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William Rossetti's attempt to Bowdlerize and expurgate his song.

I smell the white roses sweet-scented and growing.

Day come white, or night come black, Home, or rivers and mountains from home, Singing all time, minding

tree itself; everybody knows that the cedar is a healthy, cheap, democratic wood, streaked red and white—an

his vulgar and profane hoofs among the delicate flowers which bloom there, and soiling the spotless white

shirt-collar flat and broad, countenance of swarthy transparent red, beard short and well mottled with white

He does not separate the learned from the unlearned, the Northerner from the Southerner, the white from

manner which, if irony were not a mode rather foreign to him, we should consider ironical, that "William

William O'Connor and Dr.

We have no concern with William O'Connor and Dr. Bucke. If we have concern with Mr.

wants something newer and better than the old poetry, and that his poetry is not an achievement (William

All this is granted by us, or rather spontaneously asserted, and if William O'Connor and Dr.

the closed-up sutures in my cranium were opened as widely as if the brains were out, and a pint of white

and pealing, Waves, air, midnight, their savagest trinity lashing, Out in the shadows there, milk-white

wending, Steadily, slowly, through hoarse roar never remitting, Along the midnight edge, by those milk-white

Alfred, Lord Tennyson (1809–1892) succeeded William Wordsworth as poet laureate of Great Britain in 1850

At the conclusion of William Blake: A Critical Essay (1868), 300–303, Swinburne pointed out similarities

William Michael Rossetti (1829–1915), brother of Dante Gabriel and Christina Rossetti, was an English

For more on Whitman's relationship with Rossetti, see Sherwood Smith, " Rossetti, William Michael (1829

She sits in an arm-chair, under the shaded porch of the farm-house; The sun just shines on her old white

again, this soil'd world. … For my enemy is dead—a man divine as myself is dead; I look where he lies, white-faced

and still in the coffin—I draw near; I bend down and touch lightly with my lips the white face in the

White and beautiful are the faces around me…the heads are bared of their fire- caps firecaps — The kneeling

Examine these limbs, red, black, or white… they are very cunning in tendon and nerve; They shall be stript

She sits in an arm-chair, under the shaded porch of the farm house— The sun just shines on her old white

Winds blow south, or winds blow north, Day come white, or white come black, Home, or rivers and mountains

, of original grandeur and elegance of design, with the masses of gay colour, the preponderance of white

Probably a slip of the hand or printer's error for William Bell Scott.

Walt Whitman has been often, and with justice, compared to the painter—poet—prophet William Blake; like

Selected and edited by William Michael Rossetti (Hotten.)

the stumpy bars of pig-iron, the strong, clean-shaped T-rail for railroads; Oil-works, silk-works, white-lead-works

What is that little black thing I see there in the white? Loud! loud! loud!

Winds blow south, or winds blow north, Day come white or night come black, Home, or rivers and mountains

the child, gliding down to the beach, had stood with bare feet, the wind wafting his hair, with 'the white

What is that little black thing I see there in the white? Loud! loud! loud!

wheat, every grain from its shroud in the dark brown fields uprisen, Passing the apple-tree blows of white

William Makepeace Thackeray (1811–1863), English novelist, best known for his satirical novel Vanity

Harold Williams. Vol. III. London: Oxford UP, 1963. 102-105.

Selected and Edited by William Michael Rossetti One Vol., pp. 406. J.C. Hotten.

To William Michael Rossetti, as the selecter of these poems, we are not simply, in old-fashioned phrase

That immortal house, more than all the rows of dwellings ever built, Or white domed white-domed Capitol

William Wordsworth was reputedly fond of the lesser celandine and it inspired him to write three poems

William Cowper (1731-1800) was a popular English poet of his time.

Jove's trick on Europa refers to the myth in which Zeus disguised himself as a tame, white-colored bull

.; Jove's trick on Europa refers to the myth in which Zeus disguised himself as a tame, white-colored

ancient sorrowful mother, Once a queen now lean and tattered tatter'd , seated on the ground, Her old white

William Seward, Charles Sumner, and Elijah Parish Lovejoy, were all famous anti-slavery advocates.

In calculating the decision of the world upon his book, he says William O'Connor and Dr.

Sidgwick and William Clifford were both members of "The Apostles," the famous elite literary society

And it means, sprouting alike in broad zones and narrow zones, Growing among black folks as among white

, And it means, Sprouting alike in broad zones and narrow zones Growing among black folks as among white

the western persimmon . . . over the long-leaved corn and the delicate blue flowered flax; Over the white

Selected and edited by William Michael Rossetti. London: John Camden Hotten. 1868.

