt.

In line 1, there are two phrasal groups, each containing two accents, falling in the same positions—primary

The two groups have the same accentual contour—falling 1–2, primary to secondary prominence.

Line 2 does not pick up the iambic rhythm of line one but rather this 1–2 falling contour.

Again there are two groups, with 1–2 contours, with the first accent on pronouns—I and you and -sume

that they were comparable types: "Lincoln gets almost nearer me than anybody else" (With Walt Whitman 1:

came to trust the "supernatural tact" and "idiomatic Western genius" of his "captain" (Correspondence 1:

contemplated Lincoln's face, "the peculiar color, the lines of it, the eyes, mouth, expression" (Prose Works 1:

said, had ever captured Lincoln's "goodness, tenderness, sadness, and canny shrewdness" (Prose Works 1:

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: D. Appleton, 1908. Whitman, Walt.