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Search : part 2 roblox story kate and jayla
Section : Commentary

644 results

“A sprit of my own seminal wet”: Spermatoid Design in Walt Whitman’s 1860 Leaves of Grass

  • Date: 2010
  • Creator(s): Folsom, Ed
Text:

inOnWhitman:TheBestfrom AmericanLiterature,ed.EdwinH.CadyandLouisJ.Budd(Durham,N.C.,1987),273–89at273,283. 2.

“This Mighty Convlusion”: Whitman and Melville Write the Civil War

  • Date: 2019
  • Creator(s): Sten, Christopher | Hoffman, Tyler
Text:

2 Pet. 3:10, Rev. 16:5).

Bennett,Vibrant Matter, 2–3. 11.

Herman Melville, Correspondence, 656. 2.

Milton, Poetical Works, 2: 63. 28.

Herman Melville: A Biography. 2 vols.

Actors and Actresses

  • Creator(s): Meyer, Susan M.
Text:

called him "one of the grandest revelations of my life, a lesson of artistic expression" (Prose Works 2:

as Charles Dickens's Nancy Sykes ("the most intense acting ever felt on the Park boards" [Gathering 2:

performances strongly affected him and "permanently filter'd into [his] whole nature" (Prose Works 2:

Cleveland Rodgers and John Black. 2 vols. New York: Putnam, 1920. ____. Prose Works 1892. Ed.

Floyd Stovall. 2 vols. New York: New York UP, 1963-1964. Actors and Actresses

Africa, Whitman in

  • Creator(s): Asselineau, Roger
Text:

that the world is a whole made up of dynamic wholes which are more than the sums of their component parts

and tend to absorb more parts, for they obey a creative or emergent evolution inconsistent with bare

"After the Supper and Talk" (1887)

  • Creator(s): Baldwin, David B.
Text:

was more appropriate, if less euphonious.In a dozen lines, this lyric describes the pain of a final parting

The Afterlives of Specimens: Science, Mourning, and Whitman’s Civil War

  • Date: 2017
  • Creator(s): Tuggle, Lindsay
Text:

(See figure 2.)

Whitman, LG 1855, 14. 2.

Huntington, The Medical and Surgical History of the War of the Rebellion, vol. 2, part 3 (Washington,

Vol. 2, part 3. Washington, DC: Government Printing Office, 1883. Otis Historical Archives.

Vol. 2.

Age and Aging

  • Creator(s): Stauffer, Donald Barlow
Text:

In the context of Leaves of Grass the poems about old age are part of Whitman's philosophy of contraries

mental powers, and even his fears of senility were not to be resisted but were to be thought of as a part

of the life cycle and part of a greater spiritual totality.Only two days after the three strokes that

Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908.Trent, Josiah C.

Vol. 2. New York: New York UP, 1964. Age and Aging

"Ages and Ages Returning at Intervals" (1860)

  • Creator(s): Klawitter, George
Text:

Minor variants for the various editions, mostly of punctuation marks, are noted in the Variorum (2:362

Arthur Golden. 2 vols. New York: New York Public Library, 1968.

All about a Mocking-Bird

  • Date: 7 January 1860
  • Creator(s): Whitman, Walt
Text:

us in the Saturday Press, of Dec. 24, preceding, we seize upon and give to our readers, in another part

trying his hand at the edifice, the structure he has undertaken, has lazily loafed on, letting each part

have time to set—evidently building not so much with reference to any part itself, considered alone,

reference to the ensemble,—always bearing in mind the combination of the whole, to fully justify the parts

well accomplished, grasps not, sees not, any such ideal ensemble—likely sees not the only valuable part

American Adam

  • Creator(s): Dietrich, Deborah
Text:

sorrow, labor, suffering, I, tallying it, absorb in myself" ("Chanting the Square Deific," section 2)

American Character

  • Creator(s): Gruesz, Kirsten Silva
Text:

greatest Poem," he writes in the Preface (5), and the book, similarly, is an aggregate of diverse parts

American Poets Part 1

  • Date: 4 April 1874
  • Creator(s): Earle, John Charles
Text:

American Poets [Part 1] W E have many examples in history of a national literature built up in a dialect

American Poets Part 1

American Poets Part 2

  • Date: July 1874
  • Creator(s): Earle, John Charles
Text:

American Poets [Part 2] We endeavoured in our last number to show the natural advantages possessed by

And if one goes to heaven without a heart, God knows he leaves his behind his better part.

They are like wild flowers, and for the most part, they breathe sweetly.

John I, 2:20. Isaiah 63:1.

