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NOTES 1.

Nowyou can ofcourse saythat he meant pure verse and that the foot is a paeon 1 2 3 1 2 3 4 1 2 3 "or

NOTES 1."

Vol. 1. 1906. New York: Rowman and Littlefield, 1961. Whitman, Walt. The Correspondence. Ed.

Vol. 1. 1906. New York: Rowman and Littlefield, 1961. Gilchrist, Herbert Harlakenden (1857–1914)

Vol. 1. New York: New York UP, 1963. 254–262. ———. "Death of Thomas Carlyle." Prose Works 1892. Ed.

Vol. 1. New York: New York UP, 1963. 248–253. Wilson, David Alec. Life of Thomas Carlyle. 6 vols.

New York Times Book Review 6 Feb. 1955: 1, 22. ———. "Walt Whitman: The Miracle."

The first (lines 1–17) is a chanting apostrophe, cast as a "recitative."

The front matter of volume 1 contains a concise introduction, lists of abbreviations, illustrations,

of them is the earliest known notebook, and one of the most fascinating: "albot Wilson" (Notebooks 1:

journeywork of suns and systems of suns, / And that a leaf of grass is not less than they" (Notebooks 1:

we fetch that height, we shall not be filled and satisfied but shall look as high beyond" (Notebooks 1:

In another of the stolen manuscripts recently recovered, "You know how the One" (Notebooks 1:124-127)

human beings, the persona declares: "I see them and complain not, and am content with all" (section 1)

Vol. 1. New York: New York UP, 1980. "Faces" (1855)

Vol. 1. New York: New York UP, 1980. 'There Was a Child Went Forth' [1855]

of the road's sights and sounds and his translation of them into a visionary consciousness (sections 1–

The Nassau Review 1 (1965). 101–110.Hollis, C. Carroll. Language and Style in "Leaves of Grass."

fears of annihilation, expresses terror ("Something startles me where I thought I was safest" [section 1]

section 2) of which is packed with "all the foul liquid and meat" of "distemper'd corpses" (section 1)

Saint Paul's sermon on the conquest of death and the rebirth of the soul (1 Corinthians 15) speaks of

Vol. 1. New York: New York UP, 1980.____. Prose Works 1892. Ed. Floyd Stovall. 2 vols.

wartime hospital experiences and his urge to be the war's memorialist, "to be witness again" (section 1)

fascinating it is, with its hospital surroundings of sadness & scenes of repulsion and death" (Correspondence 1:

as a seasoned veteran summoning up ("resuming") memories of "the mightiest armies of earth" (section 1)

and I resign'd myself / To sit by the wounded and soothe them, or silently watch the dead" (section 1)

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1964.____.

—They retard my book very much" (Correspondence 1:44).

Thus the dozen poems of the first edition are here distributed in the following sequence: 1, 4, 32, 26

Vol. 1. New York: New York UP, 1980. ____.

THE WOUND DRESSER 1 4 1 Nevertheless, in spite of the inappropriateness of these arti cles, Whitman was

I,pp. xxxiii-xxxiv, n. 1. 32.

Io9. 47· www, p. 1 1 0 . 48. www, pp. II2-II3. 49• WWW, pp. I I I-I I2. 50. Inc. Ed., p. 236.

, p. 5, §4 (1 1-12), Inc.

I.1 1 . 63. "Twilight,''NB, p. 35,Inc.

" and "Good-day my brother, to Cudge that hoes in the sugar-field" ("Song of the Answerer," section 1)

Manhood, purpose of all, pois'd on yourself—giving, not taking law" ("Song of the Redwood-Tree," section 1)

American Speech 1 (1926): 421–430.Whitman, Walt. An American Primer. Ed. Horace Traubel.

," section 1).

one of which he perpetrated in the Mercure de France (to which he was a regular contributor) in the 1

which lasted for ten months in the pages of the Mercure de France as well as in other journals, until 1

Harned; "they are the Millet that Walt Whitman has succeeded in putting into words" (With Walt Whitman 1:

Eakins errs just a little . . . in the direction of the flesh" (With Walt Whitman 1:131).

painter," Whitman said; "he belongs to me: I have written Walt Whitman all over him" (With Walt Whitman 1:

Vol. 1. Boston: Small, Maynard, 1906; Vol. 2. New York: Appleton, 1908. Whitman, Walt.

Vol. 1 of Prose Works 1892. New York: New York UP, 1963. Millet, Jean-François (1814–1875)

translated by Sylvia Beach and Adrienne Monnier and the translation was published in Le Navire d'Argent (1

Identifiers: lccn 2017010803 | iSbn 978-1-60938-531-6 (paperback : acid-freepaper) | iSbn 978-1-60938

Mirth 1” (188, 190).

He Is Silent” 1.

Johnson, Hyperboles, 1, 8.

19; 1. 5.

eccentric,' 'vagabond' or queer person, that the commentators … persist in making him" (Correspondence 1:

actually met, but on the Washington streets the two exchanged "bows, and very cordial ones" (Prose Works 1:

: through his own persona, linking it to the reader's—"And what I assume you shall assume" (section 1)

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.

On 1 November 1891, in a long, complimentary article in the Recorder, Huneker condemned America's neglect

Journal of the American Studies Association of Texas 27 (1996): 1–18. Bloom, Harold. Introduction.

