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  • Literary Manuscripts 142

Work title

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Search : William White
Section : Literary Manuscripts

142 results

After all, not to create only

  • Date: about 1871
Text:

A note at the top of the manuscript, written by Whitman's friend William Sloane Kennedy, indicates that

Maize-Tassels

  • Date: undated
Text:

Written at the top of the manuscript is the note, "White Horse notes."

[Peace no more]

  • Date: undated
Text:

leaf16 x 19 cm; A draft beginning "Peace no more, but flag of war" written in pencil on a sheet of white

A Defence of the Christian Doctrines of the Society of Friends

  • Date: After 1838; 1825
  • Creator(s): Walt Whitman | Anonymous
Text:

William Penn, in his "Testimony to the truth as held by the people called Quakers,"written in 1698, says

"— Elias Hicks' letter to William B.

The next quotation, on page 72 of the pamphlet, is taken from William Penn's "Guide Mistaken, and Temporizing

To which distinction of persons William Penn replies– "As for his strange distinction of the Deity, which

[Here William Penn introduces M 298 inference, I say, is as irrational, as it would be for any to conclude

Of this broad and majestic

  • Date: Between 1850 and 1855
Text:

Later in the manuscript he writes of "the buckwheat and its white tops and the bees that hum there all

day," and on page 36 of the 1855 Leaves he writes of the "white and brown buckwheat, a hummer and a

The History of Long Island

  • Date: After 1842; 1843
  • Creator(s): Walt Whitman | Benjamin F. Thompson
Text:

market a surplus of beef, pork, hay and grain, REPRESENTATIVES AND SENATORS. 247 1st congress, 1789, William

of these poems

  • Date: Between 1845 and 1860
Text:

On the verso Whitman has copied two stanzas of English poet William Collins' The Passions.

The Play-Ground

  • Date: About 1846
  • Creator(s): Walt Whitman
Text:

.— Methinks, white‑winged angels, Floating unseen the while, Hover around this village green, And pleasantly

Robert Southey

  • Date: After 1847; February 1851; September 25, 1847
  • Creator(s): Walt Whitman | Anonymous
Text:

Robert Southey, working out his own original nature honestly, is entitled to as much respect as William

A Week on the Concord and Merrimack Rivers

  • Date: After 1849; 1849
  • Creator(s): Walt Whitman | Henry David Thoreau | Unknown
Text:

According to Sir William Jones, "Vyasa, the son of Parasara, has decided 4 that the Veda, with its Angas

Of a summer evening a

  • Date: Before 1850
  • Creator(s): Walt Whitman
Text:

—And many 2 a time again approached he to the coffin, and held up the white linen, and gazed and gazed

[My two theses]

  • Date: about 1856
Text:

theses]about 1856poetryhandwritten1 leaf4 x 16 cm pasted to 10.5 x 16 cm; On a small composite leaf of white

[How can there be immortality]

  • Date: about 1855
Text:

]about 1855poetryhandwritten1 leaf4.5 x 14.5 cm; These lines, appearing on a very small section of white

Priests!

  • Date: Between 1850 and 1855
Text:

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

Sweet flag

  • Date: Between 1850 and 1855
Text:

of delight" and "tooth prong") probably contributed to the following passage in the same poem: "The white

Robert Chambers

  • Date: Between 1850 and 1860; 1850
  • Creator(s): Walt Whitman | Ludwig Herrig | Robert Chambers
Text:

islands, contains about four hundred thousand inhabitants, of whom only about thirty-seven thousand are white

less populous, the full amount being in each case divided in the same proportions between blacks and whites

A Sermon Preached in the Central Reformed Protestant Dutch Church

  • Date: After July 27, 1851; 1851
  • Creator(s): Walt Whitman | Jacob Brodhead
Text:

hundred in all) came over to Massachusetts, in the Mayflower, under the spiritual guidance of Elder William

[med Cophósis]

  • Date: Between 1852 and 1854
Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems Who Learns My Lesson Complete?

"Summer Duck"

  • Date: Between 1852 and 1855
Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a possible relationship between the opening words and the first poem of the 1855 edition,

Imagination and Fact

  • Date: 1852 or later; January 1852; Unknown
  • Creator(s): Walt Whitman | ["W.D."] | Anonymous
Text:

from the empty bosom of the grove I hear a sob, as one forlorn might pine— The white-limbed beauty of

Where round their fingers winding the white slips That crown his forehead, on the grandsire's knees,

9th av.

  • Date: between 1854 and 1860
Text:

William White, in his edition of Whitman's Daybooks and Notebooks (New York: New York University Press

noted a relationship between rough drafts of poems in this notebook (called An Early Notebook in White's

Autobiographical Data

  • Date: Between 1848 and 1856
Text:

.00048Autobiographical DataBetween 1848 and 1856prosepoetry10 leaveshandwritten; Photostats, made for William

Ascent of Mount Popocatapetl

  • Date: After March 23, 1854; 23 March 1854
  • Creator(s): Walt Whitman | Gerard Noel | Anonymous
Text:

Mexico, and looking down on the twin volcano (I forget the Mexican name, but in English it means the White

med Cophósis

  • Date: Between 1852 and 1854
  • Creator(s): Walt Whitman
Text:

Shade —An twenty-five old men old man with rapid gestures—eyes black and flashing like lightning—long white

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?

Annotations Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a relationship between these pages and the poems "Who Learns My Lesson Complete?