The article focuses on descriptive poetry quoting from Taylor's "Lars," William Gilmore Simms, Alfred

Sigourney, the chief poetess of the United States, of the classical William Cullen Bryant, the Catholic

The monk endeavours to console him with the prospect of eternal rest, the white robe and the golden crown

White the stars that oversprinkle All the heavens, seem to twinkle With a crystalline delight; Keeping

William Michael Rossetti was principally concerned in introducing his works into the English market;

soiree, I heard what the singers were singing so long, Heard who sprang in crimson youth from the white

She sits in an arm-chair, under the shaded porch of the farmhouse, The sun just shines on her old white

, of original grandeur and elegance of design, with the masses of gay colour, the preponderance of white

and sunny temperament, a sight to draw near and look upon with her large figure, her profuse snow-white

would revive the sights and sounds and smells of his Long Island youth, the "stretch of interminable white-brown

the schooner-yachts going in a good wind—"those daring, careening things of grace and wonder, those white

gorges, the streams of amber and bronze, brawling along their beds with frequent cascades and snow-white

Robert Williams Buchanan (1841-1901) was a British poet, novelist and dramatist.

conquered, The captain on the quarter-deck coldly giving his or- ders orders through a countenance white

, Near by the corpse of the child that served in the cabin, The dead face of an old salt with long white

All architecture is what you do to it when you look upon it; Did you think it was in the white or gray

ly unearthly cry, Its veins down the neck distend…its eyes roll till they show nothing but their whites

And it means, Sprouting, alike in broad zones and narrow zones, Growing among black folks as among white

Examine these limbs, red, black or white…they are very cunning in tendon and nerve; They shall be stript

William Edmondstoune Aytoun (1813-1865) was an influential Scottish poet famed for his parodies and light

The early lilacs became part of this child; And grass, and white and red morning-glories, and white and

old man, through crippled somewhat in his gait by paralysis, well over six feet in height, with long white

gentlemen know that (leaving out all the border States) there were fifty regiments and seven companies of white

During this period he was on familiar terms of acquaintance with William Cullen Bryant, and the two were

again, this soil'd world; For my enemy is dead a man divine as myself is dead I look where he lies white-faced

and still in the coffin—I draw near I bend Bend down and touch lightly with my lips the white face in

As he speaks, we more than once see a man's face at white heat, and a man's hand beating down emphasis

exceptions whose appreciation distinguishes the thinker from the dogmatist: intense black and glaring white

and all hearts thrill at the thought of murdered Naboth and his sons, and of Lear hanging over the white

women, or from offspring taken out of their mother's laps, This grass is very dark to be from the white

Here goes:— "Oil-works, silk-works, white-lead works, the sugar-house, steam-saws, the grist-mills, and

Scottish poet (1777–1844), writer of the long narrative poem Gertrude of Wyoming William Morris, "The

cover is a plain one, with marbled sides and back of dark olive, with the title pasted on in plain white

says one white-haired old fellow remonstratingly to another in a budget of letters I read last night.

William Bell Scott , a name perhaps not very familiar to most of our readers, but which Mr.

William Bell Scott, British poet and artist, introduced Rossetti to the 1855 Leaves of Grass.

means, Sprouting alike in broad zones and nar- row narrow zones, Growing among black folks as among white

calmness and beauty of person; The shape of his head, the richness and breadth of his manners, yellow and white

This grass is very dark to be from the white heads of old mothers.

Then he is "Pleased with primitive tunes of the choir of the white- washed white-washed church," And

shirt collar flat and broad, countenance of swarthy transparent red, beard short and well mottled with white

And it means, sprouting alike in broad zones and narrow zones, Growing among black folks as among white

fruitstand . . . . . . the beef on the butcher's stall, The bread and cakes in the bakery . . . . . . the white

I depart as air, I shake my white locks at the runaway I effuse my flesh in eddies, and drift it in lacy

White and beautiful are the faces around me…the heads are bared of their fire-caps.

we had conquered— The captain on the quarter-deck, coldly giving his orders through a countenance white

Near by, the corpse of the child that served in the cabin, The dead face of an old salt, with long white

I depart as air—I shake my white locks at the run-away sun, I effuse my flesh in eddies, and drift it

William Wycherley (1641-1716) was an English playwright whose plays juxtaposed deep-seated Puritanism

In 1841 Macaulay offered a scathing assessment of William Wycherley's work. Leaves of Grass

western persimmon—over the long-leaved corn—over the deli- cate delicate blue-flowered flax, Over the white

red shirt—the pervading hush is for my sake, Painless after all I lie, exhausted but not so unhappy, White