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تسارعشييهنوگ»دازآرعش«.دوباكيرماهزاتحور ه هــكناــنآ،ناــحلامهنهك هرابرددناوتيمودنكيمنيوريپيصاخنزوزاهك 2

زا وا پ بري 4 1 .نارگيدربيقيقحناحتافيرتربليلدتسانيمهاهنت ينامز نمتيو هب تبسن يگتفيش .دنتخادرپيم نآ 2

اهكشا بقل نآ هب و تفرگ ار باتك نيا شخپ يولج 1 ،يياهنترد،بشرد نمتيو هب طوبرم ياههتشون .داد »نهوم تايبدا« 2

ارمدرمرظنتشادهقلاعواهكدهديمناشننمتيو 3 اههــساميورهكهديمخلكــشيبهدوتنياتــسيك 6 تلاو«رد.دنكتيريدمتايبداابشاهطبارهرابرد 2

Etemad [Tehran, Iran] (July 2, 2013). 1) In some anthologies we read about the “Whitmanic” elements.

His poetry celebrates democracy and encompasses a diverse range of people. 2) If we use a stylistic approach

fact believed that a great poet would be embraced by readers, but this was a miscalculation, on his part

The unified guide project, a part of the online Walt Whitman Archive begun in 1995, is funded with a

Moreover, some prose passages are part of the gestation process of poetry.

digital representations are frequently not as rich as those that the scholars will eventually create; 2)

scholarly editions: 1) Projects are at great risk of floundering or of proceeding in idiosyncratic ways; 2)

We're doing this in part because his work defies the constraints of the book.

Whitman as a Poet and a Person (1867), O'Connor's The Good Gray Poet (1865) and "The Carpenter," a short story

Dec. 2, 2006 . ———., ed. .

New York UP, 1961–84; 2 vols. Peter Lang, 1998–2003; 1 vol. U of Iowa P, 2004. ———.

Arthur Golden. 2 vols. New York: New York Public Lib., 1968. Reproduced with permission.

Development of the Traubel section of this part of the is proceeding quickly; the transcription and encoding

We are also in the process of making this part of the site searchable.

Most recent criticism is entangled with copyright issues, so rapid development of this part of the site

Leaves of Grass , a volume emerging out of the Nebraska sesquicentennial conference held March 31-April 2,

Price, "Introduction" http://www.whitmanarchive.org/introduction/ This will part of The Aurora Project

provide a more detailed consideration of how greater audience involvement might enhance the Walt Whitman 2

implies, ordinary members of the public (as was the case in Transcribe Bentham), or, for the most part

In a print environment, the work of translators was rarely part of a scholarly edition.

We include translations, however, as part of the expansive research environment of our digital archive

Other stories had 11 international visibility.

Deforming translational deformances would seem to be an important part of studying Whitman's work as

largely on foregoing Italian and French translations, while occasionally making reference to the 1891–2

stubs of the cut-out leaves, in the way the book rests in the palm of the hand, not to mention in the story

transforming them (as McGann's comments on markup make clear), but there is no doubt that a vital part

immediately into narrative—items we can access later as pieces of a narrative if and when they fit the story

I would like to begin by briefly telling a long story, an all too familiar one, a story of American literary

scholarship over the last half century, a story of how changing technologies have gradually altered

It's a story that—in the case of Walt Whitman and many others—begins in the late 1940s and early 1950s

So in the mid-1950s a relatively young group of twelve scholars joined together to devote a major part

The three-volume Variorum Edition of Leaves of Grass , part of the , was originally slated to record

The enhanced finding aids and the accompanying digital images developed as part of this project help

As part of the project, we request digital images of poetry manuscripts from the holding repositories

We have identified the poetic lines written on the verso as part of an extremely important Whitman poem

For a more detailed illustration of the stylesheet, see figure 2, to see how the component EAD files

He is part of the very fabric of American life, its past, present, and no doubt future as well.

Whitman also experimented with radically different ways of dividing "Song of Myself" into parts: for

This part of the will be a special boon for those interested in reception history.

This hypertext edition of "Song of Myself," then, will constitute the most important part of a large,

us this good advice: we should concentrate, he said, on doing a small core sample of the , a living part

Our long-range plan is to assign parts of the project to field editors once we have fully developed the

In addition we have established a $2 million permanent endowment to support our ongoing work, with most

training only literary scholars but instead individuals capable of contributing to a variety of fields. 2.

Some parts of the Whitman Archive could, logically speaking, reach a state of conclusion.

But other parts of the site do not have a logical end point.

Archive also contains a fair amount of matter that, in the past, ordinarily would not be included as part

The non-authorial illustrations of this novel are part of the social text and provide an index to the

The library is doing this as part of a pilot project related to work on digital infrastructure.

This could be a constituent part of her own free-standing scholarly work.

The Chronicle Review [The Chronicle of Higher Education Section 2] 49: 16 (December 13), B7–B9.

In addition, I will use the final term, , to discuss yet-to-be-developed parts of the Whitman Archive

Our gradually shifting views have been shaped in part by discussions with publishers.

I have recently begun work on a digital undertaking that may or may not become part of the .

To ignore such interpretations is to ignore an enormous part of Whitman's reception in the world.

Beckett's short story was first published in French as Sans .

Our work on Whitman and the Civil War is part of a much larger and long-term undertaking to re-edit Whitman

once—raised by the online archive as an expansive form, notable for the potentially rich interlinking of its parts

good measure, behind all of these he included yet another thin sheaf of poems titled "Songs before Parting

the page break tags in "Drum Taps," a "b" to those in "Sequel," and a "c" to those in "Songs before Parting

Even assuming that the poem is part of the front matter, it remains unclear whether it is intended as

know of Whitman's concern for "look and feel" it is potentially useful to be able to isolate each part

"Each Part and Tag of Me is a Miracle": Reflections after Tagging the 1867 Leaves of Grass

Horace Traubel, Whitman's young literary disciple, searches through the 2-foot-deep piles of papers and

We are attempting this in part because Whitman's writings defy the constraints of the book.

Part of the grant money is explicitly earmarked to support and document experimentation with various

surprised to find Whitman wrote a novel and published fiction in some of the country's best journals; his stories

Many new media objects do not tell stories; they do not have a beginning or end; in fact, they do not

, one on page 16, one on page 34; another line appears in a different poem in , and yet another is part

biography as a genre has managed to stay relatively untheorized, has clung to its unquestioned life-story

In biography, all is sacrificed to the story of one heroic, flawed, and finally deific individual, who

In part, the has been shaped by what has seemed most fundable.

We expect to be able to answer such questions in part visually via dynamic maps.

and the slavery, race, and emancipation story.

For the most part, has developed as a stand-alone project.

, but we have the sites open in a separate window to visually reinforce the idea that they are not part