Talbot Wilson

  • Date: Between 1847 and 1854
  • Creator(s): Walt Whitman
Text:

anticipate the following lines in the preface to the 1855 : "Little or big, learned or unlearned, white

body and lie in the coffin" (1855, p. 72). + The sepulchre Observing the shroud The sepulchre and the white

[The ball-room was swept]

  • Date: about 1860
Text:

12tex.00011xxx.00705The Ballroom was swept and the floor white…[The ball-room was swept]about 1860poetry1

leafhandwritten; Three lines of a poem beginning "The ball-room was swept, and the floor white."

distinctness every syllable the flounderer

  • Date: 1840s or early 1850s
  • Creator(s): Walt Whitman
Text:

every syllable the flounderer spoke, up to his hips in the snow, and blinded by the cutting sharp white

crystals making that made the air densely one opaque white.

I know as well as

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

Poem incarnating the mind

  • Date: Before 1855
  • Creator(s): Walt Whitman
Text:

/ My children and grand-children, my white hair and beard, / My largeness, calmness, majesty, out of

gave him not one inch, but held on and night near the helpless fogged wreck, over leaf How the lank white

"Summer Duck"

  • Date: Between 1852 and 1855
  • Creator(s): Walt Whitman
Text:

. / And acknowledge the red yellow and white playing within me, / And consider the green and violet and

"Summer Duck" or "Wood Duck" "wood drake" very gay, including in its colors white, red, yellow, green

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a possible relationship between the opening words and the first poem of the 1855 edition,

Annotations Text:

William White described the pages as "torn from a tall notebook" (Daybooks and Notebooks [New York: New

White noted a possible relationship between the opening words and the first poem of the 1855 edition,

Light and air

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

spring gushing out from under the roots of an old tree barn‑yard, pond, yellow g j agged bank with white

[Fa]bles, traditions

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

Sweet flag

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

the "tooth of delight" and "tooth prong") may relate to the following passage in the same poem: "The white

In the course of the

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

Are you not from the white blanched heads of the old mothers of mothers?

Priests

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

Of this broad and majestic

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

woods and all the orchards—the corn, with its ear and stalk s and tassel —the buckwheat with its sweet white

Annotations Text:

western persimmon. . . . over the longleaved corn and the delicate blue-flowered flax; / Over the white

airscud

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

deliciously aching, / Limitless limpid jets of love hot and enormous . . . . quivering jelly of love . . . white

Do I not prove myself

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

shall see how I stump clergymen, and confound them, / You shall see me showing a scarlet tomato, and a white

Where the little musk ox

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

life car is drawn on its slip‑noose At dinner on a dish of huckleberries, or rye bread and a round white

The horizon's edge

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Annotations Text:

1855 edition of Leaves of Grass, eventually titled "There Was a Child Went Forth": "And grass, and white

and red morningglories, and white and red clover, and the song of the phoebe-bird, / ... / And the appletrees

cottonwood

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

cottonwood—mulberry— chickadee—large brown water-dog— —black-snake—garter snake— —vinegar-plums—persimmon— — wh white-blossom

place with a pistol and killed himself, and I came that way and stumbled upon him locust, birch with white

reckon think mind less you very are a good manure —but that I do not smell— —I smell the your beautiful white

Annotations Text:

and "And as to you corpse I think you are good manure, but that does not offend me, / I smell the white

halt in the shade

  • Date: Between 1850 and 1855
  • Creator(s): Walt Whitman
Text:

.— wood-duck on my distan le around. purposes, nd white playing within me the tufted crown intentional

Annotations Text:

I believe in those winged purposes, / And acknowledge the red yellow and white playing within me, / And

Settlers and Indian Battles

  • Date: Between 1850 and 1860; 22 March 1856; 1849
  • Creator(s): Walt Whitman | Unknown | Henry David Thoreau
Text:

How beautiful its clusters of pink and white blossoms are, and how delightfully fragrant!

The squirrel cups vary in color, some being white, others pink, and others still bluish or lilac-colored

Autobiographical Data

  • Date: Between 1848 and 1856
  • Creator(s): Walt Whitman
Text:

Winter of 1840, went to white stone, and was there till next spring.— Went to New York in May 1841, and

Edward the Confessor, a Saxon, king.— Harold, son of a nobleman.— His pretensions were opposed by William

, Duke of Normandy.— The crown had been left William by Edward the Confessor.— Pope in favor of William

William entered England, fought Harold, defeated him, and gained the crown.

William the Conqueror 1087 William Rufus, son " 1100 Henry I.

[These I, singing in spring]

  • Date: 1857-1859
Text:

of a poem inscribed on the first and third sides of two folded half-sheets (20 x 16 cm) of the same white

[Long I thought that knowledge]

  • Date: 1857-1859
Text:

1857-1859poetryhandwritten3 leavesleaves 1 and 2 15 x 9.5 cm; leaf 3 6.5 x 9.5 cm; On three pieces of white

[Hours continuing long]

  • Date: 1857-1859
Text:

1859poetryhandwritten2 leavesleaf 1 9.5 x 9 cm; leaf 2 14.5 x 9 cm pasted to 5 x 9.5 cm; On two pieces of white

[You bards of ages hence]

  • Date: 1857-1859
Text:

1859poetryhandwritten2 leavesleaf 1 8 x 9 cm; leaf 2 14.5 x 9.5 cm pasted to 5.5 x 9.5 cm; On two sections of white

[When I heard at the close of]

  • Date: 1857-1859
Text:

.00080[When I heard at the close of]1857-1859poetryhandwritten2 leaves15 x 9.5 cm; On two leaves of white

paper, both measuring 15 x 9.5 cm; the lower half of the second page is pasted over with a section of white

To a new personal admirer

  • Date: 1857-1859
Text:

admirer1857-1859poetryhandwritten2 leavesleaf 1 13 x 11.5 cm; leaf 2 20 x 16 cm; On two pieces of white

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