New York: Chelsea House, 1987. 1–6. Chopin, Kate.

declamations and escapades undoubtedly enter'd into the gestation of 'Leaves of Grass'" (Prose Works 1:

daily reportage Whitman always recalled fondly (see, for example, "Starting Newspapers," Prose Works 1:

fields, trees, birds, sun-warmth and free skies, or it will certainly dwindle and pale" (Prose Works 1:

of natural and artificial" appear as "radiations of one consistent and eternal purpose" (Prose Works 1:

en-masse," equality and singularity, are but polar terms in "the endless process of Creative thought" (1:

In other words, Hegel's "catholic standard and faith" (Prose Works 1:259) Whitman interprets as a metaphysical

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.

Vol. 1 of Prose Works 1892. Ed. Floyd Stovall. New York: New York UP, 1963.

Construction of the New Bible / Not to be diverted from the principal object—the main life work" (Notebooks 1:

Notes 1.

Notes 1.

Notes 1.

Notes 1.

Brooklyn Daily Eagle 18 (1 June 1931): 1–2.

swart-cheek'd two-sworded envoys" riding through Manhattan on 16 June 1860 ("A Broadway Pageant," section 1)

Whitman as a bull in the china shop of poetry and, ironically, the critics as fretful "Misses Nancy" (1:

The 1865 review of Drum-Taps granted pathos and "purity" to the collection (1:49), but concluded that

Selected Literary Criticism, Volume 1:1859–1885. Ed. Ulrich Halfmann, Christopher K.

•Emanuel Carnevali Contents Acknowledgments . . . xi Introduction . . . 1 Chapter 1 . . . 19 Post-RisorgimentoEncounters

Chapter 1 1.

Chapter 6 1.

Chapter 8 1.

Chapter 10 1.

Calamus: Walt Whitman Quarterly International 22 (1972): 1–17.Mayakovsky, Vladimir.

notice.A list of the major public repositories of manuscripts, letters, and related papers follows.1.

This set includes three volumes in six physical books: parts one and two of volume 1 include the poetry

Vol. 1. Boston: Small, Maynard, 1906.Zweig, Paul. Walt Whitman: The Making of the Poet.

Lawrence: U of Kansas P, 1956. 1–18.Larson, Kerry C. Whitman's Drama of Consensus.

Vol. 1. Boston: Small, Maynard, 1906; Vol. 3. New York: Mitchell Kinnerley, 1914. Watson, Harry L.

confirmed Paine's "noble personality," pointing to the philosophical calm with which he died (Prose Works 1:

Printedonacid-freepaper issn:1556–5610 lccn:2007936977 isbn-13:978-1-58729–638-3(cloth) isbn-10:1-58729

–638-1(cloth) 08 09 10 11 12 c 5 4 3 2 1 Pastandpresentandfuturearenotdisjoinedbutjoined.

(var- ious publishers 1906–96), 1: 108.

ElsewhereRosenfeldassociatedMarin’spigment { angela miller } 109 1.

Poland, Whaler of Nantucket (1952–1953), steel, 34 1/2″ x 45 1/2″ approximately 525 pounds, Edward E.

Washington Monument in the nation's capital and Boston's "chimney-shaped" Bunker Hill Monument (Uncollected 1:

In the Brooklyn Daily Eagle, Whitman cited Brown as an artist of "genius and industry" (Uncollected 1:

the scene's temporal requirements were among the formal qualities Whitman admired most (Uncollected 1:

artists], ardent, radical and progressive" to strengthen this country's artistic base (Uncollected 1:

art's moral value and his equation between the "perfect man" and the "perfect artist" (Uncollected 1:

widely criticized by Whitman and his circle, who dubbed it the "parlor" Whitman (With Walt Whitman 1:

Vol. 1. 1906. New York: Rowman and Littlefield, 1961; Vol. 2. 1908.

Actor John Carradine performed "Poets to Come" with a jazz setting for vol. 1 of An Anthology of Poetry

Vol. 1. Boston: Houghton Mifflin, 1913. Rubin, Joan Shelley. The Making of Middle/Brow Culture.

Vol. 1. Boston: Small, Maynard, 1906. Vanderbilt, Kermit.

IsBN-13: 978-1-60938-069-4; IsBN-10: 1-60938-069-X (pbk.)

IsBN-13: 978-1-60938-070-0; IsBN-10: 1-60938-070-3 (e-book) 1.

Walt Whitman’s Reconstruction 1.

, fragmentary book ever printed” (PW, 1:1).

Successful” (Corr, 1:253n).

He writes in his American Primer that nothing is "more spiritual than words" (1).The poet's relationship

substantial words" are all around us—in the "ground and sea . . . in the air . . . in you" (section 1)

Walt Whitman Quarterly Review 5.1 (1987): 1–11.Whitman, Walt. An American Primer. 1904. Ed.

Whitman opens the poem by addressing this "strange musician" (section 1), calling it forward so "I may

most of the summer quietly on the "ample and charming garden and lawns of the asylum" (Prose Works 1:

be the majority, promises to be the leaven which must eventually leaven the whole lump" (Prose Works 1:

dismisses this as a sentiment which rather foolishly "overrides the desire for commercial prosperity" (1:

shall form two or three grand States, equal and independent, with the rest of the American Union" (1:

Lawrence, whose length he had just traveled, not a "frontier line, but a grand interior or mid-channel" (1: