Skip to main content

Search Results

Filter by:

Date


Dates in both fields not required
Entering in only one field Searches
Year, Month, & Day Single day
Year & Month Whole month
Year Whole year
Month & Day 1600-#-# to 2100-#-#
Month 1600-#-1 to 2100-#-31
Day 1600-01-# to 2100-12-#

Section

  • Published Writings 473

Work title

See more

Year

Search : PETER MAILLAND PLAY
Section : Published Writings

473 results

Political editorials in the Brooklyn Daily Times

  • Date: 2024
  • Creator(s): Stephanie M. Blalock | Kevin McMullen | Stefan Schöberlein | Jason Stacy
Text:

Focusing on limiting the expansion of slavery, and playing upon his western roots, Lincoln's arguments

were originally Democrats, but when the time came we went over with a vengeance: it was no role, no play

Waterworks editorials in the Brooklyn Daily Times

  • Date: 2024
  • Creator(s): Stephanie M. Blalock | Kevin McMullen | Stefan Schöberlein | Jason Stacy
Text:

constituted "an important chapter in the history of U.S. public works" and the role that local journalism played

The New York Aurora

  • Date: 2017
  • Creator(s): Jason Stacy
Text:

Whitman's former tone from the "Sun-Down Papers—From the Desk of a Schoolmaster" (1840-1841), where he played

Introduction to Walt Whitman's Short Fiction

  • Date: 2016
  • Creator(s): Stephanie Blalock | Nicole Gray
Text:

Steel called the tale "weirdly Hawthornesque" and contended that Whitman "told his whist playing friends

The insanity that played a memorable role in several of Poe's stories appears in Whitman's "Bervance:

New York: Peter Lang Publishing, Inc. 1998. Blalock, Stephanie, and Nicole Gray.

Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840–1855 New York: Peter

Sun-Down Papers

  • Date: 2016
  • Creator(s): Jason Stacy
Text:

Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass, 1840-1855 (New York: Peter

The Collected Writings of Walt Whitman: The Journalism, Volume 1: 1834-1846 Herbert Bergman New York Peter

About "Death in the School-Room. A Fact."

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "Wild Frank's Return"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "A Legend of Life and Love"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "The Tomb-Blossoms"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "The Last of the Sacred Army"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "The Child-Ghost; A Story of the Last Loyalist

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "Bervance: Or, Father and Son"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "Lingave's Temptation"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

Lippy and Peter W. Williams (Washington, DC: CQ Press, 2010), 1862.

About "The Angel of Tears"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

About "Revenge and Requital; A Tale of a Murderer Escaped"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

In addition to publishing articles on national policy and playing an important role as an organ of the

section entirely, a revision that takes out Marsh's redemptive involvement with cholera victims and plays

About "arrow-Tip"

  • Date: 2015
  • Creator(s): Stephanie Blalock | Nicole Gray
Text:

novella is the Native American "Arrow-Tip," who is falsely accused of both theft and the murder of Peter

Later, on a hunting trip, Arrow-Tip gets into an altercation with Peter Brown and strikes him, severely

At the end of the novella, as the Deer mourns the death of his brother Arrow-Tip and Peter Brown goes

the front page of the issue, and the June 1, 1846, issue of the paper featured Whitman's poem " The Play-Ground

About "Shirval: A Tale of Jerusalem"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

Labor Reform and Persona in Whitman's Journalism and the First Leaves of Grass , 1840–1855 (New York: Peter

About "The Shadow and the Light of a Young Man's Soul"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

Whitman's sojourn to New Orelans is believed to have played a key role in shaping the poetry that would

About "The Little Sleighers. A Sketch of a Winter Morning on the Battery"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

He even observes a group of children playing a game while he walks, a scene that bears some resemblance

About "The Fireman's Dream: With the Story of His Strange Companion. A Tale of Fantasie."

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

Edward Recchia, eds., The Collected Writings of Walt Whitman: The Journalism, vols. 1–2 (New York: Peter

About "One Wicked Impulse! A Tale of a Murderer Escaped"

  • Date: 2015
  • Creator(s): Stephanie Blalock
Text:

section entirely, a revision that takes out Marsh's redemptive involvement with cholera victims and plays

Introduction to Franklin Evans and "Fortunes of a Country-Boy"

  • Date: 2015
  • Creator(s): Stephanie Blalock | Nicole Gray
Text:

"Scores of lesser-known writers produced temperance novels, stories, poems, plays, and periodicals,"

temperance out of Franklin Evans for publication in the Brooklyn Daily Eagle in 1846, however, he also played

Conclusion Whitman's decision to play down the temperance theme when he republished Franklin Evans as

thinking through dynamics that would eventually become central to Leaves of Grass , including the play

New York: Peter Lang, 1998. Blanck, Jacob, comp. Bibliography of American Literature . 9 vols.

Fortunes of a Country-Boy; Incidents in Town—and His Adventure at the South. [Composite Version]

  • Date: November 16–30, 1846
  • Creator(s): Walt Whitman
Text:

The curtain drew up and the play began.

When the play was over, we went out.

"But it is a dangerous game, and should be played cautiously."

"We have made up a fine party for the play to-night, and you must promise to be one of us."

Whether any suspicions of foul play were as yet aroused in the breasts of other persons, is more than

Editing Whitman's Poetry in Periodicals

  • Date: 2014
  • Creator(s): Elizabeth Lorang
Annotations Text:

published/periodical/index.html; The interlibrary loan department at the University of Nebraska-Lincoln played

Complete Prose Works

  • Date: 1892
  • Creator(s): Walt Whitman
Text:

What Lurks Behind Shakspere's Historical Plays?

Austin as Ariel, and Peter Richings as Caliban.

The vocal play and significance moves one more than books.

All work seem'd play to him.

Not for nothing does evil play its part among us.

Leaves of Grass (1891–1892)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

- ing playing within me.

play the part that looks back on the actor or actress!

To go to battle—to hear the bugles play and the drums beat!

The passionate teeming plays this curtain hid!)

I am a dance—play up there! the fit is whirling me fast!

Essay. Leaves of Grass (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

New World receives with joy the poems of the antique, with European feudalism's rich fund of epics, plays

Cluster: Inscriptions. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Cluster: Children of Adam. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

Cluster: Calamus. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Cluster: Sea-Drift. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

leaving his bed wander'd alone, bareheaded, barefoot, Down from the shower'd halo, Up from the mystic play

tangle, openings, and pink turf, Different colors, pale gray and green, purple, white, and gold, the play

Cluster: By the Roadside. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

I love to look on the Stars and Stripes, I hope the fifes will play Yankee Doodle.

That you are here—that life exists and identity, That the powerful play goes on, and you may contribute

Cluster: Drum-Taps. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

up here, soul, soul, Come up here, dear little child, To fly in the clouds and winds with me, and play

defiles through the woods, gain'd at night, The British advancing, rounding in from the east, fiercely playing

march'd forth to inter- cept intercept the enemy, They are cut off, murderous artillery from the hills plays

Cluster: Autumn Rivulets. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

The passionate teeming plays this curtain hid!)

Cluster: Whispers of Heavenly Death. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

limitless, in vain I try to think how limitless, I do not doubt that the orbs and the systems of orbs play

AS I sit with others at a great feast, suddenly while the music is playing, To my mind, (whence it comes

Starting From Paumanok.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

step they wend, they never stop, Successions of men, Americanos, a hundred millions, One generation playing

its part and passing on, Another generation playing its part and passing on in its turn, With faces

Song of Myself.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

loos'd to the eddies of the wind, A few light kisses, a few embraces, a reaching around of arms, The play

From the cinder-strew'd threshold I follow their movements, The lithe sheer of their waists plays even

I believe in those wing'd purposes, And acknowledge red, yellow, white, playing within me, And consider

the common air that bathes the globe. 18 With music strong I come, with my cornets and my drums, I play

not marches for accepted victors only, I play marches for conquer'd and slain persons.

To the Garden the World

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

again, Amorous, mature, all beautiful to me, all wondrous, My limbs and the quivering fire that ever plays

I Sing the Body Electric.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

hair rumpled over and blind- ing blinding the eyes; The march of firemen in their own costumes, the play

what was expected of heaven or fear'd of hell, are now consumed, Mad filaments, ungovernable shoots play

Native Moments.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

He shall be lawless, rude, illiterate, he shall be one condemn'd by others for deeds done, I will play

O You Whom I Often and Silently Come.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

or remain in the same room with you, Little you know the subtle electric fire that for your sake is play

- ing playing within me.

Salut Au Monde!

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Who are the infants, some playing, some slumbering? Who are the girls? who are the married women?

Crossing Brooklyn Ferry.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

play the part that looks back on the actor or actress!

Play the old role, the role that is great or small according as one makes it!

Cluster: Songs of Parting. (1891)

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

force advancing with irresistible power on the world's stage, (Have the old forces, the old wars, played

How my thoughts play subtly at the spectacles around! How the clouds pass silently overhead!

To Thee Old Cause.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Around the idea of thee the war revolving, With all its angry and vehement play of causes, (With vast

Our Old Feuillage.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

rest standing, they are too tired, Afar on arctic ice the she-walrus lying drowsily while her cubs play

evening, the musket-muz- zles musket-muzzles all bear bunches of flowers presented by women; Children at play

A Song of Joys.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

To go to battle—to hear the bugles play and the drums beat!

Song of the Broad-Axe.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

these are not to be cherish'd for themselves, They fill their hour, the dancers dance, the musicians play

Song of the Exposition.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

Away with novels, plots and plays of foreign courts, Away with love-verses sugar'd in rhyme, the intrigues

A Song for Occupations.

  • Date: 1891–1892
  • Creator(s): Walt Whitman
Text:

The most renown'd poems would be ashes, orations and plays would be vacuums.

Back to top