American Poets Part 2

Annotations Text:

.; John I, 2:20.; Isaiah 63:1.; Omitted: "--or sleep in the bed at night with any one I love,"; German

American Primer, An (1904)

  • Creator(s): Dressman, Michael R.
Text:

The text of the Primer is based on 110 manuscript pages that are part of the Feinberg Collection in the

Whitman refers to Noah Webster and makes indirect references to other research that he had done as part

American Revolution, The

  • Creator(s): Blake, David Haven
Text:

Sections 35 and 36 of "Song of Myself" (1855), for instance, incorporate the story of John Paul Jones's

James Miller suggests that both stories depict the spiritual affection binding democratic men, and in

The poem describes the interchange between a revolutionary war veteran and a "Volunteer of 1861–2."

veteran recalls the general's confidence even in retreat, and the volunteer pledges to spread the story

"The Centenarian's Story" is typical of Whitman's treatment of the American Revolution in emphasizing

American Whig Review

  • Creator(s): Rachman, Stephen
Text:

StephenRachmanAmerican Whig ReviewAmerican Whig ReviewWhen Whitman contributed his early story "The Boy

"Angel of Tears, The" (1842)

  • Creator(s): McGuire, Patrick
Text:

PatrickMcGuire"Angel of Tears, The" (1842)"Angel of Tears, The" (1842)This short story appeared first

As a story, "The Angel of Tears" is negligible.

Asselineau detects in this story the influence of Poe.

Also of interest in this story is Whitman's propensity for capitalized epithets.

Apollinaire, Guillaume (1880–1918)

  • Creator(s): Asselineau, Roger
Text:

(This poem is part of his Poeta en Nueva York.)

Architects and Architecture

  • Creator(s): Roche, John F.
Text:

/ The earth to be spann'd, connected by network" (section 2).Many of Whitman's friends and followers

"Are You the New Person Drawn toward Me?" (1860)

  • Creator(s): Butler, Frederick J.
Text:

between the reality of himself and his image in the mind of the potential admirer.The Upanishads, part

"Army Corps on the March, An" (1865–1866)

  • Creator(s): Lulloff, William G.
Text:

Still later, in 1867, the poem became a part of the Drum-Taps annex to Leaves of Grass, in which both

The edited poem became a permanent part of the "Drum-Taps" cluster of Leaves of Grass and appeared in

Miller, Jr., cites this poem along with other short poems in this part of the cluster as being "among

Arnold, Matthew (1822–1888)

  • Creator(s): Kozlowski, Alan E.
Text:

American Mercury 2 (1924): 328–332. ———. With Walt Whitman in Camden. Vol. 1.

Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.

Art and Daguerreotype Galleries

  • Creator(s): Dougherty, James
Text:

In the Brooklyn Daily Eagle (2 July 1846) Whitman described a visit to John Plumbe's Manhattan gallery

faces: "Time, space, both are annihilated, and we identify the semblance with the reality" (Gathering 2:

Cleveland Rodgers and John Black. 2 vols. New York: Putnam, 1920. ____.

Emory Holloway. 2 vols. New York: Peter Smith, 1932. Art and Daguerreotype Galleries

Arts and Crafts Movement

  • Creator(s): Roche, John F
Text:

John FRocheArts and Crafts MovementArts and Crafts MovementAlthough Whitman was not part of any arts

"As Adam Early in the Morning" (1860)

  • Creator(s): Klawitter, George
Text:

Early in the Morning," the first two words of which had not appeared in the 1860 edition (Blue Book 2:

Arthur Golden. 2 vols. New York: New York Public Library, 1968.

"As at Thy Portals Also Death" (1881)

  • Creator(s): Rieke, Susan
Text:

Also Death" (1881)"As at Thy Portals Also Death" was written in 1881, specifically for the "Songs of Parting

these songs," by which he may mean this cluster or the whole of Leaves of Grass.As in the "Songs of Parting

opposite, images suggest questions that underlie the poem, questions also posed by the "Songs of Parting

"As I Ebb'd with the Ocean of Life" (1860)

  • Creator(s): Gutman, Huck
Text:

worth of his poems and his existence, although some see Whitman's passive acceptance in the fourth part

"Ashes of Soldiers" (1865)

  • Creator(s): Rieke, Susan
Text:

placed it in the "Passage to India" annex, where it remained until its 1881 position in "Songs of Parting

The addition of this and other Civil War poems to "Songs of Parting" intensifies this cluster's emphasis

Asselineau, Roger (1915–2002)

  • Creator(s): Kummings, Donald D.
Text:

This two-part study was promptly recognized as a major contribution to the effort to demythologize the

Associations, Clubs, Fellowships, Foundations, and Societies

  • Creator(s): Pannapacker, William A.
Text:

Rodgers succeeded, in part, by presenting Whitman as an anticommunist poet, and in 1951 the Birthplace

Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908; Vol. 3.

Attorney General's Office, United States

  • Creator(s): Graham, Rosemary
Text:

convince members of Congress to exempt dress ruffles from new taxes they were levying.For the most part

Australia and New Zealand, Whitman in

  • Creator(s): McLeod, Alan L.
Text:

eventually became the property of the State Library of Victoria, and O'Dowd's letters to Whitman became part

The brief correspondence was intense and quasi-religious in its Melbourne part, appreciative and avuncular

"Backward Glance O'er Travel'd Roads, A" (1888)

  • Creator(s): Shucard, Alan
Text:

Vol. 2. New York: New York UP, 1964. 711–732. "Backward Glance O'er Travel'd Roads, A" (1888)

Barrus, Clara (1864–1931)

  • Creator(s): Kummings, Donald D.
Text:

John Burroughs (1914), John Burroughs, Boy and Man (1920), The Life and Letters of John Burroughs (2

Bazalgette, Léon (1873–1929)

  • Creator(s): Asselineau, Roger
Text:

Binns's story of a romantic love affair in New Orleans.

Beach, Juliette H. (1829–1900)

  • Creator(s): Mullins, Maire
Text:

On 2 June 1860 a review was published in the Saturday Press.

"Beat! Beat! Drums!" (1861)

  • Creator(s): Schwiebert, John E.
Text:

In 1871 the poem was incorporated into the body of Leaves of Grass as part of the "Drum-Taps" cluster

Bertz, Eduard (1853–1931)

  • Creator(s): Grünzweig, Walter
Text:

sought only to break the hostile public silence regarding homosexuality, the paranoiac discourse of parts

"Bervance: or, Father and Son" (1841)

  • Creator(s): McGuire, Patrick
Text:

The technique of this story is unusual in Whitman's work in that a first narrator introduces another

Reynolds reads the story as Whitman's attempt to purge his psychological demons, perhaps oedipal in nature

Kaplan sees this story as comparable to the work of Edgar Allan Poe, and Allen sees it as part of Whitman's

The story also relates to another frequent theme of Whitman's fiction: the separating of two brothers.BibliographyAllen

Bible, The

  • Creator(s): Becknell, Thomas
Text:

Whitman's earliest works, "Shirval: A Tale of Jerusalem" (1845), is a fictionalized retelling of the story

Bibliographies

  • Creator(s): Kummings, Donald D.
Text:

by Whitman—books, pamphlets, collected editions, separately published poems, articles and essays, stories

English and other languages during his lifetime but also those published in English through 1991; (2)

The Walt Whitman Archive: A Facsimile of the Poet's Manuscripts. 3 vols. 6 parts.

"Walt Whitman's Short Stories: Some Comments and a Bibliography."

Vol. 2. New York: Macmillan, 1974. 759–768, 997–1001, 1310–1313.Killingsworth, M. Jimmie.

Binns, Henry Bryan (1873–1923)

  • Creator(s): Reagan, Katherine
Text:

Lack of evidence, however, did not stop scores of writers from repeating the fantastic story, which has

Biographies

  • Creator(s): Loving, Jerome
Text:

least two are adolescent or purely romantic biographies, Cameron Rogers's The Magnificent Idler: The Story

Otherwise, Kaplan relies for the most part on information found in Allen and elsewhere between 1955 and

The Evolution of Walt Whitman. 1954. 2 vols.

"Birds of Passage" (1881)

  • Creator(s): Mozer, Hadley J.
Text:

For Crawley, "Birds" functions as a transitional cluster between the first part of Leaves, which is more

concerned with the physical (the journey motif and the land being unifying principles), and the second part

Birthplace, Whitman's

  • Creator(s): Krieg, Joann P.
Text:

P.KriegBirthplace, Whitman'sBirthplace, Whitman'sWhitman was born in West Hills, Long Island, New York, in a two-story

The dining wing appears to be older than the main part of the house and may have been on the property

Walt Whitman Birthplace Bulletin 2 (1959): 17–19.Krieg, Joann P.

"Bivouac on a Mountain Side" (1865)

  • Creator(s): Schwiebert, John E.
Text:

was first published in Drum-Taps (1865) and incorporated into the body of Leaves of Grass in 1871 as part

Boker, George Henry (1823–1890)

  • Creator(s): Gould, Mitch
Text:

Boker is genuine, has quality" (With Walt Whitman 2:476–477).

Vol. 2. New York: Appleton, 1908; Vol. 6. Ed. Gertrude Traubel and William White.

Bolton (England) "Eagle Street College"

  • Creator(s): Krieg, Joann P.
Text:

associates of Whitman, meetings which they recounted in a jointly written volume published in 1917.The story

Later the circle of friends became part of the English socialist movement, but while Whitman was alive

Borges, Jorge Luis (1899–1986)

  • Creator(s): Folsom, Ed
Text:

Jorge Luis (1899–1986) Jorge Luis Borges, the Argentinian essayist, poet, and master of the short story

Tuscaloosa: U of Alabama P, 1969. xiii–xvii, 2–3. ———. "Note on Walt Whitman."

"Boston Ballad (1854), A" (1855)

  • Creator(s): Klammer, Martin
Text:

The Fugitive Slave Law, enacted as part of the 1850 Compromise, empowered federal marshals to compel

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